An Introductory Video on "Tokyo Some-Komon," a Traditional Japanese Craft This video, titled "手技TEWAZA「東京染小紋」tokyo some komon dyeing／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," was released by "Traditional Crafts Aoyama Square." Tokyo Some-Komon, the traditional Japanese craft introduced this time, may be more familiar to those living in Tokyo or the Tokyo metropolitan area. A Closer Look at Tokyo Some-Komon, a Traditional Japanese Craft Source :YouTube screenshot Tokyo Some-Komon is a traditional craft that encompasses a wide range of items, from luxury garments, such as kimono and obi, to everyday items such as furoshiki and folding fans. Clothes and kimonos made via the outstanding artisanship and carefully hand-dyed not only on pure silk and cotton but also on handmade Japanese paper, have been highly valued as works of art; and many Tokyo Some-Komon craftsmen have been awarded the Order of Culture. The raw materials used for dyeing include astringent persimmon juice, which has antibacterial and deodorizing properties. Since each piece is handmade by craftsmen, it cannot be mass-produced. There are some workshops where you can experience Tokyo Some-Komon, so consider giving these a visit. "Komon" is a small pattern drawn on the paper stencil which can be seen from 0:26 in the video. The history of Tokyo Some-Komon dates back to the Muromachi Period (1336-1573) and spread during the Edo Period (1603-1868). Dyeing craftsmen gathered in Edo (today Tokyo) to compete with their techniques, and because the crafts popularity blossomed in Edo, it was nicknamed Edo Komon. The Making of Tokyo Some-Komon Source :YouTube screenshot [Step 1: Making the Paper Pattern] The stencil is made of handmade Japanese paper laminated with astringent persimmon. Ise-katagami (made in Suzuka, Mie) is used for Tokyo Some-Komon. On the paper pattern, starch is applied to the parts that will not be colored when dyeing. When the starch is washed off after dyeing is completed, the parts covered with starch will remain white, creating beautiful patterns. After applying the starch, the pattern is dried. [Step 2: Colored Paste] (Video: 1:03 ～) Colored starch is formulated by mixing salt with glutinous rice and rice bran and steaming it, and then kneading the color with dye. Since the color and finished color of the dye are different, the formulation requires a high level of craftsmanship. [Step 3: Stenciling] (Video: 2:01 ～) Colored paste is applied to the fabric with a spatula. This work is sometimes called "shigoki." [Step 4: Steaming] Before the colored paste dries, it is folded into layers and placed in a steaming box to steam it. From here it is steamed for 15 to 30 minutes while the temperature is gradually raised so that the base color will settle into the material easily. [Step 5: Washing] (Video: 3:04 ～) The steamed fabric is then transferred to a water tank and rinsed with groundwater and sawdust to soften the paste. In the past, many dye artisans in Japan were located along rivers because it was convenient for washing fabrics. Source :YouTube screenshot [Step 6: Finishing] (Video: 3:16 ～) Having been washed with water, the fabric is placed in a spin drier, dried, then finely colored, thus completing the piece. Summary of Tokyo Some-Komon Source :YouTube screenshot It's no exaggeration to say that the main characteristic of Tokyo Some-Komon is the density of the Komon designs. Seen from a distance, it looks like a solid color, but as you get closer, you can see the intricate patterns, which has led to pieces made with Tokyo Some-Komon being referred to as works of art. From the Muromachi Period to the Edo Period, Japan had a samurai society, and its culture was simple. For this reason, it is believed that at first glance, a plain small pattern was preferred rather than the ostentatious patterns found in yukata and Kyoyuzen (silk fabrics made in Kyoto). Looking closer, the fashionable and luxurious dyeing techniques would have been loved by