Meiji Jingu Shrine in Harajuku, Tokyo Meiji Jingu Shrine, located in Harajuku, Tokyo, is surrounded by a surprisingly deep forest you’d never expect to find in the middle of Tokyo. It attracts countless visitors from Japan and abroad throughout the year.This article introduces the route featured in the 4K video、from Harajuku Station to the approach path and finally to the main hall,highlighting key sights, useful tips, and interesting background information to help first-time visitors enjoy their experience. What Is Meiji Jingu Shrine? Meiji Jingu enshrines Emperor Meiji and Empress Shoken and celebrated its 100th anniversary in 2020.The forest that fills the shrine grounds is known as one of the largest man-made forests in the world. Around 100,000 trees were donated from across Japan, and forestry experts carefully planned the planting so the woods would grow into a natural forest after 100 years. Today, that vision has taken root: a lush ecosystem that feels worlds away from downtown Tokyo. Photo: Meiji Jingu Shrine, Shibuya, Tokyo Its stillness and pure atmosphere soothe the hearts of visitors. In overseas videos, it is sometimes introduced as “Tokyo’s spiritual sanctuary.” Walking Access from Harajuku Station to Meiji Jingu When you exit Harajuku Station from the Omotesando Gate, the first torii gate of Meiji Jingu appears immediately in front of you. 【Video】3:20〜It usually takes 10–12 minutes to walk to the main hall. The path is flat and easy to follow. Photo: JR Harajuku Station, Tokyo Harajuku Station was renovated in 2020 to better handle the huge crowds during the busy New Year shrine-visiting period. The busiest days are January 1–3, when the station takes on a special holiday atmosphere unlike any other time of year. The Sacred Approach Beginning at the First Torii Gate As you pass through the first torii at the Harajuku entrance, the noise of the city falls away, and the air itself seems to change、leaving only the soft crunch of gravel underfoot in a peaceful world.Continuing along the path, you will encounter the massive second torii. Standing about 12 meters tall, it is the largest wooden Myojin-style torii in Japan, and its impressive scale naturally makes visitors look up. 【Video】4:23〜 Photo: First torii gate of Meiji Jingu Along the approach, you will find barrels of sak a well as wine barrels donated by wine cultivators from Burgundy, France, in honor of the Meiji Emperor's fondness for wine. This spot symbolizes cultural exchange between Japan and France, and often surprises international visitors who wonder why wine barrels are displayed here. From a side path, you can also visit the well-known spiritual site Kiyomasa-no-Ido Spring, where the scenery changes beautifully with the seasons. From the Second Torii to the Temizuya: A Gentle Walk Filled with Light Near the second torii, sunlight and shadows weave together to create a picturesque scene. Some torii have been rebuilt using naturally fallen cypress trees, reflecting the shrine’s harmony with nature. 【Video】13:58〜 Photo: Temizuya of Meiji Jingu A short walk further brings you to the temizuya (purification pavilion). Meiji Jingu uses groundwater, allowing fresh, clean water to flow continuously. 【Video】17:30〜The purification ritual involves holding the ladle with your right hand and cleansing in the following order: ① left hand, ② right hand, ③ rinse your mouth with water poured into your left hand, ④ left hand again, and ⑤ rinse the ladle’s handle. English instructions are provided, so visitors can follow the steps with confidence. From the Third Torii to the Main Hall: Entering a Majestic Space As you continue along the approach, the view opens up, revealing the third torii and the main hall. 【Video】18:01〜 Photo: Main hall of Meiji Jingu The shrine buildings, including the main hall, were originally completed in 1920, but were destroyed in air raids in 1945. Reconstruction was made possible through donations from across Japan and overseas, and the current wooden structures were completed in 1958. The beautifully crafted eaves and copper roofs are impressive, often leaving first-time visitors speechless.The standard method of worship is “two bows, two claps, one bow.” Take a moment in the quiet space before the main hall to center yourself before praying. 【Video】18:46〜 The Appeal of Goshuin, Omikokoro, and Charms Meiji Jingu’s goshuin, known for its strong calligraphy style, can be received at the Choden (in front of the Kaguraden) near the main hall. Some waiting time may occur during busy periods. Photo: Offering hall at Meiji Jingu The shrine’s unique omikuji, called “Omikokoro,” does not assign good or bad fortunes.Instead, it features waka poems by Emperor Meiji and Empress Shoken that offer thoughtful guidance. The positive and reflective messages make them especially popular among international visitors. 【Video】21:59〜 Forest Terrace Meiji Jingu: Souvenirs and Café After your visit, take a relaxing break at Forest Terrace. Its café, Mori no Terrace, has even received a Wood City Tokyo Award for its harmonious architectural design.You can enjoy warm drinks while looking out over the greenery, and the gift shop offers wooden goods and charms unique to Meiji Jingu—items that are especially popular among international travelers. 【Video】9:18〜 Hatsumode Information Meiji Jingu records the highest number of Hatsumode visitors in Japan, attracting around three million people every year. Photo: Hatsumode at Meiji Jingu When the gates open at midnight on New Year’s Day, loud cheers fill the air. This moment has become a popular attraction for international visitors, often referred to as the “Tokyo New Year Experience.”The peak hours are as follows, but visiting in the early morning allows for a smoother experience.・January 1, 0:00–3:00・Midday on January 1・Afternoons during the first three days of the year Tips for Visiting Meiji Jingu ・Soft morning light is ideal for photography.・Wear comfortable walking shoes for the long approach.・Some areas of the main hall are off-limits for photography; please check the signs.・While English guidance has increased, some areas remain Japanese-only, so using the video as a reference is recommended. Meiji Jingu Q&A: Helpful Information Before Your Visit Q1: How long does it take to walk from Harajuku Station to Meiji Jingu?A: Typically 10–12 minutes.It takes about 1–2 minutes to reach the first torii gate from the Omotesando Gate and another 8–10 minutes along the approach to the main hall. During Hatsumode, the walk may take 30 minutes to over an hour. Q2: What are the opening and closing times for Meiji Jingu?A: Times vary by season.Generally, the shrine opens around 6:40 from January to March, in the 5:00 hour from April to September, and closes between 16:20 and 18:30. Please check the official website’s “Opening and Closing Times” page for the latest information. Q3: How crowded is Hatsumode?A: Meiji Jingu experiences the largest New Year crowd in Japan.The peak times are 0:00–3:00 on January 1 and midday on January 1. Around three million visitors come during the first three days of the year. Q4: Where can I receive a goshuin?A: At the Choden (in front of the Kaguraden) near the main hall.There may be waiting times during busy hours. Q5: Can international visitors pray at the shrine?A: Yes, everyone is welcome to visit and pray.Numerous English signs make it easy even for first-time visitors. Q6: How do I get to Kiyomasa-no-Ido Spring?A: It is about a 10-minute walk from the Garden (Gyoen) entrance.Although slightly away from the main hall, it is a very popular spiritual spot. Photo: Visitors praying at Meiji Jingu Summary With easy access from Harajuku Station, Meiji Jingu offers a beautiful forested approach and historic architecture.Following the video as you walk makes it easy for first-time visitors to reach the main hall while deepening their appreciation of Tokyo’s cultural heritage.Whether for Hatsumode, collecting goshuin, or enjoying a peaceful stroll, Meiji Jingu is a sacred place worth experiencing throughout the year. 【Official Website】https://www.meijijingu.or.jp/en .caption-heading-2 { font-weight: bold; font-size: 1.7rem; margin-bottom: 15px; max-width: 800px; margin-left: auto; margin-right: auto; margin-top: 60px; } .mod-article-caption .caption-text { margin-bottom: 40px; } .caption-information-table { background-color: #efefef; margin-top: -20px; margin-bottom: 50px; padding: 20px; border-radius: 8px; width: 90%; margin-left: auto; margin-right: auto; } .caption-information-table.blue { background-color: #fffaef; } .caption-information-table .title { font-weight: bold; font-size: 1.7rem; } @media screen and (max-width: 1024px) { .caption-information-table { width: 95%; padding: 30px 15px 30px 15px; } } .caption-heading-table .caption-text li { line-height: 2.5rem; margin-top: 1.3rem; } .mod-article-caption .caption-heading { position: relative; border-left: 5px solid #ff1300; padding-left: 10px; margin-top: 60px; } .mod-article-caption .caption-text { margin-bottom: 50px; } .mod-article-caption .caption-heading-table { width: 95%; padding: 30px 15px 1px 15px; margin-left: auto; margin-right: auto; } .caption-heading-table ul{ counter-reset: listnum; /* カウンターをリセット */ list-style: none; /* 標準のスタイルは消す */ font-size: 1.5rem !important; margin-bottom: 15px; } .caption-heading-table ul.list-style-number-jp>li{ margin-left: 1.1em; text-indent: -1.1em; font-weight: bold; } .caption-heading-table ul.list-style-number-jp>li::before{ counter-increment: listnum; /* counter-resetと同じ文字列 */ content: counter(listnum); /* カウントした数に応じて番号を表示 */ content: counter(listnum) ". 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Traditional Japanese Cultures – Tea Ceremony, Flower Arrangement, Calligraphy, Kendo, and Archery: Video Introduction This video, titled "IS JAPAN COOL? DOU - 道 (THE TANGIBLE MANNER)," was uploaded by "ANA Global Channel." The video begins with an atmospheric Japanese bamboo grove, followed by scenes of martial arts such as iaido and kendo using Japanese swords, as well as calligraphy and archery. The beautiful images and the sound of taiko drums provide a glimpse into the various "Ways" of Japanese culture, including the classical Japanese performing arts of Noh theatre and Nihon buyo (classical Japanese dance). In Japanese "Dou" (道, Road/Path), in the context of traditional Japanese cultures, means "The Way." Some of the most common of these traditional cultures are as follows: Kendo (剣道) Kendo (剣, Sword) (道, Path) or "The Way of the Sword" Sado (茶道) Sado (茶, Tea) (道, Path) or "The Way of Tea" Kado (華道) Kado (華, Flower) (道, Path) or "The Way of Flowers," a type of flower arrangement Shodo (書道) Shodo (書, Writing) (道, Path) or "The Way of Writing," more commonly known as calligraphy Kyudo (弓道) Kyudo (弓, Bow) (道, Path) or "The Way of the Bow," more commonly known as archery Traditional Japanese Cultures and 'The Way' Photo：The kanji for 'Way' When it comes to Japanese culture, many people probably think of things like kendo and tea ceremony. "Dou," or "The Way" helps convey the history and wisdom contained within these traditional Japanese cultures. In fact, it's still not widely known that there are numerous "ways" in Japan. For starters, calligraphy (書道, Shodo), tea ceremony (茶道, Sado), and flower arrangement (華道, Kado), widely known as traditional Japanese culture, are collectively referred to as Sando (三道) or "The Three Ways." Even today, they are popular as training activities. There are also nine types of budo (武, War) (道, Path) or "The Way of War," including judo, which is popular around the world as an Olympic sport, kendo, kyudo (traditional Japanese archery), sumo, karate, naginata, aikido, jukendo, and shorinji kenpo. In addition, there are iaido, jodo, tatedo, and kobudo. There is also kodo, (香, Aroma) (道, Path) or "The Way of Aromas," which involves burning incense to enjoy their fragrance. There are many lesser-known forms of martial arts in Japan as well. Did you know that there are more Shinto shrines and Buddhist temples in Japan than there are convenience stores in the entire country? Even Japan's native religions, Shinto (神, Gods) (道, Path) or "The Way of the Gods," Butsudo (仏, Buddha) (道, Path) or "The Way of Buddha," and Shugendo (修, Discipline) (験, Test) (道, Path), or literally "The Way of Discipline and Testing." Learning More than Simply the 'Way' Photo：A judo gi So what is learned from these traditional Japanese cultures? Let's take the aforementioned "Budo" (martial arts) as an example. Japanese martial arts are similar to sports, as they are competitive and use a set of established rules. However, budo emphasizes spirituality. It's said that Budo is a form of "Bushido" (武士道), the "Way of the Warrior," a way to improve one's spirituality and character, particularly civility and morality. Budo is not only about winning matches, but also about becoming a better person by training one's mind, techniques, and physique through daily practice and discipline. Let's take a look at what you can actually learn by studying martial arts. ●Etiquette and Perseverance Martial arts are said to begin and end with a bow. Through martial arts, students learn to be considerate of others while keeping their emotions in check, and through repeated training, they also acquire patience and perseverance. ●Increased Concentration When competing against an opponent, one must pay attention to the opponent's movements and be ready to respond to the opponent's attack. This requires a high level of concentration. By continuing to practice, you will strengthen your ability to concentrate. Other benefits include increased flexibility of the shoulder blades and hip joints and increased metabolism, and it can also be practiced by men and women of all ages. If one's spirituality is enhanced through "budo," one may be able to calmly deal with unpleasant situations in real-life relationships or at work. Not limited to martial arts, in Japan, there are countless classes and dojos related to "ways," such as kado (華道, flower arrangement), sado (茶道, tea ceremony), and kyudo (弓道, archery), and many people practice them because they enable them to learn the Japanese spirit of harmony and etiquette. Popular Japanese Cultural Experiences Among International Tourists Photo：Kado Here are some Japanese cultural experiences that are popular among tourists visiting Japan. First, there's tea ceremony. Tea ceremony is a uniquely Japanese cultural experience that is popular among foreign tourists because of its refined etiquette and the Japanese spirit of wabi-sabi. Flowers are universally loved. In kado, a type of flower arrangement and purely Japanese culture, one learns not only how to arrange flowers, but also how to entertain guests and how to appreciate life by decorating flowers and plants. Unlike standard flower arrangement, the artistic ikebana experience, which also teaches the beauty of the space between the flowers, is becoming more and more popular every year. Another popular Japanese cultural experience among foreign visitors to Japan is kimono. As you can see in the video showing traditional Japanese dance and Noh theatre, many people associate Japan with kimono. In Kyoto and other sightseeing spots, people are often seen wearing kimono as well. Summary of Traditional Japanese Cultures and 'The Way' Have you checked out the video to learn about the different "ways" of Japan? It's a beautiful video filled with the charms of traditional Japanese cultures, dignified movements, and wabi-sabi. Like we mentioned, there are many "ways" that even Japanese people are not familiar with. The traditional Japanese cultures or "ways" aren't just about techniques, but also growing as a person and honing one's character. Perhaps you can use the inspiration you've found from this article to find your own path?

