For more than 70 years since our founding, we have cherished the transmission of Japanese sword culture and trustworthy sword transactions.
Through appraisal, sales, and purchase services, we connect customers with their ties to Japanese swords.
On this official account, we will share a wide range of information, from the appeal of the swords and fittings handled by Wakeido to appraisal and purchase details and trivia about Japanese swords.
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Japanese Sword – Wakeido posted.
Introduction of Menuki from Wakedo
Item Number: M380905
Title: Botan zu Menuki
Signature: Mumei, Mito
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Left: Height 25.2mm, Width 22.5mm
Right: Height 25.2mm, Width 22.5mm
Weight: 22g (combined)
Period: Late Edo
School: Mito
Description
Mito is one of the Tokugawa Gosanke and a castle town. Here, a group known as Mito metalworkers flourished, forming the Mito carving style and producing many famous artisans such as Yuan Fu, Ichiryu Tomoyoshi, Mikawa Yoshihisa, Hiroyoshi Uchikoshi, and Hagiya Katsuhira. This piece is a menuki of peony made of pure gold, characterized by its large, three-dimensional form and excellent craftsmanship.
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Introduction of Fuchikashira from Wakedo
Item Number: F380904
Title: Ebi zu Fuchikashira
Maker: Sominsai Tokinari (kao)
Certification: N.B.T.H.K. Hozon Tousougu
Dimensions: Fuchikashira Height 38.5mm, Width 22.5mm, Thickness 14mm
Head Height 34mm, Width 16.5mm
Period: Late Edo Period
School: Omori School
Description
Arai Tatsujiro was a disciple of Omori Terutoki and excelled in high carving of the Yokoya-style red-copper fish. The Omori School is a prestigious lineage in the Yokoya style, alongside the Ishiguro and Yanagawa schools, founded by Eisho, who trained under Yokoya Somin, and flourished with the second generation, Omori Teruhide. Many disciples emerged from this lineage, including Tatsujiro.
This piece also features a high carving of an Ise lobster on a Yokoya-style red-copper fish base, showcasing impressive power and high skill.
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Japanese Sword – Wakeido posted.
Introduction of Menuki from Wakedo
Item Number: M380904
Title: Zodiac Menuki
Signature: Mumei Teijo
Certification: [N.B.T.H.K.] Tokubetsu Hozon Tousougu
Dimensions: Left: Height 38.5mm, Width 17mm
Right: Height 39.5mm, Width 17mm
Period: Early Edo
School: Goto main family, 9th generation
Description
Teijo Mitsumasa, the 9th generation of the Goto family, was born in the 8th year of Keicho (1603) as the legitimate son of the 7th generation, Kenjo. He was known by the childhood names Toraichi and Minamoto Ichiro, later adopting the name Rihei. He served the Kaga Maeda family, contributing to the development of the Kaga Goto school while also managing the engraving and financial affairs. Interestingly, he became the 9th generation head after the death of the 8th generation, Sokujo, when his son, the 10th generation, Renjo, was still a child, placing him in the same position as his father, Kenjo.
This piece is a Zodiac Menuki made of shakudo, featuring a beautiful color and finely detailed representations of each zodiac sign.
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Japanese Sword – Wakeido posted.
Introduction of Kozuka from Wakedō
Item Number: K380903
Title: Oyako Kohyo Zu Kozuka
Signature: Mon Teijō Mitsuyoshi (kao)
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 97mm, Width 14.5mm
Size: Length 97mm, Width 14.5mm
Period: Early Edo Period
School: Goto 9th
Description
Gotō Teijō Mitsumasa, the ninth generation of the Gotō family, was born in the eighth year of Keichō (1603) as the legitimate son of the seventh generation Kenjō. He was known in his youth as Toraichi and Minamoto Ichirō, later adopting the name Rihei. He served the Kaga Maeda clan and worked on both the metalwork and financial aspects of the clan, contributing to the development of the Kaga Gotō School. After the death of the eighth generation Sokujo, his son the tenth generation Renjō was still young, so Teijō became the ninth generation and served as Renjō's guardian, a position similar to that of his father Kenjō.
This piece is a Kozuka with a tiger and leopard motif crafted by Teijō and perfected by the fifteenth generation Mitsuyoshi of the Gotō family. As expected from Teijō, the work on the tiger and leopard is meticulous, showcasing excellent chiseling techniques.
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Introduction of Tsuba from Wakedo
Model Number: T380801
Title: Ryugu Shisya zu Tsuba
Signature: Syo yo ken Mitsutoshi Nobukatsu
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 71mm, Width 68mm, Thickness 4.1mm
Period: Late Edo
School: Yagami school
Description
Mitsutoshi Nobukatsu of the Yagami school is the younger brother of the first Hizen Yagami Mitsuhiro. He traveled extensively and became a disciple of Nanjo Toshiyuki's family in Edo, marrying Yoshiko, the daughter of the Miyamoto family. After the death of his elder brother, he returned to Hizen Yagami, took over the family business, and adopted the name Naganosuke, becoming the second Mitsuhiro. The Yagami school specializes in iron tsuba and is known for its skill in depicting monkeys, but this piece features intricate high-relief color inlays with a design of the messenger from the Dragon Palace, showcasing meticulous craftsmanship and high skill. Nanjo Toshiyuki became part of the Hamano school, so this remarkable work can indeed be said to be a masterpiece by the second Mitsuhiro, who trained in the Hamano style in Edo.
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Introduction of Fuchikashira from Wakedo
Item Number: F380801
Title: Hinode Hansen zu Fuchikashira
Signature: Hidetoshi (kao)
Certification: N.B.T.H.K. Hozon Tousougu
Dimensions: Fuchikashira - Height 38mm, Width 22.5mm, Height of Waist 13.4mm
Head - Height 33mm, Width 16.5mm
Period: Late Edo Period
School: Omori School
Explanation
The Omori School is a prestigious school alongside the Ishiguro and Yanagawa schools within the Yokotani lineage, founded by Eishou who trained under Yokoya Somin, and it flourished with the second generation, Hidetoshi.
Hidetoshi Omori was born in Sendai and became a disciple of Hidetoshi Omori. He was the son of Ichigyokusai Eichi and adopted the name Eichi for the second generation, but received the character 'Hidetoshi' from Hidetoshi, changing his name to Hidetoshi. He is a skilled craftsman specializing in dragon and lion motifs in the Omori style.
This piece also features Yokotani-style sand inlay, showcasing the characteristic craftsmanship of the Omori School.
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Introduction of the Tsuba from Wakeido
Product Number: T380710
Title: Wave Tsuba
Signature: Gazan Hidetsugu (kao)
Certification: [N.B.T.H.K.] Hozon Tousougu
Dimensions: Length 70mm, Width 65.5mm, Thickness 4.5mm
Period: Late Edo
School: Ohmori school
Description
Gazan Hidetsugu learned from Mito Kinko in the Ohmori school, with notable students such as Eino and Eiryuu.
He specializes in the wave design of the Ohmori-ryu, and this piece is a typical example of his work.
The waves are depicted with golden splashes, showcasing meticulous craftsmanship and high quality.
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Japanese Sword – Wakeido posted.
Introduction of Tsuba from Wakeido
Model Number: T380709
Title: Setsurin baijyu karigane sukashi Tsuba
Signature: Mumei Daigoro
Certification: N.B.T.H.K. Hozon Tousougu
Size: Length 84.8mm Width 84.4mm Thickness 3mm
Period: Middle of Edo
School: Kyo Sukashi
Explanation
Kyo Sukashi refers to the ground-sukashi tsuba made in Yamashiro Province, famous alongside Owari, Kanayama, and Akasaka tsuba.
Similar to other sukashi tsuba, the technique is believed to have developed in the late Muromachi period, and during the Edo period,
Kyo tsuba contrasts with the robust and powerful construction of Owari tsuba, being elegant and delicate. The patterns are refined and sophisticated, reflecting the culture of Kyoto.
Among them, the tsuba handled by the tsuba merchant, Daimonji Gorobei, during the middle of the Edo period are particularly well-crafted and refined, collectively known as Daigoro tsuba.
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Introduction of Tsuba from Wakedo
Item Number: T380708
Title: Monsyosei zu Tsuba
Sign: Gyoku ryu ken Nobukatsu
Certification: N.B.T.H.K. Hozon Tousougu
Size: Length 67.5mm, Width 61mm, Thickness 3mm
Period: Late Edo
School: Iwama school
Explanation
The Iwama school, founded by Masayoshi Iwama, has produced many skilled craftsmen such as Shinsui, Shinro, Shangluo, and Nobukatsu. Since Masayoshi Iwama studied under Naoyuki Hamano, the Iwama school left behind magnificent works characterized by the high carving of the Hamano style, producing many excellent pieces.
This piece also features high relief inlay and color painting typical of the Hamano style, showcasing fine craftsmanship.
The diagram of Monsyosei (also known as Bunshousei)
The four stars of the ladle-shaped part formed from the first star of the Big Dipper, Kaisei, are deified as Tokai in China, revered as the god of high-ranking officials and success in the imperial examination. The character for 'kai' (demon) is composed of the characters for 'oni' and 'to' (ladle), depicted as a dancing deity holding a brush in the right hand and a ladle in the left.
Bunshousei shines as the six stars next to Tokai, and together they are considered the gods of literature.
These concepts were transmitted from China, and in Japan, they were regarded as deities bringing peace and prosperity, often depicted with a shachi (mythical creature).
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Japanese Sword – Wakeido posted.
Introduction of Tsuba from Wakeido
Item Number: E380707
Title: Tsuki ni Hototogisu zu Tsuba
Signature: Tokuoki (Shinoyama Tokuoki)
Certification: N.B.T.H.K. Tokubetsu Hozon Tousougu
Dimensions: Length 75.8mm, Width 69.7mm, Thickness 2.8mm
Period: Late Edo
School: Ohtsuki school
Description
The Ohtsuki school represents the Kyoto metalworkers and is founded by Ohtsuki Mitsukō, producing notable artisans such as Hidekō, Ōki, Hidekuni, Tokuoki, and Gessan.
Shinoyama Tokuoki entered the school of Kawahara Hayashi Hidekuni, and in the second year of the Bunkyū era, he was commissioned by the House of Tokugawa to engrave the fittings of the shogun's sword. Due to his achievements, he was granted the title of Ōsumi Daijō, and the following year, in the third year of Bunkyū, he was awarded the title of Ikkyōsai for engraving the fittings of a short sword for Emperor Kōmei. He is a distinguished craftsman representing the Ohtsuki school.
The tsuba depicting the cuckoo in the moon exhibits a refined use of space, showcasing remarkable inlay work with a design of hidden clouds, which is truly elegant.
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