the people of Edo. It can be seen in literature and cultural heritages of the Edo period that the culture of Tokyo Some-Komon had become prevalent in formal samurai wear. Also, Tokyo Some-Komon expanded from samurai to the culture of the common people from the middle of the Edo period (around 1700 to 1800). Daily necessities brimming with a playful spirit, such as Tokyo Some-Komon kimono and furoshiki, not only for men but also for women's semi-formal wear, have become very popular. Tokyo Some-Komon was designated as a National Traditional Craft by the former Minister of Economy, Trade, and Industry in 1974. Today, the craftsmanship is used and loved in a wide range of fields such as scarves, lampshades, and traditional handicrafts using handmade Japanese paper. Please enjoy the video showing Tokyo Some-Komon, a traditional craft of Japan. 【Official Website】Tokyo Some-Komon | Traditional Crafts | Traditional Craft Aoyama Square https://kougeihin.jp/en/craft/0201/

日本の伝統工芸「房州うちわ」プロモーション動画について こちらの動画は「IKIDANE NIPPON」が公開した「Boshu Uchiwa: the making of a hand fan」で千葉県房総半島の館山市・南房総市を中心に伝わる房州うちわを紹介しています。 こちらの動画をご覧になれば日本のうちわ文化と、房州うちわが一つ一つ手作業で作られていることを知ることができます。 うちわは日本に古くから伝わる伝統工芸品であり、気軽に持ってかれるお土産です。 こちらの記事では日本が誇る伝統工芸「うちわ」文化の魅力を動画に沿って解説します！ 日本の文化うちわと房州うちわの歴史 うちわの起源は古く中国やエジプトの絵にも書かれ、2000年ほど前の弥生時代に日本へ伝わりました。 また、房州うちわの歴史は元々、江戸で作られていた江戸うちわが戦争により被災し、千葉の房総半島へ移ったのが始まりだとされています。 日本の伝統文化「房州うちわ」と日本のうちわ文化 房州うちわとは京うちわ、丸亀うちわと並び日本三大うちわとして多くの人に愛されています。 房州うちわの特徴は女竹を原料として使用し、丸柄に仕上げている点です。 それに比べ、丸亀うちわは男竹で挿柄を使用するのが特徴。 他にも日本の特徴的なうちわの種類として江戸うちわもあり、藍染めで貼り文字を使って作られています。 日本の伝統文化「房州うちわ」の特徴 房州うちわは房州うちわ振興協議会が中心となり現在でも盛んに生産され、1984年には千葉県指定伝統的工芸品に指定されました。 千葉県には現在も数多くの工房があり、うちわ職人が丁寧にうちわ骨から作っています。 代表的な工房は太田屋・宇山工房、房州堂です。 工房では手仕事でそれぞれの工房の技法で大きさも柄も少し違う作品となっています。 また、道の駅やお土産屋さんでも房州うちわは販売され、作られる工房によって作り方や柄も違います。 うちわは日本の文化が今に残る芸術品と言っても過言はないでしょう。 日本の文化！伝統工芸品「房州うちわ」のを作る21の工程 房州うちわには材料を用意してから21の工程があります。 最初に竹の切り出しから始まり、皮むき、磨き、水付け、割竹、もみ、穴あけ、編竹、柄詰め、弓削、下窓、窓作り、目拾い、穂刈り、焼き、貼り、断裁、へり付け、下塗り、上塗り、仕上げをして完成。 この一つ一つの工程を職人が丁寧に匠の技を屈指してつくりあげています。 日本の伝統工芸品「房州うちわ」の文化と魅力のまとめ 千葉県の房州うちわを紹介させていただきました。 こちらの動画では4分ほどで房州うちわの生産の工程をご覧になれます。 訪日観光の際には、伝統工芸品の房州うちわの作成を体験したり、購入されてみるのも良いでしょう。 それでは、日本の伝統工芸品「房州うちわ」の魅力をこの動画でご堪能ください！

A Traditional Japanese Craft - Edo Karakami This video, titled "手技TEWAZA「江戸からかみ」Edo Karakami／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square," introduces how traditional Edo Karakami is made. The video was uploaded by "Japan Traditional Crafts Aoyama Square" (伝統工芸青山スクエア). Edo Karakami is a traditional craft that involves decorating Japanese paper in various ways. Washi (Japanese paper) has been closely related to Japanese art culture since ancient times. Check out the video to learn more about the traditional techniques of washi paper that have been handed down in Japan since ancient times. The History of Edo Karakami and Japanese Washi Culture Source :YouTube screenshot The origin of washi dates back to the Heian period (794-1192) when it was used to write waka poems. During medieval times, washi came to be used for decorating fusuma and folding screens, mainly in Kyoto. In the Edo Period, due to the prosperity of the Tokugawa Shogunate, many Edo Karakami were made for Edo Castle and the residences of feudal lords. As a result, many washi artisans emerged and began to produce high-quality Edo Karakami by hand. After the Meiji Period, most of the printing blocks and paper stencils were lost due to earthquakes and air raids, but some of them have been reprinted by craftsmen and still exist today. Traditional Edo Karakami - How It's Made Source :YouTube screenshot Edo Karakami is made through various techniques, such as woodblock printing using woodblocks, textile printing using Ise katagami (pattern paper), brush-dyeing using brushes, and with hand sprinkled gold dust. The designs of Edo Karakami reflect the culture of the Edo Period and the tastes of samurai and merchants at that time. Even today, fusuma and the wallpaper of Japanese-style restaurants and hotels still use the