Video Introduction This video, titled "[Kazumi Style] How to Put on a Yukata for Men" (Kazumi流男ゆかたの着かた How to put on Yukata for men), was uploaded by "kazumiryu." There are few chances to wear yukata in Japan, summer festivals, fireworks displays, and other summer events, are a few such occasions. You might also get the chance when staying at a ryokan (traditional Japanese inn) or hotel during a vacation. However, since there are so few opportunities to wear yukata, even in Japan, when it comes time to put one on it can be quite the challenge. Being able to wear a yukata cool and comfortably will make you look nice and stylish! If you're looking to learn how to put on a men's yukata, then you came to the right place! Be sure to check out the video as you follow along! How to Properly Put on a Yukata. Right? Left? Which Side Goes on the Outside? Photo：A man and woman wearing yukata at a hot spring inn Yukata are always provided when staying at a hot spring resort in Japan. Many people do not know how to properly wear one, so they just throw it on and call it good. Some may say, "Well, no one's watching so, who cares?", but there is one point you need to be aware of. While it might be okay to throw it on without caring about how well it's shaped, you should at least know which side goes in and which side goes out. As long as you remember right hand in, left hand out, you shouldn't have too many problems. It may be easy to make a mistake when wearing a yukata or kimono if you're not used to the undergarments, etc. In the case of yukata, kimono, and other Japanese-style clothing, it's said to be bad luck to wear the left side in and the right side out. This is because this is how the deceased would be dressed in burial clothes. Be careful not to make this mistake! Wearing a yukata at a ryokan is fairly easy, but it's important to first select a yukata that is appropriate for your height. Since the length of the yukata is can't be adjusted like women's yukata, choose a size that sits above your ankles when worn. 1. Wear the robe so that it is evenly distributed on both sides. 2. Wrap the right side of the robe around the left hip while holding both sides of the yukata. While doing this, hold the left side firmly so your other hand is taut. 3. Wrap the left side of the yukata around the right hip, and tie the obi (sash) in a bow above the hip bone or below the belly button. 4. If you are a man and want to wear the yukata in a cool way, turn the knot clockwise and shift it to either the left or right side of the back. Be careful not to turn the obi around to the opposite side, as this will cause the yukata to become loose. Everything You Need for Wearing a Men's Yukata! Photo：Yukata at a hot spring inn Next, we'll go over how to make a yukata look more dignified. we'll explain, how to look cool while wearing a men's yukata. First, here's what you'll need in order to put on a yukata: ・Yukata ・Hadagi (undergarments) ※If you don't have hadagi, a v-neck shirt will do ・Koshi-himo (waist cord) It's recommended that you wear undergarments that fit to prevent the yukata from clinging to your body due to perspiration. A koshi-himo (waist cord) will keep the yukata firmly in place and keep the yukata looking great without falling out of place. In recent years, there are elastic waist cords whose length can be adjusted as well. Tips for Putting on a Yukata for Men Photo：A man wearing a yukata There are several points to keep in mind when wearing a yukata as a man. Let's look at them together. ・Right Side In As mentioned above, the yukata should be worn with the right on the inside. Be careful not to get this backwards. ・Wear a Yukata Appropriate for Your Height For men, it's especially important to choose a yukata that is appropriate for their height. This is because men's yukata are not adjustable like women's yukata. ・Be Careful Where You Tie the Waist Cord The waist cord should be tied above the hip bone or below the belly button. If you tie it too high, it will look childish. How to Put on a Yukata for Men + Pointers Photo：Putting on a yukata Now that you have everything you need to wear a yukata and you're familiar with some of the do's and don'ts, it's time to put it on. Below we will tell you how to put it on, along with some tips. In particular, a beautiful V-line around the neck will make you look cool in a yukata. 1. Put on the undergarments. 2. Put on the yukata and keep the waist cord over your right shoulder. 3. To wrap the yukata tightly around the hips, grasp the collars firmly with both hands and pull them forward. At this time, make sure the left side seam is hanging straight down. 4. Check the position of the yukata in your left hand, as this will be the side that goes on the outside. Once the yukata is in place, return your hands to their original positions while making sure that the height does not change. 5. Pull the yukata held in your right hand diagonally down to the left, and hold it around your left waist with the side held in your left hand on top, as if to cover the yukata. 6. Place the koshi-himo (waist cord) in front of the stomach, slightly above the hip, and wrap it around your waist on both sides. Cross it behind your back and tighten it once. When tightening, pull in your stomach and tighten it really tight so that it knocks a little bit of air out of you, and then bring the waist cord to the front. 7. Tie the waist cord in one knot on either side, avoiding the middle. The end of the cord should be tucked inside. 8. Finally, place your right hand inside the bosom of the yukata and lightly tap it downwards to adjust the shape of the yukata. A tight collar is recommended for beginners. Summary of How to Put on a Yukata for Men This video ends with only the dressing of the kimono, but on kazumiryu's channel, they explain and obi knot called "kai no kuchi." This knot is often used for men's yukata, be sure to check it out with us! If you want to wear a yukata to a festival, Bon Odori, fireworks display, or other traditional Japanese event, but don't have one, you can always use a kimono rental store. When you wear a yukata, you'll naturally look more graceful. Women tend to be noticed for their gorgeous yukata, but as a man, if you know how to wear a yukata properly, you'll stand out just as much. One of the most important parts is getting that defined v-line to make the yukata look even better. If you go out to one of Japan's summer festivals dressed in yukata while wearing geta shoes, you're sure to have a memorable experience!

A Koto Performance Beneath the Cherry Blossoms This video, titled "Sakura – 25 strings koto (さくら(Sakura)　25絃箏 (25 strings koto))," contains footage of a koto performance under the cherry blossom. It was created by "Kasumi Watanabe." The video features 17 and 25 string koto musician Kasumi Watanabe (渡邉香澄). The koto is a traditional Japanese musical instrument with a soft, beautiful tone that is very relaxing to listen to. You can take a look at Kasumi Watanabe's performance from 0:09 in the video. The Koto - A Traditional Japanese Instrument Photo：A koto The koto was introduced to Japan from China over 1,300 years ago during the Nara period (794 AD-1185 AD). It quickly became popular among the wealthy. During the Edo period (1603 AD-1868 AD) the musician Yatsuhashi Kengyo (八橋検校) created the foundation of koto music that continues to be used to this day. A tool called a "Ji" (柱) is used to tune the koto. There are two main styles of koto, referred to as "Ikuta-ryu" (生田流) and "Yamada-ryu." Differences between the styles include the shape of the instrument, the picks used, and playing method among others. Listen To the Beautiful Melody of "Sakura"! Photo：Playing the koto The well-known song "Sakura" featured in the video, is performed by Koto musician Kasumi Watanabe. In Japan, when the cherry trees blossom in spring, people travel all over the country to enjoy cherry blossom viewing. Traditional koto and gagaku (雅楽) performances can be heard at famous cherry blossom viewing spots around the country. It's a great way to celebrate the coming of spring! Learn to Play Traditional Japanese Musical Instruments! Photo：A woman playing a koto There are many schools around Japan where you can learn to play traditional Japanese musical instruments. The koto, in particular, is popular for its beautiful and elegant image. The special kind of sheet music used takes a little getting used to, but once you start playing you're guaranteed to fall in love with it. You can also learn other traditional Japanese musical instruments, such as the Shamisen (三味線), or take part in a traditional Japanese music performance experience. If you're interested in learning more about traditional Japanese performing arts, we highly recommend joining one of these classes! Summary of the Koto - A Traditional Japanese Instrument Source :YouTube screenshot The koto is a traditional musical instrument that has been played in Japan for hundreds of years. In the video, you can listen to the song "Sakura" played by a professional musician. The peaceful melody is sure to leave you feeling at peace. We highly recommend trying out one of Japan's traditional musical instrument experiences on your next sightseeing trip to Japan. You can pick out your favorite instrument and enjoy playing the music of your choice!

