日本の伝統工芸品である「仙台箪笥」の動画について 「伝統工芸　青山スクウェア」が制作する「手技TEWAZA【仙台箪笥】SENDAI Chests Woodwork」は、繊細で美しいインテリア「仙台箪笥」の歴史や作り方などを紹介している動画です。 日本の職人のモノ作りに対する思いや、繊細な仕事に目を奪われ、感銘を受けるはず。 美しいアンティークで部屋を彩りたいと思っている人には必見の動画です。 この記事では、日本の伝統工芸・文化である仙台箪笥の魅力や作り方などを解説しています。 日本の伝統工芸品である仙台箪笥の歴史 日本の伝統工芸品である仙台箪笥の起源は、江戸時代の末期と言われており、仙台藩の地場産業として成長しました。 仙台箪笥はもともと武士や侍などの権力がある人だけが持つことができた、とてもぜいたくな家具でした。 江戸時代に成長した仙台箪笥の製造技術は、職人たちが代々受け継ぎ、今も日本の職人たちが丁寧に作っています。 ただ、仙台箪笥を作る職人の数は年々少なくなっているのが現状。 国内外で高く評価されている日本の伝統文化を残すためにも後継者探しや育成には力を入れているようです。 こちらの動画では、伝統工芸品の技術を受け継ぐ職人の仙台箪笥に対する思いを聞くことができますよ。 日本の伝統工芸品である仙台箪笥の特徴 日本の伝統工芸・文化である仙台箪笥は、国の伝統工芸品に指定されています。 その美しい佇まいや、重厚感のある外観で海外からも人気がある日本家具です。 仙台箪笥の特徴は、ツヤのある表面から木目が透けて見える木地呂（きじろ）塗りと、豪華な金具が施されているところ。 指物や塗り、金具をすべて手作業で行った仙台箪笥の値段は6桁以上。 それでも美しい見た目や、100年以上使えると言われている丈夫さなどから購入する人がたくさんいるそうです。 日本文化の仙台箪笥を購入して、お部屋のインテリアに取り入れるのはいかがでしょうか？ 欅産業オフィシャルサイトにて、仙台箪笥の実物が見られるショールームが紹介されているので、ぜひ見てください！ 日本の文化である仙台箪笥の作り方を紹介 日本の伝統文化である仙台箪笥は、大きく分けて3つの工程で出来上がります。 指物（さしもの）→漆塗→金具の3工程です。 まず指物は動画の0:10から紹介されている木の板を指し合わせていく作業のことを言います。 金属の釘は使わず、木釘だけで組み合わせていくのが特徴。 凹凸を使って精巧に組み合わせていくことで仙台箪笥の頑丈な仕上がりが生まれます。 丈夫な仙台箪笥の土台を作るうえで重要な工程です。 次の工程である漆塗は動画の1:06より紹介されています。 漆を何度もけやきに塗り、ツヤを出していきます。 けやきの綺麗な木目が透けて見えるのが特徴です。 金具の作業は動画の1:54より紹介されています。 金属を鏨（たがね）で何度も何度も叩き削っていきます。 とても繊細な作業によって出来上がった金具はとても美しく、仙台箪笥に欠かせない部品です。 日本の文化である「仙台箪笥」の記事のまとめ 美しい伝統工芸・文化である仙台箪笥。 インテリアとして使えばお部屋が和風にがらりと変わり、楽しめるのではないでしょうか？ また、会席料理用の仙台箪笥もあり、お祝い事などに使うのもおすすめ。 欅産業オフィシャルサイトにはショールームの紹介、仙台箪笥の手入れの仕方や修理の受付なども行っているので、気になる方はチェックしてみましょう！

伝統工芸品「伊勢形紙」紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「伊勢形紙」Ise-katagami Paper Stencil／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 伊勢形紙（いせかたがみ）は、型染めに用いられる型紙です。 古くから伊勢（三重県鈴鹿市）で作られ、現在でも流通している90％以上の伊勢形紙はこの地域で生産されています。 伊勢形紙は1955年に、文化財保護法に基づき工芸技術としての重要無形文化財に指定され、6名の職人が重要無形文化財保持者（人間国宝）として認定されました。 1983年には通産省の伝統的工芸品の指定も受けています。 日本の伝統工芸品である伊勢形紙とは 伊勢形紙は、柿渋で張り合わせて補強した美濃和紙を台紙にし、文様や図柄を彫刻刀で丹念に彫り抜いたものです。 職人が彫刻刀による手彫りで図柄を彫り抜いて作りあげる独特の風合いが魅力です。 千有余年の歴史を誇る伊勢形紙は、古くから友禅や小紋、浴衣など着物の文様の型染めに用いられてきました。 図柄の芸術性が再評価され、現在は着物の染色のみならず生活に密着した日用品などにも使用されるようになっています。 例えば襖・障子などの室内装飾やLED照明にも応用されるなど伊勢形紙の新しい取り組みに注目が集まっています。 さらに団扇、扇子、しおりなどの和小物は連日多くの外国人観光客がお土産品として買い求めています。 日本の伝統工芸品である伊勢形紙の制作工程 繊細で美しい文様で世界的に高く評価されている伊勢形紙ですが、型紙を作るには高度な技法と根気が必要です。 動画でご覧になれる制作工程を簡単に説明すると、まず最初は型地紙づくりです。 美濃和紙を柿渋でベニヤ状に張り合わせ、天日乾燥と室枯らし（燻烟）を繰り返します。 ここまで延べ40日ほどかけて作られます。 出来上がった紙を選別後、2、3カ月～1年間、寸法を安定させるために寝かせます。 出来上がった伊勢形紙は染型紙として用いられ、細かい刃先の彫刻刀で精巧微細な図柄を彫っていきます。 色や素材の使い方しだいで、職人の技法とデザインセンスが光る作品が生まれるのです。 日本の伝統工芸品である伊勢形紙紹介まとめ 残念なことに着物の需要の減少によって伊勢形紙業者は縮小傾向にあり、技術保存会などが用意された型紙に彫っていく1日体験コースや、本格的な伊勢形紙の技術が学べる弟子入りコースなど優れた技術を後世に伝えようと様々な工夫をしています。 その反面、手仕事から生まれる美しい模様の伊勢形紙は日本文化の象徴、また伝統工芸品として外国人旅行客に好まれています。 伊勢形紙はこれからも美術伝統工芸品として高く評価され、人々を魅了し続けることでしょう。