elegant Edo Karakami techniques. In the video, you can see various techniques, including woodblock printing at 0:52, brush painting at 1:06, paint making at 1:47, and woodblock printing at 2:31. Where to Buy Edo Karakami Source :YouTube screenshot Tokyo Matsuya (東京松屋), a long-established maker of Edo Karakami, is a washi wholesaler dealing in fusuma paper and interior washi made by skilled artisans. On top of the large pieces of washi to decorate hotel entrances and guest rooms, Tokyo Matsuya also sells attractive accessories, such as uchiwa fans, ceremonial pouches, and New Year's decorations made of Edo Karakami, so be sure to check out their showroom and online shop. You can see completed Edo Karakami at 4:04 in the video. Summary of Edo Karakami, a Traditional Japanese Craft Source :YouTube screenshot Washi is an industry that has developed alongside Japanese culture since ancient times. In the video, you can see Yukio Koizumi, a traditional craftsman, making beautiful Edo Karakami. We encourage you to incorporate items made with beautiful Edo Karakami, a traditional Japanese craft, into your daily life!

Video Introduction of "Butsudan Lacquer," a traditional craftsman of Takaoka Butsudan in Takaoka City, Toyama Prefecture This video, titled "The Journey to Becoming a Buddhist Altar Lacquerer/ Kyoden Buddhist Altar Workshop" (仏壇塗師になる旅 / 京田仏壇店工房), was uploaded by "Nippon Teshigoto Zukan." It introduces "Kyoden Butsudan-ten Koubo," a workshop that manufactures and sells traditional Takaoka Buddhist altars and restores gold foil. From 0:30 in the video, you can see Mitsuhiro Kyoden, a Buddhist altar lacquerer or "nuri-shi" in Japanese. This 5-minute video is perfect for people who want to learn about Buddhist altar lacquerers and the craftmanship behind them. In this article, we'll go over his techniques and preferences along the video. The History of Takaoka Butsudan and Buddhist Altar Lacquerers Source :YouTube screenshot Takaoka Butsudan has a long history dating back to the Edo period (1603-1868) in Takaoka, Toyama. Takaoka Butsudan creates Buddhist altars that must be assembled and they use a large amount of gold leaf. The lacquering techniques used for Buddhist altars was introduced from China along with Buddhism. They're used for painting Buddhist statues, gluing arrowheads, and preventing rust on armor. Mitsuhiro Kyoden, the Buddhist Altar Lacquerer in the Video Source :YouTube screenshot The video introduces the craftsmanship of Mitsuhiro Kyoden, a Buddhist altar lacquerer who paints both wood and lacquer, which are important processes in the production of Buddhist altars. He explains the process from 2:18 in the video. Lacquer is adjusted based on the weather forecast, and then checked on the next day to make further adjustments before applying the final coat. This process is important in creating the best possible work. It's important to keep adjusting the lacquer to the weather conditions each day. If this process is not done properly, brush marks remain on the final product and the polishing process will take longer. There is no textbook on how these processes are done, so the only way to learn is by trial and error and by learning from your mistakes. Mitsuhiro learned the theory of lacquering at university, and when actually doing it, he thinks back on what his teacher taught him thinking things like "so that's what they meant," etc. He passionately says that as a craftsman, he has to challenge himself and keep trying to improve. Summary of Japan's Buddhist Altar Lacquerers Source :YouTube screenshot In this video, you can see the spirit of craftmanship of a Takaoka Butsudan altar lacquerer. A well-built Buddhist altar can be passed down for generations if properly maintained. In this five and a half minute video, you can learn about traditional Japanese crafts and how they're preserved through the hard work of the craftsmen who inherit them. If you're interested in traditional Japanese crafts, be sure to check it out!