■Table of Contents Introduction What Makes the Japanese Sword So Beautiful and Fascinating? Why Is the Japanese Sword Discussed as a Weapon, Work of Art, and Cultural Treasure? What Do the Hamon and Jigane Reveal About a Sword's Character? Tachi, Katana, Wakizashi, Tanto: What Sets Them Apart? How Do the Tachi and Katana Differ in Appearance and How They Were Worn? How Does Knowing the Wakizashi and Tanto Deepen Your Appreciation? The History of the Japanese Sword How Did the Curved Tachi Emerge from the Heian to Kamakura Period? The Rise of the Uchigatana How Do Tamahagane, Tatara, and Yaki-ire Give Each Sword Its Unique Character? Why Are Tatara and Tamahagane the Foundation of Japanese Swordmaking? How Do Folding, Yaki-ire, and Polishing Shape a Sword's Final Form? Museum vs. Specialty Shop: Two Ways to Experience Japanese Swords What Does a Museum Offer, and What Makes a Specialty Shop Different? How Does Learning to Look Change What You See in the Hamon and Sugata? Wakeidou: A Gateway into the World of the Japanese Sword Seventy Years and Three Generations: The Story of Wakeidou Why Does Having Two Certified Sword Appraisers on Staff Make a Difference? The Swords and Fittings You Can Find at Wakeidou From Tachi to Spears: The Full Range at Wakeidou How Do Sword Fittings Like Tsuba and Menuki Add to the Experience? Nanatsu-do Otoshi Kanefusa: The Legendary Sword in Wakeidou's Collection Why Does the Name Nanatsu-do Otoshi Kanefusa Still Leave Such a Strong Impression? Beyond the Legend: How to Appreciate the Sword Itself Planning Your Visit to Wakeidou: Location, Hours, and Access Where Is Wakeidou and How Do You Get There? Hours, Closed Days, and What to Know Before Your Visit What You Should Know Before Buying or Consulting About a Japanese Sword Why Learning the Basics of Sword Care Matters After Your Purchase Buying, Online Orders, Appraisals, and Trade-ins: Why a Specialty Shop Makes the Difference Conclusion: Begin Your Journey with Japanese Swords at Wakeidou Read More Introductionに For centuries, Japanese swords accompanied the samurai into war. They were wielded in countless battles during the Sengoku period, Japan's era of warring states that spanned roughly the 15th and 16th centuries. That sword is the iconic Japanese sword known in English as the "katana" or "samurai sword." Today, these blades are celebrated worldwide, displayed as works of art in museums across the globe. Perhaps your interest was sparked by a period drama or film set in samurai Japan, or by Touken Ranbu, the popular game and anime series that reimagines Japanese swords as human characters. Or maybe you once paused in front of a museum display case, unexpectedly captivated by the beauty of a blade behind the glass. Once that curiosity takes hold, questions tend to follow: "Where can I see a real Japanese sword in person?" "If I ever wanted to own one, where would I even begin?" These are questions many people find themselves asking. There are several things worth knowing when it comes to appreciating a Japanese sword. The hamon (刃文), a patterned line that appears along the edge when light catches the blade, varies dramatically from sword to sword. The jigane (地鉄), the surface texture of the forged steel, reflects the characteristics of the iron's origin. And the overall shape, or sugata, differs between the tachi and the uchigatana in ways that photographs rarely capture. Standing before the real thing changes everything. Each sword holds within it tamahagane (玉鋼／Tamahagane), a special steel, along with a swordsmith's skill and a history passed down through generations. In the city of Nagaoka, the central hub of the Chuetsu region in roughly the middle of Niigata Prefecture, there is a place where beginners and enthusiasts alike can step inside, view authentic swords up close, speak directly with experts, and even purchase or sell a blade. That place is Wakeidou (和敬堂), a specialist sword dealer founded in 1953. In putting this article together, I had the opportunity to speak directly with Mr. Doi, a staff member at Wakeidou who has spent many years working closely with Japanese swords. The content that follows draws on what he shared: from how to look at a sword and the differences between types, to the process of making one and some of the remarkable stories unique to a specialist shop. Photo: Exterior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture This article walks through everything in order: the differences between sword types such as the tachi and wakizashi, the swordmaking process rooted in tamahagane and tatara (たたら), how to enjoy both museums and specialty shops, and where to turn when you find yourself wanting a Japanese sword of your own. By the end, the world of Japanese swords will feel a great deal closer. Photo: Mr. Doi, Third-generation owner of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture What Makes the Japanese Sword So Beautiful and Fascinating? Even after seeing Japanese swords in museums or period dramas, many people come away thinking of them simply as sharp blades. But knowing what to look for transforms the experience entirely. When appreciating a Japanese sword, there are three key elements to focus on: sugata (姿), jigane (地鉄), and hamon (刃文). Sugata refers to the overall shape and silhouette of the sword. Its form shifted subtly over time, shaped by the fighting styles of each era. Jigane is the surface pattern that emerges from the forged steel, reflecting the characteristics of the iron's origin. And hamon is the white patterned line that runs along the cutting edge, which varies dramatically between swordsmiths. Each of these three elements carries the mark of a craftsman's skill and the spirit of its time. That is precisely why the Japanese sword holds value not only as a weapon, but as a work of art and a cultural treasure. Photo: Gunome-midare hamon（irregular undulating temper pattern） Why Is the Japanese Sword Discussed as a Weapon, Work of Art, and Cultural Treasure? The Japanese sword was originally forged as a tool of war. Sharpness, flexibility, resistance to breaking: the qualities a samurai needed to trust with his life were refined over centuries. Even after the age of battle had passed, the Japanese sword continued to be treasured, first as a symbol of samurai status, and then as a thing of beauty in its own right. Long after its role as a weapon had ended, its elegant form and the intricate patterns on the steel surface continued to draw people's admiration. A practical instrument and a work of art, all in one: that dual nature is what makes the Japanese sword so distinctive. Today, many swords have been designated as National Treasures or Important Cultural Properties under Japanese law, and they are exhibited as first-rate artworks in museums around the world. For international visitors to Japan, sword museums have become popular destinations in their own right. What Do the Hamon and Jigane Reveal About a Sword's Character? For a deeper appreciation of Japanese swords, turn your attention to the hamon and jigane. The hamon is the pattern that appears as a white line along the cutting edge. It takes many forms: the straight suguha (直刃), the wave-like midareba (乱刃), cloud-like spreading patterns, and more, each varying greatly depending on the school, the era, and the swordsmith. (A "school" here refers to a lineage or tradition of swordmaking.) Shifting the angle of the light changes what you see, so the same sword can look quite different depending on how you view it. Photo: Chōji-midare hamon（irregular clove-shaped temper pattern） The jigane is the surface texture of the blade, formed through the forging process. It can resemble wood grain, flowing water, or other natural patterns, and it reflects directly the work the swordsmith put into shaping the steel. Even two swords by the same swordsmith will differ in their hamon and jigane. That is why every visit to a museum or specialty shop holds the promise of a new discovery. Tachi, Katana, Wakizashi, Tanto: What Sets Them Apart? The term "Japanese sword" covers a wide range of blades. The four main types are the tachi (太刀), katana (uchigatana, 打刀), wakizashi (脇差), and tanto (短刀). Each differs in size and how it was worn, and being able to tell them apart makes the whole experience of viewing swords far more rewarding. How Do the Tachi and Katana Differ in Appearance and How They Were Worn? The bold, deeply curved sword you often see in museums is the tachi (太刀／Tachi). Its defining characteristic is how it was worn: suspended from the hip with the edge facing downward. Many of Japan's most celebrated blades, including Mikazuki Munechika (三日月宗近), designated a National Treasure, were tachi, made during the Heian and Kamakura periods (roughly 794 to 1333 CE). Photo: The tachi (太刀), a sword with a commanding, deeply curved form The uchigatana (打刀／Uchigatana), on the other hand, was worn with the edge facing upward, thrust directly through the belt. When people say "katana" or refer to a Japanese sword today, they almost always mean this type. Tucking the scabbard into the belt allowed the sword to be drawn and used in a single fluid motion, providing a significant advantage in close combat. Compared to the tachi, the uchigatana tends to have a more restrained curve and a cleaner, streamlined silhouette. Photo: The uchigatana (打刀), notable for its ability to be drawn and used in a single swift motion Though both are called "Japanese swords," the tachi and uchigatana differ significantly in form and how they were carried. A simple way to remember: the tachi was suspended; the uchigatana was thrust through the belt. Keeping that in mind, you can begin to read the context of each sword's use just from looking at it. The next section explores why these two types emerged in the first place. How Does Knowing the Wakizashi and Tanto Deepen Your Appreciation? Understanding the wakizashi (脇差／Wakizashi) and tanto (短刀／Tanto) alongside the tachi and katana opens up the world of Japanese swords even further. The wakizashi was a shorter sword worn at the hip alongside the uchigatana. Wearing both together, a practice known as daishō, was part of a samurai's formal dress. The two-sword combination you see in period dramas is precisely this pairing. Photo: The wakizashi (脇差), a shorter sword worn alongside the uchigatana The tanto is shorter still, used historically for self-defense and ceremonial purposes. Small as it is, its hamon and jigane are no less impressive than those of a full-length sword: a blade barely the length of a hand can carry just as much of a swordsmith's artistry. It comes as a surprise to many first-time viewers. That combination of compact size and concentrated craftsmanship has earned the tanto a loyal following among collectors. Photo: The tanto (短刀), used historically for self-defense and ceremonial purposes It's worth noting that overseas, some people picture a straight-bladed "ninja sword" when they hear "Japanese sword." This image, popularized largely through films, is known as a ninjato, but there is scant historical evidence for such a distinct straight ninja blade. The swords actually used by samurai and preserved as works of art are the curved blades described here. Line up a tachi, katana, wakizashi, and tanto side by side, and the differences in length, curve, and style of wear reveal just how much depth the world of Japanese swords contains. The History of the Japanese Sword Spend some time with the swords in a museum and you'll notice that blades from different eras look subtly different. Understanding why the form changed over time gives you a new lens through which to appreciate every sword you encounter. How Did the Curved Tachi Emerge from the Heian to Kamakura Period? The signature curve that defines the Japanese sword became established from the late Heian period (around the 11th century) through the Kamakura period (1185–1333). Before that, straight swords (chokuto, 直刀) were the norm. The shift came with the rise of mounted warfare. Cutting down from horseback, a gently curved blade transmitted force far more effectively than a straight one, making it easier to deliver a powerful strike from above. The curve was, in essence, a functional evolution. The tachi produced in this era are known for their commanding curve and dignified bearing. The five greatest swords in Japanese history, known collectively as the Tenka-Goken (天下五剣, "Five Swords Under Heaven"), including Mikazuki Munechika and Dojigiri Yasutsuna (童子切安綱), were all tachi forged during this period. Knowing that history, the sheer presence of these swords becomes something you feel rather than simply observe. The Rise of the Uchigatana As time went on, the nature of warfare shifted from mounted combat to infantry fighting. From the late Muromachi period (roughly the 14th to 16th centuries), foot soldiers called ashigaru became an increasingly important part of armies, and the battlefield demanded a sword that could be drawn and used quickly in close, crowded conditions. The answer was the uchigatana. Designed for ground-level combat, it was more maneuverable than the tachi, and its edge-up carry allowed a warrior to draw and cut in a single fluid motion, a decisive advantage in infantry warfare. Many of the great commanders of the Sengoku period favored this type. When Japan entered the relatively peaceful Edo period (early 17th century to the late 19th century), large-scale conflicts became rare. The sword's role shifted: it became a symbol of samurai identity rather than a tool of war. In that new context, the uchigatana, at once functional and dignified, continued to be treasured and passed down. When you stand before a sword in a museum or specialty shop with that history in mind, even a single blade can evoke the lives of the people who carried it. How Do Tamahagane, Tatara, and Yaki-ire Give Each Sword Its Unique Character? Even two swords by the same swordsmith will differ in their hamon and jigane. That is one of the enduring mysteries of the Japanese sword. Follow the process by which a single blade comes into being, and the reason becomes clear. Why Are Tatara and Tamahagane the Foundation of Japanese Swordmaking? The making of a Japanese sword begins with making the steel itself. That steel is produced through tatara (たたら／Tatara): Japan's traditional smelting method. In the tatara process, iron sand and charcoal are layered into a furnace and heated at high temperatures over the course of several days. The result is tamahagane (玉鋼／Tamahagane): the raw steel from which Japanese swords are made. Tamahagane is prized for its combination of hardness and toughness, and its low impurity content. The qualities that define a great Japanese sword, resisting both breaking and bending, and holding a keen edge, all trace back to this material. Photo: Tatara (たたら), Japan's traditional smelting method The characteristics of tamahagane vary depending on where the iron sand is sourced, resulting in differences in impurity content, hardness, and toughness. How the swordsmith works with that particular steel is where their skill comes in. In other words, the individuality of each sword begins to take shape from the very first step: the smelting of the iron. Photo: Tamahagane (玉鋼), the finest steel produced through the tatara smelting process How Do Folding, Yaki-ire, and Polishing Shape a Sword's Final Form? Once the tamahagane has been selected, the work moves to the forge, where the sword takes shape entirely through the swordsmith's hands. The process unfolds in three main stages. The first is ori-kaeshi tanren: folding and forging. The heated steel is hammered out, folded back on itself, and hammered out again. Repeated many times over, this process drives out impurities and builds up layer upon layer of tough, resilient steel. The beautiful surface patterns of the jigane are born from this accumulated labor. Photo: A swordsmith at work Once the shape is formed, the blade undergoes yaki-ire, the hardening process. Clay is applied to the blade in a specific pattern, the sword is rapidly heated, then quenched in water. This step determines the shape of the hamon. Even a skilled swordsmith cannot fully predict the outcome: temperature on the day, the condition of the water, and still other factors influence the result. It is the stage where experience matters most.The final stage is polishing. A specialist called a togishi (研師) works through a series of different whetstones, gradually drawing out the hamon and jigane of the blade. How the sword is polished can change what the eye sees, even in the same blade. That is part of what makes the Japanese sword so inexhaustibly fascinating. Only after a sword has gone through each of the stages of tatara, tamahagane, ori-kaeshi tanren, yaki-ire and polishing does it emerge with a character that could belong to no other blade. This is why choosing each individual Japanese sword is such a meaningful act. Photo: A swordsmith at work Museum vs. Specialty Shop: Two Ways to Experience Japanese Swords There are two main ways to explore the world of Japanese swords: museums and specialty shops. Each offers something different, and knowing both opens up your appreciation considerably. What Does a Museum Offer, and What Makes a Specialty Shop Different? Museums and art galleries allow you to view celebrated swords alongside expert commentary, building your understanding of their historical context, the schools they belong to, and the swordsmiths who made them. Even through a glass case, knowing the era, the lineage, and the maker's name brings the history and cultural significance of each blade into focus. For anyone beginning to learn about Japanese swords, museums are an invaluable starting point. A specialist sword dealer like Wakeidou offers a different kind of closeness. You can sometimes handle a sword directly, ask questions of the staff, and be shown blades one by one according to your interests. The ability to spend as much time as you like with a single sword, really taking a proper look at it, is something only a specialty shop can provide. Photo: Interior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture The ability to spend as much time as you like with a single sword, really taking a proper look at it, is something only a specialty shop can provide. How Does Learning to Look Change What You See in the Hamon and Sugata? The pleasures of museums and specialty shops deepen further when you move between the two. A museum gives you systematic knowledge: historical context, schools, the lineage of swordsmiths. A specialty shop, by contrast, gives you experiential learning, letting you see the real thing up close and ask questions directly of someone who knows. Visit a specialty shop after studying "Kamakura-period tachi" and "Edo-period uchigatana" at a museum, and you'll begin to see the historical context layered into each sword on display. Conversely, if you've examined the differences in curve and hamon firsthand at a specialty shop, returning to a museum will reveal things in a famous blade that you simply didn't notice the first time. When knowledge and direct experience come together, sword appreciation opens onto something altogether deeper. Wakeidou: A Gateway into the World of the Japanese Sword Now that we've looked at what both museums and specialty shops have to offer, you may be wondering: what does an actual specialist sword dealer look like? In Nagaoka, Niigata Prefecture, there is a place where you can speak directly with Japanese sword experts, view authentic blades up close, and consult about buying or selling. That place is Wakeidou: a specialist sword dealer that has been passed down through three generations since its founding in 1953, a history of more than 70 years. (0:00) Whether you're encountering Japanese swords for the first time or have long been a collector, Wakeidou is a welcoming place to begin. Photo: Exterior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture Seventy Years and Three Generations: The Story of Wakeidou Wakeidou is a specialist sword dealer long established in Nagaoka, Niigata Prefecture. Since its founding in 1953, the shop has been passed down through three generations over more than 70 years, remaining dedicated throughout to Japanese swords and sword fittings. (1:27) Over those seven decades, Wakeidou has handled countless swords and responded to the questions and needs of many visitors. That accumulated experience is felt in every blade in the shop, and each blade is treated not merely as a piece of inventory, but as something with a history behind it. Whether you've just started to take an interest in Japanese swords or have been collecting for years, the shop has an ease to it that lets you browse at your own pace. The reassurance of a three-generation specialist dealer, with roots going back more than 70 years in Niigata, is something you'll sense from the moment you walk in. Photo: Interior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture Why Does Having Two Certified Sword Appraisers on Staff Make a Difference? Another defining feature of Wakeidou is that it has two certified sword appraisers (刀剣評価鑑定士) on staff. The value of a Japanese sword depends on many factors: its form, the era it was made, the school it belongs to, and its condition. Having trained specialists who can assess all of these is enormously reassuring, whether you're considering a purchase or want to learn more about a sword that has been in your family for generations. "When was this sword made?" "What should I look for in my first sword?" "What is this blade worth?" These are exactly the kinds of questions you can work through together with the staff at Wakeidou. Wakeidou is a fully accredited specialist dealer, affiliated with the National Sword Dealers' Cooperative Association (全国刀剣商業協同組合), a nationwide organization of legitimate sword dealers approved by the office of the Prime Minister of Japan, as well as a number of other fine arts associations. If a specialist shop sounds a little daunting, there's no need to worry. Wakeidou is the kind of place where first-time visitors feel comfortable asking questions. Photo: Mr. Doi, Third-generation owner of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture What Swords and Fittings Can You Find at Wakeidou? Inside Wakeidou, you'll find tachi, katana (uchigatana), wakizashi, tanto, yari (spears), and a wide selection of tosogu (刀装具), the fittings and mountings that accompany a sword. The range of sword types on display, combined with the depth of the tosogu collection, means there is always something new to discover on each visit. Photo: Interior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture From Tachi to Spears: The Full Range at Wakeidou Even within the category of "Japanese swords," the impression each type makes is quite different. The tachi has a commanding, sweeping curve. The uchigatana has a clean, understated elegance. The wakizashi carries a quieter presence. The tanto, small as it is, commands attention with its sharpness and concentration of craft. And the yari (spear) has a presence all its own, distinct from any sword. Being able to compare these different forms and curves side by side in person is one of the pleasures that only a specialty shop can offer. The ability to see multiple swords and tosogu together at once is another of Wakeidou's distinctive strengths. How Do Sword Fittings Like Tsuba and Menuki Add to the Experience? Another highlight at Wakeidou is its collection of tosogu: sword fittings that include the tsuba (鍔／Tsuba), menuki (目貫), kozuka (小柄), fuchigashira (縁頭), and soroi-kanagu (揃金具). (10:40) Photo: Sword fittings — top: menuki (目貫), bottom left: kozuka (小柄), bottom right: fuchigashira (縁頭) The tsuba is the guard that sits between the grip and the blade. The range of designs is remarkable, including family crests (kamon), flowers, and landscapes, each one a small work of art in its own right. The menuki are the decorative ornaments fitted to the grip, often featuring playful or imaginative designs that have long attracted a devoted following among collectors. Photo: The tsuba (鍔), the guard fitted between the grip and the blade For those who find the idea of a full sword a little intimidating at first, tosogu like the tsuba and menuki are an accessible and highly enjoyable entry point into collecting. They span a wide range of prices, making them popular with beginners and seasoned enthusiasts alike. Nanatsu-do Otoshi Kanefusa: The Legendary Sword in Wakeidou's Collection There is one sword that cannot be overlooked when speaking of Wakeidou: Nanatsu-do Otoshi Kanefusa (七ツ胴落とし兼房). (7:22) It is said that only two "Nanatsu-do" cutting swords ever existed in Japan. One has been lost to history; its whereabouts are unknown. The only confirmed surviving example is this Kanefusa, and it is held in the collection of Wakeidou in Nagaoka, Niigata Prefecture. Its name alone commands attention, and the sword itself is of exceptional value. It is, quite simply, a blade you can encounter nowhere else. Photo: Nanatsu-do Otoshi Kanefusa (七ツ胴落とし兼房), the only confirmed surviving example of this legendary sword in Japan, held at Wakeidou Why Does the Name Nanatsu-do Otoshi Kanefusa Still Leave Such a Strong Impression? Nanatsu-do Otoshi Kanefusa is said to have been forged by the Kanefusa school, a lineage of swordsmiths that worked for generations in Seki, in what is now Gifu Prefecture. Seki has been a renowned center of swordmaking since the late Kamakura period, producing many celebrated blades prized by samurai across the centuries. The name is said to derive from a test-cutting (tameshigiri) legend: that this sword once cut through seven stacked human bodies in a single stroke. In the samurai world, it was common practice to test the sharpness of a newly forged blade through such cutting trials, and the results were sometimes recorded as part of the sword's name. The designation "Nanatsu-do Otoshi", literally "felling seven bodies", stands as a testament to the sword's extraordinary cutting ability. According to Mr. Doi, of the two Nanatsu-do cutting swords once said to exist: "Seki no Kanefusa" and "Bizen no Motomitsu". Of the two the Bizen blade's current location is unknown. The only confirmed surviving example is the Seki no Kanefusa held at Wakeidou. The name makes a powerful impression. But the legend alone does not account for this sword's value. The fact that it passed carefully from hand to hand over centuries with its provenance intact deepens the sense of what this blade truly represents. Knowing both the story behind the name and the history the sword itself has traveled, you come to see it with entirely different eyes. Photo: Nanatsu-do Otoshi Kanefusa (七ツ胴落とし兼房), the only confirmed surviving example of this legendary sword in Japan, held at Wakeidou Beyond the Legend: How to Appreciate the Sword Itself Standing before Nanatsu-do Otoshi Kanefusa, it would be easy to be so gripped by the legend that you overlook what is right in front of you. The balance of the sugata, the quality of the hamon, the surface patterns of the jigane, and the excellence of its preservation are all fundamentals that reveal why this sword has been spoken of for so long. When you visit Wakeidou, ask the staff to tell you the story of Nanatsu-do Otoshi Kanefusa, and then take the time to look closely at the blade itself. The chance to stand face to face with the only confirmed surviving example of this sword in Japan is not one that comes along often. Planning Your Visit to Wakeidou: Location, Hours, and Access Before heading to Wakeidou, it helps to know where the shop is and how to get there. Nagaoka, Niigata Prefecture, is served by the Joetsu Shinkansen (上越新幹線), the high-speed rail line connecting Tokyo and Niigata, making it an easy destination to reach from the Tokyo area. Where Is Wakeidou and How Do You Get There? Wakeidou is located in Kashiwamachi, Nagaoka City, Niigata Prefecture. Nagaoka is a lively hub for tourism and business, centered on Nagaoka Station on the Joetsu Shinkansen line. The city is known for its spectacular large-scale fireworks festival, one of the most celebrated in the region, as well as sake brewery tours (sakagura meguri). A short trip from the city center brings you to other distinctive local attractions: Nishikigoi (錦鯉), the brilliantly colored ornamental carp said to have originated in Niigata, and traditional bull sumo (tōgyū, 闘牛). It is a place where Japanese culture feels pleasantly close at hand. From Tokyo, the Joetsu Shinkansen reaches Nagaoka Station in just under two hours. Visitors traveling from overseas can connect via Tokyo (Haneda or Narita airports) and then board the Shinkansen. The journey fits comfortably into a day trip or an overnight stay, making it easy to include a visit to Wakeidou as part of a wider Nagaoka itinerary. Photo: Exterior of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture Hours, Closed Days, and What to Know Before Your Visit Before visiting Wakeidou, check the opening hours and closed days in advance. If you are hoping to consult about a sword or have one appraised, contacting the shop ahead of time instead of simply dropping in will help ensure you receive the best possible service. A brief call or message through the inquiry form, outlining what you'd like to discuss, will make the visit go more smoothly on the day. If there is a particular sword you're interested in, reaching out in advance will also make it easier to arrange unhurried viewing time. For the latest opening hours and any temporary closures, please check the official website before your visit. Wakeidou Basic Information 【Address】1-2-16 Kashiwamachi, Nagaoka City, Niigata Prefecture 940-0088 【Access】Approximately 13 minutes on foot from the West Exit of Nagaoka Station (around five minutes by taxi). Parking is available for guests arriving by car. 【Phone】0258-33-8510 【FAX】0258-33-8511 【Opening Hours】9:00–18:00 【Closed】1st and 3rd Sundays of each month What You Should Know Before Buying or Consulting About a Japanese Sword You want a Japanese sword. You want the real thing, from a shop you can trust. But you're not sure where to turn. In that moment, knowing a reliable specialist dealer can make all the difference to how you go forward. Why Learning the Basics of Sword Care Matters After Your Purchase Caring for a Japanese sword comes down to a few fundamentals: keeping it away from moisture, re-oiling the blade regularly, and storing it in its shirasaya (白鞘, a plain wooden scabbard for storage) or koshirae (拵, the full mounting with fittings) when not in use. None of these require advanced skill, but the cumulative effect of consistent regular care has a profound impact on the condition of the sword over time. When making a purchase, it's worth asking whether the shop will take the time to explain proper care and maintenance. At a specialist dealer like Wakeidou, aftercare advice is part of the service, so even those buying their first Japanese sword can feel confident about what comes next. Buying, Online Orders, Appraisals, and Trade-ins: Why a Specialty Shop Makes the Difference A specialist sword dealer is not just a place to buy swords: it can also assist with online purchases, appraisals, buybacks, and trade-ins. Wakeidou handles online sales in addition to in-store purchases, making it accessible to customers from further afield, including those who cannot easily travel to Niigata, as well as international buyers. For inquiries about purchasing from your location, it is best to contact the shop in advance. The shop also handles buybacks and trade-ins, and with certified sword appraisers on staff, you can trust that every piece will be assessed with a knowledgeable eye. Mr. Doi, Third-generation owner of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture Wakeidou also has a guarantee system to support buyers after their purchase. Where possible, all items come with a certificate of authenticity (正真保証) issued by the Society for the Preservation of Japanese Art Swords (公益財団法人 日本美術刀剣保存協会), a public interest foundation that issues official appraisal certificates for Japanese swords, so every purchase comes with the assurance of authenticity. (Please note that some items, such as gendaito, swords made by contemporary swordsmiths, may not come with an appraisal certificate.) For anyone wondering where to start when it comes to acquiring a Japanese sword, Wakeidou is a trusted first point of contact. Whether you are choosing your very first blade or looking to expand a collection, it is well worth reaching out. Conclusion: Begin Your Journey with Japanese Swords at Wakeidou The beauty expressed in the sugata, hamon, and jigane. The differences between sword types, from tachi to tanto. A history stretching from the Heian to the Edo period. The swordmaking process rooted in tatara and tamahagane. And the distinct pleasures of museums and specialty shops. The more you learn about Japanese swords, the more there is to discover. For anyone wondering where to see, buy, or learn about Japanese swords, Wakeidou in Nagaoka, Niigata Prefecture is a place to start. Founded in 1953 and operating for more than 70 years, it is a specialist sword dealer with two certified sword appraisers on staff, handling the sale, purchase, and appraisal of Japanese swords and tosogu. Inside the shop, you can view tachi, katana (uchigatana), wakizashi, tanto, yari, and tosogu including tsuba and menuki, as well as the only confirmed surviving Nanatsu-do cutting sword in Japan, Nanatsu-do Otoshi Kanefusa. The shop offers a guarantee system for purchases and online sales for customers who cannot visit in person. Mr. Doi, who has spent three generations at Wakeidou working closely with Japanese swords, has this message for those who are just beginning to explore them: Mr. Doi, Third-generation owner of Wakeidou (和敬堂), a specialist sword dealer in Nagaoka, Niigata Prefecture "For anyone with even a passing interest in Japanese swords, seeing swords in museums and various galleries is absolutely a worthwhile experience. But at the same time, visiting a specialty sword shop and seeing the craftsmanship up close by holding a sword in your own hands is highly recommended. When you examine a Japanese sword firsthand, you begin to appreciate the contrast of a weapon made for cutting down enemies in combat and the remarkable beauty that emerged through the pursuit of perfect function in that deadly task. Holding such a remarkable blade in your hands makes the common everyday seem remote, leaving just you and the sword. Many sword collectors are busy professionals, including doctors and business owners. It is not uncommon to hear that spending time with a sword allows them to forget the pressuresof daily life, focus completely on the blade before them, and return with a refreshed state of mind. This link to what is often called "the soul of the samurai" may be one of the greatest attractions of Japanese swords. Nothing would make us happier than helping you find a blade that conveys special meaning to you personally, allowing you to enjoy those moments for years to come." Seeing a real Japanese sword in person, and standing before something authentic. Finding a blade that feels like it was meant for you. If that sounds like an experience that would resonate with you, why not start by taking a look at Wakeidou's official website and take your first step into the world of the Japanese sword?Official Websitehttps://wakeidou.com ※ This article was written based on information obtained through an interview with Wakeido, reflecting information available as of June 2026. 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What is Battojutsu? This video, titled "Kazaana/Battojutsu version," was uploaded by "Takayuki Kanayama." If you're a fan of manga or anime, you've probably seen or heard of battojutsu, a martial art using a Japanese sword. Yes, battojutsu is the sword art used by Kenshin Himura (Battousai the Manslayer), the main character in the popular anime/manga, "Rurouni Kenshin." If you want to know more about battojutsu, this is a video you don’t want to miss! Battojutsu, as the name implies (抜刀術: 抜/ba - Draw, 刀/tou - Sword, 術/jutsu - Technique), is the art of cutting down an opponent with a single blow by drawing a sword from its scabbard when attacked by an enemy. It's a one-hit kill sword technique, but in the unlikely event that you're attacked again, you can make sure that you kill your would-be-assailant by dodging his sword and hitting him with a second strike. You can see the two opposing swordsmen dueling at 0:40, 1:01, 1:52 and 2:12 in the video, and see just how effective battojutsu is. The History of Battojutsu Photo：Japanese sword・Battojutsu Battojutsu has a long history and is said to have been systematized approximately 400 years ago during the Muromachi (1336-1573 AD) and Edo (1603-1868 AD) periods. It's a traditional Japanese martial art and was considered to be an essential sword technique for samurai. There are a number of schools, the most famous of which are Tenshin Shoden Katori Shinto-ryu and Tatsumi-ryu. At the end of the Muromachi Period, the Hayashizaki style emerged, including schools such as Muso Jikiden Eishin-ryu, which was derived from the school established by Hayashizaki Shigenobu (Jinsuke), who specialized in battojutsu. Even today, there are dojos all over Japan where you can learn battojutsu, so if you're interested, consider trying it out! The equipment needed for practicing battojutsu is a dojo uniform, a practice sword, and a kaku obi. The Differences Between Battojutsu and Iaijutsu Photo：A Japanese sword・Battojutsu One of the most famous martial arts that uses Japanese swords is iaijutsu. In fact, iaijutsu is also a form of battojutsu. In the Edo Period, drawing a sword from a seated position was called iai, and drawing a sword from a standing position was called tachiai. Battojutsu is also known as iai (居合), iaijutsu (居合術), nukiai (抜合), iai (居相), saya no uchi (鞘の内), bakken (抜剣), etc. depending on the region or school. It is said that kendo developed from tachiai as a practice martial art, without the use of serious weapons and with protective gear. Battojutsu techniques include koiguchi wo kiru, putting one's hand on the hilt of the sword, drawing the sword, brandishing the sword, downwards slashes, zanshin, chiburi (flicking blood off one's sword), and returning the sword to its scabbard. Koikuchi wo kiri (鯉口を切る) is a technique before drawing the sword, in which you push the katana out of its saya (scabbard) by its tsuba. This action can be seen at the start of sword fighting scenes in historical dramas. In iaijutsu, this technique indicates that you are in a "fighting stance." Summary of Battojutsu, a Sword Fighting Technique of Japan's Samurai Photo：A Japanese sword・Battojutsu In Japanese martial arts, techniques that do not use weapons are called taijutsu (体術), while those that use bladed weapons, such as katana and naginata, are called kenjutsu (剣術). Battojutsu is a type of kenjutsu that does not use as much power as taijutsu, but it is said to be one of the most advanced forms of kenjutsu because it requires intense concentration. Matches are decided in the instant the sword is drawn, leaving audiences on the edge of their seats!

