[Image1]Introduction of Futatokoro from WakeidoItem Number: F381104 Title: Awaho zu Futatokoro Signature: Is
[Image2]Introduction of Futatokoro from WakeidoItem Number: F381104 Title: Awaho zu Futatokoro Signature: Is
[Image3]Introduction of Futatokoro from WakeidoItem Number: F381104 Title: Awaho zu Futatokoro Signature: Is
[Image4]Introduction of Futatokoro from WakeidoItem Number: F381104 Title: Awaho zu Futatokoro Signature: Is

Introduction of Futatokoro from Wakeido

Item Number: F381104

Title: Awaho zu Futatokoro

Signature: Issai Toumei (kao)

Certification: [N.B.T.H.K.] Tokubetsuhozon Tousougu

Dimensions: Kozuka Length 97.5mm Width 15mm
Kougai Length 167mm Width 10mm

Period: Last of Edo

School: Goto Ichijyo School

Description: Araki Toumei is a renowned craftsman of the Goto Ichijyo school. He was born in Kyoto in the 14th year of the Bunka era. At the age of thirteen, he became a disciple of Goto Toujō, receiving the character 'Tou' and adopting the name Toumei. Later, he studied under Goto Ichijō, receiving the title of Issai and signing as Issai Toumei, also known as Ginshōtei. Toumei's depiction of millet is his most adept design and has become synonymous with his name. The sharpness of the chiseling beautifully expresses the ripened millet, showcasing a unique worldview in which his carving technique stands unparalleled.

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株式会社和敬堂
荒木東明は後藤一乗の門に学び一斎の工名を許され一斉東明と銘して、吟松亭と号します。東明の粟穂は最も得意とした図柄で、東明の代名詞となっております。鏨運び鋭く実った粟穂が見事に表現され、彫技術は他の追随を許さない独壇場の世界観といえます。龍獅堂コレクションで池田隆雄箱書の龍獅堂箱が付帯しています
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Oct. 28, 2026
Introduction of Tsuba from Wakeido Item Number: E381101 Title: Enso Shidare Sakura Zu Tsuba Signature: Mumei Hikozo Certification: [N.B.T.H.K.] Jyuyo Tousougu Size: Length 80mm Width 77mm Thickness 5mm Period: Last of Muromachi to First of Edo School: Higo Hirata Description During the Sengoku period in Higo Province, Hosokawa Sansai, the lord of the Hosokawa clan, was a cultured individual who excelled in arts such as tea and poetry, having a deep connection with Sen no Rikyū. Under his guidance, the Higo style and Higo tsuba emerged, shining brightly in the world of sword fittings and captivating many enthusiasts. Among Higo, the four families of Hirata, Lin, Nishigaki, and Shimizu formed four branches, all serving the lord and prospering until the end of the Edo period. The Hirata family of Higo is of the Shōami lineage, with the first Hikozo serving Hosokawa Sansai in Kyoto. Following the relocation of the family, he moved to Kumamoto, where he passed away in the twelfth year of Kaei. From his disciples, Shimizu Jingo and Nishigaki Kanshirō emerged, forming the four major schools of Higo metalwork along with Lin Matachi of the Owari lineage. Technically, they inherited much of the Shōami tradition, utilizing materials such as iron, but often favoring colored metals like Yamadō, brass, and copper, adding elegant decorative features such as inlay work and Amida rasps. This piece features a harmonious blend of rich iron and gold inlay depicting weeping cherry blossoms. Overall, it exudes a high level of elegance, combining an ancient charm with practicality, making it a prime example of Hikozo craftsmanship.
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Oct. 23, 2026
Introduction of Kozuka from Wakedo Item Number: K381102 Title: Taketora zu Kozuka Signature: Somin (Kao) Certification: [N.B.T.H.K.] Tokubetsu Hozon Tousougu Dimensions: Length 96.3mm Width 14.5mm Period: Middle of Edo School: Yokoya school Description Yokoya Somin was a renowned craftsman representing the Edo Period and is considered the founder of a group known as Machibori, which served the Goto family. He produced many branches, including Yanagawa, Ishiguro, and Omori schools, shaping Edo metalwork. Somin was born in the 10th year of the Kanbun era, known as Nagajiro, and later changed his name to Jibei. He initially signed as Souchi but adopted the name Somin around the 7th year of Genroku after his father's death. Somin studied the painting style of the famous Kanō school and incorporated it into his metal engraving techniques. In addition to the traditional high relief style, he established a new realm known as Katakiri-bori. This engraving technique from the Yokoya school received great admiration and had a significant impact on the future of metalwork. This piece is an exquisite example of Katakiri-bori, creating a sensation akin to viewing a hanging scroll. It features Somin's specialty, the Taketora (bamboo tiger) design, characterized by the tiger's charming expression and skillful execution, all depicted through Katakiri-bori. The strength and subtlety of the chiseling are remarkable, truly showcasing a master craftsman.