PR Video of the Traditional Japanese Art, Hitofude-ryuu This video called “ 京都一筆龍【春夏秋冬】- Hitofude-ryu 【Four seasons】” produced by "Kyoto Hitofude-ryuu Orindo" promotes the traditional art Hitofude-ryu, painted with a single stroke. The ability of these artists to create such breathtaking works of art in such a short amount of time is absolutely amazing. Hitofude-ryuu is a very attractive and graceful Japanese art. This video features how the breathtaking Japanese art is painted. Enjoy the techniques of hitofude-ryuu artists. What Is Hitofude-ryuu? Source :YouTube screenshot Japan's traditional art form, Hitofude-ryuu, is a lucky charm used to connect people and bring success in business. Hitofude- ryu has a long history. It has been used as a lucky charm or to expel evil spirits during the Edo Period. There was also another version called Hitofude-hebi that used snakes. A ryu (dragon) was thought to be sacred and enshrined at temples as deities of agriculture because the shape of Japanese islands resembled a dragon. There are two types of hitofude-ryuu in Orindo in Kyoto. The "Ascending dragon" and the "Descending dragon" are drawn to pray for success and protective power, respectively. “Nyoi-hoju” is one dragon that is said fulfill people's wishes and bring them good luck. The painters of hitofude-ryuu all over Japan are called "hitofude-ryuu eshi" (hitofude-ryuu artists). Keisuke Teshima, the painter in the video, is the most renowned and respected hitofude-ryuu artist. You can see his work in this video at 0:05. Don’t miss his amazing skills! The popularity of hitofude-ryuu has increased overseas thanks to the video posted by Keisuke Teshima. His performance in America in 2014 was highly regarded. You should definitely see the video that shows how Teshima draws a hitofude-ryuu in his atelier. How to Draw Hitofude-ryuu Source :YouTube screenshot As you can see from the video (0:05, 2:02, 3:39 and 4:44) , the body of a ryu is painted with the single stroke of a thick brush. The details such as a head or "Nyoi-hoju" are drawn with a thin brush ( 4:38). First, the body of the dragon is drawn in a single stroke using a thick brush starting from the head. Today, various colors such as red, blue, gold, and white are used to draw the dragons. After a dragon is drawn, a painter finishes a background using special techniques such as powders. The colorful dragons on black backgrounds seem to come alive. Where to Buy Hitofude-ryuu Source :Kyoto hitofude-ryuu official website There are various types of hitofude-ryuu, such as Kyoto hitofude-ryuu, Koshu-ya hitofude-ryuu, and Hitofude-ryuu Takase in Nikko. Omamori-hidofude-ryu and Chinese hitofude-ryuu are also popular.　 Hitofude-ryuu can be purchased on the official web-site or on online shopping sites, such as Rakuten or Amazon. For full orders, be sure to check out the international section of Kyoto Hitofude-ryuu's website. Orindo also offers live sales of Kyoto Hitofude-ryuu, which are painted on the spot. If you hang a hitofude-ryuu artist's painting in your room, you'll have a nice change of atmosphere. Hitofude-ryuu are well known as lucky charms and makes great presents that anyone would be happy to receive. Summary of Hitofude-ryuu This video called “ 京都一筆龍【春夏秋冬】- Hitohuderyu 【Four seasons】” produced by “Kyoto Hitofude-ryuu Orindo” features how to draw a traditional Japanese hitofude-ryuu. If you haven't watched it yet, don't miss out on this amazing painting process. Enjoy the traditional Japanese art- Hitofude-ryuu! 【Official web-site】Hitofude-ryuu | Kisuke Tejima, Hisofude ryu artist https://www.onestrokedragon.com/

Takayama Tea Whisks This video was made by Japanese Traditional Crafts Aoyama Square, a shop dedicated to Japanese traditional crafts, to introduce the Takayama Tea Whisk. Photo：Chasen (Tea Whisk) In the unique culture of Japanese tea ceremony, tea whisks are used for making matcha tea. Takayama Tea Whisks are traditional instruments made of bamboo and individually hand-crafted by artisans. In this article we'll introduce the charms and manufacturing process of Takayama Tea Whisks. Be sure to follow along with the video. Takayama Tea Whisks and Traditional Japanese Tea Ceremony Source :YouTube screenshot Japan has many traditional crafts with a long history. There is a wide variety of crafts including lacquerwares, ceramic wares, Buddhist altars, textiles, bamboo works, woodworks, Japanese paper, and many more. Tea ceremony utensils are traditional crafts that also have high cultural value as well. The tradition of tea drinking is said to have already started in the Heian period (794-1185 AD) in Japan. During the Kamakura period (1185 – 1333 AD), monk Eisai brought tea ceremony to Japan. As one of the most expensive tea whisks used for tea ceremony, the traditional Takayama Tea Whisk is made in Takayama in Ikoma City, Nara. The History and Cultural Value of Takayama Tea Whisks The production of Takayama Tea Whisks started around the middle of the Muromachi period (1336 – 1573 AD). The tea whisk was requested by Juko Murata, who started the tradition of Wabicha (a style of tea ceremony). Takayama Tamibe-no Jounyudo Souzetsu, the lord of Takayama’s son, accepted the request and made a special tea whisk for Murata. The tea whisk was presented to Emperor Gotsuchimikado and cherished by him. After the Edo period, the art of making Takayama Tea whisks had been handed down from artisans to only one of their children as a secret technique. In recent years however, the craftmanship has been passed down to 16 apprentices. The craft has been passed on as a handicraft of artisans in Takayama, Nara as well. The Characteristics and Manufacturing Process of Takayama Tea Whisks Source :YouTube screenshot Takayama Tea Whisks are made with many types of bamboo such as Henon bamboo, black bamboo and soot bamboo which is smoked in a hearth for many years. The edge of a bamboo pole is cracked into pieces, shaved thin, curled and fixed, then wrapped together to form a bamboo whisk. The painstakingly crafted Takayama Tea Whisks are truly works of art. Take a look at 0:29 in the video as it introduces the manufacturing process of Takayama Tea Whisks in detail. Summary of Takayama Tea Whisks The tradition of Japanese tea ceremony is also very popular outside Japan as it shows the Japanese spirit of Wabisabi. You can see that each tool made in the workshop is also a very profound traditional craft. We hope after reading this article and watching the video that we've sparked your interest in Takayama Tea Whisks. The maker of the video, Japan Traditional Crafts Aoyama Square, sells a variety of products including Takayama Tea Whisks. If you want to experience traditional Japanese culture or tea ceremony culture, we highly recommend that you purchase a traditional Takayama Tea Whisk. 【Official Website】Japan Traditional Crafts Aoyama Square https://kougeihin.jp/en/

VR Artist Aimi Sekiguchi This video, titled "Tokyo Crossing #56 "VR (Virtual Reality)" - VR artist Aimi Sekiguchi" (東京交差点 ＃56「VR（仮想現実）」-VRアーティスト　せきぐちあいみ) was published by "テレビ東京公式 TV TOKYO." Aimi Sekiguchi is a VR artist who creates works of art in an empty virtual space. She has been performing live in Japan as well as abroad, including the United States and Russia. This video shows an interview with VR artist Aimi Sekiguchi as she talks about the appeal of VR art. Be sure to follow along as you read this article! What Is a VR Artist? Source :YouTube screenshot VR (Virtual Reality) is a technology that allows you to perceive, as if it were real, phenomena that appear in a VR/virtual space, that do not actually exist in real life. In other words, VR art uses an empty space as a canvas to draw three-dimensional pictures by wearing VR goggles Viewers are able to see the work through a monitor. For example, the painting in the frame has depth and allows the viewer to go further into the painting, creating a new way to experience art. The artworks have depth and the ability to be experienced in 360 degrees of wonder. You can watch the actual creation of a work of art using the VR equipment and tools at 1:01 in the video. The people who create and perform this VR art are called VR artists. About VR artist, Aimi Sekiguchi Source :YouTube screenshot Aimi Sekiguchi (せきぐちあいみ), introduced in the video, started out as a TV personality before turning into a VR artist. Her real name is Aimi Sekiguchi (関口愛美, written in kanji), and she was born in 1987, making her 33 years of age. She became famous after responding to an interviewer in a TV street interview when asked about the female-only cars on Japanese trains, saying "I don’t really care where I am on the train." The video quickly went viral. Aimi Sekiguchi is currently working as a VR artist with the VR painting app Tilt Brush, as well as doing live painting in various countries, such as the 45th WorldSkills Competition, and is also a main personality of her own local radio show called "Aimi Sekiguchi Virtual Radio"(0:43). She also shares her three-dimensional art on YouTube and shares information about her work and activities on Instagram. As you can see from 2:11in the video, Aimi is seen learning how to use space at the Shunkaen Bonsai Museum in Edogawa-ward, Tokyo. It's hard to connect the space where the bonsai trees are lined up with VR art, but Aimi explains "Bonsai is an art work that includes all of the space around it, therefore, it's very helpful when I paint VR art." Summary of VR Artist Aimi Sekiguchi Source :YouTube screenshot In the video "Tokyo Crossing #56 "VR (Virtual Reality)" - VR artist Aimi Sekiguchi," Aimi explains that she would like to "stimulate peoples' imagination" through her work. In the video, you can see Aimi Sekiguchi's passion for VR art. If you're interested in Aimi Sekiguchi or VR art after reading this article, be sure to check out the video if you still haven't yet. Also be sure to check out Aimi's official website and social media sites! 【Official Website】Aimi Sekiguchi -VR official Site - Creative Village https://www.creativevillage.ne.jp/lp/aimi_sekiguchi/