日本の伝統工芸螺鈿職人紹介動画 こちらの動画は「ニッポン手仕事図鑑」が公開した「螺鈿職人になる旅 / 武蔵川工房」です。 螺とは螺旋状の殻をもつ貝のことを指し、鈿とは金属や貝による飾りのことを指します。 アワビやヤコウガイ（夜光貝）シロチョウガイ（白蝶貝）クロチョウガイ（黒蝶貝）カワシンジュガイ（青貝）などの材料で幾何学模様を刻むという点で、螺鈿（らでん）は蒔絵や卵殻などとは異なります。 貝の厚さは0.4～1㎜で花鳥風月のデザインを刻むという点でも日本の伝統工芸らしさが際立ちます。 日本有数の伝統工芸螺鈿職人として最も有名な方が、動画で紹介されている武蔵川工房の親方である武蔵川剛嗣さんです。 螺鈿職人を育てた高岡漆器という日本の伝統 日本の伝統工芸である螺鈿職人を育てた歴史背景には、高岡漆器という日本の伝統工芸があります。 高岡漆器の特徴は町人文化のなかで日用品へ職人たちが技術を磨くため漆を塗り、それぞれの技法を乗せたという起源があります。 それらの匠の技として、象嵌という技法が挙げられます。 これは一つの材料に異質の原料をはめ込む種類の作り方で作られた美術品や工芸品を言います。 明治時代になると石瀬松次郎が青貝螺鈿加飾という伝統工芸漆器を始め、青貝塗という日本伝統文化を広めました。 やがて伝統工芸として螺鈿師という立場が確立され、武蔵川工房の武蔵川さんは国指定の伝統的工芸品の認定者となります。 螺鈿は光の加減によって様々な色に映るため、武蔵川工房では暑さを0.1mmまで削り加飾を行います。 高岡漆器独自のこの工程を踏むのが武蔵川工房様の特徴でもあります。 貝の輝きをいかに引き出し、コントロールできるかが伝統工芸を作る螺鈿職人の腕の見せ所であるとも言えます。 現代に活きる日本の伝統文化・螺鈿 現代においても螺鈿職人は様々な工夫を凝らして螺鈿の文化を進化させています。 ペーパーウェイトや帯留め、髪飾りや箸、時計やガラスに細工された螺鈿の作品は見ているだけでも楽しいものばかりです。 武蔵川工房でも皿や飾箱、茶器などへの螺鈿装飾を行ったものが多く制作されています。 動画では2:24よりご覧になることができます。 スマートフォンケースやスマートフォンリングといった現代の生活に即した螺鈿作品を作る螺鈿職人もいます。 日本の伝統文化螺鈿職人紹介まとめ 螺鈿職人は日本には数多くいますが、高岡漆器の歴史を組む武蔵川工房の螺鈿作品は他に類を見ない美しさを持っています。 ぜひ日本の富山県へ訪れた際には螺鈿にも触れてみてはいかがですか。

Video introduction of the maki-e process of a maki-e artist in Wajima City, Ishikawa Prefecture, Japan! What is Makie? This video, titled "Maki-e Time Lapse ART iPhone 6 Case "Zelkova," Lacquer Application, Wajima Lacquer, Maki-e, Goldfish, How to" (Maki-e time lapse ART iphone６ケース「欅」拭き漆 輪島 蒔絵 金魚 工程 A process), was released by "no to char." It's a promotional video that shows Japan's traditional Maki-e lacquerware process in a timelapse. The video shows how Mitsuru Yamashita, a lacquer artist from Wajima City, Ishikawa, who is famous for producing lacquer, paints a beautiful goldfish on an iPhone case made of zelkova. It looks real enough to swim away! Maki-e, a traditional Japanese craft, is a lacquerware technique, that has been handed down since ancient times in Japan. It's a decorative technique that involves drawing a pattern on lacquerware or wood with lacquer or applying metal powder such as gold, silver, and tin on it before it dries. Lacquer is a natural paint made from the resin of plants of the Anacardiaceae family and has a culture and history of being used in architecture, furniture, stationery, etc. in Japan. Lacquered products are manufactured by division of labor, and the craftsmen who apply the decorative Maki-e designs are called "Maki-e-shi" (蒔絵師). In this video, you can see the techniques of the lacquer artist and the time and process required to make the Maki-e goldfish on the iPhone case. In recent years, "Maki-e" products are seen not only as traditional crafts, but products with Maki-e on ballpoint pens, fountain pens, accessories, stickers, etc. have become common as well. These are objects that can be used daily in modern life and are a way to implement a part of Japanese culture and traditional Japanese crafts into your everyday life. Maki-e, A Traditional Japanese Craft: How It's Made Source :YouTube screenshot In this video, they begin by designing the goldfish, which can be seen from 0:07 in the video, then copying the sketch called an "Okime" on the zelkova iPhone case, applying lacquer with a Maki-e brush, and then sprinkling it with metal powder and then drying it. At the end, they apply "fuki urushi" (wiping lacquer) to the zelkova iPhone case in order to finish it with a beautiful glossy transparent wood grain. You can see the beautiful shining