十日町明石ちぢみ紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「十日町明石ちぢみ」Tokamachi Akashi Chijimi Weaving／伝統工芸青山スクエア Japan traditional crafts Aoyama Square」です。 動画で紹介されている十日町明石ちぢみは新潟県十日町市の伝統工芸文化の一つで、八丁撚糸機という特別な機械を使用して1ｍに4000回もの撚り（より）をかけます。 十日町明石ちぢみの特徴として、織物の表面に「しぼ」と呼ばれる凹凸があり、それによって夏でも涼しく着心地のいい素材の着物になっています。 十日町明石ちぢみの制作工程 製作の工程は以下の5手順になっています。 1, 設計 2, 染色 3, 手延べ 4, 絣巻 5, 製織 十日町明石ちぢみが伝統工芸文化と言われる特徴としては、やはり絣巻の工程で使われる八丁撚糸機です。 絣巻（かすりいと）とは、万力を使って縦絣模様をあわせながら巻き取る技法です。 この工程をスムーズにすすめるためにしっかりとした糊付けが必要ですが、手技によって行われ、職人でなければできない匠の技があります。 ここにも十日町明石ちぢみが日本の伝統工芸文化とよばれる所以があるといえます。 製織においても手作業のよる技法が多く含まれています。 平ゴムとくびりによってほぐしをおこなった経糸を柄合わせをしながら巻き取ります。 その後、湯もみをすると細い糸にかけられた強い撚りによって織物の表面が凸凹になります。これが伝統工芸文化である十日町明石ちぢみ独特の着心地を生みます。 十日町明石ちぢみの爽やかなデザインにも職人の技法がふんだんに使われており、その一つとして摺り込みという技法が挙げられます。 これは絣糸を染める技法で染料をヘラで部分的に摺り込むというものです。 何度も揉みながら繰り返し摺り込みを行い、十日町明石ちぢみ独特のデザインを生んでいます。 夏に合わせた明るいコーディネートがしやすいことや季節に合わせて着物を着ることができるので、伝統工芸文化である着物自体をもっと身近に感じてほしいという十日町明石ちぢみ職人の思いを感じます。 十日町明石ちぢみの歴史 日本で伝統工芸文化の十日町明石ちぢみが生まれたのは400年前、播州明石だったと言われています。 その後、新潟の越後縮問屋の州崎栄助に、西陣織りの業者によって研究されていた十日町明石ちぢみを西陣織りより湿度の高い十日町市で開発することが進められました。 そうして多くの過程を踏み、八丁撚糸機を利用することで伝統工芸としての十日町明石ちぢみは文化的な産業になりました。 伝統工芸文化としての課題は、十日町明石ちぢみを受け継ぐ人材は非常に少なく、多様なニーズに答えるデザインが求められています。 十日町明石ちぢみ紹介まとめ 最高級の強撚糸に伝統工芸の撚糸技術、さらには文化を受け継ぐ職人たちの様々な技法を経て最高級の着心地と最高級のデザインが生み出されています。 この素晴らしい日本の伝統工芸文化を後世へと伝えていくために、夏を涼む着物「十日町明石ちぢみ」を体験してみてください。

奄美大島の伝統工芸品「本場大島紬」をご紹介！ 奄美大島を生産地とする伝統工芸品の一つである本場大島紬について「伝統工芸 青山スクエア」が公開した『手技TEWAZA「本場大島紬」Honba Oshima Tsumugi Weaving』という動画を元に、「本場大島紬」の文化や歴史を紹介させていただきます。 本場大島紬って何？ 本場大島紬とは、鹿児島県の奄美大島を発祥の地とする日本の伝統工芸品の一つである絹織物のことを指します。 日本の伝統衣装である着物の中の代表的存在で「着物の女王」とも呼ばれています。 高級絹織物とされていることから、本場大島紬を着ているだけで、知っている人には一目置かれる逸品です。 本場大島紬の始まりは7世紀頃で、文化的にも歴史的にも非常に古くから受け継がれてきています。 奄美大島には国外との交流の文化が数多く存在しますが、本場大島紬もルーツがインドにて生まれた"絣（かすり）織り"であることから、この国外の交流文化の賜物と言えます。 本場大島紬の染色方法"泥染め" 本場大島紬の製造工程で何よりも特徴的な点として挙げられるのは、染色の方法として泥染めをしていることでしょう。 この泥染めという染色方法ですが、絹糸の蚕白質の上にあるシャリンバイに含まれているタンニン酸色素と泥に含まれている鉄分が化学結合することにより、深い光沢のある味わい深い黒色を出すことが出来ます。 この自然由来の味わいが伝統工芸品たる所以であり、古くから受け継がれるべき文化だと言えます。 泥染めがどのように行われているかは動画で実際にご覧になれます。 本場大島紬のまとめ 文化的にも深い歴史を持つ伝統工芸品の本場大島紬は、今もなお奄美大島を中心に受け継がれてきています。 日本の文化とも言える伝統工芸ですが、やはり時代の流れと共に後継者が減っているのが現状です。 特殊な製造工程、細かい作業を全て手作業で行うことが主な理由とされています。 この日本の文化である伝統工芸品の一つが無くなってしまわないよう、鹿児島県としても本場大島紬織物協同組合や本場大島紬の里等の活動を盛んにされているので、今回の動画を見て興味を持った方は、ぜひ鹿児島に足を運んでみてはいかがでしょうか。

京鹿の子絞紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「京鹿の子絞」Kyo-kanoko tie-dyeing／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 日本には様々な文化が存在し、多くの職人が日本の文化や伝統工芸を守るために日々努力しています。 今回は京鹿の子絞にスポットライトを当てた動画を紹介します。 京鹿の子絞とは一体どういう伝統工芸なのか 京鹿の子絞は京都の伝統工芸。 京鹿の子絞は数千年前から存在した技法で宮廷衣装に用いられた絞り染めです。 括り（くくり）の模様が小鹿の斑点に似ている点が京鹿の子絞と呼ばれる理由。 京鹿の子絞は括り、染め分け、染めと呼ばれる工程を何度も繰り返し行いできあがります。 こちらの動画では一体どのようにして京鹿の子絞が完成するのか、作る際の注意点は何かを知ることができます。 京鹿の子絞紹介まとめ 日本の文化や伝統工芸は長年職人の手により守られたものです。 多くの方が伝統工芸に触れ、今の姿があります。 着物に興味のある方は一度京鹿の子絞に触れてみてはいかがでしょうか？

This video, titled "Five Legendary Japanese Swords! an Introduction to Okanehira and Other Swords Designated National Treasures [Japanese Sword Series 2]" (現存する伝説の日本刀５選！大包平など国宝に指定される刀まとめ【日本刀シリーズ２】), was released by "Ranking Dynamite" (ランキング・ダイナマイト). In the history of Japan, there have been many Japanese swords considered masterpieces, but there are very few Japanese swords that have survived through the ages. In this video, you can see some of the most famous Japanese swords that have been carefully preserved to this day. Okadagiri, owned by Oda Nobunaga, Masamune, made by a master craftsman, Sosan Samoji, which is said to have been a favorite of Imagawa Yoshimoto, and Raikiri, which is said to have been used to cut lightning. The most valuable sword is the Okanehira, which is said to have been made with the most advanced technology of the time. Check out the video to see some of the beautiful Japanese swords that have been designated national treasures.

