The beautiful Nature landscape of the Aso Mountains Unfolds, and it is a mountain towns with a population of about 3,000 people (as of June 2024) with a high elevation overall.
Traditional agriculture is thriving, and in addition to delicious Rice and vegetables, "Gokase Wine" made from 100% Gokase grapes is also popular.
In winter Japan the southernmost natural snow ski resort offers a spectacular panoramic view of the Aso Mountains seen from and Slope.
We look forward to seeing you in Gokase Towns!
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Miyazaki Prefecture Gokasecho Hiking and Trekking: Kabakidake
Rising at the heart of the Kuwanouchi district, the mountain is known locally as Shiroyama, or Castle Mountain, because an ancient mountain fortress called Kabakidake Castle once stood there. It is cherished by the local community.
With Mt. Masugata to the east as its backdrop, the mountain offers wide views to the west, south and north. Its shape—easy to defend but hard to attack—has made it famous as the representative mountain of Kuwanouchi.
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[Miyazaki Prefecture Gokasecho Mountaineering and Trekking] Mt. Masugata
Mt. Masugata in the Kuwanochi area
The summit offers a full 360-degree panorama, with views of the Aso mountain range, Kuju mountain range, Mt. Sobo, Mt. Unzen Fugen, and the gorge of the Gokase River all visible at a glance.
You can also see a sky full of stars at night, but be aware that the trail to the summit is rugged and there are no streetlights.
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[Miyazaki Prefecture Gokasecho Mountaineering and Trekking] Gionyama
This mountain is said to be the birthplace of Kyushu, first emerging from the sea as the current Kyushu rose from tectonic movement, and fossils dating back 430 million years have been excavated here.
During the mountain opening season, you can enjoy flowers such as the fully blooming akebono azaleas.
Some sections require using ropes to advance.
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Traditional Performing Arts of Gokasecho, Miyazaki Prefecture — Usu-daiko Dance
The Usu-daiko dance performed at the autumn grand festival of Gion Shrine was once offered on the lunar calendar date of September 9, so it is also called the "kunchi dance," and it has been passed down for more than 400 years. It is said to have begun when members of the defeated Taira clan, driven from Kyoto and wandering in exile, reached the mountain hamlet of Shiiba on their way to safety and, while remembering the glittering capital, danced in the village of Kuraoka.
The dance shows a poised, dignified movement within its grace, evoking the hearts of people from the capital, and it is offered each year at Gion Shrine’s autumn festival.
<Legendary Events>--------------------------------------------------------------------------------------
In the first year of Bunji (1185), near the end of the Genpei conflicts, remnants of the Taira clan who were defeated at the Battle of Dan-no-ura fled into the interior to evade the Genji pursuit. They reached the village of Kuraoka and, on their way to Mt. Shiiba, left the weak, women, and children in the mountains near Kuraoka Hakki because of the steep, treacherous roads.
In Genkyu 2, the Kamakura shogunate did not ease its pursuit of the Taira remnants and ordered Nasu Daihachiro Munenaga to hunt down the clan that had fled into the Kyushu Mountains.
Receiving the order, Nasu Daihachiro's party entered Kuraoka intending to head for Shiiba, and finding the Taira fugitives in Kuraoka lacking the will to fight, they staged a dance of shared company to comfort them after the long journey, setting aside the victors' arrogance to show compassion for the defeated.
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The dance described above became the foundation of the Kuraoka Usu-daiko dance, which, after cycles of prosperity and decline and several relocations over the ages, is said to have survived in its present form.
Dancing to the beat of drums and bells, performers display dignified movements within an overall elegance.
In recent years, the Gion Shrine Usu-daiko Dance Preservation Society, with the cooperation of children from Gokase Nature School and local parishioners, has carried on the dance.
Schedule for the Usu-daiko dance: every year on October 9.
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Traditional Performing Arts of Gokasecho, Miyazaki Prefecture: Kuraoka Staff Technique
The Kuraoka staff tradition follows the Ōkuruma school, said to be a martial art founded by Marume Kurando (one of the four greats of the Shinkage tradition) from the Higo Sagara domain. Also called Shinkage Ōkuruma Musō-ryū, documents show the earliest mention of Kuraoka in the early Edo period. After that, the art passed through Mamimahara and Omae in Shiiba Village before returning to practitioners in Kuraoka at the local end of the line.
Kuraoka staff techniques use two kinds of staff: the long staff, 6 shaku 2 sun (about 188 cm), and the short staff, 3 shaku (about 91 cm).
The forms are basically defensive. There are over thirty paired forms, including long staff versus short staff and staff versus sword. Forms that employ the sword are commonly called shiraha (white-blade).
The Kuraoka Staff Preservation Society offers a shiraha dedication at the summer grand festival of Gion Shrine and provides instruction to students at Kuraoka Junior High School.
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Traditional Performing Arts of Gokasecho, Miyazaki Prefecture: Murono Yoi Kagura
The Murono Yoi Kagura at Mikasho Shrine is said to have been handed down during the Meiji era from the Iwato Kagura lineage, specifically the Kuwanouchi Shrine Kagura and the Furudono Shrine Kagura. The sake-straining dance has become a merry performance portraying a farming couple.
In the mid-Meiji period, Minosuke Kai, the first head of the Murono district, brought kagura from Furudono to the Konpira-yama festival, central to the Murono and Akatani districts, and passed it down to the present day.
The tradition once died out, but it was reformed when kagura was requested for the Tsuhana Tunnel breakthrough ceremony in 1972 (Showa 47).