Maki-e design and the finished product, from 1:54 in the video. The finished lacquer gives off a beautiful luster, and you can experience the beauty of traditional Japanese Maki-e and the magnificence of handicrafts in Japanese culture. Maki-e is categorized into several types depending on the process used, including "Hira Maki-e," "Togidashi Maki-e," "Taka Maki-e," and "Shishiai Maki-e." The technique that is seen in the video is "Taka Maki-e" and the lacquer is raised to draw a pattern and express it in a relief shape. The goldfish that rises smoothly from the wood is three-dimensionally expressed by the unevenness of the lacquer, and it is characterized by the deep color of the lacquer that has been applied many times. Summary of Maki-e, A Traditional Craft That Conveys Japanese Culture Source :YouTube screenshot Maki-e is said to have originated in the Heian period (794-1185), and it is an aspect of Japanese culture and traditional crafts with a long history. There are also national treasures that have been made using Maki-e techniques, and it is one traditional craft that should be protected as a traditional technique that conveys Japanese culture. Videos like this, where we can learn about traditional Maki-e techniques and how to use them, are important in passing down the traditional craft to future generations so they may cherish it like their ancestors did before them.

Introducing the Self-Supporting Motorcycle, Honda Riding Assist The video "Video Explanation [Honda Riding Assist]" (動画で解説「Honda Riding Assist」), uploaded by "nikkeibp," introduces the the Honda Riding Assist developed by Japanese motorcycle manufacturer, Honda Motor Company. Enjoy the amazing features of the futuristic motorcycle! What is Honda Riding Assist? Source :YouTube screenshot Honda Riding Assist is a motorcycle that can stand on its own when running at low speeds and when stopped. The electric motor moves the front wheel from side to side to balance. From 0:17 in the video, you can see the motorcycle standing its own. The rider even stands up! This is an appication of the robotics technology and humanoid robotics research developed for ASIMO and other products. Normally, motorcycles lean in the direction the handlebar is turned, but the motorcycle developed by Honda leans in the opposite direction to counteract the imbalance. This is thanks to the movement of the front wheel. At low speeds, the front wheels slide forward and the ground contact point moves in front of the turning point. When driving normally, the center of gravity shifts in the direction the handlebar is turned, but at low speeds, the turning point is behind the contact point and the center of gravity shifts in the opposite direction to where the handlebar is turned. This makes it possible for the motorcycle to balance on its own. You can see an explanation from 0:34 in the video. There are currently no plans to sell the Honda Riding Assist. The Technology of the Honda Riding Assist Source :YouTube screenshot The Honda Riding Assist was developed to provide stability at low speed and to improve riding comfort and security during traffic and when stopped. By adopting "e-Drive" it is also eco-friendly and carbon-free, which is Honda's vision for the future. They announced the self-support "Honda Riding Assist" motorcycle at “CES2017” in January 2017, and in the same year, they announced “Honda Riding Assist-E” at the Tokyo Motor Show. Everyone was surprised to see the handle turning automatically. Walking With Honda Riding Assist Motorcycle Source :YouTube screenshot Because the motorcycle works without a rider, it can self-propel and move around as if going for a walk. At 2:16 in the video, you can see the bike following behind the rider. Technologies like this help to reduce the risk of accidents and lead to safer touring. The Future of the Honda Riding Assist With the self-support function introduced in the video, we could even begin to see motorcycles that can be enjoyed by those with disabilities and the elderly. e-Drive, the power train, is equipped with a large-capacity battery that can also function as a power source during disasters. Summary Source :YouTube screenshot What did you think of the Honda Riding Assist, a futuristic free-standing motorcycle developed by Honda Motors? The technology featured in this article has the ability to change the future of motorcycles forever. Currently, there are no plans to sell this motorcycle, but if they do, what do you think it'll go for? Keep your eyes peeled for news about the Honda Riding Assist! 【Official Website】Honda Riding Assist: https://global.honda/newsroom/news/2017/c170109eng.html

愛知にあるトヨタ産業技術記念館をご紹介！ 愛知にあるトヨタ産業技術記念館では自動車や繊維について学べたり、見て楽しめたりする施設です。 とても評判がいい人気の観光スポットになっており、最近では外国人観光客も増え、注目されています。 日本の代表的な企業であるトヨタの歴史に興味がある人、自動車や繊維を作るときの技術を知りたい人、ものづくりに興味がある人など、さまざまな人が楽しめる施設です。 この記事では、トヨタ産業記念館についての概要や、おすすめの動画などについて説明したいと思います。 愛知にあるトヨタ産業技術記念館とはどんな施設？ 愛知県に位置するトヨタ産業技術記念館は、自動車の技術と繊維の機械技術が展示されている博物館です。 また、トヨタ産業技術記念館はトヨタテクノミュージアムとも呼ばれています。 自動車館と繊維機械館があり、それぞれでトヨタのものづくりのこだわりや情熱を感じることができます。 施設内に、ものづくりに対するこだわりや哲学などが書かれており、自動車や繊維に興味がない人でも学べるところがたくさんあります。 トヨタの歴史や考え方を学べる、まさにトヨタ博物館です。 無料のガイドツアーを利用すれば、より深く自動車や繊維の技術について知ることができます。 ぜひガイドツアーを利用してみてください。 愛知にあるトヨタ産業技術記念館の感想は？ 愛知にあるトヨタ産業技術記念館は評判のいい口コミや感想がたくさんあります。 トヨタのものづくりのこだわりが知れる。自動車と繊維の機械技術を学べる。サービスの質がいいなど、魅力たっぷりのトヨタ産業技術記念館。 トヨタミュージアムショップもオリジナルの食品や自動車のグッズなどのお土産が売られており、評判のいい店です。 愛知にあるトヨタ産業技術記念館の料金やアクセスなど 愛知にあるトヨタ産業技術記念館を見学するときの料金や、交通アクセス、見学するときの所要時間などについて説明します。 ・料金　 大人500円　中高生300円　小学生200円 ・交通アクセス　 所在地　愛知県名古屋市西区則武新町4-1-35 名古屋本線「栄生駅」から徒歩3分 名古屋駅から「なごや観光ルートバス”メーグル”」に乗り「トヨタ産業技術記念館」で下車 ・滞在時間 2時間～3時間 トヨタ産業技術記念館や自動車に興味がある人はこちらの動画がおすすめ 愛知県観光協会が制作するトヨタテクノミュージアムを紹介している動画です。 繊維の機械技術や昔の自動車が紹介されており、とても興味深い動画です。 自動車や繊維などのものづくりに興味がある人はぜひ見てください！

伝統工芸品「伊勢形紙」紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「伊勢形紙」Ise-katagami Paper Stencil／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 伊勢形紙（いせかたがみ）は、型染めに用いられる型紙です。 古くから伊勢（三重県鈴鹿市）で作られ、現在でも流通している90％以上の伊勢形紙はこの地域で生産されています。 伊勢形紙は1955年に、文化財保護法に基づき工芸技術としての重要無形文化財に指定され、6名の職人が重要無形文化財保持者（人間国宝）として認定されました。 1983年には通産省の伝統的工芸品の指定も受けています。 日本の伝統工芸品である伊勢形紙とは 伊勢形紙は、柿渋で張り合わせて補強した美濃和紙を台紙にし、文様や図柄を彫刻刀で丹念に彫り抜いたものです。 職人が彫刻刀による手彫りで図柄を彫り抜いて作りあげる独特の風合いが魅力です。 千有余年の歴史を誇る伊勢形紙は、古くから友禅や小紋、浴衣など着物の文様の型染めに用いられてきました。 図柄の芸術性が再評価され、現在は着物の染色のみならず生活に密着した日用品などにも使用されるようになっています。 例えば襖・障子などの室内装飾やLED照明にも応用されるなど伊勢形紙の新しい取り組みに注目が集まっています。 さらに団扇、扇子、しおりなどの和小物は連日多くの外国人観光客がお土産品として買い求めています。 日本の伝統工芸品である伊勢形紙の制作工程 繊細で美しい文様で世界的に高く評価されている伊勢形紙ですが、型紙を作るには高度な技法と根気が必要です。 動画でご覧になれる制作工程を簡単に説明すると、まず最初は型地紙づくりです。 美濃和紙を柿渋でベニヤ状に張り合わせ、天日乾燥と室枯らし（燻烟）を繰り返します。 ここまで延べ40日ほどかけて作られます。 出来上がった紙を選別後、2、3カ月～1年間、寸法を安定させるために寝かせます。 出来上がった伊勢形紙は染型紙として用いられ、細かい刃先の彫刻刀で精巧微細な図柄を彫っていきます。 色や素材の使い方しだいで、職人の技法とデザインセンスが光る作品が生まれるのです。 日本の伝統工芸品である伊勢形紙紹介まとめ 残念なことに着物の需要の減少によって伊勢形紙業者は縮小傾向にあり、技術保存会などが用意された型紙に彫っていく1日体験コースや、本格的な伊勢形紙の技術が学べる弟子入りコースなど優れた技術を後世に伝えようと様々な工夫をしています。 その反面、手仕事から生まれる美しい模様の伊勢形紙は日本文化の象徴、また伝統工芸品として外国人旅行客に好まれています。 伊勢形紙はこれからも美術伝統工芸品として高く評価され、人々を魅了し続けることでしょう。