This video, titled "Jan. 2, 2020｜Yasukuni Shrine｜Scabbard Maker｜Mizuno Miyuki｜Plain Scabbards!" (2020年1月2日「靖国神社」鞘師「水野美行」白鞘実演！), was released by "Kimunao News" (きむなおニュース). In January of 2020, demonstrations by sword sharpeners, scabbard makers and engravers were held at Yasukuni Shrine in Tokyo. Scabbard makers are traditional craftsmen who make scabbards, the cases used to store swords. The scabbard is made from materials such as magnolia, which is split once, the insides are hollowed out, and then the two scabbards are laminated together. The appearance of the scabbard varies according to the design of the sword, from simple scabbards to decorated scabbards. In the video clip, scabbard maker Mizuno Miyuki shows how he creates beautiful-looking scabbards.

京都が誇る伝統工芸の1つ西陣織紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「西陣織」Nishijin ori weaving／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 動画では京都市の西陣地区に古くから伝わる手技の文化を守る伝統工芸西陣織、その匠の技を駆使した製作工程を丁寧に紹介します。 宮廷文化の香りを今に伝える西陣織の、卓越した職人の手技・手仕事をご覧ください。 京都が誇る伝統工芸の1つ西陣織とは 京都市は西陣織の織物生産で有名で、まずは糸を染めるところから始まる先染め織物の伝統工芸です。 専門の職人が色見本と見比べながら、染料を微妙な色合いに調合し、糸の束を染めて行きます。 京都市には日本画の伝統文化があり、画家の方も大勢住んでおり、その方たちが西陣織や友禅染の意匠画を描かれることも多いのです。 その原画をもとに帯や着物を織るのですが、その際に活躍するのが「爪掻本綴織」の技法です。 京都が誇る伝統工芸の1つ西陣織の匠の技「爪掻本綴織」 「爪掻本綴織」 これこそ西陣織の匠の技の頂点とも言うべきもので、職人が爪にノコギリの歯のような刻みを入れ、糸を1本1本掻き寄せながら織り上げます。 どんな細かな模様でも織り出せる伝統工芸ですが、大変手間と時間、そして熟練の技法が必要とされます。 織り上がった製品は美術品・工芸品と呼べる素晴らしさです。 その職人たちの丁寧な手仕事と、織り上がった「爪掻本綴織」の芸術品を、この動画からご覧いただけます。 普段あまり目にする事のない西陣織が織り上がって行く工程と、帯や着物などの出来上がった製品を丁寧に紹介しており、伝統工芸に携わる職人たちの、熟練の手仕事をぜひご覧ください。 京都が誇る伝統工芸の1つ西陣織紹介まとめ 京都市上京区にある西陣織会館では、西陣織工業組合が主催して、西陣織の体験教室が開かれています。 手織体験ができ、マフラーや帽子・巾着袋などの小物も作れます。 もちろん製品の販売も行っており、京都観光のお土産に、またお友達へのプレゼントには、西陣織のネクタイ・財布・ストラップなど各種小物も揃っています。 着物や帯の仕立ても出来、熟練の職人による「爪掻本綴織」と呼ばれる技法も見学できます。 昔から帯は西陣織と言われ、西陣織のネクタイはその締め心地の良さに一度手にしたら手放せない逸品です。

This video, titled "#103 Tsukamaki-Shi, Kentaro Kubo｜Door to Tomorrow by At Home" (#103 柄巻師 久保 謙太郎　|　明日への扉 by アットホーム), was released by "Door to Tomorrow by At Home" (明日への扉 by アットホーム). In the world of Japanese swords, there are swordsmiths and scabbard makers who make swords and scabbards, but the traditional craftsmen who make the hilt, are called "tsukamaki-shi". Many people are fascinated by the visual beauty of Japanese swords, and the tukamaki-shi is the leading figure in the production of the sword's visual beauty. The handmade sword hilt is covered with stingray skin called shagreen and then wrapped with string or other material to make it easier to grip. Some of the best sword handles from the Edo period are called masterpieces, and Kentaro Kubo, a master tsukamaki-shi, works hard every day to create masterpieces that come close to those works.

This video, titled "Japanese puzzle box 72steps with secret compartment Koyosegi 秘密箱７２＋１回仕掛け　小寄木," was released by "hakonemaruyama." It is thought that the first Japanese puzzle box was made in Hakone at the end of the 19th century. Yosegi-zaiku, a traditional Hakone technique, is used to decorate the box, which needs to be solved to open it. In this video, the box has 72 different mechanism that must be solved in order to open it. The parquet should have been pulled outward at first, but around the 50th mechanism, there's a pushing motion making it difficult for the viewer to understand what's happening at first glance. There was supposedly 72 mechanisms to be solved to open it, but there's one extra at the end!

Aomori Nebuta Festival" Nebuta Production Video Introduction This video, titled “#003 Kenta Tatsuta, Nebuta-shi｜Door to Tomorrow by At Home” (#003 ねぶた師 立田 健太　|　明日への扉 by アットホーム), was released by “Door to Tomorrow by At Home” (明日への扉 by アットホーム). This video introduces the artisans who make the huge floats, "Nebuta," that parade through the city and are the main attraction at the famous Nebuta Festival in Aomori Prefecture. Since ancient times, the Tanabata Festival has been an annual event held in Japan to celebrate the seventh day of the seventh lunar month. The "Nebuta Festival" and "Neputa Festival" held in Aomori Prefecture have also been held as part of this Tanabata event. At this point you’re probably wondering what the differences between the Nebuta and Neputa Festivals are. The biggest difference is that the Nebuta Festival features three-dimensional, dynamic, human-shaped floats with samurai artwork on them, while the Neputa Festival features flat floats. Another difference is that the Nebuta Festival is held in Aomori City, while the Neputa Festival is held in the Tsugaru region, in places like Hirosaki. The artisans who create Nebuta are now considered specialists and are called “Nebuta-shi” (ねぶた師, “Nebuta Artist/Craftsman”) in Japanese. The History of the Nebuta Festival Photo：Nebuta, Aomori Prefecture Today, the Nebuta festival is recognized as an Important Intangible Folk Cultural Property. The meaning of Nebuta/Neputa is "sleepy" and actually written using the same kanji (眠た). In the Edo Period, a festival called "Nemuri-nagashi" (眠り流し) was held in many places to lull people to sleep during the summer. The Nebuta Festival has the same origins as Sendai's Tanabata Festival, Akita's Kanto Festival, and Fukushima's Nemuri Nagashi. During the Edo period, Aomori Prefecture was divided into the Nanbu Domain and the Hirosaki Domain (Tsugaru domain). In the Nanbu Domain, the word "Nebutai" was used to describe sleepiness, and in Hirosaki, the word "Neputai" was used, which led to the distinction between the Nebuta and Neputa Festivals. How Nebuta Are Made Photo：How nebuta are made - pitching a tent, Aomori Prefecture Nebuta feature samurai paintings based on traditional Japanese myths and folk tales. They are characterized by the use of poetic justice to defeat demons and evil spirits at decisive moments. In the video, starting at 5:16, you can see how Nebuta are made by the young Nebuta craftsman "Kenta Tatsuta" who apprenticed himself to Nebuta master "Ryusei Uchiyama" at the age of 14. Here, we’ll give a brief introduction of the work of a Nebuta craftsman. ・The Making of Nebuta, Step 1 - Materials and Rough Sketching The rough sketches are the blueprints for the Nebuta. ・The Making of Nebuta, Step 2 - Pitching a Tent A tent is built for the production of Nebuta. The purpose of this is to prepare the details using wood, frame it using wire, color it, and then store the finished Nebuta. ・The Making of Nebuta, Step 3 - Electrical Wiring Since the Nebuta Festival is a nighttime festival, light bulbs are installed inside the floats so that the samurai stand out against the night sky. ・The Making of Nebuta, Step 4 – Kamihari (紙はり) Washi paper is pasted onto the completed framework. At this point, the whole picture becomes a little clearer. Source :YouTube screenshot ・The Making of Nebuta, Step 5 – Kakiwari (書割) The outline of the samurai is drawn on the paper pasted with ink. This is a very important process and has long been considered a task that only Nebuta craftsmen can perform. ・The Making of Nebuta, Step 6 – Rokaki (ろう書き) A special material made of melted paraffin is used. Where paraffin is applied, the paper becomes translucent and bright. ・The Making of Nebuta, Step 7 - Coloring The remaining paper is colored. ・The Making of Nebuta, Step 8 – Daiage (台上げ) The completed Nebuta is placed on a platform with wheels. A large group of people (around 50) carefully take the work outside. At 8:00 in the video, you can see an incident where a mistake is made and the work has to be repaired. Training Nebuta Craftsman Successors Photo：Nebuta, Aomori Prefecture Originally, the production of Nebuta was carried out by neighborhood associations and other such groups. However, the skilled workers in the neighborhood associations were so enthusiastic about making Nebuta that they neglected their own work. However, as the Nebuta Festival became a Japanese festival known on a global scale, and as Nebuta production techniques gradually became more sophisticated, the number of Nebuta craftsmen became fixed and professional Nebuta craftsmen were born. The Nebuta Festival is a festival where gallant Nebuta performances parade through the streets, jumping up and down to the musical accompaniment, but it's also a competition to determine the best Nebuta. Nebuta craftsmen who create outstanding Nebuta works are honored as "Masters." Summary of the Nebuta Festival – A Popular Event in Aomori Prefecture Photo：Nebuta, Aomori Prefecture Being a Nebuta craftsman is not an easy job. Kenta Tatsuta, the Nebuta craftsman featured in the video, even struggles to make ends meet. It is a job that requires a passion for Nebuta. We want people to know that it's only with the help of the people behind the scenes, such as the Nebuta craftsmen, that the magnificent and gorgeous Nebuta Festival can be held. At the same time, the Nebuta Festival holds a beauty contest to select Miss Nebuta. The woman who wins the Miss Nebuta award will lead the Nebuta during the festival, adding to the festivities!