The Tsugaru Shamisen Duo "Ki&Ki" This video, titled "Shamisen Girls Ki&Ki - Tsugaru Jongara Bushi," was uploaded by "Shamisen in Tokyo." The Tsugaru-shamisen musicians introduced in the video are a popular female musical duo called Ki&Ki (KiKi) from Japan. The group is composed of two members, Hikari Shirafuji (白藤ひかり) and Kanami Takeda (武田佳泉), who continue to release modern pieces of music performed on the traditional Tsugaru-shamisen. The Music of Ki&Ki Source :YouTube screenshot Ki&Ki, formed in 2008, is a musical duo of Tsugaru-shamisen performers. Both members have taken first place in numerous Tsugaru-shamisen competitions all over Japan. Ki&Ki perform a variety of music, from the traditional folk music Tsugaru Jongara Bushi to more modern music with rock and pop influences. They also perform cover songs as well as performing their own original music. There are various style of Tsugaru Jongara Bushi, including "Kyu-bushi" (旧節, a high-tempo style) and "Shin-bushi" (新節, a style sung with a quick tempo). Ki&Ki perform a style called "Shin-kyu-bushi" which is a combination of the two previous styles and is extremely popular among fans. Check Out Ki&Ki Band! Source :YouTube screenshot Ki&Ki Band is a five member group composed of the original Ki&Ki duo, together with Tatsuya Itou (伊藤辰哉) on piano, Keisuke Shimada (島田圭佑) on bass, and Yasuhito Sakairi (坂入康仁) on drums. It's hard to believe the band's powerful music is performed on traditional Japanese instruments! Prepare to be captivated by the delicate yet powerful sound of Ki&Ki Band, a sound like no other that will keep you coming back for more! Experience Playing the Tsugaru-Shamisen! Source :YouTube screenshot The Tsugaru-shamisen is a traditional Japanese instrument that originating in Aomori prefecture (青森県) and dating back to the Bakumatsu (end of the Edo period, 1853 AD-1869 AD). The first Tsugaru-shamisen was made by the Buddhist monk Nitabo (仁太坊). In recent years, more and more artists are performing modern arrangements of Shamisen music and the music genre is growing in popularity. Due to the growing popularity of Tsugaru-shamisen music, the number of schools offering Tsugaru-shamisen playing experiences has also been on the rise. The lessons are suitable for complete beginners so no need to worry if you have no experience playing the Tsugaru-shamisen. Have fun trying to play your favorite music and feel free to sing along! Summary of the Tsugaru-Shamisen Source :YouTube screenshot Many people think of the Tsugaru-shamisen as a traditional instrument for playing traditional Japanese music, however, as you can see in the video, a growing number of artists are performing more modern arrangements that appeal to larger audiences. If you enjoyed watching the Tsugaru-shamisen performance, why not experience playing the traditional Japanese instrument yourself by taking a lesson or two at a school near you! 【Official Website】Tsugaru-Shamisen Ki&Ki https://www.shamisenkiki.com/

Agehama-Style Salt Making in Suzu City, Ishikawa Prefecture This 3-minute video, titled "[4K Video] Japan's Only Remaining "Agehama-Style Salt Making" in Noto: Suzu, Ishikawa｜nippon.com" (【4K動画】能登に国内で唯一残る「揚浜式製塩」：石川・珠洲 | nippon.com) was released by "nippon.com." It introduces the Agehama-style salt making process that has been passed down for generations in Ishikawa prefecture in Japan's Hokuriku region (北陸地方). In this article, we'll explain in detail the production method used in Agehama-style salt making, a traditional technique that has been designated an Important Intangible Folk Cultural Property of Japan. This manually produced natural salt not only tastes delicious, but is also packed with healthy nutrients and minerals. Agehama-style salt is highly praised by chefs all over Japan for its ability to completely transform a dish. It's also a popular souvenir to take home from Ishikawa prefecture. More About Ishikawa Prefecure's Agehama-Style Salt Making Photo：Salt Agehama-style salt making involves an ancient method to produce salt in which seawater is poured over salt evaporation ponds known as "enden" (塩田) in Japanese. A high level of skill and a great deal of experience is required to produce salt using this method. This method of salt making in Noto Peninsula dates as far back as the late 16th century when, at the time, salt production was encouraged by the Kaga daimyo (加賀藩主) as a means of supporting the local economy. The locals were able to borrow rice by paying for it with the salt they produced. In 2008, this Agehama-style method of salt making was designated an Important Intangible Folk Cultural Property and in 2018, the emperor at the time came to observe the salt production process first hand. Currently, Suzu city in Ishikawa prefecture is the only place where salt continues to be manufactured in this way. More About the Agehama-Style Salt Making Process Source :YouTube screenshot Agehama-style salt making begins with carrying salt water from the sea in a process called "Kaisuihakobi" (海水運び). You can see this part of the process from 0:17 in the video. Then, from 0:36, you can see the seawater, which has been collected into a special type of round container called a "shikoke" (引桶), as it is sprinkled evenly across the salt evaporation ponds in a process called "shiomaki" (潮撒き). To ensure the seawater dries quickly, a rake-like tool called a "komazarae" (細攫え) is used to create grooves across the salt pan which encourages evaporation of the water by the wind and the heat from the sun. A tool known as an "Iburi" (柄振) is then used to gather sand in a process called "Kanzunaatsume". This sand is then shoveled into a wooden box-like structure called a "Tarefune" with a tool known as a "Shippatsu" (しっぱつ). Seawater is then poured into the Tarefune which washes off and separates the salt from the sand producing "kansui" (鹹水). From 1:38 in the video, you can see the boiling process. The Kansui is boiled for approximately 6 hours after which it is cooled down before being filtered in a container called a "douke" (胴桶). The Kansui is then boiled for another 16 hours until crystallized salt is produced. This is then stored for another 4 days in an "Ideba" (い出場) or Shiodoko (塩床) to separate the salt from the "Nigari" (苦汁, concentrated solution of salts left over after the crystallization of seawater) and rid it of any impurities. Only then is the salt finally ready to be packaged. It takes approximately 600 liters of seawater to produce only 120 kilograms of salt. Ishikawa Prefecture's Agehama-Style Salt Making Introduction Summary Source :YouTube screenshot You can purchase salt produced in Ishikawa prefecture using the Agehama-style salt making process at a price of 400 yen for 50 grams. Other products, such as salt drinks, herb salts, or salt ice cream are also for sale. Salt-making experiences at Suzu city's roadside station (道の駅) are also very popular among tourists to Ishikawa prefecture. This video explains in detail the steps involved in the Agehama-style salt making process. If you're interested in learning more about this traditional salt production method, we highly recommend checking out the video.

What is Hino Hinamatsuri Kiko in Hino, Shiga? This video, titled "Good Sign Vol.14 "Hino" Hinamatsuri Travelogue" (Good Sign 第14回放送「日野」ひな祭り紀行), was uploaded by "Good Sign." It introduces Hino Hinamatsuri Kiko, a Hinamatsuri event in Hino, Shiga, located in Japan's Kansai region. Hino Hinamatsuri Kiko featured in the video is an annual event held from early February to early March, from Okubo in southeastern Shiga, to the shopping arcade and merchant residences of Murai and Nishioji, and has become a beloved spring tradition. The cityscape of Hino has a nostalgic atmosphere reminiscent of Japan's Showa Period. Hina dolls are displayed along the streets and in merchant houses. There are also special viewing windows called "sajiki-mado" (桟敷窓) with which you can enjoy dolls that are on display. This can be seen from 1:00 in the video. Check out the video to see what kind of event "Hino Hinamatsuri Kiko" is. What is Hinamatsuri - A Traditional Japanese Event? Photo:Hinamatsuri Hinamatsuri is an event celebrated on March 3rd, traditionally known as "Momo no Sekku" (the Peach Festival) to wish for the healthy growth of girls by decorating hina dolls with peach-blossoms, serving hina-arare (sweet rice cakes), and Japanese sweets, and preparing food such as chirashizushi, a type of bright and colorful sushi. Hina dolls generally consist of a male and female doll (Dairibina, 内裏雛), three or five court ladies (Kanjo, 官女), five musicians (gonin bayashi, 五人囃子), two ministers (Daijin, 大臣), and the protectors (Shicho, 仕丁). The history of Hinamatsuri dates back to before the Edo period (1603-1868). Nowadays, Hinamatsuri is a popular event for girls, where hina dolls are decorated and chirashizushi, sweets, and cakes are prepared. Also, during the event, children sing "Ureshii Hinamatsuri" (Happy Hinamatsuri), which can be seen at the end of the video. What is the History and Beginning of Hino Hinamatsuri Kiko? "Hino Hinamatsuri Kiko" started in 2008 with the aim of making Hino livelier, says Minoru Nakata, the organizer of the event, shown at 1:12 in the video. In the past, hina dolls were brought back by merchants of Hino for their daughters when they went out on business. Hino was a plain town where women and children generally stayed in the home. Now, there are more than 150 places, including the Omi Hino Merchant Museum (近江日野商人館), Omi Hino Merchant Furusato Hall (近江日野商人ふるさと館), Hino Machikado Kanno (日野まちかど感応館), and Umamioka Watamuki Shrine (馬見岡綿向神社), as well as merchant houses with sajiki windows, private homes, and store counters decorated with hina dolls, attracting tourists to Hino. Take the bus bound for Kitabataguchi (北畑口) from JR Omihachiman Station (JR近江八幡駅) or Omi Railway Hino Station (近江鉄道日野駅), and get off at Okubo Nishi (大窪西) or the Mukaimachi (向町) bus stop. There is also parking for those driving. You can also enjoy specialties, such as Omi Hino Beef, pickled vegetables from Hino, and Hino Udon. What are the Dates and Highlights of Hino Hinamatsuri Kiko 2026? Hino Hinamatsuri Kiko 2026 will be held from February 8 (Sunday) to March 8 (Sunday), 2026. The highlights include a number of historical dolls that can be seen from the sajiki windows, as well as messages from the dolls displayed on bamboo tubes, and hina mikuji (fortune slips). It might be delightful to view the dolls decorated along the tasteful streets from a rickshaw. During the event period, various activities will be held including Hino Hikiyama Festival hayashi performances, food experience restaurant "Hinamatsuri Gozen" (served from 11:00 to 14:00 at Omi Hino Merchant Furusato Hall), Hino Hiina Postcard Contest exhibition, and Hino Delicacy Market, making Hino Hinamatsuri Kiko 2026 even more enjoyable. A handwritten picture map showing the highlights of the West and East venues can be found on the website of Hino Hinamatsuri Kiko executive committee organizer Minoru Nakata, so please be sure to have it with you before visiting. What Can You Experience by Visiting Hino Hinamatsuri Kiko 2026? In this article, we introduced "Hino Hinamatsuri Kiko 2026" along with the video "Good Sign Vol.14 "Hino" Hinamatsuri Travelogue." You can get a good idea of what Hino looks like during the event. In addition to old hina dolls, cute origami dolls made by kindergarteners can also be seen in the video. If you're headed over to Shiga Prefecture, consider dropping by "Hino Hinamatsuri Kiko 2026"! 【Official Website】Hino Hinamatsuri Kiko - Hino Tourism Association 【Official Website】Hino Hinamatsuri Kiko Executive Committee Organizer Minoru Nakata's Website

Introducing "Iwami Kagura Orochi" In this video "Iwami Kagura Orochi – Shimane（Iwami Kagura Orochi - Shimane - 石見神楽大蛇）" they introduce the Iwami Kagura Orochi performance which is held as an offering to the gods in Shimane prefecture in the Chugoku region of Japan. The Iwami Kagura dates back over 1300 years. The themes of Iwami Kagura are based on ancient mythology, the Nihon-shoki, and the Kojiki. The most famous program in Iwami Kagura is the Orochi (or great serpent). The video gives you the special opportunity to view over 30 minutes of footage taken from Iwami Kagura. Please enjoy watching this traditional Japanese performance! More About Iwami Kagura Source :YouTube screenshot When you think of a Shinto ritual offering to the gods, some solemn, dignified images may come to mind, however Iwami Kagura is a very entertaining and fun experience that anyone can enjoy. The excitement of the dancers and giant serpents moving around to the sound of the fast-paced music really draws you in! A considerably large Orochi with a length of 17 meters can be seen at 8:10 in the video. From 8:55, four of these Orochi appear on stage and dance around each other in a magnificent performance. These long Orochi are designed similarly to a paper lantern, meaning that when they are folded back they come to a length of only 1 meter. The Story Behind Iwami Kagura Orochi Source :YouTube screenshot In a land called Izumo, a deity named Susano-o told the elderly couple Ashinazuchi and Tenazuhi that seven of their daughters had been devoured by an eight-headed serpent and that their eighth daughter, Kushiinadahime would be next. Susano-o bravely slays the serpent, and presents The Sword of Kusanagi which came out of the serpent, to his sister Amaterasu and then marries Kushiinadahime. This story is told throughout the entirety of this video. Where Is the Iwami Kagura Orochi Held? Photo：Iwami Kagura Orochi You can see the traditional performance Iwami Kagura Orochi in Oda city or Hamada city in the Iwami region of Shimane prefecture. There are other famous programs in Iwami Kagura such as Ebisu, Hachiman and Noumai to name a couple. If you are interested in watching Iwami Kagura, please take a look at the performance schedule and visit one of the following performance locations: Yunotsu Hot Spring (温泉津温泉, yunotsuonsen), Tatsunogozen Shrine (龍御前神社, tatsunogozenjinja), Arifuku Hot Spring, Yunomachi Kagura Hall, Paretto Goutsu or Iwamigoya. Most of the venues have parking making it convenient to travel by car. Even those who live far away can easily enjoy sightseeing around Iwami! Iwami Kagura Orochi Introductory Video Summary Source :YouTube screenshot In this video, we present over 30 minutes of footage of the Iwami Kagura Orochi performance held in Shimane prefecture. We hope you make the trip to Shimane prefecture to enjoy this wonderful performance which has been passed down for generations! 【Official Website】Iwami Kagura http://iwamikagura.jp/

Video Introduction of “Sumi Craftsman's Sumi Ink Making Technique” in Suzuka City, Mie Prefecture This video, titled "Japanese ink artisan／Interview - IS JAPAN COOL CRAFTSMANSHIP（墨職人）," was created by "ANA Global Channel." The video shows the process of creating the inksticks used in Japanese calligraphy. Japanese calligraphy is well-known both in Japan and overseas as a hallmark of Japanese culture. In Japanese calligraphy, ink is, of course, essential. Japanese calligraphy has a rich history, dating back more than a thousand years. The reason why works of calligraphy from such a long time ago can be appreciated even now, is the incredible skills of the craftsmen who created the paper and ink used for them. The traditional techniques for making high-quality ink have been passed down for generations. In the video, one ink artisan explains his craft, and you can see the entire inkstick-making process with the artisan pouring his heart and soul into his creations. The Process of Creating Inksticks Source :YouTube screenshot The main material used in the ink for both Japanese calligraphy and as a dye is the soot and glue collected after burning oil. Pine resin and charcoal are occasionally used as well. The very best craftsmen carefully select materials in order to create the highest-quality inksticks. To create the ink, first the soot is dissolved, then mixed and kneaded well with the glue. Following that, the mixture is inserted into a mold and left to harden. During this process, the artisans’ hands are stained completely black. The hardened mixture is left to dry for one to a few months, then polished and shined to create the final product. This process can be seen from 2:43 in the video. Where to Buy the Inksticks Shown in the Video? Source :YouTube screenshot In elementary schools in Japan, calligraphy is a compulsory subject for practicing penmanship. Therefore, Japanese calligraphy instruments and inksticks are readily available. Besides the solid inksticks, there is a liquid variation known as "bokuteki" (墨滴), as well as other variations. Popular companies such as Kuretake (呉竹) and Kaimei (開明) offer various inksticks at reasonable prices. For those thinking of starting their Japanese calligraphy journey, go for these affordable materials. Japan's inksticks have the distinguishing feature of not fading over time. However, because of that, if clothes are stained by the ink, the stain will not disappear even after washing, so do be careful. Summary of Japan's Ink Artisans Photo：Calligraphy As seen from the video, the ink used in Japanese calligraphy is created through the painstaking work of craftsmen. The art of writing words beautifully with a brush and ink is a tradition the Japan prides itself on. From 6:19 in the video, rare colored inksticks made using natural ores are shown as well. If you're interested in Japanese culture, why not try purchasing inksticks and other necessary materials, and give Japanese calligraphy a try?