Introducing the Tatami Craftsmen of Matsuya Tatami Shop! This video, titled "Nippon Handicraft Encyclopedia - Matsuya Tatami Shop" (ニッポン手仕事図鑑 × 松屋畳店), was released by "Nippon Handicraft Encyclopedia" (ニッポン手仕事図鑑). The video shows the craftsmen of Matsuya Tatami Shop, a long-established tatami store with a long history dating back to the Genroku Period, reupholstering tatami mats. The craftsmen that are introduced in the video are Tomoki Okawa, an 11th generation craftsman of Matsuya Tatami Shop in Kiryu City, Gunma Prefecture, and his father, Masao Okawa, the 10th generation craftsman of the establishment. You can see Tomoki Okawa from 0:54 and Masao Okawa from 2:15 in the video. What Are Japan's Tatami Mats? Photo：The main material of tatami, Igusa The tatami mat is a traditional flooring in Japan and its main material is rush which is grown by farmers. Tatami craftsmen knit together domestic, high-quality rush grass using methods that have been handed down since ancient times, and after laying it on a board, sew on the edges. The size of Japanese tatami mats is fixed, and the tatami mats created by the craftsmen fit perfectly on the floor of Japanese-style rooms like puzzle pieces. Among those with skills like the craftsmen of Matsuya Tatami Shop introduced in the video, some craftsmen are qualified as First-Class Tatami Technicians. If you want to change out your Japanese tatami mats, it's best to leave the whole process of tatami mat construction to craftsmanship professionals, such as Matsuya Tatami Shop introduced in the video. A Look at the Effects and Benefits of Japanese Tatami Mats Source :YouTube screenshot The effects and benefits of Japanese tatami mats include antibacterial properties, air purification, heat insulation, and humidity management. The fact that tatami, which is cool in summer and warm in winter, has been used since ancient times is a testament to the wisdom of the Japanese people. Also, the Japanese tatami mat has moderate elasticity and so it can be expected to absorb sounds or vibrations. Furthermore, Japanese tatami mats are made from naturally derived ingredients, so it also provides a soothing effect similar to the outdoors. Another good thing about tatami mats is that if you're careful when cleaning them and take proper care of them, they can be used for a long time. Get Acquainted With Japanese Tatami Source :YouTube screenshot For those who don't have a Japanese-style room, we recommend trying some handicrafts made out of tatami to get an idea of what it's like. Japanese tatami accessories, such as tatami book covers and card cases seen at 9:41 of the video, are sold on the internet for reasonable prices. Summary of Matsuya Tatami Shop Source :YouTube screenshot The video showcases the allure of traditional Japanese tatami while introducing Matsuya Tatami Shop. Many years have passed since the prosperous days of traditional Japanese tatami culture, and in recent years, the number of houses without Japanese-style rooms is increasing. That being said, recently, Japanese-style rooms with tatami mats are being re-evaluated. If you're planning on building a house, consider using tatami mats that have a wide range of benefits!