Murono Yoi Kagura schedule: the second Saturday in December
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[Miyazaki Prefecture Gokasecho Traditional Performing Arts] Kuraoka Gion Kagura
Kuraoka Gion Kagura is a kagura preserved at Kuraoka’s Gion Shrine. Its origins are said to trace back to dances performed in the broad courtyard of the ancient Kogamure Shrine recorded in the Engishiki.
In Genryaku 2 / Juei 4 (1185), after the Heike clan’s defeat at the Battle of Dan-no-ura, members of the Heike fled through the Kyushu mountains and reached Kuraoka, then pressed further into the remote mountains toward Shiiba. At that time, court entertainments and sacred music from Kyoto—gigaku, gagaku—and Ise-style kagura that the Heike brought with them blended into the existing local kagura, and over time this fusion developed into a distinctive form.
The kagura’s sound is said to have been shaped by a drum made from the trunk of a walnut tree grown in the hidden recesses of Mt. Shiraiwa, stretched with deerhide taken from the remote mountains and bound at both ends with hemp twine; a flute made from bamboo with holes bored in it; and graceful, capital-style rhythms and hand clapping. These elements combined into the unique musical pulse of the Kuraoka kagura.
In July 2023, the Kuraoka Gion Kagura Preservation Society revived this ancient kagura drum.
Kuraoka Gion Kagura schedule: mid-July (Gion Shrine), early October (Gion Shrine), mid-November (Amanatsu Shrine)
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Miyazaki Prefecture Gokasecho Traditional Performing Arts: Kuwanouchi Shrine Kagura
Kuwanouchi Kagura is believed to have begun in the early Meiji era. A surviving costume is dated Meiji 3, and the shrine’s relocation to Habu in the same year suggests the kagura started around that time.
The masks used are mainly the hannya mask, more frequently employed than in other kagura, and the performance is characterized by a faster tempo.
The whole community works together to pass the tradition to future generations, putting great effort into training successors.
In spring and autumn, the kagura is offered at the Kuwanouchi Shrine grand festival. In January, a night-long kagura dedication prays for a bountiful harvest and the well-being of residents.
Kuwanouchi Shrine Night Kagura Schedule…Every year on the second Saturday of January
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[Miyazaki Prefecture Gokasecho Traditional Performing Arts] Furutono Shrine Kagura
During the Muromachi period, local jinkagura and Iwato kagura were offered together here for rites, but through several revivals Ise kagura became blended in, producing a slower-tempo (roku-choshi) kagura that continues to the present day.
The origin of this kagura is the “Amano-Iwato Opening,” and it was performed to pray for a bountiful harvest and household safety. From Taisho 6 (1917) it also included prayers to calm fires; today it additionally includes traffic safety prayers, and a night kagura festival is held every January.
Furutono Shrine night kagura schedule…mid-January
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Traditional Performing Art of Gokasecho, Miyazaki Prefecture: Ara-Odori (UNESCO Intangible Cultural Heritage)
The Ara-Odori of Gokase is a style of elegant festival dance that was designated a National Important Intangible Folk Cultural Property on January 8, 1987 (prefectural designation: May 15, 1962).
In February 2021, a group of 41 nationwide “furyu odori” (elegant festival dances), including Gokase’s Ara-Odori, was selected as a candidate for inscription on the UNESCO Intangible Cultural Heritage list. A nomination dossier was submitted to UNESCO in March of the same year, and the dances were officially inscribed on November 30, 2022.
“Furyu odori” embodies the spirit of flamboyance and eye-catching elegance. Performers wear elaborate costumes and carry decorative props as they dance to songs and the sound of flutes, drums, and small gongs.
Across Japan, 42 furyu odori entries (covering 25 prefectures and 43 municipalities) are designated National Important Intangible Folk Cultural Properties. In Miyazaki Prefecture, Gokase’s Ara-Odori is the only designated example.
These dances carry prayers from local communities for protection from calamities, memorials for the dead, prosperous harvests, and rain. Villagers of all ages take part during festivals and annual events. Each locality’s history and natural environment are reflected in its performance, and the dances serve as a vital source of community energy.
The Ara-Odori of Gokase is said to have begun in the Tensho era (1573–1592) when Sakamoto Iga no Kami Masayuki, lord of Sakamoto Castle (upstream of the Mikasho River), started the dance to raise his troops’ morale before going to war. Later, in the Keicho era (1596–1615), his grandson Sakamoto Yamashiro no Kami Nyudo Kyukaku established a ritual code for offering the dance to the guardian deity Futakami Daimyojin (now Mikasho Shrine). At that time, it is said that a successor from the temple called shinbochi oversaw funerary rites, and a monkey kept at the temple was also made to join the dance.
One theory holds that the dance originated in Sakamoto, in Ōmi Province (modern Shiga Prefecture). However, the Nisshu Takachiho Kokon Jiran-ki (collected in Volume 4 of the Hyuga Local Historical Materials) records that descendants of Sasaki Rokkaku Takayori from Ōmi fled to Takachiho and served the Mitai clan; their descendants later took the names Saho, Sakamoto, and Masaki. The Sakamoto mentioned here is not the Sakamoto of Sakamoto Castle but the Sakamoto from Mukoyama to Kanegase, a separate lineage with its own origins distinct from the Minamoto, Oogami, or Fujiwara clans.
Ara-Odori schedule: every year on the fourth Sunday of September
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