An Introduction To the World's Oldest Performing Art, Noh! This video, titled "Basic Knowledge for Enjoying Noh ❖ Japan's Traditional Performing Art【NipponTsuTV】" (能を楽しむための基礎知識❖日本の伝統芸能【日本通tv】), was released by "NipponTsuTV." It introduces basic knowledge for enjoying Noh. Noh, one of Japan's traditional performing arts, has also been designated as an Intangible Cultural Heritage. In this article, we'll introduce the world of the traditional performing art Noh in detail, alongside the video. A Look at the History of Noh, the World's Oldest Performing Art Photo：Noh The origin of the world's oldest performing art, Noh, dates back to the 6th and 7th centuries when performing arts came to Japan from mainland China. Over the years, various Noh plays, dances, and performances fused together to form the Noh theatre that we know today. Throughout the lifespan of the traditional Japanese performing art, there were times when it nearly died off, but people's profound love for the art gave it the strength to continue being passed on even in. This is touched on in the video from 0:45. The Charm of Noh, the World's Oldest Performing Art Photo：Noh, Drum In Noh, it's important for the performer to immerse themselves in their role and perform the story as if it were a retelling of their own life. From 1:38 in the video, the charm of Noh is introduced by the Noh performer Jiichi Asami. In Japan's traditional performing arts there are what are called "kata" or standard forms of movement, posture, etc. Noh is no exception, and all acting is composed of predetermined "kata" and predetermined actions. From 5:02, aspects of the stage and music, such as "Koken" (prompter), "Jiutai" (chorus) and "Hayashi" (musical accompaniment) are also introduced in detail. Schools of Noh, the World's Oldest Performing Art Source :YouTube screenshot As you can see from 3:45 in the video, Noh is mainly performed by Shitekata who plays the main character while wearing a traditional Noh mask and the Wakikata plays a supporting role. There are 5 major schools of the Shitekata, the Kanze school, Konparu school, Hosho school, Kongo school, and Kita school. These 5 schools are called the 5 major schools of Shitekata. The Difference Between Kyogen and Noh Photo：Noh Stage Kyogen is a traditional performing art that is inseparable from Noh. Noh and Kyogen are collectively referred to as Nohgaku or Nogaku. Noh is centered around Kabuki theater and Kyogen is centered around comical dialogue. Famous actors that come to mind are Mansai Nomura and Motoya Izumi. There is an impression that the performing arts culture is a profession only for men, and while this was mostly true in the past, in modern times, there are around 200 female Noh performers carrying on the traditional performing art. If You're Interested in the Traditional Performing Art, Noh... Source :YouTube screenshot We recommend visiting a theater to appreciate traditional culture. Nohgaku can be seen in Noh theaters, such as those in Tokyo, Nagoya, and Kyoto, and there are many events held all over Japan as well. Performance information is distributed by the Nohgaku Performers' Association. Also, there are programs that you can participate in called "Noh Dairengin" that are held for the purpose of spreading the traditional culture. These are programs in which people who are interested in Noh can participate in and practice "Takasago" for a couple of months and finally perform it. It's a valuable opportunity for the general public to participate in traditional performing arts. If you're unable to go and see a Noh performance, you can also start with Noh song books or other Noh-related materials. Since its establishment in 1907, Nohgaku Shorin is a publisher that specializes in traditional performing arts with the goal of keeping traditional culture alive and to continue to support the spread and development of Noh. Summary of Noh, the World's Oldest Performing Art Source :YouTube screenshot Traditional culture tends to have a high knowledge threshold, this is not just limited to Noh. However, once you know how things work you can enjoy the depth of the traditional performing art. The video summarizes traditional performing arts in an easy-to-understand and condensed manner so be sure to check it out! Dressing up in costumes and actual performances are also shown from 7:25 in the video, so if you haven't watched it yet don't miss out!

The Etiquette of Light Tea and Sweets in the Urasenke School of Tea Ceremony This video, titled "【Urasenke Chado】Usu-cha and Light Sweets (【裏千家茶道】お菓子と薄茶のいただき方), was released by "Koko Chashitsu." In the traditional Japanese tea school of Urasenke, there is etiquette that says one must have omogashi (main sweets) with koi-cha (thick tea) and higashi (dried sweets) when drinking usu-cha (thin tea). Let’s check out the etiquette of Urasenke’s light tea and sweets by watching this video. The Etiquette of the Urasenke School of Tea Ceremony Photo：Matcha and Wagashi After the tea has been served by the host, the guest of honor will say "お先に" (O saki ni "Please excuse me for drinking first") while bowing to the second guest of honor, then place the tea bowl in front of their knees and say "お点前ちょうだいします" (O te mae choudai shimasu "Thank you for the tea"). This can be seen from 0:06 in the video. Following this, they take the tea bowl in their left hand, put their right hand on the side of the bowl, and drink after having rotated the bowl clockwise twice. The last sip will be sipped while making a slurping sound, cleaning off the drinking area with one's index finger and thumb, then cleaning the fingertips with a special paper called kaishi. After that, the tea bowl is placed on the outside edge of the tatami mat, returning it with both hands. One of each kind of the higashi that are served in the sweets container should be taken by hand and eaten after bowing once. If there are 2 types of higashi, proper etiquette is to take the one furthest away from you first and then the one closest to you. You can see the higashi being eaten from 0:16 in the video. The Tools Used by the Urasenke School of Tea Ceremony Photo：Tea Ceremony Other than the tea bowl, there are various tools used for tea ceremony. In the Urasenke school of tea ceremony, these include the "chasen" (茶筅, bamboo tea whisk), "hishaku" (柄杓, ladle), "chashaku" (茶杓, bamboo tea spoon), "mizusashi" (水指, container for fresh water), "kensui" (建水, container for waste-water), "futaoki" (蓋置, rest for the lid of a teakettle), and the "chakin" (茶巾, tea cloth). The tea bowl is placed before the knees and the brazier is placed directly in front of the "Katomado" (bell-shaped window). As for the "fukusa" (silk cloth) which is used when handling tools in the Urasenke school of tea ceremony, women use red or plain vermilion colors and men use a plain purple color. In addition, in tea ceremony, there are detailed teachings on the meaning of the tools and how to properly handle them, such as the "Shikaden" (四カ伝 "four transmissions"). More About the Urasenke School of Tea Urasenke is one of the grand master tea schools of tea ceremony. The name Urasenke was given because as opposed to the main family Omotesenke (omote = front) who succeeded Sen no Rikyu, Konnichian was seen from the back (ura) when looked at from the street. The Urasenke school of tea ceremony, as well as Omotesenke and other schools all have detailed differences in etiquette regarding usu-cha and koi-cha and the order in which things are done. There are events such as Ryurei and Hatsugama at the grand master tea schools, so if you're interested consider checking these out as well. Summary of Urasenke's Tea Etiquette Photo：Tea Ceremony The video goes over the method of drinking tea according to the Urasenke shool of tea ceremony. Tea ceremony may seem difficult, but there is a point in learning the etiquette, so it's easy to get hooked once you experience it. There are tea ceremony schools giving lessons all over Japan, so if you are interested, consider checking out their websites, looking for a school nearby, and learning how it's performed? You may even find yourself receiving a certificate if you study hard! 【Official Website】Urasenke Official Website http://www.urasenke.or.jp/texte/index.html

Traditional Japanese Technology - About the Karakuri Puppet intro video The video “Karakuri puppet – 4K Ultra HD,” created by TokyoStreetView – Japan The Beautiful, introduces two traditional Japanese wind-up puppets: "Yumihiki Doji" (弓曳童子), the puppet of a boy drawing a bow, and "Mojigaki Ningyo" (文字書き人形), the calligraphy puppet. In this three-minute video, you can see how these famous puppets work, so we highly recommend watching the video if you're interested in the following two questions: ・How do traditional Japanese Karakuri puppets move? ・What is the history and culture of traditional Japanese Karakuri puppets? This article focuses on the traditional Japanese technology “Karakuri” puppets, which is said to be the origin of robot creation. To begin with, please take a look at the video to see delicate and intricate movements of the puppets. About the Puppets "Yumihiki Doji" and "Mojigaki Ningyo" Source of Photo :YouTube screenshot The two puppets "Yumihiki Doji" and "Mojigaki Ningyo" are representative examples of Japanese wind-up puppets, as well as the famous puppet “Ocha Hakobi Ningyo (お茶運び人形),” the teacup carrying puppet. The first puppet "Yumihiki Doji," which you can see at 0:05 of this video, grabs four arrows firmly and shoots them at its target. The puppet aims at the target carefully, sometimes raising its face and even changing its own facial expressions. From 1:52 you can see another mechanized puppet “Mojigaki Ningyo,” holding ink brushes in its mouth and hand and writing letters on paper in the other hand. You'll be amazed when it starts writing two different letters at the same time! About Karakuri Puppets- Traditional Japanese Technology Photo：A Karakuri Puppet on a Parade Float Karakuri wind-up puppets have a long history; dating all the way back to the Heian period(794-1185). Back then, hand-puppeteered Karakuri puppets were mostly used for entertainment during rituals or at theaters. It is said that this kind of wind-up puppet was developed further in the Edo period(1603-1868). Wind-up puppets were a kind of pop culture back then; they were used as toys to play in tatami rooms or placed on festival floats. Today you can see these puppets at traditional Japanese puppet shows such as Ningyo Joruri (人形浄瑠璃), Takayama Festival (高山祭り, Takayama Matsuri) in Gifu prefecture, Karakuri Ningyoshibai Hall in Gunma prefecture, Takeda Marionette Theater (竹田人形座, Takeda Ningyo-Za) in Nagano prefecture, and many more. There is a book called "Karakuri Zui" (機匠図彙), showing structures and mechanical drawings of Karakuri wind-up puppets. It includes how to make nine different kinds of puppets. The best puppet creators in the Edo period are said to be Oumi Takeda and the “Karakuri Master”(からくり儀右衛門, Karakuri Giemon) Hisashige Tanaka. Currently Tanaka's works are preserved at the National Museum of Nature and Science in Tokyo. Today Mr. Tamaya Shobei IX, the professional Karakuri puppet craftsman, restores, repairs, produces and sells puppets. Karakuri wind-up puppets are powered by wood, springs, and threads, and therefore don’t require electricity. The technology of traditional Karakuri puppets is highly valued, as it is said to have had a profound impact on western technology Overview of Karakuri Puppets Source of Photo :YouTube screenshot In the video "Karakuri puppet – 4K Ultra HD," you see the two automatic wind-up puppets: "Yumibiki Doji" and "Mojigaki Ningyo." The movements of both puppetss is quite interesting; It's as if the puppets are changing their own facial expressions. Also, don’t overlook the tiny puppet below Yumibiki Doji turning a lever! In addition to the two puppets in this video, there are various other kinds of Karakuri wind-up puppets: magician puppets, spirit buying puppets, airplane operating puppets, and more. If you are interested in traditional Japanese technology, please look into some of these other puppets as well!

日本の伝統「茶道」について こちらの動画は「ANA Global Channel」が公開した「SADO - Soshin Kimura／Interview - IS JAPAN COOL? DOU （茶道 - 木村 宗慎）」です。 今回は茶道家「木村 宗慎」と一緒に茶道の真髄を動画で体験しましょう。 究極のおもてなしとも言われる茶道はどのように日本にもたらされ、また発展してきたのでしょうか？ 日本の伝統文化、茶道とは 伝統文化として知られてきた「茶道」ですが、その所作や道具ひとつひとつには、お客様のために濃縮されたおもてなしの心が込められています。 茶道は英語で「Tea ceremony」と略されますが、形式的なセレモニーではなく心と心の真剣勝負であるという雰囲気が動画からビシビシと伝わってきます。 茶道は伝統的な作法にのっとり、客人に抹茶を振る舞うことです。 別名をお茶会や茶の湯とも言います。 茶葉は中国から伝えられ、本来は気付けや眠気覚しの薬として貴族の間で重宝されたものが起源とされています。 ここからお茶そのものを楽しむ文化が誕生し、室町時代〜安土桃山時代にかけて武士の精神性を高めるための作法の「禅宗」と融合し今の「茶道」が誕生したと言われています。 茶道を体系付けたのは千利休とされていますが、これには諸説ありますが、日本で一番普及している茶道は千家と言われる流派で、これには表千家と裏千家という二大流派があります。 茶道家「木村 宗慎」を紹介 「木村 宗慎」は1976年愛知県宇和島市生まれ。 小さい頃から裏千家を学び、神戸大学を卒業後も茶道を中心に執筆活動や茶道教室を主宰し、茶道を国際的に広めるために海外にも活躍の場を広げています。 現在は主に京都と東京に茶道教室を開き数多くの門下生に伝統文化である茶の心を伝えているので、「木村 宗慎」の主宰する茶道教室で今回の動画で紹介したような究極のおもてなしを体験することができます。 日本の伝統文化「茶道」紹介まとめ こちらの動画では「心」や「道」といった精神が日本の伝統文化や歴史に与えている影響の大きさを知ることができます。 あなたも是非日本の伝統文化に触れてみてはいかがですか。

Video Introduction of "Namahage Shibatou Festival" in Oga City, Akita Prefecture, Japan This video, titled "50 Incredible Namahage! Namahage Sedo Festival in Oga" (50匹のなまはげに圧巻！！男鹿の「なまはげ柴灯まつり」), was uploaded by "JAPAN CALENDAR." Every Japanese person has seen the frightening faces and heard the terrifying cries of these mask-wearing figures. Namahage are part of a traditional event that takes place in Oga, Akita in Japan's Tohoku region, and is very popular among tourists. The video shows footage from the Namahage Sedo Festival. You can enjoy the traditions of Akita, including solemn scenes and local folk performances. Check out the video to see what the event is like! Namahage, a Unique Japanese Folklore – Demons or Gods? Photo：Namahage Are you familiar with Japan's namahage culture? Namahage are creatures that go from house to house with scary masks and knives looking for bad children, and are often mistaken as yokai. The word "namahage" comes from the phrase "namomi wo hagu" (ナモミを剥ぐ, to tear off "namomi") which comes from the Akita dialect. Namomi are red scab-like sores caused by low-temperature burns from sitting next to a fire for too long. In other words, namomi represent a lazy person who spends too much time sitting by the fire. Thus, the word "namahage" is derived from the existence of a being who comes to "tear off a lazy person's sores" (namomi hagi) and warn them not to be lazy. Although namahage look like evil ogre demons, they are in fact messengers of the gods and are responsible for exorcising evil spirits. So then, why do Namahage act in such a terrifying manner? Namahage, as messengers of the gods, go into villages and are invited into homes where they are treated hospitably. The namahage not only warn children and lazy people, but also bring blessings of good health, bountiful harvests, and a safe year for people. The straw that falls from the namahage's garments is sacred, and is said to bring blessings such as protection from evil and good health. Children Scared to Death at this Traditional Japanese New Year's Eve Event Namahage are part of a traditional event held on New Year's Eve around the Oga Peninsula in Akita Prefecture. Young men in the village wear oni masks and go from house to house dressed in straw costumes, holding large knives or machetes in their hands. They come into houses shouting and asking if there are any bad children or lazy people inside. The sight of the namahage banging on doors and swinging around knives and other objects in their hands frightens the children and makes them cry. On TV each year in Japan, you can see children vowing to be good while simultaneously crying. This custom, which has a long history as a folk tradition in Akita Prefecture, was registered as an Intangible Cultural Heritage of Japan by UNESCO in 2018. Learn About Namahage at the Oga Shinzan Folklore Museum's Namahage Museum! Photo：Namahage Museum For those unable to watch the actual New Year's Eve event, we recommend checking out the Namahage Museum and Oga Shinzan Folklore Museum located in Mayama, Oga. At the Namahage Museum, visitors are greeted by namahage masks from various villages in Akita, as well as namahage costumes, and other materials on display that will help you learn about the culture and history of Oga. At the Oga Shinzan Folklore Museum, visitors can watch a short movie called "Namahage no Ichiya" (なまはげの一夜, The Night of the Namahage) to learn about the traditions, and experience namahage in an old private Japanese house. This rare experience of seeing a conversation between a namahage and the homeowner and watching the namahage search for children is quite interesting. If you're interested in learning about traditional Japanese culture and enjoying some beautiful scenery, we highly recommend visiting Akita Prefecture! Namahage Sedo Festival – A Fusion of Traditional Events and Namahage at Shinzan Shrine Photo：Namahage Sedo Festival The Namahage Sedo Festival is a combination of namahage, a traditional culture of Akita, and the Sedo Festival, a Shinto ritual held annually on January 3 at Shinzan Shrine in Oga, Akita. The event started in 1964 as a winter event in Oga, Akita. The festival is usually held over three days (Friday, Saturday, and Sunday), including the second Saturday in February. Namahage Taiko is a sightseeing event that involves namahage drumming loudly and dancing and is quite popular among tourists. [Video] 1:06 - Namahage Taiko The fantastic sight of Namahage coming down the snowy mountain path with torches in their hands as messengers of the mountain gods is truly a captivating experience. It's like stepping back in time. [Video] 1:20 - Namahage Descending From the Mountain As shown in the video, this Namahage Festival marked the 50th anniversary since the event began, and 50 namahage made an appearance! They prayed for the safety of tourists and locals alike. [Video] 1:55 - Children Frightened at the Sight of Namahage The festival will be held for three days from Friday, including the second Saturday in February, as in 2022, with advance registration and infection control measures, etc. Since 2023 marks the 60th anniversary of the festival, various gifts will be given to visitors. For more information, please visit the official website. Summary of Akita's Namahage Did you watch the video of the Namahage Sedo Festival? Despite their scary faces, namahage are loved by the local people of Akita as messengers of the gods. The voice of the namahage as they search for children, while of course scary, has a kindness to it as well, reminding us that they are not evil, but rather messengers of the gods that prevent people from being bad or lazy. There's even an application where parents can apply for a special phone call from an oni when a child does something bad. Experience the charm of namahage in Oga, Akita! The spectacular sight of the namahage holding torches is sure to make for some memorable Instagram photos as well!

Introducing Tezuma/Wazuma This video, titled "Taijyu Fujiyama / 藤山大樹 江戸から続く日本伝統マジック「手妻・和妻」の継承者～," was created by "Taijyu Fujiyama." The video shows a magic show performed by the famed tezuma magician Taiju Fujiyama. Come and immerse yourself in this world of Japanese culture and history. What Is Japan’s Traditional Magic, Wazuma? Source :YouTube screenshot The Wazuma/Tezuma introduced in this video, is a traditional magic unique to Japan, involving a combination of acting, music, costumes, and a story. "Wazuma" is the general term used for all Japanese-style magic tricks. The term “shinadama (品玉)” is used as well. In contrast to wazuma, Western-style performance magic is also known as "yozuma" (洋妻). The word “tezuma” originates from the phrase "手を稲妻の様に素早く動かす" (te wo inazuma no yo ni subayaku ugokasu, "to move one's hands as fast as lightning"). "wazuma" has a long history, first appearing in 1715 in the Shinsen Gijutsu, (神仙戯術), Japan’s oldest book of magic. The book contains descriptions of techniques such as “how to make a bottle gourd move on its own” and “how to make an artificial fish swim in water.” Significant wazuma magic tricks include "Dance of the Butterflies" (胡蝶の舞, kocho no mai), "Egg and Sleeve" (袖玉子, sode tamago), "Hyoko" (ヒョコ, hyoko), "Bowl and Sphere" (お椀と玉, owan to tama), "Entwined Paper" (連理の紙, renri no kami), "Bathtub Escape" (釜抜け術, kama-nuke-jutsu), "Fan and Egg" (扇子玉子, sensu tamago), "Paper Udon" (紙うどん, kami udon), "Tengu Hiding Beans" (天狗の豆隠し, tengu no mame-kakushi), "Absent Pillar" (柱抜き, hashira-nuki), "Water Art" (水芸, mizu-gei), "Horse-Swallowing Illusion" (呑馬術, donbajutsu), and more. From 0:37 in the video, you can see some of these tricks. The tools and props used in the performances, such as Japanese umbrellas and folding fans, are further representations of Japanese culture. This traditional performance magic has long been beloved in Japan. On 24th May, 1997, wazuma was designated an Intangible Cultural Property by the Commissioner for Cultural Affairs. Who Is the Magician Taiju Fujiyama? Source :YouTube screenshot Taiju Fujiyama is one of the few remaining practitioners of wazuma. After graduating from university in 2010, he became an apprentice of Fujiyama Shintaro, and thus began the journey to becoming a wazuma practitioner. His master Fujiyama Shintaro is renowned in the world of wazuma, having thrice received the Media Arts Festival Award from the Agency of Cultural Affairs. After working hard practicing under his master and polishing his skills, Taiju Fujiyama became the Asian Magic Champion in 2014, then achieved 5th place at the world tournament FISM in 2015. Following that, Fujiyama ventured worldwide, holding stunning performances in America, London, Italy, Mexico, China, Korea and more. Now, he has performed in more than 20 cities in over 10 countries. In 2018, he performed a magic trick involving seven changes on the American television program "FoolUs." The video of his performance has surpassed more than 13 million views. Preserving the Unique Japanese Culture of Wazuma in the Present Day Source :YouTube screenshot Wazuma was first created during the Edo period, and developed into Japan’s unique form of performance magic. However, today, there are very few performers left who are able to perform authentic wazuma while maintaining the balance of movements, dance elements, and ancient customs. Although it is a tremendously difficult challenge to protect this intangible art form, wazuma successors like Taiju Fujiyama aim to convey the beauty of this traditional Japanese art to the entire world. Summary of Tezuma and Wazuma Source :YouTube screenshot Tezuma/Wazuma is a unique form of performance magic blending both traditional performing arts with magic tricks. This style is based on the Japanese concept of beauty as form, making it quite different from Western magic. Why not give this new style of magic a try, and experience one of Japan’s long-beloved traditions? 【Official Homepage】「wazuma・tezuma」Fujimura Taiju Official Site ～Japan’s Traditional Magic from the Edo Period～ http://www.japanesemagic.jp/eng.html

Introducing Chindon'ya - Advertisements Full of Energy This video, titled "Chindon'ya - A Walking Advertisement in the City -," was released by "Japan Video Topics - Japanese." A Chindon'ya is a marching band type advertisement performed while walking around. They attract attention by dressing in unique, colorful Japanese-style costumes and playing a musical instrument called a "chindon drum." It's a type of Japanese advertising business referred to as "walking advertisements." The "Chin" in Chindon'ya represents the sound of a bell while "Don" represents the sound of drumming, and the melody of the saxophone and clarinet, as well as improvisational advertisement messages, makes for a unique performance that's fun to see and hear and attracts the people who are walking about in the city. In this article, we'll introduce Japan's Chindon'ya. The History of Japan's Chindon'ya Source :YouTube screenshot The first Chindon'ya came about in the middle of the 19th century (1845). At the height of the postwar period (1950), more than 2,000 people were active in Chindon'ya nationwide, but since then this number has been on the decline and currently only around 50 people are active in Chindon'ya today. However, in recent years, the charm of Chindon'ya's communication through live performance has been seen as refreshing and it has been regaining popularity. The Chindon'ya Performance in the Video Source :YouTube screenshot The main purpose of a Chindon'ya is to attract customers to the areas and stores designated by the client by walking around the city in unique costumes and doing taiko drum performances and more. In addition to that, they help promote products by giving out fliers, etc. with special deals on them. The general composition of a Chindon'ya is 3 to 5 people, with a chindon taiko drummer, a bandsman, and a "Goros" (Large Taiko) at the center, to which the flag holder and person handing out fliers are added. In addition to advertisement messages and musical performances, they also perform skits, and the charm and strength of Chindon'ya is that the band will change how it advertises based on the client's wishes. The Flashiest Advertisement in Japan!? The Charm of Chindon'ya Source :YouTube screenshot The charm of Chindon'ya is that it can deliver the client's message directly and receive the honest feelings of the people who hear it. The smiles received for their performance, as well as the smiles they get from communicating with the audience, all make their work more rewarding. At 1:19 in the video, you can see an interview with a couple who became captivated by the charm of the Chindon'ya and quit their jobs to become Chindon'ya artists. It's very interesting so be sure to check it out. Even if it is the same advertisement, the impression and meaning from the Chindon'ya is different than that of paper media. That's the advantage of the Chindon'ya. At 2:24 in the video, a shop that asked a Chindon'ya to advertise is shown, and the Chindon'ya says that it's "A wonderful encounter that happens once in a lifetime." Summary of Japan's Chindon'ya, the Flashiest Advertisement in Japan! Source :YouTube screenshot Chindon'ya are constantly refining their music, advertisement messages, and performances to attract as many people as possible. The number of active Chindon'ya performers has decreased immensely, but lately more and more people are coming to understand the refreshing appeal of direct marketing and the demand for Chindon'ya is increasing. The roots of Chindon'ya trace back to the candy seller "Amekatsu," which existed in the Edo period (1603-1868 AD). In order to attract more customers they started Chindon'ya performances. There are many things that change with time, but the excitement of Chindon'ya is one thing that has remained the same over the years. Be sure to check out the video to see the Chindon'ya performance; it's something you won't find often even if you actively search for it.

This video, titled "Hashinosuke Nakamura and His Son Kunio Perform Renjishi for the First Time, at a Fashion Show for the Italian Brand FAY!" (中村橋之助＆国生親子、ファッションショーで初連獅子　イタリアブランド『FAY（フェイ）』日本上陸記念ファッションショー), was released by "oricon". In the video, kabuki actors Hashinosuke Nakamura and Kunio Nakamura perform a parent and child rendition of Renjishi at the Italian brand FAY's fashion show in 2015. Renjishi is one of the most popular kabuki performances, popular for its flashy costumes and breathtaking choreography. It is also a great opportunity for parents and children to work together, and this year's performance was the first Renjishi performance of Renjishi by Hahsinosuke and his son Kunio. The director and designer of FAY also wore a hakama to celebrate the pair's dance.

Learn About the Traditional Performing Art and Japanese Musical Instrument Shinobue This video [Shinobue performance, Kazuya Sato (Maihime) 2013/05/24]（篠笛奏者 佐藤和哉「舞姫」2013.05.24） was created by "NAM .Grafik". The Shinobue is a simple Japanese woodwind instrument made of bamboo, which is wrapped in rattan and painted with lacquer to prevent cracking. It's very similar in structure to the flute. The Shinobue is often played during theatrical performances alongside Japanese Taiko drums, folk songs and festival music. Shinobue performances have been during dinners and banquets have been enjoyed by the general public for hundreds of years. This video contains footage of the male Shinobue artist Kazuya Sato performing the melody Maihime. Before we get further into the video, please check out the video, and enjoy listening to the simple and soft tone of the Shinobue. Introducing the History of the Shinobue Photo：Shinobue The Shinobue rose in popularity during the Heian period (794-1185 AD) and became loved by the people as a traditional Japanese musical instrument. The Shinobue has a very simplistic design: it consists of one hole used to blow air into and the remaining holes are used to place one's fingers upon to create different tones. There are two different types of Shinobue: the Hayashi type and the Uta type. The Hayashi type Shinobue (classical type) contains similar sized holes that have not been tuned and therefore are more suited to group performances. The Uta type, on the other hand, has varying sized holes that have been tuned and can be used to play melodies and solo performances. The pitch of the Shinobue depends on its length: the shorter the Shinobue the higher its pitch. Shinobue artists usually carry several Shinobue to play during a single performance. There are 13 possible tones that can be played using the Shinobue. The sheet music for Shinobue is called Shinobue Unshihyou, which translates to Shinobue fingering sheet. You can find several types of Shinobue for sale; Susutake or soot-colored Shinobue being the most expensive. Shishidaryuu, Ranjou and Rippei are a few popular brands of Shinobue and buying one can cost anywhere from a few thousand yen to more than ten times that price. About Kazuya Sato's Performance "Maihime" Source :YouTube screenshot The artist in this video, Kazuya Sato, performs the melody "Maihime" in a modern solo style. The soft and simple tone of the Shinobue, which sounds almost like a soft singing voice, is guaranteed to calm the mind. Other famous Shinobue artists include Tamura Yuuko (who studied under Kanou Yasukazu), Katano Satoshi, and Takeuchi Naoko. As well as performing on stage, Kazuya Sato composes his own original music and teaches the traditional Japanese musical instrument Shinobue to beginners. Shinobue Performance Information Source :YouTube screenshot The Shinobue artist Kazuya Sato is currently performing in concerts all over the country. For those who are interested, please check Kazuya Sato's official home page for more information on performance dates and locations. If you were captivated by the beautiful sound of the Shinobue, we highly recommend going to a concert to see a live performance! In this video, from 0:08 to 4:16, you can listen to the full Shinobue performance of Maihime. Please listen and enjoy! 【Official Website】Shinobue Artist Kazuya Sato https://www.kazuyasato.com/

PR Video of the Traditional Japanese Art, Hitofude-ryuu This video called “ 京都一筆龍【春夏秋冬】- Hitofude-ryu 【Four seasons】” produced by "Kyoto Hitofude-ryuu Orindo" promotes the traditional art Hitofude-ryu, painted with a single stroke. The ability of these artists to create such breathtaking works of art in such a short amount of time is absolutely amazing. Hitofude-ryuu is a very attractive and graceful Japanese art. This video features how the breathtaking Japanese art is painted. Enjoy the techniques of hitofude-ryuu artists. What Is Hitofude-ryuu? Source :YouTube screenshot Japan's traditional art form, Hitofude-ryuu, is a lucky charm used to connect people and bring success in business. Hitofude- ryu has a long history. It has been used as a lucky charm or to expel evil spirits during the Edo Period. There was also another version called Hitofude-hebi that used snakes. A ryu (dragon) was thought to be sacred and enshrined at temples as deities of agriculture because the shape of Japanese islands resembled a dragon. There are two types of hitofude-ryuu in Orindo in Kyoto. The "Ascending dragon" and the "Descending dragon" are drawn to pray for success and protective power, respectively. “Nyoi-hoju” is one dragon that is said fulfill people's wishes and bring them good luck. The painters of hitofude-ryuu all over Japan are called "hitofude-ryuu eshi" (hitofude-ryuu artists). Keisuke Teshima, the painter in the video, is the most renowned and respected hitofude-ryuu artist. You can see his work in this video at 0:05. Don’t miss his amazing skills! The popularity of hitofude-ryuu has increased overseas thanks to the video posted by Keisuke Teshima. His performance in America in 2014 was highly regarded. You should definitely see the video that shows how Teshima draws a hitofude-ryuu in his atelier. How to Draw Hitofude-ryuu Source :YouTube screenshot As you can see from the video (0:05, 2:02, 3:39 and 4:44) , the body of a ryu is painted with the single stroke of a thick brush. The details such as a head or "Nyoi-hoju" are drawn with a thin brush ( 4:38). First, the body of the dragon is drawn in a single stroke using a thick brush starting from the head. Today, various colors such as red, blue, gold, and white are used to draw the dragons. After a dragon is drawn, a painter finishes a background using special techniques such as powders. The colorful dragons on black backgrounds seem to come alive. Where to Buy Hitofude-ryuu Source :Kyoto hitofude-ryuu official website There are various types of hitofude-ryuu, such as Kyoto hitofude-ryuu, Koshu-ya hitofude-ryuu, and Hitofude-ryuu Takase in Nikko. Omamori-hidofude-ryu and Chinese hitofude-ryuu are also popular.　 Hitofude-ryuu can be purchased on the official web-site or on online shopping sites, such as Rakuten or Amazon. For full orders, be sure to check out the international section of Kyoto Hitofude-ryuu's website. Orindo also offers live sales of Kyoto Hitofude-ryuu, which are painted on the spot. If you hang a hitofude-ryuu artist's painting in your room, you'll have a nice change of atmosphere. Hitofude-ryuu are well known as lucky charms and makes great presents that anyone would be happy to receive. Summary of Hitofude-ryuu This video called “ 京都一筆龍【春夏秋冬】- Hitohuderyu 【Four seasons】” produced by “Kyoto Hitofude-ryuu Orindo” features how to draw a traditional Japanese hitofude-ryuu. If you haven't watched it yet, don't miss out on this amazing painting process. Enjoy the traditional Japanese art- Hitofude-ryuu! 【Official web-site】Hitofude-ryuu | Kisuke Tejima, Hisofude ryu artist https://www.onestrokedragon.com/

Video introduction of "Shintomi-za Children's Kabuki" in Chuo-ku, Tokyo This video, titled "[Yoshitsune Senbon Zakura｜Yoshinoyama] Shintomi-za Children's Kabuki｜Annual Dedication Performance｜Heisei 30" (「義経千本桜　吉野山」　平成３０年 新富座こども歌舞伎 例大祭奉納公演), was produced by "machihito." Shintomi-za Children's Kabuki was established in 2007 (the 19th year of the Heisei period) to provide children in the community of Chuo Ward (中央区, Chuo-Ku), Tokyo, with an opportunity to experience the performing arts of their hometowns. Every year during the Setsubun Festival in February and the Annual Festival in May, the children dedicate popular performances, such as "Shiranami Gonin Otoko" (Benten Kozō) at the Kagura hall of Teppozu Inari Shrine. The video shows a 30-minute performance of the Shintomi-za Children's Kabuki's annual dedication performance. It's well worth the watch, so be sure to check it out. The History of Shintomi-za Children's Kabuki Source :YouTube screenshot Shintomi-za Children's Kabuki was originally founded in 1875 as a stock company theater renamed from Morita-za. In 1872, it moved to Shintomi (新富町) and was officially renamed to Shintomi-za. In April 2007, local children gathered to form Shintomi-za Children's Kabuki, and on February 3, 2008, they presented "Sanninkichi Satomoeno Shiranami." The Child Actors of Shintomi-za Children's Kabuki Source :YouTube screenshot The child actors who participate in Shintomi-za Children's Kabuki are chosen from children who attend Taimei Elementary School and other schools in the Ginza (銀座) area. The children rehearse music and performances in preparation for the big event. On the day of the show, they wear traditional costumes and makeup to perform on stage. It's very difficult for children to study the old Japanese language and express the uniqueness of Kabuki with their movements. However, the video shows the children performing a highly advanced performance with a great deal of skill. The performance is filmed in full and starts from 1:13 in the video, so enjoy the show! The Story of Yoshitsune Senbon Zakura Photo：Ningyo-Joruri Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees) is a Ningyo-Joruri (traditional Japanese puppet theatre) and Kabuki performance. The story depicts the tragedy of the Heike warlords who survived after the Genpei War (a battle between the Taira and Minamoto clans) and those who were involved. The fourth chapter depicts the journey of Shizuka Gozen and Tadanobu Sato on their way to Yoshino. This performance is rather long, but has a fascinating story that draws in the crowd. "Yoshitsune Senbon Zakura" has been made into Japanese film and stage play, and has been performed by famous Kabuki actors such as Danjuro Ichikawa. Summary of the Shintomi-za Children's Kabuki Source :YouTube screenshot In addition to Shintomi-za Children's Kabuki, Shintomi-za also hosts events such as Terakoya. If you want to experience traditional Japanese art and culture, be sure to check out information regarding Shintomi-za Children's Kabuki and consider buying tickets to the next performance!

Toyosaka no Mai (Toyosaka Dance)" at the Sakura Matsuri (Cherry Blossom Festival) Gagaku Concert! The video, titled "Toyosaka no Mai Sakura Matsuri Gagaku Concert 2018" (豊栄の舞　さくらまつり雅楽演奏会2018), was released by "YAKISOBA1BAN." It shows a performance of Gagaku, a traditional Japanese performing art. The performance featured in the video is "Toyosaka no Mai" at the 2018 Sakura Matsuri Gagaku Concert at Fujisan Hongu Sengen Taisha Shrine in Fujinomiya, Shizuoka, in Japan's Tokai region. The musical performance by the Ohito Gagaku Ensemble (大仁雅楽会) at Fujisan Hongu Sengen Taisha Shrine's main shrine is very elegant. Gagaku and Other Traditional Japanese Cultures Photo：Noh Japan has a variety of traditional music and dance cultures, including the well known Noh and Kyogen. Some of the notable traditions are the dedication of Bugaku and Kagura (Shinto music) performed with an accompaniment of Gagaku music at traditional festivals held in various regions of Japan. Gagaku (traditional Japanese court music) and Kagura are traditional cultures that have been handed down in Japan since ancient times as traditional music of the court. For those who are interested in Japan's beautiful Gagaku and Bugaku performances, we recommend visiting shrines and temples during traditional Japanese events, such as Hatsumode (New Year's visit), Setsubun, Ouka-Sai (桜花祭, Cherry blossom Festival), Nodate (an open‐air tea ceremony), and more. Toyosaka no Mai, the Gagaku Performance Shown in the Video Source :YouTube screenshot Toyosaka no Mai, the performance shown in the video, is a very joyful performance held in the spring. Women wearing red and white clothing, holding a sakaki or a flower of each of the four seasons, perform a dance to the accompaniment of a sho (a Japanese free reed flute), Hichiriki (a double reed Japanese flute), gaku biwa, Koto and other instruments. Miko (the shrine maidens) who perform Toyosaka no Mai, as shown at 0:44 in the video, spend countless hours practicing and mastering the dance before the actual performance. Let's go to the Sakura Festival Gagaku concert at Mt. Fuji Hongu Sengen Taisha Shrine! Photo：Yabusame Mt. Fuji Honmiya Asama Taisha ShrineThe cherry blossoms in are sacred trees.The cherry blossoms of Mt. Fuji Honmiya Asama Taisha are sacred trees.Since the god of the festival is "Konohana no Sakuyabishime," about 500 cherry blossoms in the precincts are considered sacred and celebratory events are held. The cherry blossom festival starts at 9 a.m. on April 1.The Gagaku Concert, in which the kagura "Toyoei Mai" is dedicated, will also be held in front of the shrine from 17:30 on the same day.In addition, Noh (Kyogen) is dedicated, so there are many things to see. Cherry blossom lighting is usually done from late March to early April, when cherry blossoms are at their best.The expected cherry blossom day in Shizuoka prefecture in 2024 is March 22nd, so it seems a little earlier than usual. Summary of "Toyosaka no Mai" at the Sakura Matsuri Gagaku Concert Source :YouTube screenshot Toyosaka no Mai is a traditional performance that has been handed down in Japan since ancient times. The fantastic Bugaku performance under the cherry blossoms at night is so beautiful that you'll never get tired of watching it. If you'd like to learn more about traditional Japanese performing arts, be sure to check out the video to see all of the intricacies of the performance!

Kamikiri: The Art and its Origins This video is titled "Kamikiri (Yose)" (紙切り（寄席）), and it was created by “bunkachannel”. Rakugo is a traditional Japanese culture. Yose refers to the theater where rakugo takes place. But did you know that besides rakugo, there’s another performance called “kamikiri,” introduced in this video, that is conducted in a yose? “Kamikiri” is an impromptu performance where the performer cuts out paper according to the theme provided by the audience. Its roots are in the Edo period (1603-1868), where it was performed as entertainment for banquets, and it was established as a performing art in the Meiji period (1868-1912). It truly is a piece of art, made with just a single pair of scissors. It is a traditional performing art that is popular among foreigners as well. Watch a 3-minute video of this historic Japanese traditional performing art that is not only beautiful but also funny. Masters of Kamikiri: Shoraku Hayashiya and Niraku Hayashiya Source :YouTube screenshot The two performers in this video are Shoraku Hayashiya and Niraku Hayashiya, both famous for their skills in kamikiri. Shoraku is a kamikiri master, and he performs on television programs as well as at theaters in Asakusa (浅草, Asakusa) and Ueno (上野, Ueno). He performs not just in yose, but in theaters in and out of Japan. At 1:09 in the video, you can see a kamikiri of a man and women sharing an umbrella, a type of kamikiri Shoraku is particularly skilled at. Be sure to check it out! His apprentice, Mr. Niraku, has also inherited his master’s skills and traditions, and has gained popularity through his storytelling-based kamikiri. There’s no need for complicated language when it comes to kamikiri. It’s a performance that can be enjoyed by anyone who understands shapes, so beginners who have trouble understanding the more complicated rakugo, or non-Japanese people can also enjoy kamikiri! Kamikiri: It’s Harder Than It Looks! Source :YouTube screenshot One of the main characteristics of paper cutting is that there are no mistakes. The rakugo performer sits on the “koza” (the stage of the yose) and collects requests from the audience. You only have one shot—no drafts or second chances! At 1:32 in the video, he receives a request for a “Wind Chime Shop” from an audience member. He cuts the paper in an instant, following the beat of the hayashi music. Just cutting it while sitting stiffly isn't interesting. Therefore, the performer uses small talk and story telling to captivate the audience. The resulting forms are scenes from traditional Japanese kabuki plays, animals, anime characters and more. Each kamikiri is also crafted differently. The finished art is passed out as a souvenir, as you can see in 2:25, so try to reserve a first-row seat if you’re watching in a yose! In order to perform kamikiri, you must have the skill of a craftsman: the skill to cut the paper while imagining various finished versions of the art in your mind. Summary of Kamikiri　 Photo：Kamikiri The only tools you need to perform the traditional Japanese performing art “kamikiri” are one pair of scissors and one piece of paper. Because it is so easy to begin, there are lessons that teach how to do kamikiri, changing rakugo and kamikiri into something that is more familiar to us. However, the two members of the Hayashi family have a unique sense of humor that is not easy to imitate. Experience the awesome performances of these professionals in this video.