What is the pride of Kanazawa City, Ishikawa Prefecture, Hokuriku Region, and its food culture Kami-gashi? This video, titled "Jonamagashi: Kanazawa Food Culture, Seasonal Japanese Sweets｜nippon.com" (上生菓子：四季を彩る金沢の菓子文化| nippon.com), was created by "nippon.com." Kanazawa City in Ishikawa Prefecture was a castle town of the Kaga domain during the Edo Period, and the traditional Japanese sweets produced here are some of the best in Japan, on par with those produced in Kyoto (京都府) and Matsue, Shimane (島根県松江市). There are three main types of Wagashi (traditional Japanese sweets): Higashi (干菓子), Namagashi (生菓子), and Jonamagashi. Of these three types of wagashi, Jonamagashi is thought to have played an integral role in the development of tea ceremony culture in Japan. Kanazawa is a city steeped in culture and history, second only to Kyoto in Japan, and has a tradition of producing high quality, artistic Jonamagashi famously decorated with gold leaf. A high level of skill is required to make Jonamagashi, which is what makes them so special amongst Japanese sweets. They are a confectionary that appeals to all five senses and are a great way to celebrate the changing of the seasons. The History of Jonamagashi and Tea Ceremony Photo：Tea Ceremony Tea ceremony in Japan dates back to the Azuchi-Momoyama Period when it was systematized by Sen no Rikyu (千利休) who is considered the founder of tea ceremony. It wasn't until the 1,700's, during the genroku portion of the Edo Period, that tea ceremony really spread throughout the rest of Japan, and Kanazawa is thought to be the birthplace of Noto (能登) Jonamagashi. Tea ceremony is held based on a particular theme, and the tools used vary depending on the chosen theme. This is called "dougugumi" (道具組). Wagashi are carefully selected and only those which complement the tools used in tea ceremony are chosen. This is also taken into consideration when creating Jonamagashi, resulting in a variety of beautiful shapes and designs. Artisan wagashi makers must channel all of their skills into the creation of one type of wagashi. You can hear Ishikawa Prefecture Tea Ceremony Association representative Sosui Oshima (大島宗翠) speak more about the subject from 0:54 in the video. How To Make Jonamagashi Source :YouTube screenshot Second generation wagashi maker Hironobu Yoshihashi of the well-established wagashi store "Yoshihashi" (吉はし), which has been in business for over 70 years, is featured in the video from 1:17. Enjoy watching the skilled hands of the artisan wagashi makers. Since Japan has a very warm and humid climate, a high proportion of sugar is necessary to preserve the wagashi. However, in the past, sugar was a luxury product that could only be afforded by the rich and wealthy. A great deal of thought and care is put into the taste, texture, design and feel of Jonamagashi. Jonamagashi are often referred to as the ultimate wagashi, with an extremely high level of artistic quality. From 1:58 in the video, you can take a look at Jonamagashi which have been designed to represent each month of the year. Summary of Kanazawa's Jonamagashi Source :YouTube screenshot From 0:45 in the video, you can see "Ajisai" (紫陽花), the most famous Jonamagashi. This is one of the items available for purchase at Kanazawa's wagashi store, "Yoshihashi". You can purchase Jonamagashi from Yoshihashi by ordering online before visiting the store. Beautiful Jonamagashi from the wagashi store Yoshihashi are the perfect souvenir to take home from your trip to Kanazawa! Jonamagashi are also a great way to enjoy the changing seasons, a treat which is pleasing for both the eyes and taste buds!

Takayama Tea Whisks This video was made by Japanese Traditional Crafts Aoyama Square, a shop dedicated to Japanese traditional crafts, to introduce the Takayama Tea Whisk. Photo：Chasen (Tea Whisk) In the unique culture of Japanese tea ceremony, tea whisks are used for making matcha tea. Takayama Tea Whisks are traditional instruments made of bamboo and individually hand-crafted by artisans. In this article we'll introduce the charms and manufacturing process of Takayama Tea Whisks. Be sure to follow along with the video. Takayama Tea Whisks and Traditional Japanese Tea Ceremony Source :YouTube screenshot Japan has many traditional crafts with a long history. There is a wide variety of crafts including lacquerwares, ceramic wares, Buddhist altars, textiles, bamboo works, woodworks, