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Video article 5:57
Learn About the Spirit of Craftsmanship of Buddhist Altar Lacquerers of Takaoka Butsudan, A Traditional Craft of Takaoka, Toyama! These Beautiful Lacquer Techniques Aren't Mastered Overnight!
Traditional Crafts- 98 plays
- YouTube
The Buddhist Altar Lacquerers Behind Takaoka Butsudan, a Traditional Japanese Craft This video, titled "The Journey to Becoming a Buddhist Altar Lacquerer/ Kyoden Buddhist Altar Workshop" (仏壇塗師になる旅 / 京田仏壇店工房), was uploaded by "Nippon Teshigoto Zukan." It introduces "Kyoden Butsudan-ten Koubo," a workshop that manufactures and sells traditional Takaoka Buddhist altars and restores gold foil. From 0:30 in the video, you can see Mitsuhiro Kyoden, a Buddhist altar lacquerer or "nuri-shi" in Japanese. This 5-minute video is perfect for people who want to learn about Buddhist altar lacquerers and the craftmanship behind them. In this article, we'll go over his techniques and preferences along the video. The History of Takaoka Butsudan and Buddhist Altar Lacquerers Source :YouTube screenshot Takaoka Butsudan has a long history dating back to the Edo period (1603-1868) in Takaoka, Toyama. Takaoka Butsudan creates Buddhist altars that must be assembled and they use a large amount of gold leaf. The lacquering techniques used for Buddhist altars was introduced from China along with Buddhism. They're used for painting Buddhist statues, gluing arrowheads, and preventing rust on armor. Mitsuhiro Kyoden, the Buddhist Altar Lacquerer in the Video Source :YouTube screenshot The video introduces the craftsmanship of Mitsuhiro Kyoden, a Buddhist altar lacquerer who paints both wood and lacquer, which are important processes in the production of Buddhist altars. He explains the process from 2:18 in the video. Lacquer is adjusted based on the weather forecast, and then checked on the next day to make further adjustments before applying the final coat. This process is important in creating the best possible work. It's important to keep adjusting the lacquer to the weather conditions each day. If this process is not done properly, brush marks remain on the final product and the polishing process will take longer. There is no textbook on how these processes are done, so the only way to learn is by trial and error and by learning from your mistakes. Mitsuhiro learned the theory of lacquering at university, and when actually doing it, he thinks back on what his teacher taught him thinking things like "so that's what they meant," etc. He passionately says that as a craftsman, he has to challenge himself and keep trying to improve. Summary of Japan's Buddhist Altar Lacquerers Source :YouTube screenshot In this video, you can see the spirit of craftmanship of a Takaoka Butsudan altar lacquerer. A well-built Buddhist altar can be passed down for generations if properly maintained. In this five and a half minute video, you can learn about traditional Japanese crafts and how they're preserved through the hard work of the craftsmen who inherit them. If you're interested in traditional Japanese crafts, be sure to check it out! -
Video article 9:59
Enshu Onigawara: Traditional Crafts Said to House the Souls of the Demons Themselves! Only the Most Skilled Craftsmen Can Produce Their Soul Piercing Glares. These Master Artisans in Fukuroi, Shizuoka Share Their Thoughts on Enshu Onigawara
Traditional Crafts- 556 plays
- YouTube
Check out Enshu Onigawara, aTraditional Japanese Craft! This video, titled "Enshu Onigawara: The Last Onigawara Craftsmen" (遠州鬼瓦 最後の鬼板師), shows how Onigawara, a traditional Japanese craft of making "roof ornament oni" (mythical Japanese ogre-demons) is made. Traditionally, Onigawara were put on the roofs of houses, shrines, and temples. The craftspeople making Onigawara are called "Oniita-shi" (鬼板師) This video features Mr. Takashi Nagura, the fourth generation of Enshu Onihide, who has been creating Enshu Onigawara in Fukuroi, Shizuoka prefecture. He continues creating Onigawara with his own hands, and with the help of Mr. Motohisa Nagura, the next successor (the fifth generation of Onihide), in order to save the traditional Japanese craft. The History of Enshu Onigawara Photo:Enshu Onigawara Enshu Onigawara have ancient roots dating back to the 14th century, when local tilers produced smoked roof tiles for the construction of Sunpu Castle (駿府城, Sunpujo). Made on the coasts of Ohta River (太田川, Ohtagawa) and Tenryu River (天竜川, Tenryugawa), the tiles are traditional crafts which have been held in high regard since long ago. Created by combining traditional Japanese art techniques, the oni roof tiles look very impressive as if they were actually artworks. Made in a way that actual spirits seem to be housed within them, Enshu Onigawara haver been popular ever since. How to Make Enshu Onigawara: The Skills of Onigawara Craftsmen Source :YouTube screenshot Made from high quality clay from the local soil of the Enshu area's rice fields, Enshu Onigawara boast a beautiful silvery luster. To create Enshu Onigawara, craftsmen first mold the shape of the clay with a gold spatula before baking it. After that, they begin polishing the tiles over and over. From 2:02 in the video you can see one of the craftsmen draw a rough sketch on clay based on the framework, and you can see craftsmen molding the shape of the tile from 3:16. From 7:40, they can be seen using a special tool to add fine engravings to the clay, gradually creating the powerful facial expression of Enshu Onigawara. Finally, you can see craftsmen baking tiles in a large furnace of the workshop at 9:03. Source :YouTube screenshot Enshu Onigawara, one of Japan's traditional crafts, also have implications as amulets or guardian deities for buildings. Most Enshu Onigawara have angry oni-like faces. Since the Heisei period, however, new designs of oni tiles have been created and now other types of facial expressions, such as smiling oni or humorous tiles of Kappa (a mythical Japanese creature), have begun to rise in popularity. Check out Artworks by Onigawara Craftsmen! Onigawara craftsmen not only produce authentic oni faces, but also oni-faced nameplates for home entrances, family emblems, and display boards. Moreover, they also sell a wide range of local crafts that can be used in daily life, such as pen-holders with oni faces, artistic daruma dolls, oni-faced mail boxes, key chains, and more. Mori town (森町, Morimachi) of Shizuoka prefecture, offers Enshu Onigawara trial tickets at Onigawara workshops to those who donate more than 12,000 yen (~$110 USD) as a hometown tax return gift. In Shizuoka prefecture, people contrive ways to make traditional Japanese crafts closer to our everyday lives. Overview of Enshu Onigawara Source :YouTube screenshot Enshu Onigawara, are generally attached to roofs as you can see at 0:38 in this video, or it is also placed in front of the entrance like you can see from 4:26 in the video. These days, small items in the motif of Onigawara are also popular. In this video you can see interviews of some Onigawara craftsmen. From 2:40 in this video, you can see the interview of Mr. Takashi Nagura, the fourth generation of Onihide; He talks about what made him pursue becoming an Enshu Onigawara craftsperson. From 3:34 he speaks about what he thinks about traditional craft products waning in popularity. From 6:09 you can also watch another interview of Mr. Motohisa Nagura, the fifth generation of Onihide, talking about what he thinks about the future of Enshu Onigawara. If this video makes you interested in Enshu Onigawara, we recommend that you get artwork of Onigawara or visit Shizuoka to try creating Onigawara. 【Official Website】 Enshu Onigawara: Shizuoka Local Craft Promotion Committee http://www.shizuoka-kougei.jp/craft/ensyu-onigawara/ -
Video article 2:35
Aizu Paper Mache Akabeko - With Its Impressive Bright Red Coloring, This 400-Year-Old Folk Art of Aizu, Fukushima Is a Craft That Clearly Shows the Craftsman's Attention To Detail
Traditional Crafts Celebrities- 512 plays
- Vimeo
Aizu Hariko: A Traditional Handicraft of Aizu, Fukushima This video (TOHOKU STANDARD 03 FUKUSHIMA PREFECTURE AIZU HARIKO) was created by “Tohoku STANDARD” and introduces the craftsmen of “Aizu hariko,” a traditional craft that the Aizu region of Fukushima, the birthplace of Akabeko, is proud of. Aizu paper mache is a traditional Japanese craft, local toy, and folk art. During the Warring States Period (1467 to 1573 AD), Gamo Ujisato, the lord of Aizu in the northeastern region of Japan, Fukushima Prefecture, who served Hideyoshi Toyotomi, invited puppeteers from Kyoto to learn the techniques of puppeteering, which he then used to help promote the industry among the common people. In front of Aizuwakamatsu station, there is a huge Akabeko, a traditional craft, local toy, and folk art that has taken root in the area. It is said that the reason why Akabeko is so popular in Aizu is because of the legend of "Akabeko," a herd of red-haired cows that helped rebuild the main building of Enzoji Temple (円蔵寺, Enzoji), home to one of the three major Ākāśagarbha (Bodhisattva of the void) statues in Japan, built approximately 1,200 years ago, which has been passed down through generations. In this video, two craftsmen of Aizu paper mache talk about the history, tradition, and their commitment to the craft. The beauty of the bright red Aizu paper mache is truly an art! Enjoy the beauty of Aizu paper mache! Aizu Paper Mache: Traditional Crafts, Folk Crafts, and Local Toys Source :YouTube screenshot Hariko (paper mache), is formed by attaching paper or other materials to a frame made of bamboo or wood, and is also known as "haribote" in Japanese. The floats of the famous "Nebuta Festival" are also made using this technique. The art of paper mache began in China in the 2nd century and was introduced to Asia and other countries thereafter. Folk art and local toys made of paper mache can be found all over Japan: "Rokuhara paper mache" in Iwate Prefecture, "Sendai paper mache" in Miyagi Prefecture, "Miharu paper mache" and "Inu paper mache" in Fukushima Prefecture, and "Yamagata paper mache" in Yamagata Prefecture. "Yohana" in Tochigi Prefecture, "Takasaki Maneki Neko" in Gunma Prefecture, "Kawagoe Daruma" in Saitama Prefecture, "Edo Inu paper mache" in Tokyo, " Hamamatsu paper mache" in Shizuoka Prefecture, "Paper Plastic Doll" in Toyama Prefecture, " Kobe Suma Macheko" in Hyogo Prefecture, "Dorakukan Kobo" in Okayama Prefecture, "Miyajima Macheko" in Hiroshima Prefecture, "Takamatsu Miyauchi paper mache" in Kagawa Prefecture, " Paper mache Whale Cars" in Kochi Prefecture, and "Tosa Washi" in Kochi Prefecture, “Plaster paper mache” in Okinawa Prefecture. Aizu Hariko is characterized by its bright red coloring, and is mainly made in prayer for child-rearing, good luck, thriving business, and to bring a good harvest. The two Aizu Hariko artisans in the interview in this video are the writer "Toyorin" of "Nozawa Folk Crafts" and his daughter "Minako Hayakawa." "There used to be about 30 Akabeko paper mache craftsmen, but they all had different shapes and made the same thing for 50 years," says Toyorin (0:33). However, from 1:48 of the video, Minako Hayakawa said, "Although it's necessary to inherit the parts that need to be inherited, but it is also important to innovate and make something that fits people's tastes if you want to survive. While certain things may change, the fundamentals remain the same." The interviews convey the struggle of the artisans to preserve tradition, but also their struggle to breathe new life into it due to practical issues such as the lack of successors and the decline of tradition. How Aizu Hariko Are Made Source :YouTube screenshot In this video, on top of the interview, we see the making of Akabeko at 0:31 in the video. In this article, we'll go over the steps of how to make a common Akabeko paper mache. Be sure to take a look at their delicate craftsmanship as you follow along. Materials: paper, soil, wood, straw, bamboo. 1. A wooden mold is shaped, and a number of sheets of Japanese paper are pasted to it with glue and dried. (Video: 0:31-) 2. When the glue dries, the back and belly are opened with a small knife and the wooden mold is removed. 3. After the wooden mold is removed, Japanese paper is pasted over the mold again and re-coated with a special paint. 4. A top coat of red dye or similar material is used to apply the color. (Video: 0:53-) 5. Patterns are then drawn on the surface with ink. (Video: 1:26-) 6. Finally, the head is attached and it's finished. (Video: 1:45-) The completed red Akabeko can be seen at 1:22. They're truly masterpieces! Aizu Paper Mache Source :YouTube screenshot Nozawa Folk Crafts introduced in this video, deals with various products. The new colorful folk craft, "wish balls," introduced at 0:02 in the video, were made to aid in the recovery from the 2011 triple disaster. There are various types of paper mache toys, "zodiac paper mache," which are paper mache tinctures shaped like the animals of the Chinese zodiac, such as rats and boars, and which bob their heads back and forth to bring good luck. Many different varieties are sold every year. In the year of the dog in 2018, the "Zarukaburi Dog" (A dog wearing a basket on its head) was very popular. There's "Matryoshka" toys reminiscent of babushka dolls, with eggs inside chicks, inside chickens, "Wedding Koboshi," "Okiagari-koboshi," "Aizu Tenjin," "Fukkomaru" and "Fukumasu," made to aid in the recovery of the 2011 triple disaster, as well as Akabeko, Fukubeko, Senryo-beko, Okame, and Hyottoko masks. These are just some of the different types of Aizu paper mache. These products can also be purchased via Amazon or Rakuten online shopping websites. In Yanaizu, the birthplace of Akabeko, you can see Akabeko everywhere in the city. At the "Rest House Hotto in Yanaizu," you can try your hand at painting in a special space inside the building. Why not try your hand at making your own original Akabeko? Summary of Aizu Paper Mache This traditional craft has been handed down in Japan for a long time, and the craftsmen are very particular about their work and their struggle to pass it on to the next generation. This article and video were just a small look into the world of Aizu Hariko Craftsmen. You can see from the video that the long-loved craft is made by the amazing skills of passionate craftsmen. We hope that this traditional Japanese craft will continue to be passed on for many years. 【Official Website】Nozawa Folk Crafts http://www.nozawa-mingei.com/index.html -
Video article 2:45
The Gorgeous Carp Streamers of Kazo Saitama; One of the Few Carp Streamer Towns in Japan. The History of These Handmade Crafts and How They're Made!
