For more than 70 years since our founding, we have cherished the transmission of Japanese sword culture and trustworthy sword transactions.
Through appraisal, sales, and purchase services, we connect customers with their ties to Japanese swords.
On this official account, we will share a wide range of information, from the appeal of the swords and fittings handled by Wakeido to appraisal and purchase details and trivia about Japanese swords.
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Japanese Sword – Wakeido posted.
Introduction of the sword from Wakedo
Model Number K380911
Sign Mumei Naoe Shizu
Certif [N.B.T.H.K] Tokubetsu Hozon Touken
Scabbard Document Sato Kanzan
Size Blade length 74.3 cm Curvature 1.35 cm Mekugi 1 Hole
Country Mino
Period Nanbokucho
Shape Shinogi-zukuri, Iori-mune, body width, thickness balance, with curvature, and a lively tip.
Forging It features itame-hada and o-hada, with a visible surface pattern
Hamon Gunome midare with a slightly drooping pattern, featuring ashi, and a flowing grain in the hamon, with gold lines present.
Boshi Irregular with a sweeping tip, resembling flames.
Tang O-suriage, with a pointed end
Explanation
In the region of Naoe in Mino Province, Kaneuji, counted among the ten great masters of Masamune, settled and his faction flourished. Later, his disciples Kanetomo, Kanetsugu, Kaneshige, and Kanenobu relocated to Naoe, where they continued to forge swords. Thus, the group of swordsmiths from this lineage is collectively referred to as Naoe Shizu.
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Japanese Sword – Wakeido posted.
Introduction of the sword from Wakeido
Item number K380911
Sign Wakasanokami Fujiwara Ujifusa
Certification N.B.T.H.K Tokubetsu Hozon Touken(Special Preservation Sword)
Size Blade length 74.3 cm Curvature 1.35 cm Mekugi hole 1 Width at the base 30.7 mm Width at the tip 23 mm Thickness at the base 7.6 mm
Country Owari Province
Period Late Muromachi period, around Tensho
Shape Shinogi-zukuri, with an anmune, body width, and thickness slightly curved, with a rounded tip
Forging Well-formed itame-hada, with bright steel and fine ji-nuri
Hamon Irregular choji midare with five patterns, with a strong nioi and bright nioi-guchi
Boshi Irregular, rounded tip with a sweeping curve
Tang Unfinished, slightly raised at the edge, with cross-cut file marks
Shirasaya Yes
Explanation
Wakasanokami Ujifusa, initially known as Kanefusa, was the son of Kanefusa from Seki. He was invited to the provincial capital by Imagawa Ujizane to forge swords and was permitted to use the character 'Uji' in his name, becoming Ujifusa. He received the title of Wakasanokami in the 13th year of Eiroku and was active during the Genki and Tensho periods. Later, he moved to Owari and became a central figure in Owari swordsmithing along with his eldest son, Hida no Kami Ujifusa.
His style features choji blades with a nioi finish and strong nioi, as well as those with mixed patterns.
This piece exemplifies the former, showcasing a beautifully forged choji blade with a nioi finish, making it a masterpiece of Wakasanokami.
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Japanese Sword – Wakeido posted.
Introduction of Kozuka from Wakeido
Item Number K380910
Title Hai ryu zu Kozuka
Signature Mumei Eijyo
Certification [N.B.T.H.K.] Jyuyo Tousougu
(Attached) Enkyo 2nd year, two gold coins, five ryo, Mitsutaka Origami
Size Length 97mm Width 14mm
Period Momoyama
School Goto 6th
Explanation
Eijyo, the sixth generation of the Goto family, was the legitimate son of the fifth generation, Tokunori, born in the fifth year of Tensho. His childhood name was Kameichi, his common name was Genshirō, and his given name was Masahiro. At the age of eighteen, in the third year of Bunroku, he succeeded the family head and changed his name to Shirōbei Masamitsu, becoming the sixth generation of the family. He served Toyotomi Hideyoshi alongside his father and ancestors from a young age, but became a ronin after the fall of the Toyotomi clan. In the second year of Genwa, recommended by his uncle Naganori, he began serving the Tokugawa family, appointed by Shogun Hidetada to roles involving weights, large coins, and carving, and was granted 250 koku of his former territory in Yamashiro Province and a stipend for twenty retainers in Edo, but died of illness at the young age of forty-one in the following third year of Genwa. Eijyo's style is said to resemble that of Norimasa, often being somewhat larger, but the craftsmanship is generally more delicate than that of Norimasa.