伝統工芸「墨流し」とは？ IKIDANE NIPPONが制作した「Incredible Craftsmanship: Sumi Nagashi」は日本の文化である伝統工芸の一つの「墨流し」についてのプロモーション動画です。 この記事では、和の文化を支えている伝統工芸「墨流し」の歴史や文化、魅力について説明をしていきます。 墨流しの歴史はおおよそ800年以上！ 墨流しの歴史は、約800年前の平安時代からとされています。 手漉き和紙に墨や絵の具を用いて染料等で模様を描いていくのです。 波紋と筆、そして扇子によって浮かび上がる模様はその時、その時で全く違うものになります。 この技法で生まれる模様は再現性のない、唯一無二のものとなるため、非常に種類に富んでいて、特別感のある仕上がりとなります。 日本の文化として世界的にも人気の理由となっています。 現在では、この匠の技とも言える墨流しをすることが出来る職人の方は、日本でも片手で数えるほどしか居ないそうです。 越前和紙の生産地であり墨流しを体験出来る福井県！ 数少ない墨流しの職人の中でも代表的な人物が無形文化財の技術保持者に認定された福田忠雄さんです。 福井県には、何とその伝統工芸士の福田忠雄さんから実際に手ほどきを受けながら墨流しを体験出来ます。 申し込みはインターネットからでも可能ですので、ぜひ申し込んでみてはいかがでしょうか？ 波紋によって染められ、彩られる世界が出来上がる様子は、非常に実りのある体験となること請け合いでしょう。 伝統工芸「墨流し」の歴史と文化のまとめ 日本が世界へと誇れる文化としても名高い墨流し。 福井県に足を運べば、作業風景から体験までを実際に誰でも可能です。 ぜひ福井県へ墨流し体験に足を運んで見てはいかがでしょうか？

This video, titled "#020 Tsugegushi Comb Craftsman Hideaki Mori｜Door to Tomorrow by At Home" (#020 つげ櫛職人 森 英明　|　明日への扉 by アットホーム), was released by "Door to Tomorrow by At Home" (明日への扉 by アットホーム). Hideaki Mori is a tsugegushi comb craftsman born in 1983 in Aichi Prefecture. He is the third generation of "Tsugegushi Shoten," a long-established comb manufacturer. The tsugegushi comb is made from the wood of the Japanese boxwood, and in spite of its hardness, the teeth are hard to break and strong and static electricity does not occur easily because of the elasticity. For these reasons, the comb has long attracted users as a top quality comb. When Hideaki was a university student, he saw the reaction of the customers who used tsugegushi combs and realized the splendor of the tsugegushi combs. Upon graduating from college, he became an apprentice to his father, Shingo Mori, the third generation of the family, and has continued to hone his skills.

This video, titled "Katana long sword, with no inscription, attributed to Masamune," was released by "Virtual Sword Museum 'Sword World'" (バーチャル刀剣博物館「刀剣ワールド」). The sword shown in this video is an inscriptionless sword said to be attributed to Masamune, which is said to have been made in the early years of the Nanboku-cho period. It is said to have been worn by Emperor Komei​, the father of Emperor Meiji, and has a stylish look to it. Masamune, who is said to have made this sword, learned the techniques as a pupil of Shintogo Kunimitsu, the most famous swordsmith in Kamakura, and created a masterpiece that expresses the essence of the Soshu den　Style of swordsmithing. These master swords, with their elegant brilliance, are made with the wisdom of the swordsmith. We invite you to take a closer look at these beautiful swords.

This video, titled "#097 Kiryu horizontal embroidery artisan Hiroshi Higa｜Door to Tomorrow by At Home" (#097 桐生横振り刺繍職人 比嘉 寛志　|　明日への扉 by アットホーム), was released by "Door to Tomorrow by At Home" (明日への扉 by アットホーム). This is a unique Japanese embroidery technique called "yokoburi" embroidery, which uses a "yokoburi sewing machine" with a needle that moves horizontally. Kiryu City, Gunma Prefecture, which developed into one of Japan's leading embroidery production areas after the importation of the yokoburi sewing machine in the Taisho period. This technique is called "Kiryu Yokoburi." The video shows a young man who emigrated from Okinawa Prefecture, impressed by the embroidery on a jacket. His name is Higa Hiroshi. He studied under Kiyomi Osawa, the first recipient of the Medal with a Yellow Ribbon, and learned the delicate world of embroidery. In the video, fashion designer Don Konishi, who highly approves of Mr. Osawa, also makes an appearance. The art he creates on the sewing machine is a must-see!