Traditional Crafts Traditional Culture Celebrities- 470 plays
- YouTube
The Traditional Carp Streamers of Kazo, Saitama The video "Kazo Carp Streamers [Saitama Prefectural Government Official Sightseeing Video]"(加須の手がき鯉のぼり【埼玉県公式観光動画】)” was created by “ChokotabiSaitama,” and it introduces viewers to the traditional hand-painted carp streamers of Kazo, Saitama, in Japan's Kanto region. May 5th is Children's Day in Japan. People put up carp streamers to exorcise bad spirits and as a way to respect children's personalities and to celebrate their happiness. Kazo is known as the No. 1 producer of the Japanese traditional carp streamers. It also creates the dynamic hand-painted carp streamer. Carp streamers have become a Kazo specialty that every Kazo citizen is proud of. This video will show you how these hand-painted carp streamers are made! You can also visit the factory and have a factory tour. The History of Kazo's Hand-Painted Carp Streamers Kazo carp streamers were originally created in the early Meiji period (1868-1912) as a side job for craftsmen who usually made lanterns and umbrellas. This traditional high quality handmade carp streamer gradually gained popularity and Kazo became the number 1 carp streamer town. Masaru Hashimoto, a traditional carp streamer craftsman from the long-established carp streamer studio, Hashimoto Yakichi Shop in Kazo City, has been producing carp streamers for a long time. Unfortunately, his store closed down in 2016 after 109 years of business. Kazo Carp Streamers: How They're Made Source :YouTube screenshot 1. Cutting and sewing (0:32) In order to make these hand-painted carp streamers, you start by cutting the fabric into a carp shape and sewing it together. 2. Memawashi (1:07) Draw eyes by using a special compass to draw circles. 3. Sujigaki (1:22) Draw scales one by one using lightly colored ink. 4. Usuzumi (1:30) Add color to the scales. Adding colors is the part that requires the most focus. 5 Kinbiki (1:49) Add the finishing touches with a specialized brush. As you can see in the video, the technique used to finish the painting process is very precise. The masculine expression of the carp and intricate scales are drawn with the precise technique of the craftsman. Gigantic Kazo Carp Streamers As Kazo is known as the No. 1 carp streamer producer in Japan, they also make the world biggest carp streamer. The jumbo carp streamer is 100 meters long! The jumbo carp streamer, which was made by Kazo citizens, appears at the Tone river riverbed every May, at the Kazo City Heiwa Festival (Jumbo Carp Streamer swim). Check out the event to see the jumbo carp stream swimming dynamically in the sky. You can also see the carp streamers made with precise hand-painting techniques. The main venue of the event is at Tonegawa Riverbed Park. 400 parking spaces are available, however, due to the popularity of the event, it will likely be pretty packed. Even though these carp streamers are not the biggest carp streamers in Japan, you can see the carp streamers swimming elegantly under the blue sky at 2:23. These elaborate carp streamers are made through a variety of manufacturing processes, and the video shows the traditional craftsmanship that has been handed down in Japan for centuries. Kazo Carp Streamer Summary Photo:Kazo carp streamers Kazo's hand-painted carp streamers are a very artistic and beautiful creation. Every carp streamer is unique because they are all individually hand made. You can see the traditional Japanese carp streamers every May in Japan. Please come see the carp streamers or try to put one up in your house on Children's Day! -
Video article 1:51
Nanbu Tekki Ironware Has Over 400 Years History, Can Be Used for Life, and Is a Very Popular Item Among Foreigners! It Also Acts as an Iron Supplement and Is Good for Your Health. Let’s Take a Look at the Traditional Japanese Product from Morioka, Iwate Prefecture!
Traditional Crafts- 171 plays
- Vimeo
An Introduction to Nanbu Tekki ironware This video, made by Tohoku STANDARD (東北STANDARD), is titled "Tohoku STANDARD 05 Nanbu Tekki ironware" (東北STANDARD 05 岩手県 南部鉄器). In the video, we introduce you to Nanbu Tekki ironware through an interview with Hisao Iwashimizu, an ironworker from Kukan Chuzo Studio. Enjoy the historic, traditional Japanese craft shown in the video! What is Nanbu Tekki ironware? Source :YouTube screenshot Nanbu Tekki ironware is an ironware with more than 400 years of history. Both ironware from Mizusawa, Iwate Prefecture and ironware from Morioka, Iwate Prefecture in Japan's Tohoku region are called Nanbu Tekki ironware. Each has its own history. What we call ‘Nanbu Tekki ironware’ nowadays, is actually the name used in Morioka City, Iwate Prefecture. It is said that ironware started around the time Lord Nanbu of Morioka built Morioka Castle in the Keicho Period (around 1600). There are many Nanbu Tekki ironware products such as pots, cauldrons, wind chimes, candle stick holders, tea kettles, frying pans and kettles. The most famous ones are iron tea kettles used in tea ceremony. It is said that these iron kettles originated when the 28th lord of the Nanbu domain, Shigenao Nanbu , invited Nizaemon Kiyotaka Koizumi of Kyoto to make a chagama with high quality iron. As it was initially used as a tea cauldron, there was no spout nor handle at its conception. After many improvements, the current unique style of tea kettles with a spout and handle was born. It can be seen from 0:47 in the video. Source :YouTube screenshot By using Nanbu Tekki ironware, you can supplement your iron intake which most people tend to be deficient in. Supplementing iron helps in recovery from stiff shoulders, and, as you probably guessed, prevents iron deficiencies. One benefit of boiling tap water in Nanbu Tekki ironware is that most of the chlorine is removed in the process. During World War II, development of arms was given the highest priority and Nanbu Tekki ironware faced a crisis as the production became prohibited in Iwate Prefecture. After the war, it made a comeback, and it was given the status of a "National Traditional Craft" in 1975. How to Make Nanbu Tekki Ironware Source :YouTube screenshot Be sure to follow along from the start of the video! Step 1. Mold cutting Create a wooden mold. Step 2. Pattern pressing Before the casting mold dries, use a tool such as a spatula to draw patterns such as hailstones, tortoiseshells, pine trees, cherry trees, flying dragons, or hills and water. Step 3. Heating the mold Bake the casting mold at 1,400°C with charcoal. Source :YouTube screenshot Step 4. Melting Increase the temperature of the blasting furnace from 1,400 degrees to 1,500 degrees. Pour the melted iron into the casting mold. Source :YouTube screenshot Step 5. Oven bake (~1:17) Take the ironware out of the casting mold and bake it in the oven with charcoal at 800 degrees for 30-40 minutes. Step 6. Coloring/Finishing Using sandpaper, make the surface of the iron kettle smooth. To finish, apply Ohaguro - an iron acetate solution mixed with tea to make it shiny. Summary of Nanbu Tekki Ironware Source :YouTube screenshot At 0:41 in the video, iron worker Hisao Iwashimizu says "I want to recreate the history of Nanbu Tekki ironware as a simple everyday tool." From 0:52 in the video, he also says, "I have launched a product called Yakihada Migaki, where I shave the ironware that has come out of the mold and make it into the form I have in mind." He explains in the interview that he is creating products that have never been made in the history of Nanbu Tekki ironware. If you're interested in Nanbu Tekki ironware after watching the video, be sure to check out Nanbu Tekki ironware online. You can purchase it at online shops such as Rakuten. Popular Nanbu Tekki ironware products are from the long-established Iwachu Nanbu ironware, Kamasada, Suzuki Morihisa Kobo and Oigen. Their products are priced from a few thousand Yen (Tens of dollars). Nowadays, they make new products such as IH compatible ironware, rice cookers using Nanbu Tekki ironware, and colored iron tea kettles (~1:42). You may wonder what happens if it gets rusty. With Nanbu Tekki ironware, you can still use it even if it rusts a little. As long as you look after it, you should be able to use it for life. Be sure to take a look at the video on Nanbu Tekki ironware. It's very popular among people both inside and outside of Japan. 【Official Website】IWACHU Nanbu ironware| Iwachu K.K. Iwachu Morioka, the home of Nanbu Tekki ironware https://iwachu.co.jp/ 【Official Website】Kamasada Nobuho Miya | designshop https://www.designshop-jp.com/japan-onlineshop/ -
Video article 3:42
Oshima Tsumugi Is a High-Class Silk Pongee That Originated in Amami Oshima, Kagoshima. The Craftsmen of This Beautiful Traditional Craft, Which Is Called the Queen of Kimono, Are Very Particular About Their Work
Traditional Crafts- 17 plays
- YouTube
奄美大島の伝統工芸品「本場大島紬」をご紹介! 奄美大島を生産地とする伝統工芸品の一つである本場大島紬について「伝統工芸 青山スクエア」が公開した『手技TEWAZA「本場大島紬」Honba Oshima Tsumugi Weaving』という動画を元に、「本場大島紬」の文化や歴史を紹介させていただきます。 本場大島紬って何? 本場大島紬とは、鹿児島県の奄美大島を発祥の地とする日本の伝統工芸品の一つである絹織物のことを指します。 日本の伝統衣装である着物の中の代表的存在で「着物の女王」とも呼ばれています。 高級絹織物とされていることから、本場大島紬を着ているだけで、知っている人には一目置かれる逸品です。 本場大島紬の始まりは7世紀頃で、文化的にも歴史的にも非常に古くから受け継がれてきています。 奄美大島には国外との交流の文化が数多く存在しますが、本場大島紬もルーツがインドにて生まれた"絣(かすり)織り"であることから、この国外の交流文化の賜物と言えます。 本場大島紬の染色方法"泥染め" 本場大島紬の製造工程で何よりも特徴的な点として挙げられるのは、染色の方法として泥染めをしていることでしょう。 この泥染めという染色方法ですが、絹糸の蚕白質の上にあるシャリンバイに含まれているタンニン酸色素と泥に含まれている鉄分が化学結合することにより、深い光沢のある味わい深い黒色を出すことが出来ます。 この自然由来の味わいが伝統工芸品たる所以であり、古くから受け継がれるべき文化だと言えます。 泥染めがどのように行われているかは動画で実際にご覧になれます。 本場大島紬のまとめ 文化的にも深い歴史を持つ伝統工芸品の本場大島紬は、今もなお奄美大島を中心に受け継がれてきています。 日本の文化とも言える伝統工芸ですが、やはり時代の流れと共に後継者が減っているのが現状です。 特殊な製造工程、細かい作業を全て手作業で行うことが主な理由とされています。 この日本の文化である伝統工芸品の一つが無くなってしまわないよう、鹿児島県としても本場大島紬織物協同組合や本場大島紬の里等の活動を盛んにされているので、今回の動画を見て興味を持った方は、ぜひ鹿児島に足を運んでみてはいかがでしょうか。 -
Video article 6:36
A Look Inside the World of an Embroiderer Who Revives Memories With His Craftsmanship. A Traditional Japanese Craft Where the Craftsman's Heart and Soul Goes Into Every Single Stitch!