This piece features a flowing dragon in gold patterns over a background of goldfish. The dragon is elegant and dignified, reflecting the characteristics of the Goto family during the Momoyama period, particularly associated with Eijyo, and the attached confirmation from the thirteenth generation Mitsutaka is acknowledged. Overall, it is a splendid piece that showcases the unique charm of Eijyo.
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Japanese Sword – Wakeido posted.
Introduction of Menuki from Wakedo
Item Number: M380905
Title: Botan zu Menuki
Signature: Mumei, Mito
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Left: Height 25.2mm, Width 22.5mm
Right: Height 25.2mm, Width 22.5mm
Weight: 22g (combined)
Period: Late Edo
School: Mito
Description
Mito is one of the Tokugawa Gosanke and a castle town. Here, a group known as Mito metalworkers flourished, forming the Mito carving style and producing many famous artisans such as Yuan Fu, Ichiryu Tomoyoshi, Mikawa Yoshihisa, Hiroyoshi Uchikoshi, and Hagiya Katsuhira. This piece is a menuki of peony made of pure gold, characterized by its large, three-dimensional form and excellent craftsmanship.
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Japanese Sword – Wakeido posted.
Introduction of Fuchikashira from Wakedo
Item Number: F380904
Title: Ebi zu Fuchikashira
Maker: Sominsai Tokinari (kao)
Certification: N.B.T.H.K. Hozon Tousougu
Dimensions: Fuchikashira Height 38.5mm, Width 22.5mm, Thickness 14mm
Head Height 34mm, Width 16.5mm
Period: Late Edo Period
School: Omori School
Description
Arai Tatsujiro was a disciple of Omori Terutoki and excelled in high carving of the Yokoya-style red-copper fish. The Omori School is a prestigious lineage in the Yokoya style, alongside the Ishiguro and Yanagawa schools, founded by Eisho, who trained under Yokoya Somin, and flourished with the second generation, Omori Teruhide. Many disciples emerged from this lineage, including Tatsujiro.
This piece also features a high carving of an Ise lobster on a Yokoya-style red-copper fish base, showcasing impressive power and high skill.
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Japanese Sword – Wakeido posted.
Introduction of Menuki from Wakedo
Item Number: M380904
Title: Zodiac Menuki
Signature: Mumei Teijo
Certification: [N.B.T.H.K.] Tokubetsu Hozon Tousougu
Dimensions: Left: Height 38.5mm, Width 17mm
Right: Height 39.5mm, Width 17mm
Period: Early Edo
School: Goto main family, 9th generation
Description
Teijo Mitsumasa, the 9th generation of the Goto family, was born in the 8th year of Keicho (1603) as the legitimate son of the 7th generation, Kenjo. He was known by the childhood names Toraichi and Minamoto Ichiro, later adopting the name Rihei. He served the Kaga Maeda family, contributing to the development of the Kaga Goto school while also managing the engraving and financial affairs. Interestingly, he became the 9th generation head after the death of the 8th generation, Sokujo, when his son, the 10th generation, Renjo, was still a child, placing him in the same position as his father, Kenjo.
This piece is a Zodiac Menuki made of shakudo, featuring a beautiful color and finely detailed representations of each zodiac sign.
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Japanese Sword – Wakeido posted.