This video, titled "Japan Handicrafts x Komamura Seimei-do" (ニッポン手仕事図鑑 × 駒村清明堂), was released by "Japan Handicrafts" (ニッポン手仕事図鑑). Amidst the sound of the waterwheel, what is being carefully prepared is a cedar incense stick made by Komamura Seimei-do, which has been made for over 100 years since the Meiji Era. What makes it unique is that Komamura Seimei-do is the only company in Ibaraki Prefecture that makes incense sticks using waterwheels. It takes about 40 hours to slowly grind the dried cedar leaves, which are more than 50 years old, to prevent the fragrance of the cedar from escaping. Spring water from Mt. Tsukuba is the only other ingredient combined with the ground cedar leaves. The incense sticks are 100% additive-free and derived from nature in Ibaraki. Many buyers are fascinated by the elegant fragrance that makes you feel as if you're bathing in a forest and come to experience the work or visit the factory.

Introducing the Tatami Craftsmen of Matsuya Tatami Shop! This video, titled "Nippon Handicraft Encyclopedia - Matsuya Tatami Shop" (ニッポン手仕事図鑑 × 松屋畳店), was released by "Nippon Handicraft Encyclopedia" (ニッポン手仕事図鑑). The video shows the craftsmen of Matsuya Tatami Shop, a long-established tatami store with a long history dating back to the Genroku Period, reupholstering tatami mats. The craftsmen that are introduced in the video are Tomoki Okawa, an 11th generation craftsman of Matsuya Tatami Shop in Kiryu City, Gunma Prefecture, and his father, Masao Okawa, the 10th generation craftsman of the establishment. You can see Tomoki Okawa from 0:54 and Masao Okawa from 2:15 in the video. What Are Japan's Tatami Mats? Photo：The main material of tatami, Igusa The tatami mat is a traditional flooring in Japan and its main material is rush which is grown by farmers. Tatami craftsmen knit together domestic, high-quality rush grass using methods that have been handed down since ancient times, and after laying it on a board, sew on the edges. The size of Japanese tatami mats is fixed, and the tatami mats created by the craftsmen fit perfectly on the floor of Japanese-style rooms like puzzle pieces. Among those with skills like the craftsmen of Matsuya Tatami Shop introduced in the video, some craftsmen are qualified as First-Class Tatami Technicians. If you want to change out your Japanese tatami mats, it's best to leave the whole process of tatami mat construction to craftsmanship professionals, such as Matsuya Tatami Shop introduced in the video. A Look at the Effects and Benefits of Japanese Tatami Mats Source :YouTube screenshot The effects and benefits of Japanese tatami mats include antibacterial properties, air purification, heat insulation, and humidity management. The fact that tatami, which is cool in summer and warm in winter, has been used since ancient times is a testament to the wisdom of the Japanese people. Also, the Japanese tatami mat has moderate elasticity and so it can be expected to absorb sounds or vibrations. Furthermore, Japanese tatami mats are made from naturally derived ingredients, so it also provides a soothing effect similar to the outdoors. Another good thing about tatami mats is that if you're careful when cleaning them and take proper care of them, they can be used for a long time. Get Acquainted With Japanese Tatami Source :YouTube screenshot For those who don't have a Japanese-style room, we recommend trying some handicrafts made out of tatami to get an idea of what it's like. Japanese tatami accessories, such as tatami book covers and card cases seen at 9:41 of the video, are sold on the internet for reasonable prices. Summary of Matsuya Tatami Shop Source :YouTube screenshot The video showcases the allure of traditional Japanese tatami while introducing Matsuya Tatami Shop. Many years have passed since the prosperous days of traditional Japanese tatami culture, and in recent years, the number of houses without Japanese-style rooms is increasing. That being said, recently, Japanese-style rooms with tatami mats are being re-evaluated. If you're planning on building a house, consider using tatami mats that have a wide range of benefits!

Sanuki Kagari Temari! This time, we'll be taking a look at the video "Sanuki Kagari Temari" (讃岐かがり手まり) released by "Japan Video Topics," that introduces Sanuki Kagari Temari. Sanuki Kagari Temari is a traditional handicraft that has been made in Takamatsu, Kagawa, in Japan's Shikoku region (四国地方, Shikoku-Chiho), for many years. With its elegant patterns, Sanuki Kagari Temari has been popular as a trinket for women and children. The beautiful patterns of cherry blossoms, maple trees, and cute animals are something you'll never get tired of looking at. Nowadays, they are also popular as decorative goods. Sanuki Kagari Temari has been popular among common people since the mid-Edo period (around 1700-1800 A.D.) as a fun activity to enjoy on New Year's Day, and has been handed down to the present day over a long period of time. How Sanuki Kagari Temari is Made Source :YouTube screenshot You can see how Sanuki Kagari Temari are made from 0:53 in the video. The cores of Sanuki Kagari Temari are made of rice husks. They are then wrapped completely with cotton thread to shape them into beautiful balls. When making Sanuki Kagari Temari, a dividing line is drawn with thread to serve as a guiding line for drawing patterns. The guiding lines for drawing detailed patterns are all wrapped by hand. This process can be seen from 1:08 in the video. The next step is to make the pattern by hand using marking pins. As the craft maker puts the thread together, a beautiful geometric pattern is created on the ball. The cotton threads used to sew the Sanuki Kagari Temari are dyed with natural plant dyes, a process called "Kusaki-Zome." There are around 140 different colors that can be used to color the cloth. Try Your Hand at Making Sanuki Kagari Temari! Source :YouTube screenshot If you want to experience making Sanuki Kagari Temari, check out the website of the "SANUKI KAGARI TEMARI Preservation Association." The website offers an online shopping section where you can buy handicraft kits that help you experience Sanuki Kagari Temari easily. Why not buy a set and enjoy making your own colorful Sanuki Kagari Temari? There are also workshops in Kagawa Prefecture where you can learn how to make and play with Sanuki Kagari Temari. Summary of Sanuki Kagari Temari, a Traditional Japanese Craft Source :YouTube screenshot In this article, we introduced Sanuki Kagari Temari, a traditional craft of Kagawa Prefecture. This video was made for those who are interested in Japanese culture, life, and customs. Sanuki Kagari Temari is the perfect souvenir to commemorate your trip to Kagawa Prefecture. You can buy Sanuki Kagari Temari products online as well, so if the video has you interested, be sure to check out their online store. 【Official Website】 SANUKI KAGARI TEMARI http://www.eiko-temari.jp/