Introducing a video of Sadanao Mikami’s Dojigiri Yasutsuna! This video, titled "Famous Swords Under the Heavens｜Recreating Dojigiri Yasutsuna and Ishida Masamune! (Tsuyama Yukari’s Sword Reproduction Project Vol.1)" (天下の名刀『童子切安綱』と『石田正宗』を再現！（津山ゆかりの刀剣再現プロジェクトvol.1）), was released by "TsuyamaCityPR." In recent years, the popularity of swords has suddenly increased, especially among the younger generation in Japan. Also, beautiful Japanese katana have been attracting a lot of attention from foreign tourists to Japan. In response to such popularity, the city of Tsuyama in northern Okayama Prefecture commissioned swordsmith Sadanao Mikami to create replicas of famous swords, under a project titled "the Sword Reproduction Project." In this video, you can see the precious production process of Japanese katana forged by craftsmen. The Famous Japanese Sword, Dojigiri Yasutsuna Source :YouTube screenshot Dojigiri Yasutsuna is first on the list of the Five Greatest Swords Under the Heavens from around the Muromachi Period (1336-1573) to be called a famous sword. It's a legendary katana used to defeat the Shuten-doji. This is explained at 0:26 in the video. It's said that Dojigiri Yasutsuna was later given to Toyotomi Hideoyshi by Ashikaga Yoshiaki, the Shogun of Ashikaga, and was said to be passed down from Tokugaya Ieyasu to Tokugawa Hidetada. Dojigiri Yasutsuna and Ishida Masamune, introduced in the video, are famous katana from history that were handed down to the Matsudaira Clan of the Tsuyama Domain, who followed the ways of Yuki Hideyasu, the second son of Tokugawa Ieyasu. Presently, the national treasure Dojigiri Yasutsuna (blade length 80 cm), which is in the collection of the Tokyo National Museum, is said to have been made by Yasutsuna, a swordsmith of Houki (present-day Tottori), during the Heian Period and is characterized by its blade which looks as though it's shrouded in mist. Sadanao Mikami the Swordsmith Introduced in the Video Source :YouTube screenshot Mikami Sadanao, the advisor of the All Japan Swordsmith Association, is shown at 1:10 in the video. Sadanao Mikami is a leading master swordsmith, who has created many swords. Sadanao Mikami uses Tottori’s tamahagane, which is made from iron sand, to make katana with pressed gold and pig iron. There are several techniques used to forge swords, including "makuri," "kobuse," and "sanmai gitae." You can see the forging and hitting of the heated red-hot iron from 2:04 in the video and watch as the shape of the Japanese sword is gradually completed. You can see Dojigiri Yasutsuna completed by the craftsmen from 3:41 in the video. The replica swords created by Sadanao Mikami have a reputation for being excellent katana. At the ceremony to unveil the Dojigiri Yasutsuna made by Sadanao Mikami, the sword being handed over to Mayor Taniguchi became widely talked about. Summary of Sadanao Mikami's Dojigiri Yasutsuna Source :YouTube screenshot Sadanao Mikami's katana, introduced in the video, was exhibited at the exhibition "100 Famous Swords and the Famous Sword Replica Exhibition" (天華百剣と名刀写し展) at the Tsuyama City Museum and was evaluated as a masterpiece of arts and crafts. Japanese katana, such as Dojigiri Yasutsuna and Mikazuki Munechika, are weapons that have been used for thousands of years in Japan and are now exhibited in museums as works of art. There are times when priceless katana are exhibited, so be sure to check exhibit schedules.

Shutdown of the Supercomputer "K" This video titled "The Curtain Has Come Down on the Supercomputer 'K' and Fugaku Will Serve as Its Successor,（スパコン「京」幕下ろす 後継・富岳、運用へ）, released by "KyodoNews," is a video on the shutdown ceremony of supercomputer "K"- the former fastest computer in the world. The supercomputer “K” was used in various fields after achieving first for two consecutive years in the category of fastest calculation speed of a supercomputer, in 2011 during the test run. In the video of K's shutdown ceremony "Fugaku”, the successor to “K” , is also reported. You can find out how powerful the Japanese computer is. The video features the supercomputer "K" and its successor. What Is "K"? Source :YouTube screenshot The supercomputer "K" was jointly developed by the Riken Center for Computational Science and Fujitsu. NEC and Hitachi were also involved in its development at the beginning, but withdrew. This supercomputer, completed in 2012, contributed to the development of various fields including life science, healthcare, disaster defense, and space technology. It was also referred to as a "Next Generation Supercomputer," "General Purpose Hyper Speed Calculator" or "Kyosoku." This supercomputer achieved the fastest calculation speed in the world at the beginning of it development and has been used for about 7 years. According to the latest world ranking, it has currently dropped all the way to 20th . It was finally decided to put an end to the 7 year history and to make room for its successor "Fugaku," the next generation, most advanced supercomputer. In the video you can see that about 860 units of the supercomputer “K “ were shut down in turn during this ceremony. Hiroshi Matsumoto, President of the Riken Center talked about the expectations for the next generation supercomputer in this video (1:11). It is expected that Fugaku's calculation speed is more than 100 times faster than "K," and it will be used as AI (Artificial Intelligence). K's Specs Photo：CPU Next, we will show you what kind of specs "K" has. First, its high-end CPU capable of performing highly advanced arithmetic processing was developed by Fujitsu. 88,128 pieces are connected in parallel to calculate 10 petabytes worth of information per second. There is some concern about error because of the scale that the supercomputer has. However, they built a unique system that could avoid errors and continue high-speed arithmetic processing. Also, high-performance memory is used. This supercomputer consumes powers equivalent to the amount used by about 30 thousand households. Therefore it costs about 1.2 million yen to operate the whole system of "K" per hour, Running the supercomputer "K" full for a day costs about 28 million yen (~$260,000 USD), so the electricity bill can get a little high. “Fugaku," the Next Generation Supercomputer Source :YouTube screenshot “Fugaku," successor to "K," had a development costs of about 112 billion yen (~$1.38b USD). The development of Fugaku started in 2014, and it is scheduled to used starting in 2021. Its calculation speed is more than 100 times faster than that of "K." It is aiming to achieve the worlds top level utility. 150 thousand units of CPU are connected to improve its computing power. According to the world supercomputer ranking as of November, 2019, "Summit" developed by the Oak Ridge National Laboratory is top the list, followed by "Sierra" developed by the Lawrence Livermore National Laboratory and "Sunway TaihuLight" (神威・太湖之光). Summary of the Supercomputer "K" The video, titled "The Curtain Has Come Down on the Supercomputer 'K' and Fugaku Will Serve as Its Successor," released by "KyodoNews" is a video on the shutdown ceremony of supercomputer 'K' that was used for 7 years. These computer technologies that have been developing day to day may change our futures. 【Official Website】K Computer | Riken Center for Computational Science (R-CCS) https://www.r-ccs.riken.jp/en/k-computer/about/ 【Official Website】The supercomputer "FUGAKU"｜Riken Center for Computational Science (R-CCS) https://www.r-ccs.riken.jp/en/postk/project

Murakami Kibori Lacquerware - A Traditional Craft of Niigata Prefecture This video, titled "手技TEWAZA「村上木彫堆朱」Murakami Kibori Lacquerware／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," was released by "Traditional Crafts Aoyama Square." Murakami Kibori Lacquerware (Murakami Kibori Tsuishu), introduced in the video, is a general term for six types of carving, including tsuishu, tsuikoku, and shumarinuri, and it is a traditional craft of the Murakami region of Niigata Prefecture, which has been widely known as a natural lacquer production area since the Heian period (794-1185). Murakami Kibori Lacquerware was introduced by a lacquer maker in Kyoto at the beginning of the 15th century as a technique for painting lacquer on wood carvings. This was done in imitation of Chinese tsuishu (lacquerware), and the technique was introduced to the Murakami region after a temple was built there. The technique was first learned by the carpenters who built the temple, after which it was was passed on to samurai duringEdo period (1603-1868), then to the townspeople, and finally to present day Japan. In this article, we'll go over Murakami Kibori Lacquerware, a traditional lacquer technique of Niigata prefecture. The Process of Making Murakami Kibori Lacquerware Source :YouTube screenshot Along with the video, we'll be introducing some of the steps in the 18 to 20 step process that craftsmen use to make Murakami Kibori Lacquerware by hand. 1. Sketching (0:40~) This serves as a guide for engraving and is drawn directly on the wooden plate. Drawing with a brush that can express stronger and weaker lines is fundamental to the process. 2. Carving (0:47~) Wood carving is performed by using a chisel called an "Urajiro" on the sketch drawn in step 1. There are two types of carvings, the two-dimensional Shishiai-bori and three-dimensional Hikisage-bori. In the video, the craftsman explains that the most important thing is to carve the wood as though it were a living thing, making the most of the different grains of each tree. 3. Sanding (1:18~) This is the process of sanding the roughness of the blade marks with sandpaper (in the old days, horsetail was used) to give roundness and softness to the carving. This makes the work even more three-dimensional. 4. Hardening This involves adding a small amount of red husks to raw lacquer and using a brush to soak the entire wood with lacquer. This is also an important step because it is done to solidify the foundation of making a durable Tsuishu. Source :YouTube screenshot 5. Smoothing (1:29) In the important undercoating process to make durable lacquerware, raw lacquer and polishing powder are mixed and applied 2-3 times to the plain areas without engravings. 6. Polishing The process of water-polishing the coated surface using an imperial whetstone. This is done with applying rust lacquer and is repeated 2-3 times and the lacquerware is allowed to dry for at least a few days after the rust lacquering process. 7. Middle Coating (1:40~) The process of dabbing on lacquer on with a pad or fingertip and then finishing painting with a brush so that the engraved pattern is not filled with lacquer. Generally, oil-free refined lacquer is used for this. 8. Polishing the Middle Coating It is a process of carefully water-sanding the surface with a fine-grained natural stone whetstone called Murakami whetstone or a water file. 9. Top Coating (2:06~) Brightly colored vermilion lacquer is dabbed on with a pad or fingertip and finished painting using a brush so as not to fill the carved patterns similar to the intermediate coat. Source :YouTube screenshot 10. Matt Finishing (2:23~) An important process for polishing the top-coated glossy surface with charcoal or polishing powder evenly with water to make it a deep and calm-looking product. 11. Engraving (2:44~) The designs are carved once more. This fine carving is made to supplement the earlier wood carving with a fine-pointed triangular chisel. Expressions such as leaf veins, feathers, and mountain surfaces are re-engraved. 12. Finishing (3:06~) This step involves adding a small amount of red iron oxide to high-quality raw lacquer and rubbing it with a brush over the entire vessel. The matte surface is moist and firm, and this completes the production process of Murakami Kibori Tsuishu. The beautiful, finished product, like a work of art, can be seen from 3:23 in the video. These unique techniques have been designated Intangible Cultural Properties of Niigata Prefecture and Murakami Kibori Lacquerware was designated a National Traditional Craft. Summary of Murakami Kibori Lacquerware, A Traditional Welcome Gift of Niigata Prefecture Source :YouTube screenshot Murakami Kibori Lacquerware, a traditional craft that has been handed down since the Heian period, includes products such as jubako (stacked boxes), sake cups, tea ware, flower ware, confectionery ware, sake ware, etc. that are all great for celebrations, souvenirs, and gifts. Murakami Kibori Lacquerware is a testament to the living history of Japan, through which you can enjoy the techniques that craftsmen have refined and passed down since ancient times. 【Official Website】Murakami Kibori Lacquerware | Traditional Crafts | Traditional Crafts Aoyama Square https://kougeihin.jp/en/craft/0509/