Introduction of Kozuka from Wakedō
Item Number: K380903
Title: Oyako Kohyo Zu Kozuka
Signature: Mon Teijō Mitsuyoshi (kao)
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 97mm, Width 14.5mm
Size: Length 97mm, Width 14.5mm
Period: Early Edo Period
School: Goto 9th
Description
Gotō Teijō Mitsumasa, the ninth generation of the Gotō family, was born in the eighth year of Keichō (1603) as the legitimate son of the seventh generation Kenjō. He was known in his youth as Toraichi and Minamoto Ichirō, later adopting the name Rihei. He served the Kaga Maeda clan and worked on both the metalwork and financial aspects of the clan, contributing to the development of the Kaga Gotō School. After the death of the eighth generation Sokujo, his son the tenth generation Renjō was still young, so Teijō became the ninth generation and served as Renjō's guardian, a position similar to that of his father Kenjō.
This piece is a Kozuka with a tiger and leopard motif crafted by Teijō and perfected by the fifteenth generation Mitsuyoshi of the Gotō family. As expected from Teijō, the work on the tiger and leopard is meticulous, showcasing excellent chiseling techniques.
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Japanese Sword – Wakeido posted.
Introduction of Tsuba from Wakedo
Model Number: T380801
Title: Ryugu Shisya zu Tsuba
Signature: Syo yo ken Mitsutoshi Nobukatsu
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 71mm, Width 68mm, Thickness 4.1mm
Period: Late Edo
School: Yagami school
Description
Mitsutoshi Nobukatsu of the Yagami school is the younger brother of the first Hizen Yagami Mitsuhiro. He traveled extensively and became a disciple of Nanjo Toshiyuki's family in Edo, marrying Yoshiko, the daughter of the Miyamoto family. After the death of his elder brother, he returned to Hizen Yagami, took over the family business, and adopted the name Naganosuke, becoming the second Mitsuhiro. The Yagami school specializes in iron tsuba and is known for its skill in depicting monkeys, but this piece features intricate high-relief color inlays with a design of the messenger from the Dragon Palace, showcasing meticulous craftsmanship and high skill. Nanjo Toshiyuki became part of the Hamano school, so this remarkable work can indeed be said to be a masterpiece by the second Mitsuhiro, who trained in the Hamano style in Edo.
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Japanese Sword – Wakeido posted.
Introduction of Fuchikashira from Wakedo
Item Number: F380801
Title: Hinode Hansen zu Fuchikashira
Signature: Hidetoshi (kao)
Certification: N.B.T.H.K. Hozon Tousougu
Dimensions: Fuchikashira - Height 38mm, Width 22.5mm, Height of Waist 13.4mm
Head - Height 33mm, Width 16.5mm
Period: Late Edo Period
School: Omori School
Explanation
The Omori School is a prestigious school alongside the Ishiguro and Yanagawa schools within the Yokotani lineage, founded by Eishou who trained under Yokoya Somin, and it flourished with the second generation, Hidetoshi.
Hidetoshi Omori was born in Sendai and became a disciple of Hidetoshi Omori. He was the son of Ichigyokusai Eichi and adopted the name Eichi for the second generation, but received the character 'Hidetoshi' from Hidetoshi, changing his name to Hidetoshi. He is a skilled craftsman specializing in dragon and lion motifs in the Omori style.
This piece also features Yokotani-style sand inlay, showcasing the characteristic craftsmanship of the Omori School.
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Japanese Sword – Wakeido posted.
Introduction of the Tsuba from Wakeido
Product Number: T380710
Title: Wave Tsuba
Signature: Gazan Hidetsugu (kao)
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 70mm, Width 65.5mm, Thickness 4.5mm
Period: Late Edo
School: Ohmori school
Description
Gazan Hidetsugu learned from Mito Kinko in the Ohmori school, with notable students such as Eino and Eiryuu.
He specializes in the wave design of the Ohmori-ryu, and this piece is a typical example of his work.
The waves are depicted with golden splashes, showcasing meticulous craftsmanship and high quality.
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