Some of the Oldest Japanese Swords at Kasuga Taisha Shrine, Nara: Video Introduction This video, titled "Yasutsuna – An Exhibition of the World of the Oldest Japanese Swords" (最古の日本刀の世界「安綱・古伯耆」展), was uploaded by "Nara Television Broadcasting Co." ( 奈良テレビ放送). This news video introduces an exhibition held in the city of Nara featuring works related to the swordsmith Yasutsuna and his family. It shows works created by swordsmiths active in the late Heian Period (794-1185). Forty articles are on display, including 10 national treasures, such as a famous sword called "Dojigiri," which was used by Minamoto no Yorimitsu to kill Shuten Doji, as well as other swords with a distinguished history. The exhibition also offers a glimpse into the history of how Japanese swords that were once straight, came to have a curved blade. Be sure to check out the priceless masterpieces in the video as you read along. The Black Lacquer Tachi of Kasuga Taisha – One of the Oldest Japanese Swords Source :YouTube screenshot The sword which is kept in the treasury of Kasuga-taisha and is known as Kuro-urushi-yamagane-tachi (黒漆山金作太刀, lit. "black-lacquered mountain-iron blade") was made in the late Heian period (around 1185 AD). It was discovered during a structural renovation of the temple's treasury in 1939 and is now nationally recognized as an important work of art. You can take a look at Kuro-urushi-yamagane-tachi at 0:13 in the video. Every 20 years Kasuga-taisha undergoes renovation and it was when the sword was being cleaned and repaired that it was found out to have been made in the mid to late 12th century, making it one of the oldest swords in Japan. The curved shape of the blade is what helped identify which century the sword was made in. Source :YouTube screenshot The area of the blade near the handle is curved and the tip is straight, a style typical of ancient Japanese swords. It is a real blessing to find the sword in such a good state, along with it's case which shows characteristics of 14th century craftsmanship, leading to the hypothesis that this sword was a precious samurai family heir loom which had been passed down for years and years. You can see the case at 1:17 in the video. Sightseeing Spots at Kasuga-Taisha Shrine Photo：The Large Cedar Tree at Kasuga-Taisha's Central Gate・Nara Kasuga-taisha is a shrine which was built in Nara prefecture in 768 AD. There are approximately 1000 Kasuga shrines in Japan and Kasuga-taisha in Nara is known as the grand shrine and the most important of them all. Kasuga-taisha is known for bringing good luck and happiness in marriage and we highly recommend receiving a stamp or good luck charm (omamori) from the shrine. Many events are held at Kasuga-taisha such as the Kasuga Wakamiya-On Festival (春日若宮おん祭, asugawakamiyaonmatsuri), the Buddhist Lantern Festival (万灯篭, mandoukago), and the Iris Festival (菖蒲祭, shoubumatsuri). We also recommend visiting during fall to see the beautiful changing colors of the leaves or in spring when the wisteria are in full bloom. There are also many spots in the area where you can go for lunch or grab something to eat! Summary of Famous Swords of Kasuga Taisha Shrine, Nara Source :YouTube screenshot A Japanese sword in the collection of the Nara's Kasuga Taisha Shrine attracted attention in 2018 when it was discovered to be one of the oldest Japanese swords in existence. In addition to this famous sword, masterpieces such as Hizamaru and Higekiri are also on display in the National Treasure Hall of Kasuga Taisha Shrine in Nara. Kasuga Taisha Shrine is a popular attraction among both foreign and domestic tourists. Please check the official website of Kasuga Taisha Shrine for information on special exhibitions where you can see the masterfully crafted blades.. ◆Nara Kasuga-taisha Information summary◆ 【Address】 Kasuganocho (春日野町) 160, Nara city, Nara prefecture 【Openings】March-October 6.30am-5.30pm, November-February 7am-5pm 【Entrance fee】Free of charge (Kasuga-taisha Museum: Adults: 500 yen, University/High school students: 300 yen, junior high school/elementary school students: 200 yen) 【Access】10 minutes by bus (bound for Kasuga-taisha Honden (春日大社本殿)) from JR Nara Station (JR 奈良駅, JR Naraeki) followed by a 10-minute walk. 【Parking】Available (1000 yen) 【Phone number】0742-22-7788 【Official Website】World Heritage Kasuga-taisha https://www.kasugataisha.or.jp/en/about_en/

Introducing the Traditional Crafts of Japan! This video, titled "Traditional Crafts "The Art of Craftsmanship" Traditional Crafts Aoyama Square" by "Traditional Crafts Aoyama Square." The term "traditional crafts" refers to products created with traditional skills and techniques that have been handcrafted by artisans in various regions. The term “Traditional crafts” (伝統的工芸品) have been stipulated in the "Act on the Promotion of Traditional Craft Industries" and as of February 2020, 230 items have been designated as such. Many traditional craft techniques have been passed down for more than 100 years in Japan. The national competition of traditional crafts, "KOUGEI-EXPO," by the Association for the Development of the Traditional Crafts Industry (伝統的工芸品産業振興協会), was held online in 2020 in Kyoto. The Traditional Crafts Shown in the Video Photo：Ceramics Traditional crafts are crafts made using techniques that have been passed down for many years, and are characterized by the fact that the main part of the production process is handmade. Traditional crafts have a slightly different meaning than ordinary other crafts in Japan. "Traditional crafts" refer only to items that are clearly specified by the government of Japan. Other conditions that traditional crafts must meet are as follows: ・ The craft must be an item used in daily life ・ The craft must be produced in a specific area ・ The craft must implement traditionally used materials ・ The craft must use traditional techniques or skills in the production process The Different Types of Traditional Crafts Shown in the Video Photo：Handmade Japanese paper being made by an artisan Japan is home to a number of different types of traditional crafts. These include: ・Textiles ・Dyed products ・Other textile products ・Ceramics ・Lacquerware ・Woodwork ・Bamboo crafts ・Metalwork ・Buddhist altars ・Buddhist equipment ・Japanese paper ・Stationery ・Masonry ・Precious stone crafts ・Traditional Japanese dolls ・Kokeshi dolls ・Other crafts Japan’s Traditional Crafts and Where They’re Made Photo：A Tsugaru ware tray The following traditional crafts are featured in this video: ・Aomori's "Tsugaru Nuri" [Video: 0:32 ~] ・Oita's " Beppu Bamboo Ware" [Video: 1:18 ~] ・Shimane's "Sekishu Washi" [Video: 2:01 ~] ・Hyogo’s "Tamba Ware" (Tamba-tachikui Ware) [Video: 2:42 ~] ・Kanagawa's "Kamakura-bori" [Video: 3:22 ~] ・Ishikawa's "Yamanaka Shikki" (Yamanaka Lacquerware) [Video: 4:05 ~] There are many more traditional crafts in Japan besides the ones shown in the video as well. Summary of Japan’s Various Traditional Crafts This video showcases many of Japan’s beautiful traditional crafts. Many of the traditional crafts shown in the video can also be purchased online. You can also experience a traditional craft making experience in many parts of Japan, giving you the opportunity to learn about the unique history and culture of each region. If there are any crafts that interest you, be sure to look them up! 【Official Website】Traditional Crafts Aoyama Square https://kougeihin.jp/en/

Murakami Kibori Lacquerware - A Traditional Craft of Niigata Prefecture This video, titled "手技TEWAZA「村上木彫堆朱」Murakami Kibori Lacquerware／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," was released by "Traditional Crafts Aoyama Square." Murakami Kibori Lacquerware (Murakami Kibori Tsuishu), introduced in the video, is a general term for six types of carving, including tsuishu, tsuikoku, and shumarinuri, and it is a traditional craft of the Murakami region of Niigata Prefecture, which has been widely known as a natural lacquer production area since the Heian period (794-1185). Murakami Kibori Lacquerware was introduced by a lacquer maker in Kyoto at the beginning of the 15th century as a technique for painting lacquer on wood carvings. This was done in imitation of Chinese tsuishu (lacquerware), and the technique was introduced to the Murakami region after a temple was built there. The technique was first learned by the carpenters who built the temple, after which it was was passed on to samurai duringEdo period (1603-1868), then to the townspeople, and finally to present day Japan. In this article, we'll go over Murakami Kibori Lacquerware, a traditional lacquer technique of Niigata prefecture. The Process of Making Murakami Kibori Lacquerware Source :YouTube screenshot Along with the video, we'll be introducing some of the steps in the 18 to 20 step process that craftsmen use to make Murakami Kibori Lacquerware by hand. 1. Sketching (0:40~) This serves as a guide for engraving and is drawn directly on the wooden plate. Drawing with a brush that can express stronger and weaker lines is fundamental to the process. 2. Carving (0:47~) Wood carving is performed by using a chisel called an "Urajiro" on the sketch drawn in step 1. There are two types of carvings, the two-dimensional Shishiai-bori and three-dimensional Hikisage-bori. In the video, the craftsman explains that the most important thing is to carve the wood as though it were a living thing, making the most of the different grains of each tree. 3. Sanding (1:18~) This is the process of sanding the roughness of the blade marks with sandpaper (in the old days, horsetail was used) to give roundness and softness to the carving. This makes the work even more three-dimensional. 4. Hardening This involves adding a small amount of red husks to raw lacquer and using a brush to soak the entire wood with lacquer. This is also an important step because it is done to solidify the foundation of making a durable Tsuishu. Source :YouTube screenshot 5. Smoothing (1:29) In the important undercoating process to make durable lacquerware, raw lacquer and polishing powder are mixed and applied 2-3 times to the plain areas without engravings. 6. Polishing The process of water-polishing the coated surface using an imperial whetstone. This is done with applying rust lacquer and is repeated 2-3 times and the lacquerware is allowed to dry for at least a few days after the rust lacquering process. 7. Middle Coating (1:40~) The process of dabbing on lacquer on with a pad or fingertip and then finishing painting with a brush so that the engraved pattern is not filled with lacquer. Generally, oil-free refined lacquer is used for this. 8. Polishing the Middle Coating It is a process of carefully water-sanding the surface with a fine-grained natural stone whetstone called Murakami whetstone or a water file. 9. Top Coating (2:06~) Brightly colored vermilion lacquer is dabbed on with a pad or fingertip and finished painting using a brush so as not to fill the carved patterns similar to the intermediate coat. Source :YouTube screenshot 10. Matt Finishing (2:23~) An important process for polishing the top-coated glossy surface with charcoal or polishing powder evenly with water to make it a deep and calm-looking product. 11. Engraving (2:44~) The designs are carved once more. This fine carving is made to supplement the earlier wood carving with a fine-pointed triangular chisel. Expressions such as leaf veins, feathers, and mountain surfaces are re-engraved. 12. Finishing (3:06~) This step involves adding a small amount of red iron oxide to high-quality raw lacquer and rubbing it with a brush over the entire vessel. The matte surface is moist and firm, and this completes the production process of Murakami Kibori Tsuishu. The beautiful, finished product, like a work of art, can be seen from 3:23 in the video. These unique techniques have been designated Intangible Cultural Properties of Niigata Prefecture and Murakami Kibori Lacquerware was designated a National Traditional Craft. Summary of Murakami Kibori Lacquerware, A Traditional Welcome Gift of Niigata Prefecture Source :YouTube screenshot Murakami Kibori Lacquerware, a traditional craft that has been handed down since the Heian period, includes products such as jubako (stacked boxes), sake cups, tea ware, flower ware, confectionery ware, sake ware, etc. that are all great for celebrations, souvenirs, and gifts. Murakami Kibori Lacquerware is a testament to the living history of Japan, through which you can enjoy the techniques that craftsmen have refined and passed down since ancient times. 【Official Website】Murakami Kibori Lacquerware | Traditional Crafts | Traditional Crafts Aoyama Square https://kougeihin.jp/en/craft/0509/

How to Enjoy the Arita Ceramics Fair This video introduces "The 114th Arita Ceramics Fair" created by the "Arita Chamber of Commerce and Industry." The fair has 400 years of history and 450 stores takes part in and set up tents during the festival. It is a very popular festival that more than a million people visit. In this article we'll introduce sightseeing information and some useful tips when travelling to the Arita Ceramics Fair in Saga prefecture, Kyushu. In the video, the biggest ceramic festival is shown. There are crowds of people enjoying the hand crafted ceramics and you'll need to come yourself if you want to fully appreciate the beauty of some of these works of art. What Is the Arita Ceramics Fair Like? Source :YouTube screenshot The Arita Ceramics Fair is held every year during Japan's Golden Week (April 29th - May 5/6th), in Arita, Nishiura, the city of ceramics. Unfortunately, due to COVID-19, the 2020 fair was postponed. It is said that the origin of the Arita Ceramics Fair was the ceramic competition held in 1915 by the president of Koransha, and a “clearance sale” that sold inventories of pottery and B-grade ceramics. On the first day of the festival, morning porridge is served and the opening parade is held by the Saga Prefectural Police Band. This can be seen at 0:04 in the video. There are also other events such as the sara kaaburi race, where you balance a plate on your head while running, and the wankin concert. About 450 stores are lined up around the main street, Sarayama Avenue and the view is overwhelming. There are a ton of bargains and a lot of tourists visit to buy the best products at great prices. Source :YouTube screenshot After bartering for some ceramics, we recommend visiting the "Local Gourmet Fair," buying Godofu, experiencing tea ceremony (0:31), or relaxing at a café (0:39). The paper cup at "CAFE DE ARITA" has a pattern of Arita-yaki (Arita porcelain) and it was designed by Arita technical high school students. Information About the Festival Source :YouTube screenshot The Arita Ceramics Fair takes place about 4km from Sarayama shopping street, located between JR Arita and Kamiarata stations. There are a lot of stores in the area, so check the homepage beforehand to find the stores you want to go. Don’t forget to wear comfortable shoes as well. If you are driving there, it's only a 5 minute drive from Nishi-Kyushu Expressway "Hasami Arita IC" and there are parking lots and free shuttle buses around the venue. It takes about 1 hour and 15 minutes to get to JR Arita station from Saga airport by train or bus. During the festival, there are bus tours and the rapid train "Arita Ceramics Fair Express" from Hakata station in Fukuoka as well. Arita Ceramics Fair Summed Up Source :YouTube screenshot This video introduces "The 114th Arita Ceramics Fair"; the biggest Ceramics festival in Japan, held in Saga prefecture, in Japan's Kyushu region. Enjoy the fun atmosphere of the festival. If you're planning on booking a hotel near the venue, the earlier you do it, the better. You can enjoy a one-day trip as well, so if you're looking to get a bargain and get out, then you can do that as well. There's the "Fall Arita Ceramics Fair" as well where you can enjoy the red and yellow leaves of Fall.