The Traditional Candy Sculpting Art of "Amezaiku Yoshihara" "Fujimaki Select Ginza Store" created this short documentary video in which an artisan of a Tokyo-based shop specializing in Amezaiku, "Amezaiku Yoshihara", demonstrates the traditional candy sculpting. The method for making Amezaiku is laid out in the short video. It's not subbed, but don't worry. The description given in this article will help you understand it, and we'll also explain its history as a popular street performance in Japan during the Edo period(1603-1868 A.D.). An artisan shop in Tokyo specializing in Amezaiku, "Amezaiku Yoshihara" draws even international attention. Not only the demonstrate sales, Yoshihara offers some enjoyable workshops designed to make us get familiar to the traditional art of candy sculpting. Amezaiku - From the Edo Period to the Present Photo：Amezaiku Amezaiku is mentioned in the old texts written during the Edo period. In the old days, Amezaiku artists were selling it on the streets or at festivals. This vestige is still seen today, demonstrated in the sale of Amezaiku at festivals or cultural events, which is commonplace in Japan. Mystical animals or flowers shaped by the artists' hands are particularly entertaining, especially among children. Yoshihara is committed not only to passing on the traditional art, but also to the tastes and qualities of the treats. How to Shape Candy Into a Maneki-neko (Beckoning Cat) Source :YouTube screenshot Amezaiku involves many steps but the whole process is done by hand. 1. The candy base is boiled until it becomes soft, then kneaded and pulled so as to have the proper appearance. (0:05-) 2. The candy ball is then formed into a ball and mounted on a stick (0:56-) Source :YouTube screenshot 3. Using their hands or other tools, the candy ball is then shaped into a cat. This sculpting step should be completed within 3 minutes before the candy cools and hardens again. (1:12-) 4. Heat is then applied using a burner to attach the tiny decorative heart to the cat. (2:06) Source :YouTube screenshot 5. The cat's face is painted with edible coloring. (2:43-) 6. The candy sculpted cat is completed. (3:53-) Information About Amezaiku Yoshihara "Amezaiku Yoshihara" opened in 2008 as the first shop in Japan dedicated to Amezaiku. The popular products such as rabbits, pandas, owls or shiba dogs are also available on their online shop. The price range of these miniature edible craftworks is from 700-1000 yen. How about getting some as a souvenir? they've got more than just ready-made candies as well. You can also pick from their catalogue and the candy maker will make it for you. It is also possible to hire them to demonstrate sales at festivals or events. Yoshihara offers candy sculpting workshops at the Yanaka branch. Participants are instructed to create 3 different Amezaiku crafts in an hour-long workshop. Summary of the Amezaiku Demonstration Video Source :YouTube screenshot In the video, an Amezaiku artist sculpts a Beckoning Cat with expert speed while giving a sales talk. Such conversations are also a part of the entertainment. Watch the video to learn the Japanese candy sculpting process ! ◆Amezaiku Yoshihara Sendagi Main Store◆ 【Address】 Tomoe Biru 1F, Sendagi 1-23-5 Bunkyo-ku, Tokyo (zip 113-0022) 【Access】3 minutes from Tokyo Metro Chiyoda Line Sendagi Station 【Hours】Mon, Wed -Fri 13:00 - 18:00 (the demonstrate sales till 17:00), Sat-Sun & Holidays 10:00 - 18:00 (the demonstrate sales till 17:00) 【Closures】Tuesdays (except statutory holidays that fall on Tuesday) 【Parking】 No dedicated parking lot (There are some paid parkings in the block) 【Telephone No】(+81) 03-6323-3319 【Official Website】Amezaiku Yoshihara https://ame-yoshihara.com/english/

Video introduction of food sample craftsmen in Gujo City, Gifu Prefecture, Japan! Recommendations and points of interest The food models, that look exactly like the real thing, are frequently seen at restaurants and souvenir shops in Japan. But have you ever thought about how they're made? The introductory video of food models is created by ANA Global Channel. It shows how artisans’ feel about food models, and their production methods. Food models are now known all over the world as modern Japanese artworks. The role of food models and how artisans make food models is explained in this article alongside the video. The Role of Food Models: A Japanese Craft Photo：Food models Food models are replicas made by artisans so that people can imagine what kind of dish is provided at the restaurant without having to enter. By displaying the replicas in show-window, people can get an idea of the food and prices. This removes the anxiety of going into a restaurant blind. It's hard to go into a restaurant you're on the fence about when you've got little to no information about it. Japanese food model artisans provide a remedy for this. Food Models Are Popular Among Overseas as Well Source :YouTube screenshot Food models are popular in both Japan and other countries due to their high- quality and wide variety of products. There are a lot of stores that sell food models on Kappa Bridge (合羽橋, Kappabashi) Utensils Street in Asakusa, Taito Tokyo. There are different kinds of merchandise such as accessories, key chains and smartphone cases as well. These are bought as souvenirs and gifts by international tourists. It is globally recognized as a modern Japanese culture and art. How Food Models Are Made Let’s see how artisans create artificial food. The method is shown after 1:35. First, they make a cast of the ingredients by pouring silicon over real food. From here, they create a model by pouring vinyl resin in the mold. After that, all that's left is to paint the model. When all the fake ingredients are created, they are combined to create a replica indistinguishable from the real thing. There are replicas of sushi, soba, pasta, and more. Food Model Trial Classes Taking the opportunity to try your hand at making a food model makes for a really fun time and we highly recommend checking it out when you come to Japan. They take about 2 hours to complete so it's not a huge time sink either. The trial class is shown in the video around 5:07. It has become very popular with foreign tourists because of its convenience. You also get to take an awesome souvenir home with you! Summary Source :YouTube screenshot This ANA Global Channel video introducing food samples made by Japanese artisans is a great way to learn more about Japan. If you like arts and crafts or are interested in food models and artisans, definitely don't miss out on the video Have you figured out which one is real yet? The quality is quite impressive.

Video introduction of the craftsmanship of a female dyeing artist in Kyoto, Japan Source :YouTube screenshot ANA Global Channel aired the video "Artisan of traditional dyeing/Interview - IS JAPAN COOL? CRAFTSMANSHIP" (Artisan of traditional dyeing／Interview - IS JAPAN COOL? CRAFTSMANSHIP（染織家）) featuring female artisan Sarasa Yoshioka. Dyeing and weaving originated in China, India, Rome and Greece, and was introduced to Japan in the 3rd century AD. In the video (2:35), Yoshioka says that the technique is mentioned in the old text "Manyoshu" and the "Engishiki" (a Japanese book about laws and customs) which were both completed during the Heian period (794-1185). The Engishiki documented the ancient dyeing recipes. Having been designated as Intangible Cultural Property, dyeing and weaving technique and textiles such as Kimono and Obi are the important traditional crafts. In this video, female artisan Sarasa Yoshioka, talks about the history of dyeing, a traditional Japanese craft, and her passion for it. It also captures her superior artisanal skills. Magical Patterns Hand-Dyed by Artisans Source :YouTube screenshot There are two main types of dyeing and weaving: Sakizome- in which yarns are dyed first and then woven, and Atozome- in which the cloth is dyed after it is woven. The former is represented by these Kimono makers in the form of Yu-kitsumugi, Nishijin, and Nishikiori. Examples of the latter include Kyo-yu-zen and Kagayu-zen which are known for the splendid picturesque patterns. Sakizome requires a higher skill level than Atozome, and thus Sakizome textiles cost more. The Methods and Materials of Traditional Japanese Dyeing and Weaving Colors are most commonly extracted from plant sources such as roots, tree bark, and nuts. Yoshioka says the plants that are hard to grow are typically supplied by contracted experts (2:08). Indigo dye is one of the oldest and most common dyes to be used for textile dying. Since Indigo has antibacterial and insect repellent effects, it is thought that people wore indigo dyed clothing to keep insects and infections away. The Role of Dyers and Their Delicate Craftsmanship Source :YouTube screenshot The Heian period (794-1185) was the peak of the Japanese Imperial court and aristocratic culture. The garments wore by the upper classes were made by dyeing and weaving artisans. For this reason, dye artisans at that time held a high position in Japan's hierarchical society. The garments wore by the present day Emperor and Empress in the court functions are still made using this traditional technique. These formal court dresses, such as Sokutai and Junihitoe, can only be handmade since the delicate weaving cannot be done by machines. Automated weaving machines were imported to Japan during the Meiji period (1868-1912) and silk textiles were designated as a main industry. Being inferior to the Great Powers in the heavy industries, Japan relied on the techniques of the dyeing and weaving artisans to acquire foreign currency, with the aim of becoming a member of the Great Powers. The Future of Dyeing and Weaving The dyeing and weaving industry, which is both time and labor intensive, has been on the decline for quite some time. Today, however, the increasing number of universities or fashion design schools integrate it in the school curriculum in order to prevent the traditional craft from dying out. The number of young people apprenticed to a dyeing and weaving artisan is also increasing little by little. Kimono, obi, tenugui and other textile products are popular as souvenirs of Japan's overseas markets, and the more opportunities there are for dyed fabric weavers to play an active role, the more likely they are to pass on this traditional Japanese craft to future generations. Traditional Dyeing and Weaving: An Academic Point of View Photo：Dyed goods You may imagine that dyeing and weaving is mainly based on tough outdoor work, but it is also an embodiment of highly developed chemistry. As seen in the video, the majority of plant dyes requires the use of mordant such as vinegar or natural alum to enhance and fix the color in the textile fibers. In other words, dyers obtain the brilliant colors through chemical reactions between the materials. Dye artisans imagine the final product before they even begin. "The color we want to achieve is decided from the beginning, and we use our experience and sense to adjust the color closer to the desired color" says Yoshioka (7:05). In order to achieve the client's desired color, the weavers use all of their wisdom as artisans. Yoshioka says that obtaining the color desired by clients is "a mission given to dye artisans" (7:47). It is not only fabrics, yarns of silk, linen and cotton she dyes, but also washi papers. Every year, she spends the winter months dyeing papers to dedicate to the Buddhist ceremony held at To-daiji Temple in Nara prefecture (5:58). Summary of Japanese Traditional Dyeing and Weaving The video features a dyeing and weaving artisan, Sarasa Yoshioka who works in the Kyoto-based atelier "Somenotsukasa Yoshioka." Sticking to the traditions, the atelier uses only plants dyes and the traditional dyeing method. Dyestuffs are soaked and simmered in the pure spring water of Fushimi (a district in Kyoto), pumped up from 100 meters underground. In this method, a variety of colors and shades can be obtained with the same dye, and the delicacy of dyed fabric is beautiful. In this article, we introduced the history of dyeing, its production methods, origins, and the raw materials used, alongside the interview with craftswoman, Sarasa Yoshioka. In the video, you can see and hear more of what she has to say and also take a look at her technique. Be sure to check it out! Traditional Japanese textiles are available online at retailers such as amazon or rakuten. Using the traditional crafts will lead you to appreciate the value of the traditional craft, as well as the skills of its artisans. 【Official Website】Somenotsukasa Yoshioka https://www.textiles-yoshioka.com/eng/

Let’s Check Out the Professional Weaving Techniques of These Bamboo Artisans! This is an introductory video on the traditional craft "Beppu Takezaiku" (Beppu Bamboo Crafts), made in Beppu City, Oita prefecture, famous for the Beppu hot springs. The beautiful bamboo crafts use high quality bamboos and are handmade by skilled craftsmen. You can practically feel the the culture radiating off of these amazing pieces of art. What exactly are Beppu bamboo crafts though? Let’s check it out! Be sure to follow along with the video as you read this article. The History and Characteristics of Beppu Bamboo Crafts Source :YouTube screenshot Beppu bamboo crafts have a long history. So long in fact that they're recorded in the Nihon Shoki. In it, it states that Beppu bamboo crafts originated from Emperor Keikou requesting it when visiting the Kyushu area. In this area, there are many high quality Shino bamboos which are the materials of Beppu bamboo crafts, so they made tea cup baskets using this bamboo. After entering the Muromachi period (1336 - 1573), Beppu bamboo crafts began to be produced actively as a traditional crafts. Furthermore, after the Edo period (1603 - 1868), important financial and cultural figures began to build villas in the famous Beppu hot springs. This led to a rise in the cultural value of crafts such as tea equipment, and Beppu bamboo crafts began to be sold for high prices. Purchasing Beppu Bamboo Crafts Source :YouTube screenshot Beppu City Traditional Bamboo Crafts Center in Higashi-Soen Beppu City offers visitors a chance to observe various types of bamboo craftsmanship and the processes used to make them. You can learn how to make bamboo crafts with hands-on classes or buy them at reasonable prices at shops. If you're on a sightseeing trip to Beppu, you should definitely stop by. Beppu Bamboo Crafts Can Also Be Purchased Online Beppu bamboo crafts can also be purchased online. At Moriguchi Bamboo Industry Co. Ltd., they sell bamboo craft bags and wind bells hand made by craftsmen at workshops. Choose your favorite items from all different price ranges. How Are Beppu Bamboo Crafts Made? Source :YouTube screenshot There are many people who want to feel traditional Japanese culture firsthand make their own Beppu bamboo crafts. Unfortunately most of the literature on Beppu bamboo crafts is in Japanese. However, there are many online sources with detailed descriptions and "How-To's." With a little bit of time and research, you can create your very own Beppu bamboo crafts. The crafting process is also introduced in the video. Assembly is done by peeling the sun-dried bamboo and weaving it carefully into thin bamboo strips. It's quite clear from the video that the craft contains the techniques of nearly 2,000 years of dedicated craftsmanship. Summary of Beppu Bamboo Crafts At the end of the video, there are many kinds of beautiful Beppu bamboo crafts, filled with the techniques of skilled craftsmen. They're truly breathtaking Hopefully this video has you interested in Beppu bamboo crafts! They make for great gifts or experiences! 【Official Website】Japan Traditional Crafts Aoyama Square https://kougeihin.jp/en/

Promotional Video Introduction of Izumi Dragonfly Ball Craftsman in Izumi, Osaka This video, titled "#118 Izumi Tombodama Craftswoman – Matsuda Yuki - Door to Tomorrow by At Home" (#118 和泉蜻蛉玉職人 松田 有綺 | 明日への扉 by アットホーム) by "Door to Tomorrow by At Home," is from a television program broadcast on tv in July, 2019. This 20-minute long video was originally broadcast in four parts and we highly recommend watching it if you're interested in any of the following: ・Learning more about the restoration of the national treasures of Byodoin Temple in Kyoto. ・Gaining insight into how traditional Japanese glass beads ("Tombodama") are made. ・Learning more about the Izumi Tombodama craftsman who is working hard to preserve Japanese culture. Yuki Matsuda (松田有綺), the craftswoman featured in the video, continues to work hard acquire the skills necessary to pass on Japanese culture to future generations. You can see Yuki Matsuda from 1:31 in the video. In this article, we'll go over how Japan's Tombodama are made and how the Tombodama found in Kyoto's Byodoin Temple have been restored, alongside the video. Restoring the National Treasures of Kyoto's Byodoin Temple Source :YouTube screenshot The glass beads found in the base of the wooden Amitabha statue found in Byodoin Temple's Hoodo hall (鳳凰堂) were part of a decoration called a "Yoraku" (瓔珞) that used to hang in the area surrounding the Buddha statue. You can see the beautiful glass beads from 0:58 in the video. They are thought to have been made in the same workshop as the items stored in Shosoin (正倉院), athe treasure house of Todaiji Temple in Nara. The beads of the Yoraku decoration mentioned above were restored by Osaka craftswomen Yuriko Matsuda (松田有利子). You can take a look at the restored glass beads at 1:32 in the video. The glass stored in the Sangetsu Kobo Workshop (山月工房) were found to be similar in composition to the glass glass beads from Kyoto, which have been designated national treasures, and was therefore used in the restoration project. How are Izumi Tanbodama Glass Beads Made? Source :YouTube screenshot First, the glass is heated and stretched into long threads which are then broken into smaller pieces to create the glass used to decorate the beads. The glass bead making process is as follows: ・A metal rod coated with a stripping agent (剥離剤) is heated ・Several glass rods are then heated together ・The softened glass rods are then wrapped around the metal rod ・Small pieces of broken glass are then attached to create a particular design ・A tool is used to manipulate the shape of the glass and create a design on the outside of the bead ・The finished bead is cooled by covering it in ash You can watch the whole process from 6:52 in the video as Izumi Tanbodama craftswoman Yuki Matsuda demonstrates how the glass beads are made from start to finish. Izumi Tanbodama Items Available For Purchase Source :YouTube screenshot Jewelry such as necklaces and bracelets as well as traditional Japanese clothing items and accessories like Obidome (帯留め, obi sash clips), Kanzashi (簪) and Netsuke straps (根付ストラップ) are just some of the glass bead items available for purchase. There are also items made from glass similar to that of the glass beads found in Byodoin Temple in Kyoto, with prices varying depending on the method used to make the beads. For example, an incense holder made from glass similar to that of the National Treasures in Kyoto costs around 5000 yen. Summary of Izumi Tanbodama Glass Beads Photo：Byodoin Temple's Phoenix Hall, Kyoto From 16:12 in the video, you can watch the craftswomen as they visit Byodoin Temple in Kyoto to take a look at the National Treasures they themselves restored. Yuki Matsuda speaks of how she hopes to use her craft to create not only beautiful objects, but memories to go with those objects. If you are interested in Japanese culture or wish to know more about how Izumi Tombodama are made, we highly recommend you watch the video!

Gifu Paper Lanterns - A Traditional Culture of Gifu This video, titled "手技TEWAZA「岐阜提灯」gifu paper lantern／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," was released by Japan Traditional Crafts Aoyama Square. Gifu paper lanterns are a traditional craft of Gifu City and have a long history, beginning since they were first made in the Edo period. A large amount of high-quality bamboo grows in Gifu Prefecture, and washi (Japanese paper) making has been popular in the region since ancient times. These are some of the reasons why Gifu paper lanterns have evolved so well as a traditional craft. Gifu paper lanterns were presented as gifts to the Owari domain (present-day Aichi Prefecture) during the Edo period. Gifu paper lanterns are also called Bon lanterns because they are used as lanterns during the Obon season. Gifu Paper Lanterns - A Traditional Craft Representing the Gifu Area Japan is home to many traditional crafts. Some have a deep history, others have developed together with the unique culture of the region, and others are handcrafted by artisans and designated as traditional crafts by the Minister of Economy, Trade, and Industry. Gifu paper lanterns are one such craft that has been recognized for their value as a traditional craft representing Gifu prefecture and have been designated as traditional crafts by the Minister of Economy, Trade, and Industry. Stylish Gifu Paper Lanterns In recent years, Isamu Noguchi has created a stylish light source called AKARI using traditional Gifu paper lanterns, which has attracted a lot of attention. "AKARI" can be purchased at online shops and other stores, so if you want to decorate your room with a traditional, yet innovative Japanese lantern, consider purchasing one. A Gifu Paper Lantern Painting Experience One of the characteristics of Gifu paper lanterns is that they are made from Mino washi and other specialties of the Gifu region. The thin washi paper is beautifully patterned and then affixed to a flexible bamboo frame. If you're traveling in Gifu, why not try your hand at Gifu paper lantern painting? The artisans who make Gifu paper lanterns will carefully instruct you on how to decorate them, so you can have an enjoyable experience. Summary of Gifu Paper Lanterns Gifu paper lanterns are a great item for those looking to enjoy the unique culture of Japan. As you can see from the video, Gifu paper lanterns are made through the skills of traditional artisans. Gifu paper lanterns are a specialty of Gifu. Some of these traditional items can be purchased at surprisingly reasonable prices, so be sure to look into buying some if you're searching for souvenirs or want to decorate your home.

An Introductory Video on "Tokyo Some-Komon," a Traditional Japanese Craft This video, titled "手技TEWAZA「東京染小紋」tokyo some komon dyeing／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," was released by "Traditional Crafts Aoyama Square." Tokyo Some-Komon, the traditional Japanese craft introduced this time, may be more familiar to those living in Tokyo or the Tokyo metropolitan area. A Closer Look at Tokyo Some-Komon, a Traditional Japanese Craft Source :YouTube screenshot Tokyo Some-Komon is a traditional craft that encompasses a wide range of items, from luxury garments, such as kimono and obi, to everyday items such as furoshiki and folding fans. Clothes and kimonos made via the outstanding artisanship and carefully hand-dyed not only on pure silk and cotton but also on handmade Japanese paper, have been highly valued as works of art; and many Tokyo Some-Komon craftsmen have been awarded the Order of Culture. The raw materials used for dyeing include astringent persimmon juice, which has antibacterial and deodorizing properties. Since each piece is handmade by craftsmen, it cannot be mass-produced. There are some workshops where you can experience Tokyo Some-Komon, so consider giving these a visit. "Komon" is a small pattern drawn on the paper stencil which can be seen from 0:26 in the video. The history of Tokyo Some-Komon dates back to the Muromachi Period (1336-1573) and spread during the Edo Period (1603-1868). Dyeing craftsmen gathered in Edo (today Tokyo) to compete with their techniques, and because the crafts popularity blossomed in Edo, it was nicknamed Edo Komon. The Making of Tokyo Some-Komon Source :YouTube screenshot [Step 1: Making the Paper Pattern] The stencil is made of handmade Japanese paper laminated with astringent persimmon. Ise-katagami (made in Suzuka, Mie) is used for Tokyo Some-Komon. On the paper pattern, starch is applied to the parts that will not be colored when dyeing. When the starch is washed off after dyeing is completed, the parts covered with starch will remain white, creating beautiful patterns. After applying the starch, the pattern is dried. [Step 2: Colored Paste] (Video: 1:03 ～) Colored starch is formulated by mixing salt with glutinous rice and rice bran and steaming it, and then kneading the color with dye. Since the color and finished color of the dye are different, the formulation requires a high level of craftsmanship. [Step 3: Stenciling] (Video: 2:01 ～) Colored paste is applied to the fabric with a spatula. This work is sometimes called "shigoki." [Step 4: Steaming] Before the colored paste dries, it is folded into layers and placed in a steaming box to steam it. From here it is steamed for 15 to 30 minutes while the temperature is gradually raised so that the base color will settle into the material easily. [Step 5: Washing] (Video: 3:04 ～) The steamed fabric is then transferred to a water tank and rinsed with groundwater and sawdust to soften the paste. In the past, many dye artisans in Japan were located along rivers because it was convenient for washing fabrics. Source :YouTube screenshot [Step 6: Finishing] (Video: 3:16 ～) Having been washed with water, the fabric is placed in a spin drier, dried, then finely colored, thus completing the piece. Summary of Tokyo Some-Komon Source :YouTube screenshot It's no exaggeration to say that the main characteristic of Tokyo Some-Komon is the density of the Komon designs. Seen from a distance, it looks like a solid color, but as you get closer, you can see the intricate patterns, which has led to pieces made with Tokyo Some-Komon being referred to as works of art. From the Muromachi Period to the Edo Period, Japan had a samurai society, and its culture was simple. For this reason, it is believed that at first glance, a plain small pattern was preferred rather than the ostentatious patterns found in yukata and Kyoyuzen (silk fabrics made in Kyoto). Looking closer, the fashionable and luxurious dyeing techniques would have been loved by the people of Edo. It can be seen in literature and cultural heritages of the Edo period that the culture of Tokyo Some-Komon had become prevalent in formal samurai wear. Also, Tokyo Some-Komon expanded from samurai to the culture of the common people from the middle of the Edo period (around 1700 to 1800). Daily necessities brimming with a playful spirit, such as Tokyo Some-Komon kimono and furoshiki, not only for men but also for women's semi-formal wear, have become very popular. Tokyo Some-Komon was designated as a National Traditional Craft by the former Minister of Economy, Trade, and Industry in 1974. Today, the craftsmanship is used and loved in a wide range of fields such as scarves, lampshades, and traditional handicrafts using handmade Japanese paper. Please enjoy the video showing Tokyo Some-Komon, a traditional craft of Japan. 【Official Website】Tokyo Some-Komon | Traditional Crafts | Traditional Craft Aoyama Square https://kougeihin.jp/en/craft/0201/

石川県加賀市の伝統工芸・山中漆器とは 「伝統工芸　青山スクエア」が制作する、「手技TEWAZA【山中漆器】Japan Yamanaka Lacquerware」は、職人が日本の伝統文化である石川県加賀市の伝統工芸品・山中漆器を作っている姿を見ることができる動画です。 動画では山中漆器が来上がっていく工程を見ることができ、その中で職人が心を込めて作っている様子が伝わってきます。 石川県加賀市の山中漆器は美術品のような美しい作品で、日本文化に興味がある人はもちろんのこと、美術品・芸術品に興味がある人も必見の動画です。 また、石川県加賀市の風光明媚な自然も動画で紹介されています。 こちらの記事では、日本の伝統工芸・伝統文化である山中漆器の歴史や作り方などを動画に沿って紹介していきます。 日本の伝統工芸「山中漆器」の起源や歴史 石川県加賀市の山中漆器の起源は16世紀頃。 山中温泉に移住してきた漆器職人集団が行った「ろくろ挽き」が始まりです。 それから、江戸時代の中期頃になると山中温泉に来た旅行客へのお土産に漆器が求められるようになります。 汁椀やお盆などが特に人気で、温泉とともに漆器も発展。 19世紀になると塗りの技術や蒔絵の技術が流入（蒔絵とは漆器に金粉や銀粉を塗り、模様を作ること）し、現在の山中高蒔絵の基礎ができました。 日本伝統の山中漆器は外国人にも人気です。 美しく使いやすい食器やアクセサリーなど、外国人が日本に旅行した際のお土産として購入する人も多いようです。 日本の伝統文化「山中漆器」の作り方 日本の伝統工芸である山中漆器は、大きく分けて4つの工程によって出来上がります。 「木地挽き」→「木地固め」→「拭き漆」→「蒔絵」という流れです。 木地挽きは天然木を寸法し、目的の形に成形する作業です。 木材を乾燥させ膨張や収縮がしないようにするなど、大事な工程も含まれています。 動画では1:00から紹介されています。 木地固めは木地の木目の中まで漆を染み込ませて、木地の狂いを防止するのが主な作業です。 木地全体がなめらかになるように研ぐ重要な作業もあります。 拭き漆の作業は、まず生漆を希釈しないで刷毛塗りします。 次に拭き取り紙で余分の漆を取り乾かし、この工程を4～5回繰り返します。 動画では2:34から紹介されています。 最後に蒔絵で模様を書き完成です！ ぜひ映像ともに職人の匠の技・凄技・神業が体感してみてください。 日本の伝統文化「山中漆器」の購入できる場所は？ 日本を代表する伝統工芸・伝統文化である山中漆器の商品はギフトやプレゼントにも人気。 お弁当箱や重箱、茶筒、お椀など実用的かつ美しい食器がたくさんあります。 インターネットが発達した時代なので通販でも購入できますが、どうせなら実物を見て購入したいですよね。 中でも山中うるし座（山中漆器伝統産業会館）は、山中漆器の伝統工芸品やアクセサリー、茶道具なども販売されており、おすすめのお店です。 美しい日本の伝統工芸品を自分の目で見て、お気に入りを探しましょう！ 日本の伝統文化「山中漆器」の記事のまとめ 日本の伝統工芸・伝統文化である山中漆器の特徴は、手作りで得られる美しさ。 職人たちの一生懸命な作業から生み出される美しさは心をうつことでしょう。 動画では、日本の伝統文化である山中漆器を作る職人の技を3分ほどの長さで見ることができます。 山中漆器が気になった方はぜひご覧ください！

日本の伝統工芸「房州うちわ」プロモーション動画について こちらの動画は「IKIDANE NIPPON」が公開した「Boshu Uchiwa: the making of a hand fan」で千葉県房総半島の館山市・南房総市を中心に伝わる房州うちわを紹介しています。 こちらの動画をご覧になれば日本のうちわ文化と、房州うちわが一つ一つ手作業で作られていることを知ることができます。 うちわは日本に古くから伝わる伝統工芸品であり、気軽に持ってかれるお土産です。 こちらの記事では日本が誇る伝統工芸「うちわ」文化の魅力を動画に沿って解説します！ 日本の文化うちわと房州うちわの歴史 うちわの起源は古く中国やエジプトの絵にも書かれ、2000年ほど前の弥生時代に日本へ伝わりました。 また、房州うちわの歴史は元々、江戸で作られていた江戸うちわが戦争により被災し、千葉の房総半島へ移ったのが始まりだとされています。 日本の伝統文化「房州うちわ」と日本のうちわ文化 房州うちわとは京うちわ、丸亀うちわと並び日本三大うちわとして多くの人に愛されています。 房州うちわの特徴は女竹を原料として使用し、丸柄に仕上げている点です。 それに比べ、丸亀うちわは男竹で挿柄を使用するのが特徴。 他にも日本の特徴的なうちわの種類として江戸うちわもあり、藍染めで貼り文字を使って作られています。 日本の伝統文化「房州うちわ」の特徴 房州うちわは房州うちわ振興協議会が中心となり現在でも盛んに生産され、1984年には千葉県指定伝統的工芸品に指定されました。 千葉県には現在も数多くの工房があり、うちわ職人が丁寧にうちわ骨から作っています。 代表的な工房は太田屋・宇山工房、房州堂です。 工房では手仕事でそれぞれの工房の技法で大きさも柄も少し違う作品となっています。 また、道の駅やお土産屋さんでも房州うちわは販売され、作られる工房によって作り方や柄も違います。 うちわは日本の文化が今に残る芸術品と言っても過言はないでしょう。 日本の文化！伝統工芸品「房州うちわ」のを作る21の工程 房州うちわには材料を用意してから21の工程があります。 最初に竹の切り出しから始まり、皮むき、磨き、水付け、割竹、もみ、穴あけ、編竹、柄詰め、弓削、下窓、窓作り、目拾い、穂刈り、焼き、貼り、断裁、へり付け、下塗り、上塗り、仕上げをして完成。 この一つ一つの工程を職人が丁寧に匠の技を屈指してつくりあげています。 日本の伝統工芸品「房州うちわ」の文化と魅力のまとめ 千葉県の房州うちわを紹介させていただきました。 こちらの動画では4分ほどで房州うちわの生産の工程をご覧になれます。 訪日観光の際には、伝統工芸品の房州うちわの作成を体験したり、購入されてみるのも良いでしょう。 それでは、日本の伝統工芸品「房州うちわ」の魅力をこの動画でご堪能ください！

The Traditional Japanese Art "Tokiwa Kongatazome" This video "Miyagi Prefecture, Tokiwa Kongatazome" ( 宮城県 常盤紺型染（ときわこんがたぞめ)), was created by "Tohoku STANDARD." The woman featured in the video is Kuniko Sasaki, a craftswoman who works at the Natoriya Dyeing Factory, a dye shop in Sendai City, Miyagi Prefecture in Japan's Tohoku region. The video is an interview where she speaks about how she encountered the traditional art and craft Tokiwa Kongatazome (常盤紺型染), as well as its origin and traditions. The Traditional Japanese Art and Craft "Tokiwa Kongatazome" Source :YouTube screenshot Tokiwa Kongatazome is a technique of stencil dyeing born in the late Edo period (1750 ～1850), and developed in Sendai City, Miyagi Prefecture. At that time, Tohoku did not have Kasuri-weaving (a textile technique in which patterns were woven using thread dyed in different colors), so people came up with the idea of creating a paper stencil based on the design patterns of Kasuri instead. It came to be called Tokiwa Kongatazome. The technique of Tokiwa Kongatazome was passed on from the dye shop "Mogamiya" (最上屋) in Akita prefecture to dye shops in Sendai city. People loved its warm fuzzy feeling and gorgeous patterns, and it made great strides from the Meiji era (1868～1912) to the early Showa era (1930~). One of its features is that it can be mass produced, unlike textiles. Tokiwa Kongatazome originated in Yokota city in Akita prefecture (Tohoku region) but developed in Sendai city in Miyagi prefecture. Source :YouTube screenshot The products dyed with the Tokiwa Kongatazome technique are called "Sendai Yukata" and are loved all over Japan. It initially only used deep blue colors for dyeing so it was named "Tokiwa 'Kon' gata" (Kon 紺, meaning "navy blue" in Japanese), but now it uses multiple colors so people sometimes call it somply "Tokiwagata" (without the kanji for navy blue). After World War II, Japanese fashion changed from Wafuku (Japanese-style) to Yofuku (Western-style), causing the Tokiwa Kongatazome technique to lose popularity. However, the dye shop "Natoriya Dyeing Factory" (名取屋染工場) uses Tokiwa Kongatazome in products like "Tenugui" (Hand towels), "Noren" (traditional Japanese fabric dividers hung on/between walls), flags, curtains, banners, "Hanten" (short, Japanese-style winter coats), and other small items. How It's Made: Tokiwa Kongatazome Stencil Dyeing Source :YouTube screenshot As it shows in the video around 0:41, first you put a Tokiwa Kongatazome stencil on a white fabric and apply starch. The starched area is going to be left white after the fabric is dyed, forming a pattern on the cloth. An example of this stencil dyeing is shown in the video around 1:49. A technique called "Itoire" (Inserting threads into a paper-stencil) is used to create a paper-stencil. This technique allows for the design of more intricate patterns. As you can tell by watching the video, everything is handcrafted by professionals. Summary of Tokiwa Kongatazome Source :YouTube screenshot Kuniko Sasaki of the "Natoriya Dyeing Factory" says in the interview that she started Tokiwa Kongatazome because she found stencils that were more than 100 years old when she was cleaning out her warehouse roughly 20 years ago, and she thought it would be a shame to lose the traditional craft. Feeling this, she decided she wanted to pass on the spirit of the craftsmen before her. Tokiwa Kongatazome products are also available online. The popular hand towels are available for purchase for around 1,000 yen (~$10 USD). Tokiwa Kongatazome is also popular among younger people and foreigners. Enjoy watching the video and get to know Tokiwa Kongatazome!

Japanese Traditional Craft "Bonsai" - Video Introduction of Interview with Bonsai Master in Toyota City, Aichi Prefecture This video "Bonsai"（盆栽） was created by "Nippon Teshigotozukan". It is a video introducing the world of Bonsai featuring an interview with a Bonsai craftsman. Bonsai is the traditional Japanese art of growing miniature trees in containers which are often decorated with moss and other small decorations. Experts in the craft of making Bonsai are called Bonsai masters. The origin of Bonsai dates back to the Heian period (794 - 1185 AD). Bonsai is so popular that the Japanese word 'Bonsai' is known in many countries across the world. In this interview video, you can learn how to create and look after your own Bonsai tree. Please enjoy learning about traditional Japanese culture through this video! What is Bonsai? Let us introduce some of the special techniques required to make Bonsai! Source :YouTube screenshot In this video, we introduce the Bonsai master Okamoto Yoshimitsu, whose workshop "Kichishouen" is located in Toyota city, Aichi prefecture in the Tokai region of Japan. Okamoto Yoshimitsu is famous for his Needle Juniper Bonsai works of art. Source :YouTube screenshot Many techniques are required to complete a Bonsai piece of art, such as pruning, using wires to create bends in the tree's structure and applying paint to name a few. You can see some of these techniques from 2:07 in the video. You can also see some of the tools required for the maintenance of Bonsai from 0:23. Bonsai require special care as the seasons change, similar to other trees in nature. You can see the difference pruning makes to the Bonsai from the before and after pictures at 3:30 in the video. Interview With a Bonsai Master Source :YouTube screenshot From 3:40 in the video, Bonsai master Okamoto Yoshimitsu talks of how he feels the effort put into taking care of Bonsai can be very rewarding, similar to bringing up children. "Bonsai is a Japanese tradition, one that I do not want to die out I want young people to learn about Bonsai and understand the concept of Wabi-sabi (wabi-sabi is a Japanese term used to express the beauty of imperfection). Bonsai is a great way to express oneself through one's own style". Enjoy Looking the Fabulous Bonsai Works of Art Photo：Bonsai Tree Many people in Japan take up Bonsai as a hobby to enjoy the wabi-sabi aspect of the art. There are many varieties of Bonsai tree, from the inexpensive trees aimed at beginners to the very old trees and expensive pots used by professionals and experienced practitioners. The same type of tree, such as a Japanese white pine, can also have several structural forms: formal upright, informal upright, slanted and windswept are a few examples. Other tree types such as cherry blossom and maple trees can also be used. The charm of Bonsai comes from the individualized pruning and shaping of the trees which gives each particular tree it's personality. The combination of the natural beauty of the tree itself and the creativity and individuality of the craftsman is what makes Bonsai so interesting. Bonsai Tree Summary Source :YouTube screenshot Bonsai is a popular Japanese tradition that has been around for many generations. The Bonsai Art Museum in Saitama is growing in popularity, with more young people and foreigners visiting each year. There is also a tapioca shop which serves Bonsai Tapioca Milk Tea which is very popular with customers. Bonsai may look difficult but there are Bonsai for sale that are easy to look after, even for complete beginners. For those who are interested in the traditional Japanese art of Bonsai, why not try raising your own? ◆Kichishouen Introduction Information◆ 【Address】Yabushita 3, Nishimachi, Unebe, Toyota city, Aichi prefecture 470-1219 【Phone number】0565-21-2713 【Official Website】Saitama Bonsai Art Museum https://www.bonsai-art-museum.jp/en/

A Traditional Japanese Craft - Edo Karakami This video, titled "手技TEWAZA「江戸からかみ」Edo Karakami／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," introduces how traditional Edo Karakami is made. The video was uploaded by "Japan Traditional Crafts Aoyama Square" (伝統工芸青山スクエア). Edo Karakami is a traditional craft that involves decorating Japanese paper in various ways. Washi (Japanese paper) has been closely related to Japanese art culture since ancient times. Check out the video to learn more about the traditional techniques of washi paper that have been handed down in Japan since ancient times. The History of Edo Karakami and Japanese Washi Culture Source :YouTube screenshot The origin of washi dates back to the Heian period (794-1192) when it was used to write waka poems. During medieval times, washi came to be used for decorating fusuma and folding screens, mainly in Kyoto. In the Edo Period, due to the prosperity of the Tokugawa Shogunate, many Edo Karakami were made for Edo Castle and the residences of feudal lords. As a result, many washi artisans emerged and began to produce high-quality Edo Karakami by hand. After the Meiji Period, most of the printing blocks and paper stencils were lost due to earthquakes and air raids, but some of them have been reprinted by craftsmen and still exist today. Traditional Edo Karakami - How It's Made Source :YouTube screenshot Edo Karakami is made through various techniques, such as woodblock printing using woodblocks, textile printing using Ise katagami (pattern paper), brush-dyeing using brushes, and with hand sprinkled gold dust. The designs of Edo Karakami reflect the culture of the Edo Period and the tastes of samurai and merchants at that time. Even today, fusuma and the wallpaper of Japanese-style restaurants and hotels still use the elegant Edo Karakami techniques. In the video, you can see various techniques, including woodblock printing at 0:52, brush painting at 1:06, paint making at 1:47, and woodblock printing at 2:31. Where to Buy Edo Karakami Source :YouTube screenshot Tokyo Matsuya (東京松屋), a long-established maker of Edo Karakami, is a washi wholesaler dealing in fusuma paper and interior washi made by skilled artisans. On top of the large pieces of washi to decorate hotel entrances and guest rooms, Tokyo Matsuya also sells attractive accessories, such as uchiwa fans, ceremonial pouches, and New Year's decorations made of Edo Karakami, so be sure to check out their showroom and online shop. You can see completed Edo Karakami at 4:04 in the video. Summary of Edo Karakami, a Traditional Japanese Craft Source :YouTube screenshot Washi is an industry that has developed alongside Japanese culture since ancient times. In the video, you can see Yukio Koizumi, a traditional craftsman, making beautiful Edo Karakami. We encourage you to incorporate items made with beautiful Edo Karakami, a traditional Japanese craft, into your daily life!

Video Introduction of "Butsudan Lacquer," a traditional craftsman of Takaoka Butsudan in Takaoka City, Toyama Prefecture This video, titled "The Journey to Becoming a Buddhist Altar Lacquerer/ Kyoden Buddhist Altar Workshop" (仏壇塗師になる旅 / 京田仏壇店工房), was uploaded by "Nippon Teshigoto Zukan." It introduces "Kyoden Butsudan-ten Koubo," a workshop that manufactures and sells traditional Takaoka Buddhist altars and restores gold foil. From 0:30 in the video, you can see Mitsuhiro Kyoden, a Buddhist altar lacquerer or "nuri-shi" in Japanese. This 5-minute video is perfect for people who want to learn about Buddhist altar lacquerers and the craftmanship behind them. In this article, we'll go over his techniques and preferences along the video. The History of Takaoka Butsudan and Buddhist Altar Lacquerers Source :YouTube screenshot Takaoka Butsudan has a long history dating back to the Edo period (1603-1868) in Takaoka, Toyama. Takaoka Butsudan creates Buddhist altars that must be assembled and they use a large amount of gold leaf. The lacquering techniques used for Buddhist altars was introduced from China along with Buddhism. They're used for painting Buddhist statues, gluing arrowheads, and preventing rust on armor. Mitsuhiro Kyoden, the Buddhist Altar Lacquerer in the Video Source :YouTube screenshot The video introduces the craftsmanship of Mitsuhiro Kyoden, a Buddhist altar lacquerer who paints both wood and lacquer, which are important processes in the production of Buddhist altars. He explains the process from 2:18 in the video. Lacquer is adjusted based on the weather forecast, and then checked on the next day to make further adjustments before applying the final coat. This process is important in creating the best possible work. It's important to keep adjusting the lacquer to the weather conditions each day. If this process is not done properly, brush marks remain on the final product and the polishing process will take longer. There is no textbook on how these processes are done, so the only way to learn is by trial and error and by learning from your mistakes. Mitsuhiro learned the theory of lacquering at university, and when actually doing it, he thinks back on what his teacher taught him thinking things like "so that's what they meant," etc. He passionately says that as a craftsman, he has to challenge himself and keep trying to improve. Summary of Japan's Buddhist Altar Lacquerers Source :YouTube screenshot In this video, you can see the spirit of craftmanship of a Takaoka Butsudan altar lacquerer. A well-built Buddhist altar can be passed down for generations if properly maintained. In this five and a half minute video, you can learn about traditional Japanese crafts and how they're preserved through the hard work of the craftsmen who inherit them. If you're interested in traditional Japanese crafts, be sure to check it out!

日本の伝統工芸螺鈿職人紹介動画 こちらの動画は「ニッポン手仕事図鑑」が公開した「螺鈿職人になる旅 / 武蔵川工房」です。 螺とは螺旋状の殻をもつ貝のことを指し、鈿とは金属や貝による飾りのことを指します。 アワビやヤコウガイ（夜光貝）シロチョウガイ（白蝶貝）クロチョウガイ（黒蝶貝）カワシンジュガイ（青貝）などの材料で幾何学模様を刻むという点で、螺鈿（らでん）は蒔絵や卵殻などとは異なります。 貝の厚さは0.4～1㎜で花鳥風月のデザインを刻むという点でも日本の伝統工芸らしさが際立ちます。 日本有数の伝統工芸螺鈿職人として最も有名な方が、動画で紹介されている武蔵川工房の親方である武蔵川剛嗣さんです。 螺鈿職人を育てた高岡漆器という日本の伝統 日本の伝統工芸である螺鈿職人を育てた歴史背景には、高岡漆器という日本の伝統工芸があります。 高岡漆器の特徴は町人文化のなかで日用品へ職人たちが技術を磨くため漆を塗り、それぞれの技法を乗せたという起源があります。 それらの匠の技として、象嵌という技法が挙げられます。 これは一つの材料に異質の原料をはめ込む種類の作り方で作られた美術品や工芸品を言います。 明治時代になると石瀬松次郎が青貝螺鈿加飾という伝統工芸漆器を始め、青貝塗という日本伝統文化を広めました。 やがて伝統工芸として螺鈿師という立場が確立され、武蔵川工房の武蔵川さんは国指定の伝統的工芸品の認定者となります。 螺鈿は光の加減によって様々な色に映るため、武蔵川工房では暑さを0.1mmまで削り加飾を行います。 高岡漆器独自のこの工程を踏むのが武蔵川工房様の特徴でもあります。 貝の輝きをいかに引き出し、コントロールできるかが伝統工芸を作る螺鈿職人の腕の見せ所であるとも言えます。 現代に活きる日本の伝統文化・螺鈿 現代においても螺鈿職人は様々な工夫を凝らして螺鈿の文化を進化させています。 ペーパーウェイトや帯留め、髪飾りや箸、時計やガラスに細工された螺鈿の作品は見ているだけでも楽しいものばかりです。 武蔵川工房でも皿や飾箱、茶器などへの螺鈿装飾を行ったものが多く制作されています。 動画では2:24よりご覧になることができます。 スマートフォンケースやスマートフォンリングといった現代の生活に即した螺鈿作品を作る螺鈿職人もいます。 日本の伝統文化螺鈿職人紹介まとめ 螺鈿職人は日本には数多くいますが、高岡漆器の歴史を組む武蔵川工房の螺鈿作品は他に類を見ない美しさを持っています。 ぜひ日本の富山県へ訪れた際には螺鈿にも触れてみてはいかがですか。

Introduction to Osaka Metro’s “Facial Recognition Ticket Gates” Today, we'll introduce “Osaka Metro Starts Testing Facial Recognition Ticket Gates（【改札機「顔パス」通過 大阪メトロが実証実験】)" a video by Kyodo News. This is a news video of Osaka Metro starting the testing of facial recognition ticket gates, in anticipation of the World Expo in Kansai. In December 2019, Osaka Metro released information of the next generation facial recognition ticket gates. By registering your faces photo data in advance, you can pass through ticket gates with facial recognition without using the conventional tickets and IC cards, which is an amazing technology. In the video, you can see Japan’s cutting edge technology. Please enjoy. What Kind of System Is Osaka Metro’s Facial Recognition Ticket Gate? Source :YouTube screenshot Osaka Metro installed the test ticket gate at the Dome-mae Chiyozaki Station on the Nagahori Tsurumi-ryokuchi Line in Osaka City’s west ward, and demonstrated its use before the media. As seen from 0:07 in the video, there are cameras set at the ticket gates, and these cameras recognize people’s faces passing through the gate, and the gate immediately opens. If people don’t need to take out tickets and IC cards, they can use stations without stress even when carrying heavy luggage or shopping bags. You can see in the video from 1:18 a passenger carrying big bags on both hands passing through the gate smoothly. The scene of passengers passing through the gate with facial recognition is introduced in the video from 0:26. In the video, Osaka Metro workers are shown passing through the gate with facial recognition, but in the future, they will build up systems so that ordinary passengers can use it as well. The Installation and Future Prospects of Osaka Metro’s Facial Recognition Ticket Gates Photo：Ticket gates Maybe it won’t be too long until people are passing the ticket gates with facial recognition and ticket vending machines disappear from stations. If no ticket vending machines are needed, it will be a cost reduction for railway companies, so it can be said that there are many benefits. This system is only a system using facial recognition technology, so if you are wearing masks and hats it leads to matching failure, and the gates don’t open. From now on, they will brush up the technology to improve on the ease of use for passengers. Summary of Osaka Metro’s Facial Recognition Ticket Gates Source :YouTube screenshot Technology of ticket gates opening through facial recognition is unprecedented, and Osaka Metro is garnering a lot of attention for this first attempt. Osaka Metro aims to install the facial recognition ticket gates to all stations by fiscal year 2024, in time for the World Expo in Osaka. These days, many technologies have become wide spread, such as cashless payments and QR codes. It can be said that these facial recognition ticket gates are one of these shifts toward the next-generation. 【Official Website】Japan Association for the 2025 World Exposition https://www.expo2025.or.jp/en/