Traditional Crafts- 150 plays
- YouTube
Japan's Traditional Embroidery Restoration This video, titled "Nippon Teshigoto Zukan x Wakoh-sha" (ニッポン手仕事図鑑 × 和光舎), was released by "Nippon Teshigoto Zukan" (ニッポン手仕事図鑑). It introduces the embroidery restoration workshop "Wakoh-sha" in Kyoto City, Kyoto Prefecture. Wakoh-sha is a company specializing in the cleaning of robes worn by monks in Kyoto City, Kyoto Prefecture. After cleaning these robes for a while, they also began to restore the embroidery of "uchishiki," patterned cloth laid on a table or Buddhist altar. This video introduces the work of an embroiderer who specializes in embroidery restoration, a craft rarely seen by the general public. A Closer Look at the Traditional Embroider Restoration of Wakoh-sha Source :YouTube screenshot The uchishiki, a cloth used at Buddhist temples and in Shinto rituals, is what is being restored in the video. Embroiderers carefully cut out the embroidery that was beautifully applied more than 100 years ago, transfer it to a new cloth, and restore the frayed embroidery to its original form, playing an important role in allowing it to be passed down to the present generation. You can see the frayed embroidery before and after repair at 1:55 in the video. Nihon Shishu (日本刺繍), a traditional Japanese craft that restores embroidery, embroiders patterns such as flowers and birds on silk using silk thread, gold thread, and silver thread, and is a historical decorative technique that is also used for decorating kimono and obi. This type of embroidery restoration involves re-stitching gold thread or stitching new thread. This video shows how the embroidery artisans use traditional Nihon Shishu techniques, such as Sagara-nui and Matsuri-nui, without using adhesives, in order to "connect the beauty of the past to the present. The Embroidery Artisan Supporting Traditional Japanese Crafts Source :YouTube screenshot Hisamitsu Imamura, an embroiderer introduced in the video, is still moved by traditional Japanese embroidery, despite being 80 years of age and is trying to improve his techniques. He also focuses on training young embroiderers so that they may inherit Japan's traditional embroidery techniques. The embroiderers who work in the workshop, both experienced artisans and beginners, learn while feeling the beauty of Japanese embroidery, and by repairing it, they find reward in being able to preserve the past. Summary of Japan's Traditional Embroidery Restoration Source :YouTube screenshot No two embroidery restorations are the same; each piece is a once-in-a-lifetime work whose composition changes depending on the condition of the embroidery and the damage the fabric has sustained. As you can see at the end of the video, the delicate work of the embroidery artisans, who put their hearts and souls into each and every stitch, are connecting the beauty of the past to the present. -
Video article 3:24
Experience Traditional Japanese Weaving on Shiraishi Island in Okayama Prefecture, a Place Full of Nature! The Traditional Textiles and Beautiful Scenery Are Sure to Revitalize!
Traditional Crafts- 242 plays
- YouTube
Traditional Japanese Weaving on Shiraishi Island! Shiraishi Island belongs to the Kasaoka Islands (笠岡諸島) found near Kasaoka City, Okayama Prefecture in Japan's Chugoku region. The island has an area of 1.86 km², a max elevation of 169 meters, and has a population of 750 people. The island is known for being an exceptionally scenic area in Japan. The island's traditional woven goods are made using a loom called a "hata" (機). This has led to products made with this method being known as "hata-ori" (機織り). In this article, we'll introduce the weaving experience available on the island. Try Your Hand at Weaving on Shiraishi Island Photo:Hata-ori During the Genroku Period (1688-1704), the weaving trade thrived on the reclaimed settlement of Shiraishi Island. In recent years, in an attempt to revive the tradition, a weaving workshop where visitors can experience "hata-ori" was started. As seen from 0:42 in the video, the relaxing sound of the cotton gin is one of the features of the weaving experience. You might even find it therapeutic. Next, the cotton is spun into threads on a spinning wheel. The finished product is unimaginably soft to the touch. The woven products of Shiraishi Island are colored using dyes made from plants grown on the island itself. As shown at 2:05 in the video, onions, safflowers, persimmons, and cherry blossoms, and even chestnuts are used for the dyes. Visitors are treated not as customers, but as fellow weavers and are encouraged to freely try out the weaving experience. The management’s motto is to allow visitors to fulfill their dreams of mastering weaving. You might now be wondering about the price of the weaving experience. At a mere 500 yen, you should definitely give it a try if you’re interested! Summary of Shiraishi Island's Weaving Experience Photo:Kasaoka City and Shiraishi Island coastline, Okayama Prefecture Shiraishi Island is a place where you can enjoy not only weaving, but also the natural sights and sounds. As shown in the video, visitors from overseas can have fun learning about Japanese traditions while taking in the beautiful scenery. You can even go for a dip in the sea! Consider making a visit to Shiraishi Island during the warm summer! -
Video article 19:19
A Close Look at the "Tsugegushi Comb" Craftsman Inheriting Japanese Tradition! Hideaki Mori's Passion for Creating Combs Greater Than Any That Technology Can Produce!
Traditional Crafts- 48 plays
- YouTube
This video, titled "#020 Tsugegushi Comb Craftsman Hideaki Mori|Door to Tomorrow by At Home" (#020 つげ櫛職人 森 英明 | 明日への扉 by アットホーム), was released by "Door to Tomorrow by At Home" (明日への扉 by アットホーム). Hideaki Mori is a tsugegushi comb craftsman born in 1983 in Aichi Prefecture. He is the third generation of "Tsugegushi Shoten," a long-established comb manufacturer. The tsugegushi comb is made from the wood of the Japanese boxwood, and in spite of its hardness, the teeth are hard to break and strong and static electricity does not occur easily because of the elasticity. For these reasons, the comb has long attracted users as a top quality comb. When Hideaki was a university student, he saw the reaction of the customers who used tsugegushi combs and realized the splendor of the tsugegushi combs. Upon graduating from college, he became an apprentice to his father, Shingo Mori, the third generation of the family, and has continued to hone his skills. -
Video article 6:48
The Amazing World of Bonsai! Learn About the Expert Techniques, the Beauty of the Natural Materials, and How They Combine With the Artist's Personal Touch to Create a Wonderful and Unique Work of Art!
Traditional Crafts- 135 plays
- YouTube
Bonsai: A Traditional Japanese Craft This video "Bonsai"(盆栽) was created by "Nippon Teshigotozukan". It is a video introducing the world of Bonsai featuring an interview with a Bonsai craftsman. Bonsai is the traditional Japanese art of growing miniature trees in containers which are often decorated with moss and other small decorations. Experts in the craft of making Bonsai are called Bonsai masters. The origin of Bonsai dates back to the Heian period (794 - 1185 AD). Bonsai is so popular that the Japanese word 'Bonsai' is known in many countries across the world. In this interview video, you can learn how to create and look after your own Bonsai tree. Please enjoy learning about traditional Japanese culture through this video! What is Bonsai? Let us introduce some of the special techniques required to make Bonsai! Source :YouTube screenshot In this video, we introduce the Bonsai master Okamoto Yoshimitsu, whose workshop "Kichishouen" is located in Toyota city, Aichi prefecture in the Tokai region of Japan. Okamoto Yoshimitsu is famous for his Needle Juniper Bonsai works of art. Source :YouTube screenshot Many techniques are required to complete a Bonsai piece of art, such as pruning, using wires to create bends in the tree's structure and applying paint to name a few. You can see some of these techniques from 2:07 in the video. You can also see some of the tools required for the maintenance of Bonsai from 0:23. Bonsai require special care as the seasons change, similar to other trees in nature. You can see the difference pruning makes to the Bonsai from the before and after pictures at 3:30 in the video. Interview With a Bonsai Master Source :YouTube screenshot From 3:40 in the video, Bonsai master Okamoto Yoshimitsu talks of how he feels the effort put into taking care of Bonsai can be very rewarding, similar to bringing up children. "Bonsai is a Japanese tradition, one that I do not want to die out I want young people to learn about Bonsai and understand the concept of Wabi-sabi (wabi-sabi is a Japanese term used to express the beauty of imperfection). Bonsai is a great way to express oneself through one's own style". Enjoy Looking the Fabulous Bonsai Works of Art Photo:Bonsai Tree Many people in Japan take up Bonsai as a hobby to enjoy the wabi-sabi aspect of the art. There are many varieties of Bonsai tree, from the inexpensive trees aimed at beginners to the very old trees and expensive pots used by professionals and experienced practitioners. The same type of tree, such as a Japanese white pine, can also have several structural forms: formal upright, informal upright, slanted and windswept are a few examples. Other tree types such as cherry blossom and maple trees can also be used. The charm of Bonsai comes from the individualized pruning and shaping of the trees which gives each particular tree it's personality. The combination of the natural beauty of the tree itself and the creativity and individuality of the craftsman is what makes Bonsai so interesting. Bonsai Tree Summary Source :YouTube screenshot Bonsai is a popular Japanese tradition that has been around for many generations. The Bonsai Art Museum in Saitama is growing in popularity, with more young people and foreigners visiting each year. There is also a tapioca shop which serves Bonsai Tapioca Milk Tea which is very popular with customers. Bonsai may look difficult but there are Bonsai for sale that are easy to look after, even for complete beginners. For those who are interested in the traditional Japanese art of Bonsai, why not try raising your own? ◆Kichishouen Introduction Information◆ 【Address】Yabushita 3, Nishimachi, Unebe, Toyota city, Aichi prefecture 470-1219 【Phone number】0565-21-2713 【Official Website】Saitama Bonsai Art Museum https://www.bonsai-art-museum.jp/en/ -
Video article 10:31
Tatami - An Indispensable Part of Japanese Style Rooms. Two Tatami Craftsmen Talk About Their Passion and Commitment To the Traditional Product That Has Been Handed Down in Japan Since Ancient Times
Traditional Crafts- 46 plays
- YouTube
Introducing the Tatami Craftsmen of Matsuya Tatami Shop! This video, titled "Nippon Handicraft Encyclopedia - Matsuya Tatami Shop" (ニッポン手仕事図鑑 × 松屋畳店), was released by "Nippon Handicraft Encyclopedia" (ニッポン手仕事図鑑). The video shows the craftsmen of Matsuya Tatami Shop, a long-established tatami store with a long history dating back to the Genroku Period, reupholstering tatami mats. The craftsmen that are introduced in the video are Tomoki Okawa, an 11th generation craftsman of Matsuya Tatami Shop in Kiryu City, Gunma Prefecture, and his father, Masao Okawa, the 10th generation craftsman of the establishment. You can see Tomoki Okawa from 0:54 and Masao Okawa from 2:15 in the video. What Are Japan's Tatami Mats? Photo:The main material of tatami, Igusa The tatami mat is a traditional flooring in Japan and its main material is rush which is grown by farmers. Tatami craftsmen knit together domestic, high-quality rush grass using methods that have been handed down since ancient times, and after laying it on a board, sew on the edges. The size of Japanese tatami mats is fixed, and the tatami mats created by the craftsmen fit perfectly on the floor of Japanese-style rooms like puzzle pieces. Among those with skills like the craftsmen of Matsuya Tatami Shop introduced in the video, some craftsmen are qualified as First-Class Tatami Technicians. If you want to change out your Japanese tatami mats, it's best to leave the whole process of tatami mat construction to craftsmanship professionals, such as Matsuya Tatami Shop introduced in the video. A Look at the Effects and Benefits of Japanese Tatami Mats Source :YouTube screenshot The effects and benefits of Japanese tatami mats include antibacterial properties, air purification, heat insulation, and humidity management. The fact that tatami, which is cool in summer and warm in winter, has been used since ancient times is a testament to the wisdom of the Japanese people. Also, the Japanese tatami mat has moderate elasticity and so it can be expected to absorb sounds or vibrations. Furthermore, Japanese tatami mats are made from naturally derived ingredients, so it also provides a soothing effect similar to the outdoors. Another good thing about tatami mats is that if you're careful when cleaning them and take proper care of them, they can be used for a long time. Get Acquainted With Japanese Tatami Source :YouTube screenshot For those who don't have a Japanese-style room, we recommend trying some handicrafts made out of tatami to get an idea of what it's like. Japanese tatami accessories, such as tatami book covers and card cases seen at 9:41 of the video, are sold on the internet for reasonable prices. Summary of Matsuya Tatami Shop Source :YouTube screenshot The video showcases the allure of traditional Japanese tatami while introducing Matsuya Tatami Shop. Many years have passed since the prosperous days of traditional Japanese tatami culture, and in recent years, the number of houses without Japanese-style rooms is increasing. That being said, recently, Japanese-style rooms with tatami mats are being re-evaluated. If you're planning on building a house, consider using tatami mats that have a wide range of benefits! -
Video article 14:38
A Look at the Youth Carrying on the Traditions of Japan! Aomori Prefecture’s Nebuta Festival Is One of the Most Exciting Festivals in Japan!
Traditional Crafts- 72 plays
- YouTube
What is a Nebuta Craftsman? This video, titled “#003 Kenta Tatsuta, Nebuta-shi|Door to Tomorrow by At Home” (#003 ねぶた師 立田 健太 | 明日への扉 by アットホーム), was released by “Door to Tomorrow by At Home” (明日への扉 by アットホーム). This video introduces the artisans who make the huge floats, "Nebuta," that parade through the city and are the main attraction at the famous Nebuta Festival in Aomori Prefecture. Since ancient times, the Tanabata Festival has been an annual event held in Japan to celebrate the seventh day of the seventh lunar month. The "Nebuta Festival" and "Neputa Festival" held in Aomori Prefecture have also been held as part of this Tanabata event. At this point you’re probably wondering what the differences between the Nebuta and Neputa Festivals are. The biggest difference is that the Nebuta Festival features three-dimensional, dynamic, human-shaped floats with samurai artwork on them, while the Neputa Festival features flat floats. Another difference is that the Nebuta Festival is held in Aomori City, while the Neputa Festival is held in the Tsugaru region, in places like Hirosaki. The artisans who create Nebuta are now considered specialists and are called “Nebuta-shi” (ねぶた師, “Nebuta Artist/Craftsman”) in Japanese. The History of the Nebuta Festival Photo:Nebuta, Aomori Prefecture Today, the Nebuta festival is recognized as an Important Intangible Folk Cultural Property. The meaning of Nebuta/Neputa is "sleepy" and actually written using the same kanji (眠た). In the Edo Period, a festival called "Nemuri-nagashi" (眠り流し) was held in many places to lull people to sleep during the summer. The Nebuta Festival has the same origins as Sendai's Tanabata Festival, Akita's Kanto Festival, and Fukushima's Nemuri Nagashi. During the Edo period, Aomori Prefecture was divided into the Nanbu Domain and the Hirosaki Domain (Tsugaru domain). In the Nanbu Domain, the word "Nebutai" was used to describe sleepiness, and in Hirosaki, the word "Neputai" was used, which led to the distinction between the Nebuta and Neputa Festivals. How Nebuta Are Made Photo:How nebuta are made - pitching a tent, Aomori Prefecture Nebuta feature samurai paintings based on traditional Japanese myths and folk tales. They are characterized by the use of poetic justice to defeat demons and evil spirits at decisive moments. In the video, starting at 5:16, you can see how Nebuta are made by the young Nebuta craftsman "Kenta Tatsuta" who apprenticed himself to Nebuta master "Ryusei Uchiyama" at the age of 14. Here, we’ll give a brief introduction of the work of a Nebuta craftsman. ・The Making of Nebuta, Step 1 - Materials and Rough Sketching The rough sketches are the blueprints for the Nebuta. ・The Making of Nebuta, Step 2 - Pitching a Tent A tent is built for the production of Nebuta. The purpose of this is to prepare the details using wood, frame it using wire, color it, and then store the finished Nebuta. ・The Making of Nebuta, Step 3 - Electrical Wiring Since the Nebuta Festival is a nighttime festival, light bulbs are installed inside the floats so that the samurai stand out against the night sky. ・The Making of Nebuta, Step 4 – Kamihari (紙はり) Washi paper is pasted onto the completed framework. At this point, the whole picture becomes a little clearer. Source :YouTube screenshot ・The Making of Nebuta, Step 5 – Kakiwari (書割) The outline of the samurai is drawn on the paper pasted with ink. This is a very important process and has long been considered a task that only Nebuta craftsmen can perform. ・The Making of Nebuta, Step 6 – Rokaki (ろう書き) A special material made of melted paraffin is used. Where paraffin is applied, the paper becomes translucent and bright. ・The Making of Nebuta, Step 7 - Coloring The remaining paper is colored. ・The Making of Nebuta, Step 8 – Daiage (台上げ) The completed Nebuta is placed on a platform with wheels. A large group of people (around 50) carefully take the work outside. At 8:00 in the video, you can see an incident where a mistake is made and the work has to be repaired. Training Nebuta Craftsman Successors Photo:Nebuta, Aomori Prefecture Originally, the production of Nebuta was carried out by neighborhood associations and other such groups. However, the skilled workers in the neighborhood associations were so enthusiastic about making Nebuta that they neglected their own work. However, as the Nebuta Festival became a Japanese festival known on a global scale, and as Nebuta production techniques gradually became more sophisticated, the number of Nebuta craftsmen became fixed and professional Nebuta craftsmen were born. The Nebuta Festival is a festival where gallant Nebuta performances parade through the streets, jumping up and down to the musical accompaniment, but it's also a competition to determine the best Nebuta. Nebuta craftsmen who create outstanding Nebuta works are honored as "Masters." Summary of the Nebuta Festival – A Popular Event in Aomori Prefecture Photo:Nebuta, Aomori Prefecture Being a Nebuta craftsman is not an easy job. Kenta Tatsuta, the Nebuta craftsman featured in the video, even struggles to make ends meet. It is a job that requires a passion for Nebuta. We want people to know that it's only with the help of the people behind the scenes, such as the Nebuta craftsmen, that the magnificent and gorgeous Nebuta Festival can be held. At the same time, the Nebuta Festival holds a beauty contest to select Miss Nebuta. The woman who wins the Miss Nebuta award will lead the Nebuta during the festival, adding to the festivities! -
Video article 2:26
Obori Soma Ware Is a Work of Art Dating Back 300 Years. Despite the Damage Caused by the Great East Japan Earthquake, This Traditional Craft Has Been Passed on From One Generation to the Next, Keeping the Flames of the Kiln Lit in Iwaki, Fukushima!
Traditional Crafts- 115 plays
- Vimeo
Obori Soma Ware This article's video, “Obori Soma ware, Fukushima Prefecture” (福島県 大堀相馬焼(おおぼりそうまやき)), was created by "Tohoku STANDARD." The men introduced in the video are Manabu Kondo, a craftsman from the craftsman shop "Obori Somayaki Toukichirougama," located in Iwaki, Fukushima, in Japan's Tohoku region, and his son Takashi Kondo. They talk about how they feel about Obori Soma ware, aka Soma ware, in the interview. The Traditional Japanese Craft "Soma Ware" Source :YouTube screenshot As Manabu Kondo explains in the video around 0:08, the traditional art and craft, Soma ware, was born in Obori, Namie town and has a history that dates back more than 300 years. When Obori, Namie was under the control of the "Soma Domain," they protected and fostered pottery making, and by the end of the Edo period (1603-1868), more than 100 kilns were running, making Obori, Namie the largest pottery production area in the Tohoku region. Soma ware was designated as a traditional craft in 1978. Soma ware was loved by many people for a long period. However, the Fukushima No. 1 nuclear disaster caused by the Great East Japan Earthquake on March 11th in 2011, severely affected the industry in Namie, and all craftsmen were forced to leave their shops. Now each craftsman shop is making efforts to rebuild the region and their workshops to keep the traditional craft alive. Source :YouTube screenshot In the video around 1:19, Manabu Kondo says "The importance of a tradition is having the spirit to pass it on to the next generation." The traditional skill has generally been passed down from father to son, but because there are some younger people from outside of the prefecture who are eager to learn the traditional skill, the traditional craft is expected to continue into the future. In Fukushima Prefecture, the "Fukushima Prefecture Community Development Support Team" is also recruiting people to take over the traditional industries that have been passed down from generation to generation in the region. At present, famous pottery shops such as "Obori Soma Pottery Cooperative," "Matsunaga Pottery Shop" in Nishishirakawa, "Ikariya-Shoten" in Shirakawa, and "Totoku" in Namie, are back in business in Fukushima prefecture. The Obori Soma Pottery Cooperative also offers a pottery trial/class. How Soma Ware is Made Source :YouTube screenshot Around 2:14, the video shows how Soma ware is made. The clay used to create Soma ware is "Obori clay" and "Kashima clay." They use a potter’s wheel to shape the clay and use a "Noborigama" (chambered climbing kiln) to complete the pottery. The unique feature of Soma ware is its "blue cracks," which is a pattern of cracks spread across the entire surface of the pottery. These blue cracks are created by applying two or more different types of glazes and exploiting the differences in their thermal expansion. In addition, Soma ware has a double-layered structure, which has the advantage of keeping the temperature of its contents, while being able to be held even when filled with scalding hot tea. It is ceramic, making it microwave-safe. Recap of Soma Ware Source :YouTube screenshot If you find yourself interested in Soma ware, consider buying some! It makes for a great souvenir or gift. Soma ware is also available at online retailers such as Rakuten or Amazon. They have a variety of potteries such as "Yunomi" (Japanese style tea cups), mugs, large dinner plates, small dinner plates, bowls, tumblers, vases, teapots, and even packages combining these items. Official Olympic products with the 2020 Tokyo Olympics logo are also available. They are also available at the fashion brand store "BEAMS." We hope you enjoyed learning about Soma ware. Be sure to check out the video if you still haven't yet! 【Official Website】Obori Soma Pottery Cooperative http://www.somayaki.or.jp/ -
Video article 4:46
Ryukyu Shikki - Traditional Lacquerware Unique to Okinawa. Discover the Beauty of Ryukyuan Crafts at the Urasoe Art Museum
Traditional Crafts Art & Architecture- 173 plays
- YouTube
PR Video of Traditional Ryukyu Lacquerware Owned by the Urasoe City Museum of Art This video called “Okinawa: Meet Ryukyu lacquerware and art (琉球漆芸とアートに出会う沖縄 Narration+Subtitle Ver.)” produced by the Urasoe city office is to promote the Urasoe City Museum of Art, the only museum specializing in lacquerware in Okinawa. The museum is about 40 minutes from Naha airport by car. This video features the traditional Ryukyu lacquerware (琉球漆器, Ryukyu Shikki) and its history (1:57). Let's see how wonderful the Urasoe City Museum of Art, with its 1500 traditional works of art, including Ryukyu lacquerware, actually is. What Is Ryukyu Lacquerware? Its History, Origin, and Characteristics! Source :YouTube screenshot Ryukyu lacquerware has developed in tandem with the culture of the Ryukyu Dynasty (1429 to 1879). The unique techniques for Ryukyu lacquerware were introduced into the Ryukyu Dynasty during the 14th and 15th century when trade between the Ryukyu Dynasty and China was active. Ryukyu lacquerware was made from tiger's claw (Erythrina variegata), the prefectural flower of Okinawa. The unique patterning technique, called "Tsuikin," is used to thinly spread the "tsuikin mochi" (a mixture of lacquer and colored ink). There are various types of Ryukyu lacquerware, such as Suzuri-bako, tea cup holders, cups, serving plates, trays, tiered food boxes, and wooden containers using the unique shell inlay and sunken gold techniques. Some studios and long established stores accept orders to repair broken lacquerware as well. Ryukyu lacquerware, made by the master Ryukyu lacquerware artisans, in the shape of bitter melons and hibiscus, are great souvenirs of Okinawa. These Ryukyu lacquerwares are available in "Ryukyu sikki Itoman" or "Kakuman shikki" on Kokusai-dori (国際通り: International Street). These products can be also bought at online stores, such as Rakuten or Amazon, at a cost of several thousand yen (several tens of dollars). The Ryukyu Lacquerware of the Urasoe City Museum of Art Source :YouTube screenshot About 60 craft works of Ryukyu lacquerwares are displayed at the Urasoe City Museum of Art regularly. These include items such as lacquer tea boxes (白檀塗楼閣山水箔絵湯庫) (video: 2:31) , Black lacquer trays (黒漆雲龍螺鈿盆) (video: 2:48), traditional lacquer sake barrels (朱漆牡丹巴紋七宝繋沈金足付盆) (video: 3:03), lacquer food boxes (潤塗花鳥箔絵密陀絵丸形食籠) (video: 3:18) a black lacquer album cover (黒漆米軍戦車堆錦アルバム表紙) (video: 3:35), and more. Some of them were used for ceremonies at Shurijo Castle. The Ryukyu Folding Screen and The Eight Views of Ryukyu made by Hokusai Katushika in 1832 are also kept in this museum. Other art exhibitions or photo exhibitions are held in the main exhibition hall. Make Your Own Ryukyu Lacquerware! Source :YouTube screenshot If you're interested in traditional Okinawan crafts and/or culture, such as Ryukyu lacquerware, we recommend getting a catalogue of this museum. There are also some experience-based events held at the Urasoe City Museum of Art, such as "Magical museum" or the "Miniature Life Museum." At the museum, you'll find the Regular showroom, Main exhibit, Library, Laboratory room, and museum shop. You can also enjoy lunch at the café "Hana Urushi" while appreciating the works at the museum. They also offer classes throughout the year, so if you're interested in Ryukyu lacquerware after watching this video, be sure to give it a try. Summary of the Urasoe City Museum of Art Okinawa is one of most popular places for tourists. There are many other tourist spots around this city museum, such as the "Urasoe Castle Ruins," "Iso Castle Ruins," "Minatogawa Foreign Settlement," "Iso Castle Ruins observation deck," "Minatogawa Stateside Town," "Urasoe Sports Park," "Urasoe yodore," and the "Maeda Highlands." If you learn more about the traditional Okinawan crafts introduced in the video, you'll be able to enjoy your visit to Okinawa even more. As you can tell from the video, the Urasoe Art Museum in Okinawa has a beautiful exterior and garden. If you visit Okinawa, we highly recommend checking out this museum. ◆Information of Urasoe City Museum of Art ◆ 【Address】1-9-2 Urasoe-shi Okinawata 【Access】40 minutes by car from Naha Airport 【Admission fee】Adults : 200 yen, University students : 130 yen, Senior citizens (65 years+) : 160 yen, high school students and younger : Free (As of December, 2019) Additional admission fees may be required depending on events (advance tickets are available) 【Hours】9:30 to 17:00 【Parking】Available (Free) 【Telephone No.】098-879-3219 【Official Website】Urasoe City Museum of Art http://museum.city.urasoe.lg.jp/ 【Tripadvisor】Urasoe City Museum of Art https://www.tripadvisor.com/Attraction_Review-g1023463-d2465726-Reviews-Urasoe_City_Art_Museum-Urasoe_Okinawa_Prefecture.html -
Video article 3:09
A Rare Video Explaining the Production Process of One of Toyama’s Traditional Crafts "Takaoka Copper Casting" - One of the Most Popular Arts/Crafts in the World, Passed Down for Over 400 Years
Traditional Crafts Art & Architecture History- 583 plays
- YouTube
The Takaoka Copper Casting of Takaoka City, Toyama Prefecture – A Traditional Japanese Craft This video, titled "手技TEWAZA「高岡銅器」Takaoka Copper Casting," was produced by "Japan Traditional Crafts Aoyama Square." It introduces Takaoka Copper Casting, a traditional craft in Takaoka City, Toyama. Takaoka Copper Casting in Takaoka City, Toyama originates from a factory opened in the Edo period (1603 – 1868 AD) by Maeda Toshinaga in the Kaga Maeda Clan with the seven metal casters from Tamba, Kyoto, said to be the birthplace of metal casting. Most of the Takaoka Copper Casting products are related to Buddhist tools such as vases and a large part of the production process involves the attentive handiwork of artisans. The traditional Japanese craftsmanship is appreciated even outside of Japan. The Takaoka Great Buddha at Daibutsuji Temple (大佛寺, Daibutsu-ji) is said to be one of the most impressive pieces made by the Takaoka Copper Casting artisans. This is a rare video that introduces the production process of Takaoka Copper Casting. Please enjoy watching the craftsmanship of the Takaoka copper casting artisans. Takaoka Copper Casting: One of the Greatest Treasures in Japanese Culture- How It's Done Source :YouTube screenshot Takaoka Copper Casting is essentially produced with a metal casting technique where a piece of metal is melted at high temperature and poured into a mold to form the desired shape. Japanese metal casting techniques are highly recognized worldwide, and the metal casting of Takaoka City, Toyama is especially famous. Now, let's take a look at how Takaoka Copper Casting products are made. 1. Making the original model (0:18) Based on the blueprint, a prototype is created using wood, plaster, clay and resin. This prototype becomes the grand image of the final product. 2. Making the mold (0:29) A fire-resistant material is used for the original model, and a casting is made to pour the copper into. This is said to be the most important step. The mold made from casting sand is an example of exquisite craftsmanship. 3. Refining and melting (0:44) Refining refers to the process of removing impurities and increasing the purity of the metal. The refined metal is melted and liquefied at high temperatures.. The molten copper alloy reaches 1200 degrees Celsius in this process. 4. Casting (1:00) The refined molten copper is poured into the casting. 5. Removing the mold (1:23) The cooled and hardened copper is removed from the casting and the finishing process begins. 6. Polishing (1:48) The product is beautifully polished. 7. Coloring (2:05) After coloring and inlays are added, the work is complete! At 1:31 in the video, one of the Takaoka Copper Casting artisans explains “We hope that our Buddhist statues and monuments will convey what the customer had in mind, and will be loved.” The Art Pieces of Takaoka Copper Casting Gained Worldwide Popularity at the World Expo in Paris Source :YouTube screenshot A number of art pieces such as Buddhist statues and vases made using Takaoka Copper Casting were exhibited at the World Expo in Paris, and the name has come to be known around the world. These reason these artifacts are so beautifully shaped is because they were developed through producing bronze casting products adorned with carvings. In Takaoka City, Toyama, the descendants of the master craftsmen of the past have inherited the traditional crafting techniques and skills and have created many works of art. They continue to do so even today. Summary of Takaoka Copper Casting Source :YouTube screenshot The entire process of Takaoka Copper Casting has been done with the careful handiwork of artisans for more than 400 years. "We want to pass down the 400-year-old technique to the next generation," says one of the Takaoka Copper Casting artisans at 2:26 in the video. To inherit this valuable Japanese culture, Takaoka City has held workshops of Takaoka Copper Casting to train potential artisans. Miyuki-cho in Takaoka City has the Takaoka Copper Casting Museum where you can see and purchase products. Some large bronze statues are valued at millions of yen (tens of thousands of dollars). Takaoka Copper Casting products are also available at online marketplaces such as Rakuten and Amazon, and include ochoko (small sake cups), ornaments, paperweights, and more. The most popular ones are made by Takenaka Bronze Works Co.,Ltd. The company donated a 1/100 scale bronze casting model to Zuiryuji Temple (瑞龍寺, Zuiryuji), a temple designated as a National Treasure, in Takaoka City. The temple is one of the most popular tourist spots in Takaoka City renowned for its spring event of lighting up the temple, where the bones of Oda Nobunaga and his son are buried. Tourists can visit the grave of Maeda Toshinaga, who was deeply involved in the history of Takaoka Copper Castings, by way of a path called Hocchodo, lined with stone lanterns. In recent years, nine companies that are members of the Takaoka Copper Industry Cooperative Society have made original "Takaoka Wind Chimes" and sold them at the Takaoka Regional Industry Center, Takaoka Mikurumayama Museum, and shops where crafts are sold. 【Official website】Japan Traditional Crafts Aoyama Square https://kougeihin.jp/en/ -
Video article 3:41
Dojigiri - The Famous Japanese Sword Recreated With the Combined Technology of Modern Sword Masters! A Project to Recreate the Legendary Sword in Okayama, Japan!
Traditional Crafts- 264 plays
- YouTube
Introducing a video of Sadanao Mikami’s Dojigiri Yasutsuna! This video, titled "Famous Swords Under the Heavens|Recreating Dojigiri Yasutsuna and Ishida Masamune! (Tsuyama Yukari’s Sword Reproduction Project Vol.1)" (天下の名刀『童子切安綱』と『石田正宗』を再現!(津山ゆかりの刀剣再現プロジェクトvol.1)), was released by "TsuyamaCityPR." In recent years, the popularity of swords has suddenly increased, especially among the younger generation in Japan. Also, beautiful Japanese katana have been attracting a lot of attention from foreign tourists to Japan. In response to such popularity, the city of Tsuyama in northern Okayama Prefecture commissioned swordsmith Sadanao Mikami to create replicas of famous swords, under a project titled "the Sword Reproduction Project." In this video, you can see the precious production process of Japanese katana forged by craftsmen. The Famous Japanese Sword, Dojigiri Yasutsuna Source :YouTube screenshot Dojigiri Yasutsuna is first on the list of the Five Greatest Swords Under the Heavens from around the Muromachi Period (1336-1573) to be called a famous sword. It's a legendary katana used to defeat the Shuten-doji. This is explained at 0:26 in the video. It's said that Dojigiri Yasutsuna was later given to Toyotomi Hideoyshi by Ashikaga Yoshiaki, the Shogun of Ashikaga, and was said to be passed down from Tokugaya Ieyasu to Tokugawa Hidetada. Dojigiri Yasutsuna and Ishida Masamune, introduced in the video, are famous katana from history that were handed down to the Matsudaira Clan of the Tsuyama Domain, who followed the ways of Yuki Hideyasu, the second son of Tokugawa Ieyasu. Presently, the national treasure Dojigiri Yasutsuna (blade length 80 cm), which is in the collection of the Tokyo National Museum, is said to have been made by Yasutsuna, a swordsmith of Houki (present-day Tottori), during the Heian Period and is characterized by its blade which looks as though it's shrouded in mist. Sadanao Mikami the Swordsmith Introduced in the Video Source :YouTube screenshot Mikami Sadanao, the advisor of the All Japan Swordsmith Association, is shown at 1:10 in the video. Sadanao Mikami is a leading master swordsmith, who has created many swords. Sadanao Mikami uses Tottori’s tamahagane, which is made from iron sand, to make katana with pressed gold and pig iron. There are several techniques used to forge swords, including "makuri," "kobuse," and "sanmai gitae." You can see the forging and hitting of the heated red-hot iron from 2:04 in the video and watch as the shape of the Japanese sword is gradually completed. You can see Dojigiri Yasutsuna completed by the craftsmen from 3:41 in the video. The replica swords created by Sadanao Mikami have a reputation for being excellent katana. At the ceremony to unveil the Dojigiri Yasutsuna made by Sadanao Mikami, the sword being handed over to Mayor Taniguchi became widely talked about. Summary of Sadanao Mikami's Dojigiri Yasutsuna Source :YouTube screenshot Sadanao Mikami's katana, introduced in the video, was exhibited at the exhibition "100 Famous Swords and the Famous Sword Replica Exhibition" (天華百剣と名刀写し展) at the Tsuyama City Museum and was evaluated as a masterpiece of arts and crafts. Japanese katana, such as Dojigiri Yasutsuna and Mikazuki Munechika, are weapons that have been used for thousands of years in Japan and are now exhibited in museums as works of art. There are times when priceless katana are exhibited, so be sure to check exhibit schedules. -
Video article 9:47
Wadaiko: The Traditional Japanese Drum Used at Festivals. Meet the Craftsman Protecting Traditional Techniques That Require Several Years to Be Completed
Traditional Crafts- 128 plays
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Japanese Traditional Crafts - An Introduction to "Wadaiko" "# 005 Wadaiko Tetsuro Sugiura: Door to Tomorrow by At Home" is an interview with the Wadaiko craftsman introduced in the Discovery Channel program "Tomorrow's Door." Tetsuro Sugiura, a wadaiko craftsman of "Asano Taiko" in Japan's Hokiriku region, Hakusan City, Ishikawa Prefecture, trained long and hard before becoming a full-fledged wadaiko craftsman. This time, let's take a closer look at Japanese traditional crafts, and the technique used for making Japanese drums, which takes several years to learn. About the Traditional Culture of Japanese Wadaiko Introduced in the Video Photo:Wadaiko Wadaiko is one of the Japan's historical musical instruments that is played at festivals that are held all over Japan, such as Kyoto and Fukuoka. It is also used at ceremonies at shrines and temples, as well as for Kabuki and Noh. Its origin dates way back, and the oldest Japanese taiko drum was excavated from the remains of the Jomon period (14000 BC- 400 BC). A Japanese drum (Wadaiko) is a percussion instrument that is made of wood and has a body covered with leather. There are various types of Japanese drums that are currently used, such as a long drum, tub drum, and an attached drum. How Wadaiko Are Made Source of photo :YouTube screenshot The production process of the traditional Japanese drum, Wadaiko, is introduced in detail from 2:09 in the video. The two main tasks to make the taiko, are the making of the body and the making of leather. A Japanese drum craftsman cuts down a zelkova tree, which is then used as a raw wood without any treatment. They then cut the body of the zelkova and roughly forms it into its final shape, which is then naturally dried in a cool and dark place for 3 to 5 years. The carving on the inside of the drum is beautifully hand-crafted to have a tortoiseshell or diamond-like pattern. You can see the inner carving process from 3:01 in the video. Source of photo :YouTube screenshot Next, as you can see from 3:18 in the video, a refined technique is essential for lacquer painting. In the process of making leather, from 3:25 in the video, the skill of the Japanese drum craftsman integral to creating the beautifully processed cowhide, which will cover the drum. After putting the leather over the drum the sound is checked, and if sufficient, tacks are attached to complete the work. You can see the finished product from 4:43 in the video. Each taiko drum takes several years to complete and many craftsmen are involved in the crafting process. From 4:56 in the second part of the video, you can see the craftsmanship of the Japanese drum artist Tetsuro Sugiura, who is a leather craftsman. An interview with Mr. Tetsuro Sugiura is introduced in detail where he talks about the process of leather making, which is the cornerstone of each drum's sound. Summary of Japan's Traditional Wadaiko Craftsmen Source of photo :YouTube screenshot The video shows the long and delicate process of making large Japanese taiko drums. No special qualifications are required for the production of wadaiko, but long and rigorous training is required to craft wadaiko that produce beautiful, dynamic sounds of art. This craft relies much on feel, and thus requires diligent and highly skilled Japanese drum craftsmen. 【Official Website】Asano Taiko https://www.asano.jp/en/ -
Video article 6:41
Exploring the World of Ningyo Joruri - Traditional Japanese Puppet Theater. Discover the Amazing Process of Creating These Priceless Works of Art Made by Skilled Puppeteers!
Traditional Crafts Traditional Culture- 236 plays
- YouTube
Traditional Japanese Performing Arts - Ningyo Joruri This video, titled "Tokushima's Wooden Ningyo Joruri Puppets|Footprints of the Puppets "AWA DEKO" (人形浄瑠璃を支える徳島の木偶 Footprints of the Puppets “AWA DEKO”), was uploaded by Joruri Kaido (浄瑠璃街道). It introduces Ningyo Joruri, a traditional Japanese culture. Ningyo Joruri is a type of puppet theater in which a story is performed by three puppeteers, a tayu (joruri narrator), and a shamisen player. In this article, we'll introduce the puppets behind Ningyo Joruri, a traditional Japanese performing art. The History of Ningyo Joruri, a Traditional Japanese Performing Art Source :YouTube screenshot Awa Ningyo Joruri is a traditional Japanese art form that has been handed down in Tokushima Prefecture for centuries. Ningyo Joruri, which originated in Osaka in the Edo Period (1603-1868) as a form of mass entertainment, is a composite art form in which the tayu, shamisen, and the puppets work together to create a wonderful story. In addition to being enjoyed as a form of mass entertainment, Ningyo Joruri is often performed with the same high artistic quality as bunraku, and performed as a Shinto ritual. The Artisans Behind Ningyo Joruri Puppets Source :YouTube screenshot The puppets used in Ningyo Joruri are called "deko," and most of the heads of deko are hand made by puppeteers in Awa. The construction of the wooden figurines is so elaborate that referring to them any differently would be to disrespect the craftsmanship of the artisans. Awa Deko are a larger variety of puppets used in Ningyo Joruri, so paulownia wood is used as a material to make them lighter. The puppets are designed to manipulate facial expressions and gestures through mechanisms inside their heads, and the craftsman's elaborate techniques are indispensable in creating each masterpiece. You can see how Yoichiro Amari, an Awa Ningyo Joruri Craftsman, creates the puppets at 1:04 in the video. The face is carefully carved out of paulownia wood with a carving knife, cut in two in front of the ears as seen at 2:02, and then mechanisms to control the eyes, mouth, and eyebrows are placed inside the hollowed-out head. Learn More About Ningyo Joruri, a Traditional Japanese Performing Art Source :YouTube screenshot In Tokushima Prefecture, there's "Matsushige-cho Rekishi Minzoku Shiryokan, Ningyo Joruri Shibai Shiryokan," a museum where visitors can learn about the history and culture of Japan’s Ningyo Joruri. At the museum, visitors can learn about the types of puppets, the materials used to make them, how they're made, the techniques used by the artisans, and the steps to completing one. The Tokushima Prefectural Awa Jurobe Yashiki Puppet Theater and Museum (徳島県立阿波十郎兵衛屋敷), where you can see Ningyo Joruri performances up close, is also a great place to visit. If you're looking to experience traditional Japanese culture, we highly recommend stopping by and checking out a performance. Summary of Ningyo Joruri, a Traditional Japanese Performing Art Source :YouTube screenshot The artisans who make the elaborate wooden puppets are essential to Ningyo Joruri, a traditional art form loved by many. We hope you enjoyed learning about the amazing culture of Ningyo Joruri, a traditional Japanese performing art that has been loved through the ages. -
Video article 9:35
A Beautiful Craftswoman Speaks of the Charms of Traditional Japanese Dyeing and Weaving; How the Techniques Have Been Passed Down Over Millennia
Traditional Crafts- 280 plays
- YouTube
Traditional Japanese Dyeing and Weaving Source :YouTube screenshot ANA Global Channel aired the video "Artisan of traditional dyeing/Interview - IS JAPAN COOL? CRAFTSMANSHIP" (Artisan of traditional dyeing/Interview - IS JAPAN COOL? CRAFTSMANSHIP(染織家)) featuring female artisan Sarasa Yoshioka. Dyeing and weaving originated in China, India, Rome and Greece, and was introduced to Japan in the 3rd century AD. In the video (2:35), Yoshioka says that the technique is mentioned in the old text "Manyoshu" and the "Engishiki" (a Japanese book about laws and customs) which were both completed during the Heian period (794-1185). The Engishiki documented the ancient dyeing recipes. Having been designated as Intangible Cultural Property, dyeing and weaving technique and textiles such as Kimono and Obi are the important traditional crafts. In this video, female artisan Sarasa Yoshioka, talks about the history of dyeing, a traditional Japanese craft, and her passion for it. It also captures her superior artisanal skills. Magical Patterns Hand-Dyed by Artisans Source :YouTube screenshot There are two main types of dyeing and weaving: Sakizome- in which yarns are dyed first and then woven, and Atozome- in which the cloth is dyed after it is woven. The former is represented by these Kimono makers in the form of Yu-kitsumugi, Nishijin, and Nishikiori. Examples of the latter include Kyo-yu-zen and Kagayu-zen which are known for the splendid picturesque patterns. Sakizome requires a higher skill level than Atozome, and thus Sakizome textiles cost more. The Methods and Materials of Traditional Japanese Dyeing and Weaving Colors are most commonly extracted from plant sources such as roots, tree bark, and nuts. Yoshioka says the plants that are hard to grow are typically supplied by contracted experts (2:08). Indigo dye is one of the oldest and most common dyes to be used for textile dying. Since Indigo has antibacterial and insect repellent effects, it is thought that people wore indigo dyed clothing to keep insects and infections away. The Role of Dyers and Their Delicate Craftsmanship Source :YouTube screenshot The Heian period (794-1185) was the peak of the Japanese Imperial court and aristocratic culture. The garments wore by the upper classes were made by dyeing and weaving artisans. For this reason, dye artisans at that time held a high position in Japan's hierarchical society. The garments wore by the present day Emperor and Empress in the court functions are still made using this traditional technique. These formal court dresses, such as Sokutai and Junihitoe, can only be handmade since the delicate weaving cannot be done by machines. Automated weaving machines were imported to Japan during the Meiji period (1868-1912) and silk textiles were designated as a main industry. Being inferior to the Great Powers in the heavy industries, Japan relied on the techniques of the dyeing and weaving artisans to acquire foreign currency, with the aim of becoming a member of the Great Powers. The Future of Dyeing and Weaving The dyeing and weaving industry, which is both time and labor intensive, has been on the decline for quite some time. Today, however, the increasing number of universities or fashion design schools integrate it in the school curriculum in order to prevent the traditional craft from dying out. The number of young people apprenticed to a dyeing and weaving artisan is also increasing little by little. Kimono, obi, tenugui and other textile products are popular as souvenirs of Japan's overseas markets, and the more opportunities there are for dyed fabric weavers to play an active role, the more likely they are to pass on this traditional Japanese craft to future generations. Traditional Dyeing and Weaving: An Academic Point of View Photo:Dyed goods You may imagine that dyeing and weaving is mainly based on tough outdoor work, but it is also an embodiment of highly developed chemistry. As seen in the video, the majority of plant dyes requires the use of mordant such as vinegar or natural alum to enhance and fix the color in the textile fibers. In other words, dyers obtain the brilliant colors through chemical reactions between the materials. Dye artisans imagine the final product before they even begin. "The color we want to achieve is decided from the beginning, and we use our experience and sense to adjust the color closer to the desired color" says Yoshioka (7:05). In order to achieve the client's desired color, the weavers use all of their wisdom as artisans. Yoshioka says that obtaining the color desired by clients is "a mission given to dye artisans" (7:47). It is not only fabrics, yarns of silk, linen and cotton she dyes, but also washi papers. Every year, she spends the winter months dyeing papers to dedicate to the Buddhist ceremony held at To-daiji Temple in Nara prefecture (5:58). Summary of Japanese Traditional Dyeing and Weaving The video features a dyeing and weaving artisan, Sarasa Yoshioka who works in the Kyoto-based atelier "Somenotsukasa Yoshioka." Sticking to the traditions, the atelier uses only plants dyes and the traditional dyeing method. Dyestuffs are soaked and simmered in the pure spring water of Fushimi (a district in Kyoto), pumped up from 100 meters underground. In this method, a variety of colors and shades can be obtained with the same dye, and the delicacy of dyed fabric is beautiful. In this article, we introduced the history of dyeing, its production methods, origins, and the raw materials used, alongside the interview with craftswoman, Sarasa Yoshioka. In the video, you can see and hear more of what she has to say and also take a look at her technique. Be sure to check it out! Traditional Japanese textiles are available online at retailers such as amazon or rakuten. Using the traditional crafts will lead you to appreciate the value of the traditional craft, as well as the skills of its artisans. 【Official Website】Somenotsukasa Yoshioka https://www.textiles-yoshioka.com/eng/ -
Video article 3:12
Koshu Inden - A Beautiful Craft Using Lacquered Deer Leather. Discover Japanese Culture and Craftsmanship With These Amazing Artisans in Kofu, Yamanashi!
Traditional Crafts History- 199 plays
- YouTube
A Look at the Traditional Japanese Leather Crafted Goods of “Koshu Inden” This video, titled "koshu lacquered deerhide (手技TEWAZA「甲州印伝」)," produced by "Japanese Traditional Crafts Aoyoma Square," is a video that promotes "Koshu Inden," a traditional Japanese craft. Koshu Inden is a traditional craft that involves the lacquering of deer hide to create beautiful patters. The high quality leather craft goods made by these artisans has been loved through the ages. This video features how to make Koshu Inden. Enjoy the beauty of this traditional Japanese craft. Roots of Koshu Inden The history of Koshu Inden goes way back, and it was already being produced in the Nara period, about 1,300 years ago. Tabi (Japanese socks) made using the Inden technique are kept in the treasury of Shosoin (正倉院, Shosoin), and a box with an Inden inscription is also in the possession of Todaiji Temple (東大寺, Todaiji) in Nara Prefecture. Koshu Inden had been actively made in the castle town of Kofu-jo after the Edo period and pouches made using Koshu Inden techniques became popular among the common people. How Koshu Inden Are Made Source :YouTube screenshot Koshu inden is made through a series of processes such as tanning, dying, and lacquering animal hides such as deer or sheep. Koshu Inden is unique in that it is both soft to the touch and durable. Here we'll introduce the steps in Koshu Inden. 1. Yakizuri (0:29) The leather is scorched with an iron and then sanded. 2. Paper pattern (0:45) 3. Lacquering (1:01) The craftsman determines how the lacquers they choose will look. 4. Smoking (1:54) Color is put into the product through smoking. 5. Sewing (2:21) The work is shown in the video, making it very easy to understand. Recommended Items That Shine With Koshu Inden Craftsmanship Source :YouTube screenshot Inden-ya in Yamanashi Prefecture (山梨県: Yamanashi-ken) sells a lot of handmade goods made by Koshu Inden craftsmen. Yushichi Uehara, the founder of "Inden-ya" makes many soft-to-the-touch Koshu Inden goods by tanning deer hides using straw. Inden-ya's highly recommended products include Koshu Inden long wallets, coin purses, business card holders, inkan cases, Japanese pattern Kinchaku (drawstring purses), and more. The Sakura Komachi series, which features a motif of cherry blossoms in full bloom, is also very popular. You can see these products at 2:47 in the video. Recently products in collaboration with luxurious brands such as Gucci or Tiffany have caught the public's eye. These products are available at an online retailers such as Amazon or Rakuten. Summary of Koshu Inden Koshu Inden is a traditional Japanese craft as well as a highly fashionable product. As you can see from the video, you can use Koshu Inden goods for a long time thanks to the amazing handiwork of the Koshu Inden craftsmen. The Koshu Inden artisans in the video says, "The unique appeal of Koshu Inden is the large variety of patterns, with dozens of different colors in a single product, and the joy of being able to choose the color and pattern you like." 【Official Website】Japanese Traditional Crafts Aoyoma Square https://kougeihin.jp/en/ -
Video article 3:45
The Splendid Craftsmanship of Yamanaka Lacquerware, a Traditional Craft of Ishikawa Prefecture. Enjoy the Precious Production Process, Which Is All Done by Hand!
Traditional Crafts- 182 plays
- YouTube
石川県加賀市の伝統工芸・山中漆器とは 「伝統工芸 青山スクエア」が制作する、「手技TEWAZA【山中漆器】Japan Yamanaka Lacquerware」は、職人が日本の伝統文化である石川県加賀市の伝統工芸品・山中漆器を作っている姿を見ることができる動画です。 動画では山中漆器が来上がっていく工程を見ることができ、その中で職人が心を込めて作っている様子が伝わってきます。 石川県加賀市の山中漆器は美術品のような美しい作品で、日本文化に興味がある人はもちろんのこと、美術品・芸術品に興味がある人も必見の動画です。 また、石川県加賀市の風光明媚な自然も動画で紹介されています。 こちらの記事では、日本の伝統工芸・伝統文化である山中漆器の歴史や作り方などを動画に沿って紹介していきます。 日本の伝統工芸「山中漆器」の起源や歴史 石川県加賀市の山中漆器の起源は16世紀頃。 山中温泉に移住してきた漆器職人集団が行った「ろくろ挽き」が始まりです。 それから、江戸時代の中期頃になると山中温泉に来た旅行客へのお土産に漆器が求められるようになります。 汁椀やお盆などが特に人気で、温泉とともに漆器も発展。 19世紀になると塗りの技術や蒔絵の技術が流入(蒔絵とは漆器に金粉や銀粉を塗り、模様を作ること)し、現在の山中高蒔絵の基礎ができました。 日本伝統の山中漆器は外国人にも人気です。 美しく使いやすい食器やアクセサリーなど、外国人が日本に旅行した際のお土産として購入する人も多いようです。 日本の伝統文化「山中漆器」の作り方 日本の伝統工芸である山中漆器は、大きく分けて4つの工程によって出来上がります。 「木地挽き」→「木地固め」→「拭き漆」→「蒔絵」という流れです。 木地挽きは天然木を寸法し、目的の形に成形する作業です。 木材を乾燥させ膨張や収縮がしないようにするなど、大事な工程も含まれています。 動画では1:00から紹介されています。 木地固めは木地の木目の中まで漆を染み込ませて、木地の狂いを防止するのが主な作業です。 木地全体がなめらかになるように研ぐ重要な作業もあります。 拭き漆の作業は、まず生漆を希釈しないで刷毛塗りします。 次に拭き取り紙で余分の漆を取り乾かし、この工程を4~5回繰り返します。 動画では2:34から紹介されています。 最後に蒔絵で模様を書き完成です! ぜひ映像ともに職人の匠の技・凄技・神業が体感してみてください。 日本の伝統文化「山中漆器」の購入できる場所は? 日本を代表する伝統工芸・伝統文化である山中漆器の商品はギフトやプレゼントにも人気。 お弁当箱や重箱、茶筒、お椀など実用的かつ美しい食器がたくさんあります。 インターネットが発達した時代なので通販でも購入できますが、どうせなら実物を見て購入したいですよね。 中でも山中うるし座(山中漆器伝統産業会館)は、山中漆器の伝統工芸品やアクセサリー、茶道具なども販売されており、おすすめのお店です。 美しい日本の伝統工芸品を自分の目で見て、お気に入りを探しましょう! 日本の伝統文化「山中漆器」の記事のまとめ 日本の伝統工芸・伝統文化である山中漆器の特徴は、手作りで得られる美しさ。 職人たちの一生懸命な作業から生み出される美しさは心をうつことでしょう。 動画では、日本の伝統文化である山中漆器を作る職人の技を3分ほどの長さで見ることができます。 山中漆器が気になった方はぜひご覧ください! -
Video article 4:51
Fusuma and Folding Screens Affixed With "Edo Karakami" to Become Works of Art! This Historic Craft, Which Was Used to Write Waka Poetry in the Heian Period, Is Filled With the Japanese Spirit of "Wa"
Traditional Crafts- 243 plays
- YouTube
A Traditional Japanese Craft - Edo Karakami This video, titled "手技TEWAZA「江戸からかみ」Edo Karakami/伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," introduces how traditional Edo Karakami is made. The video was uploaded by "Japan Traditional Crafts Aoyama Square" (伝統工芸青山スクエア). Edo Karakami is a traditional craft that involves decorating Japanese paper in various ways. Washi (Japanese paper) has been closely related to Japanese art culture since ancient times. Check out the video to learn more about the traditional techniques of washi paper that have been handed down in Japan since ancient times. The History of Edo Karakami and Japanese Washi Culture Source :YouTube screenshot The origin of washi dates back to the Heian period (794-1192) when it was used to write waka poems. During medieval times, washi came to be used for decorating fusuma and folding screens, mainly in Kyoto. In the Edo Period, due to the prosperity of the Tokugawa Shogunate, many Edo Karakami were made for Edo Castle and the residences of feudal lords. As a result, many washi artisans emerged and began to produce high-quality Edo Karakami by hand. After the Meiji Period, most of the printing blocks and paper stencils were lost due to earthquakes and air raids, but some of them have been reprinted by craftsmen and still exist today. Traditional Edo Karakami - How It's Made Source :YouTube screenshot Edo Karakami is made through various techniques, such as woodblock printing using woodblocks, textile printing using Ise katagami (pattern paper), brush-dyeing using brushes, and with hand sprinkled gold dust. The designs of Edo Karakami reflect the culture of the Edo Period and the tastes of samurai and merchants at that time. Even today, fusuma and the wallpaper of Japanese-style restaurants and hotels still use the elegant Edo Karakami techniques. In the video, you can see various techniques, including woodblock printing at 0:52, brush painting at 1:06, paint making at 1:47, and woodblock printing at 2:31. Where to Buy Edo Karakami Source :YouTube screenshot Tokyo Matsuya (東京松屋), a long-established maker of Edo Karakami, is a washi wholesaler dealing in fusuma paper and interior washi made by skilled artisans. On top of the large pieces of washi to decorate hotel entrances and guest rooms, Tokyo Matsuya also sells attractive accessories, such as uchiwa fans, ceremonial pouches, and New Year's decorations made of Edo Karakami, so be sure to check out their showroom and online shop. You can see completed Edo Karakami at 4:04 in the video. Summary of Edo Karakami, a Traditional Japanese Craft Source :YouTube screenshot Washi is an industry that has developed alongside Japanese culture since ancient times. In the video, you can see Yukio Koizumi, a traditional craftsman, making beautiful Edo Karakami. We encourage you to incorporate items made with beautiful Edo Karakami, a traditional Japanese craft, into your daily life! -
Video article 3:54
Otani Ware Is a Traditional Craft of Naruto, Tokushima That Represents Japan. Check Out the Craftsmanship That Uses Unique Cultural Methods!
Traditional Crafts- 170 plays
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「大谷焼」紹介動画 こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「大谷焼」Otani Pottery/伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」だ。 伝統工芸である大谷焼は徳島県鳴門市で生産されている陶器であり、歴史的文化の深い焼き物として多くの日本人に親しまれている。 大谷焼の起源は1780年にまで遡り、豊後の国(現在の大分県)で作られた物が始まりとされている。 伝統工芸である大谷焼の材料は鉄分の多い堆積粘土だが、もともとは赤土で作られていた。 大谷焼とは 大谷焼の特徴は、その大きさである。 伝統工芸である大谷焼は、酒器・かめ壺・植木鉢などの大きな陶器が有名だ。 この大きな大谷焼を作り方は「寝ろくろ」と呼ばれる独特の文化的製法で作られる。 「寝ろくろ」は、巨大な陶器を制作するために考案された文化的製法であり、陶器を制作する職人に加え、ろくろを回す職人の2人で行われる。 ろくろを回す職人は、横に寝て足でろくろを動かすことから「寝ろくろ」と言われる。 現在では陶器を作るろくろは、機械で回すことが多い。 しかし文化的製法で作られる大谷焼は、人間のリズムでろくろを回すことにこだわっている。人間の作るリズムは機械では再現できるものではなく、職人たちの匠の技があってこそだ。 歴史的文化を大切にする大谷焼は、職人の手技によって作られ、機械は使っていない。 ろくろはもちろんのことだが、こて・亀板(きばん)・柄杓(ひしゃく)など昔ながらの文化的道具を現在でも使っており、伝統文化を大切にしている。 伝統工芸である大谷焼は、阿波地方の伝統工芸「藍染」と深い関係がある。「藍染」は藍を原材料にし、衣類等を染める技法だ。 「藍染」では染料を保存する大きな陶器が必要なため、伝統的にこれに大谷焼が使われてきた。 「藍染」は非常に手間がかかるものの、「藍染」特有の柔らかい緑がかった青色は、現在でも多くの方に愛されている。 「藍染」で使われる大谷焼は「藍甕(あいがめ)」という名称で使われている。 徳島県鳴門市では毎年11月の第2土曜・日曜に「大谷焼窯まつり」が開催されている。 大谷焼陶業協会が主催するこの祭りでは、様々な大谷焼を販売している。 「大谷焼」紹介まとめ 伝統工芸である大谷焼は、大きな陶器として有名な焼き物であり、一般的には美術品として親しまれている。 しかし現在では、日用品などの小さな陶器も作られている。 「大谷焼窯まつり」では、皿・徳利・茶器などの大谷焼が市販の2~3割引で販売されており、祭りの目玉になっている。 また、大谷焼の文化的製法を体験できるイベントや大谷焼名陶展などもあるので、日本の伝統工芸に直に触れたいという方にはおすすめの祭りだ。 -
Video article 4:55
Omi Jofu Is a Traditional Craft of Hikone, Shiga Steeped in Japanese Culture. The Kimono, Which Is Characterized by Its Refreshing Comfort, Is Made With the Techniques of Skilled Artisans!
Traditional Crafts- 27 plays
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日本の文化が詰まった伝統工芸「近江上布」の動画について 「伝統工芸 青山スクエア」が公開した「手技TEWAZA「近江上布」Omi Jofu」では、日本の伝統工芸品である近江上布が職人の工房で、出来上がっていく工程を見ることができる動画です。 日本の職人によって丁寧に作られていく近江上布は、芸術品のように美しく見応えがあります。 こちら記事では、日本の文化が詰まった伝統工芸品である近江上布の魅力や作り方を動画に沿って解説します。 日本の文化が詰まった伝統工芸の近江上布とは? 日本の文化が詰まった伝統工芸品である近江上布は、夏の上質な着物地です。 日本を代表する麻織物の産地である滋賀県彦根市は、17世紀に発展しました。 近江上布には、生平(きびら)と絣織(かすりおり)の2種類があり、それぞれで布の材料が変わってきます。 生平は手うみの大麻糸を使い、絣は型紙捺染(かたがみなっせん)、櫛押捺染(くしおしなっせん)の絣糸を使って布を作っていきます。 近江上布は、高級扇子、シャツ、ワンピース、ハンカチ、反物、小物、雛人形、浴衣などに使われており、高級素材を使ったこれらの作品はとても魅力的。 日本の夏を快適に過ごせる素材なので、特に衣類がおすすめです。 購入する場合は、明治22年創業の「金剛苑」という販売店が品揃えが多く人気です。 通販でも購入できるので、公式ホームページをチェックしてください。 日本の伝統的工芸品である近江上布の魅力を知り、近江上布の商品を使ってみましょう! 日本の文化が詰まった伝統工芸「近江上布」の作り方 日本の文化が詰まった伝統工芸品である近江上布は、職人の技術、技法を凝らした作品で職人の手仕事によって出来上がります。 まずは、近江上布の原料となる苧麻(ちょま)から繊維の部分を丁寧に取っていきます。 苧麻を少し濡らすと柔らかくなり繊維が取りやすくなります。 苧麻の繊維を指で裂き、指で撚り(より)ながら繋ぎます。 糸になったら木織り機で布を作っていきます。 江上布伝統産業会館では、伝統工芸士の指導による織り機体験などを行っているので、気になる方はチェックしてください。 日本の文化が詰まった伝統工芸「近江上布」の記事のまとめ 「伝統工芸 青山スクエア」が公開した「手技TEWAZA「近江上布」Omi Jofu」では、日本の文化が詰まった伝統工芸品である近江上布の魅力を知ることができる動画です。 爽やかな着心地が特徴の日本伝統の近江上布。 日本の文化の歴史が詰まった近江上布の作品に触れ、その魅力を知りましょう。