An Introduction to Edo Furin Wind Chimes This video, titled "Edo Furin – Let the sound of the wind chimes refresh you" (江戸風鈴～音色で涼しさを感じる～), was created by "Japan Video Topics." It's an introductory video showcasing the traditional Japanese glass wind chimes "Edo Furin" (江戸風鈴). This video answers the following questions: ・What are "Furin" (Japanese wind chimes)? ・What are the origins of "Furin"? ・How are Edo Furin made? Back when there was no air conditioning in Japan, people thought of many ways to feel cool and refreshed in the heat of summer. Bamboo screens called "sudare" were used to block out the sunlight and water was sprinkled on the ground to cool down the pavement outside of one's home. Furin were another item created to help deal with the summer heat. Wind chimes are often hung from the eaves of one's home, and when the wind blows they create a beautiful melody that makes you feel cool and refreshed. This article and video will introduce "Edo Furin," a type of Japanese wind chime made of glass. Be sure to watch the video to learn more about what exactly Edo Furin are and how they're made. What are "Edo Furin"? Photo：Japanese traditional craft Edo Furin Edo Furin are made today using the same techniques that were used 300 years ago (during the Edo period (1603AD - 1868AD)). Furin (wind chimes) date all the way back to the 7th century in Japan. They were often hung from the eaves of temples and were at the time referred to as "Futaku" (風鐸). Futaku were made of metal and were believed to prevent natural disasters. Nowadays, Furin are available in a variety of shapes and colors. In 1965, Yoshiharu Shinohara (篠原儀治) came up with the name "Edo Furin" for the glass Furin he had been taught to make from previous generations. The glass Furin, which are made completely by hand and without using any sort of mold, are known for the characteristic sound they produce. The Process of Making Edo Furin: Photo：How Edo Furin, a traditional Japanese craft, are made First, glass is melted inside a crucible in a furnace. 1. The melted glass is wrapped around a glass rod. 2. A glass sphere is created by blowing into a tube. 3. Additional melted glass is wrapped around the first sphere. 4. A hole is created to pass a thread through. 5. After blowing a second larger glass sphere, the two spheres are separated by cutting off the first smaller sphere. 6. The edges are smoothed slightly, purposefully leaving a rough, jagged edge. 7. Finally, the glass sphere is hand painted from the inside. From 2:00 in the video, you can take a look at Kenichi Otsuki (大槻賢一) (a craftsman of Shinohara Furin Honpo (篠原風鈴本舗)) as he creates Edo Furin by hand. More About "Edo Furin," a Traditional Japanese Craft Photo：Edo Furin, a traditional Japanese craft One of the striking features of Edo Furin is the sound created by the jagged glass edge, which is similar to the sound of a bell cricket in fall. "Shinohara Furin Honpo," the Edo Furin store introduced in the video, is located in Asakusa, Edogawa, Tokyo (東京都江戸川区浅草) and currently sells a variety of Edo Furin as well as offering glassblowing experiences and Edo Furin decorating experiences. Edo Furin can also be purchased online with prices starting at around ¥1,870. More expensive items include the Edokiriko Edo Furin which costs ¥6,050, the checkered pattern Edo Furin which costs ¥11,000 and the unique Temari design Edo Furin can be purchased for ¥44,000. (Prices correct as of December 2020) Summary of "Edo Furin," a Traditional Japanese Craft Photo：The traditional Japanese craft Edo Furin and a Woman in Yukata One of the most fascinating features of Edo Furin is the fact that each and every one has a unique sound as a result of the traditional method used to make them, a method which has been passed down through generations for hundreds of years. In the video, you can learn about the history and unique characteristics of Edo Furin as well as how they're made!

Sukiya Carpentry Traditional crafts are an inseparable part of Japanese culture. When talking about such traditional skills, the carpenter is an occupation that cannot be overlooked. Carpenter is a profession that is matching the word “tradition”. Carpentry is an occupation that is well suited to the word "tradition," and the many skills that are passed down from one craftsman to the next are truly a symbol of Japanese culture. Here we'll introduce the traditional techniques handed down in Japan, alongside the video "Traditional Japanese carpenter/Interview - IS JAPAN COOL? CRAFTSMANSHIP (Sukiya Carpentry)" (Traditional Japanese carpenter／Interview - IS JAPAN COOL CRAFTSMANSHIP（数寄屋大工）), produced by ANA Global Channel. In the video, a master carpenter talks about his thoughts on Sukiya carpentry, and you can see that this ancient occupation, handed down from generation to generation, is one that is filled with more craftsmanship and dedication than we can imagine. Traditional Techniques and Japanese Culture Through the Eyes of Master Sukiya Carpenters Source :YouTube screenshot Shiro Masuda, a Sukiya carpenter and narrator of this video, is one of the master carpenters who has inherited the traditional skills of Sukiya Carpentry, and he has mastered many techniques and skills through his many years of experience. In modern carpentry, there are many places where machines have been introduced, but almost all of the Sukiya carpentry introduced in the video is done by hand. The master carpenter also mentions how the Japanese culture of carpentry can be found in the work that is done from start to finish by hand. Japanese Culture That Has Been Handed Down for Generations Source :YouTube screenshot We can recognize that the work of carpenter, which has been established by traditions, is a world of experiences and skills that cannot be realized overnight. In this video, Mr. Masuda, a master Sukiya carpenter, talks about traditional carpentry, and how it is a world of experience and skills that cannot learned overnight. In the world of Sukiya carpentry, there are many apprentices who work hard to hone their own skills, going as far as to steal skills from craftsmen, and other master carpenters. He goes on to say that the tools which have been used in Sukiya carpentry throughout the years must not be disposed of, but handed over to the new generation of craftsmen, as they believe its good for them and cultivates growth (6:20). There is a lot of attention to detail in Japanese culture, and its traditional crafts are no exception. It's the little things that we don't normally notice that are filled with techniques that have been passed down from one generation to the next. In his video, Shiro Masuda, a master Sukiya carpenter, talks about his apprenticeship as a carpenter and the techniques he learned from his predecessors when he was a young apprentice. The video also shows the master carpenters at work in their studios, so you can watch them at work and enjoy the skill and precision of their craftsmanship as well. Summary of Sukiya Carpentry・Master Carpenter Shiro Masuda By watching the video of master Sukiya carpenter Shiro Masuda, you will learn more about Japanese culture and traditional techniques, as well as the profundity of traditional Japanese carpentry. We highly recommend that you watch the video interview with Mr. Masuda and then visit temples and shrines in Kyoto to learn more about Japanese culture and traditional techniques. By doing so, you'll be able to fully appreciate the beauty of Japanese culture and traditional carpentry. 【Official Website】IS JAPAN COOL? CRAFTSMANSHIP https://www.ana-cooljapan.com/contents/craftsmanship/