Video introduction of the maki-e process of a maki-e artist in Wajima City, Ishikawa Prefecture, Japan! What is Makie? This video, titled "Maki-e Time Lapse ART iPhone 6 Case "Zelkova," Lacquer Application, Wajima Lacquer, Maki-e, Goldfish, How to" (Maki-e time lapse ART iphone６ケース「欅」拭き漆 輪島 蒔絵 金魚 工程 A process), was released by "no to char." It's a promotional video that shows Japan's traditional Maki-e lacquerware process in a timelapse. The video shows how Mitsuru Yamashita, a lacquer artist from Wajima City, Ishikawa, who is famous for producing lacquer, paints a beautiful goldfish on an iPhone case made of zelkova. It looks real enough to swim away! Maki-e, a traditional Japanese craft, is a lacquerware technique, that has been handed down since ancient times in Japan. It's a decorative technique that involves drawing a pattern on lacquerware or wood with lacquer or applying metal powder such as gold, silver, and tin on it before it dries. Lacquer is a natural paint made from the resin of plants of the Anacardiaceae family and has a culture and history of being used in architecture, furniture, stationery, etc. in Japan. Lacquered products are manufactured by division of labor, and the craftsmen who apply the decorative Maki-e designs are called "Maki-e-shi" (蒔絵師). In this video, you can see the techniques of the lacquer artist and the time and process required to make the Maki-e goldfish on the iPhone case. In recent years, "Maki-e" products are seen not only as traditional crafts, but products with Maki-e on ballpoint pens, fountain pens, accessories, stickers, etc. have become common as well. These are objects that can be used daily in modern life and are a way to implement a part of Japanese culture and traditional Japanese crafts into your everyday life. Maki-e, A Traditional Japanese Craft: How It's Made Source :YouTube screenshot In this video, they begin by designing the goldfish, which can be seen from 0:07 in the video, then copying the sketch called an "Okime" on the zelkova iPhone case, applying lacquer with a Maki-e brush, and then sprinkling it with metal powder and then drying it. At the end, they apply "fuki urushi" (wiping lacquer) to the zelkova iPhone case in order to finish it with a beautiful glossy transparent wood grain. You can see the beautiful shining Maki-e design and the finished product, from 1:54 in the video. The finished lacquer gives off a beautiful luster, and you can experience the beauty of traditional Japanese Maki-e and the magnificence of handicrafts in Japanese culture. Maki-e is categorized into several types depending on the process used, including "Hira Maki-e," "Togidashi Maki-e," "Taka Maki-e," and "Shishiai Maki-e." The technique that is seen in the video is "Taka Maki-e" and the lacquer is raised to draw a pattern and express it in a relief shape. The goldfish that rises smoothly from the wood is three-dimensionally expressed by the unevenness of the lacquer, and it is characterized by the deep color of the lacquer that has been applied many times. Summary of Maki-e, A Traditional Craft That Conveys Japanese Culture Source :YouTube screenshot Maki-e is said to have originated in the Heian period (794-1185), and it is an aspect of Japanese culture and traditional crafts with a long history. There are also national treasures that have been made using Maki-e techniques, and it is one traditional craft that should be protected as a traditional technique that conveys Japanese culture. Videos like this, where we can learn about traditional Maki-e techniques and how to use them, are important in passing down the traditional craft to future generations so they may cherish it like their ancestors did before them.

Introducing the Self-Supporting Motorcycle, Honda Riding Assist The video "Video Explanation [Honda Riding Assist]" (動画で解説「Honda Riding Assist」), uploaded by "nikkeibp," introduces the the Honda Riding Assist developed by Japanese motorcycle manufacturer, Honda Motor Company. Enjoy the amazing features of the futuristic motorcycle! What is Honda Riding Assist? Source :YouTube screenshot Honda Riding Assist is a motorcycle that can stand on its own when running at low speeds and when stopped. The electric motor moves the front wheel from side to side to balance. From 0:17 in the video, you can see the motorcycle standing its own. The rider even stands up! This is an appication of the robotics technology and humanoid robotics research developed for ASIMO and other products. Normally, motorcycles lean in the direction the handlebar is turned, but the motorcycle developed by Honda leans in the opposite direction to counteract the imbalance. This is thanks to the movement of the front wheel. At low speeds, the front wheels slide forward and the ground contact point moves in front of the turning point. When driving normally, the center of gravity shifts in the direction the handlebar is turned, but at low speeds, the turning point is behind the contact point and the center of gravity shifts in the opposite direction to where the handlebar is turned. This makes it possible for the motorcycle to balance on its own. You can see an explanation from 0:34 in the video. There are currently no plans to sell the Honda Riding Assist. The Technology of the Honda Riding Assist Source :YouTube screenshot The Honda Riding Assist was developed to provide stability at low speed and to improve riding comfort and security during traffic and when stopped. By adopting "e-Drive" it is also eco-friendly and carbon-free, which is Honda's vision for the future. They announced the self-support "Honda Riding Assist" motorcycle at “CES2017” in January 2017, and in the same year, they announced “Honda Riding Assist-E” at the Tokyo Motor Show. Everyone was surprised to see the handle turning automatically. Walking With Honda Riding Assist Motorcycle Source :YouTube screenshot Because the motorcycle works without a rider, it can self-propel and move around as if going for a walk. At 2:16 in the video, you can see the bike following behind the rider. Technologies like this help to reduce the risk of accidents and lead to safer touring. The Future of the Honda Riding Assist With the self-support function introduced in the video, we could even begin to see motorcycles that can be enjoyed by those with disabilities and the elderly. e-Drive, the power train, is equipped with a large-capacity battery that can also function as a power source during disasters. Summary Source :YouTube screenshot What did you think of the Honda Riding Assist, a futuristic free-standing motorcycle developed by Honda Motors? The technology featured in this article has the ability to change the future of motorcycles forever. Currently, there are no plans to sell this motorcycle, but if they do, what do you think it'll go for? Keep your eyes peeled for news about the Honda Riding Assist! 【Official Website】Honda Riding Assist: https://global.honda/newsroom/news/2017/c170109eng.html

愛知にあるトヨタ産業技術記念館をご紹介！ 愛知にあるトヨタ産業技術記念館では自動車や繊維について学べたり、見て楽しめたりする施設です。 とても評判がいい人気の観光スポットになっており、最近では外国人観光客も増え、注目されています。 日本の代表的な企業であるトヨタの歴史に興味がある人、自動車や繊維を作るときの技術を知りたい人、ものづくりに興味がある人など、さまざまな人が楽しめる施設です。 この記事では、トヨタ産業記念館についての概要や、おすすめの動画などについて説明したいと思います。 愛知にあるトヨタ産業技術記念館とはどんな施設？ 愛知県に位置するトヨタ産業技術記念館は、自動車の技術と繊維の機械技術が展示されている博物館です。 また、トヨタ産業技術記念館はトヨタテクノミュージアムとも呼ばれています。 自動車館と繊維機械館があり、それぞれでトヨタのものづくりのこだわりや情熱を感じることができます。 施設内に、ものづくりに対するこだわりや哲学などが書かれており、自動車や繊維に興味がない人でも学べるところがたくさんあります。 トヨタの歴史や考え方を学べる、まさにトヨタ博物館です。 無料のガイドツアーを利用すれば、より深く自動車や繊維の技術について知ることができます。 ぜひガイドツアーを利用してみてください。 愛知にあるトヨタ産業技術記念館の感想は？ 愛知にあるトヨタ産業技術記念館は評判のいい口コミや感想がたくさんあります。 トヨタのものづくりのこだわりが知れる。自動車と繊維の機械技術を学べる。サービスの質がいいなど、魅力たっぷりのトヨタ産業技術記念館。 トヨタミュージアムショップもオリジナルの食品や自動車のグッズなどのお土産が売られており、評判のいい店です。 愛知にあるトヨタ産業技術記念館の料金やアクセスなど 愛知にあるトヨタ産業技術記念館を見学するときの料金や、交通アクセス、見学するときの所要時間などについて説明します。 ・料金　 大人500円　中高生300円　小学生200円 ・交通アクセス　 所在地　愛知県名古屋市西区則武新町4-1-35 名古屋本線「栄生駅」から徒歩3分 名古屋駅から「なごや観光ルートバス”メーグル”」に乗り「トヨタ産業技術記念館」で下車 ・滞在時間 2時間～3時間 トヨタ産業技術記念館や自動車に興味がある人はこちらの動画がおすすめ 愛知県観光協会が制作するトヨタテクノミュージアムを紹介している動画です。 繊維の機械技術や昔の自動車が紹介されており、とても興味深い動画です。 自動車や繊維などのものづくりに興味がある人はぜひ見てください！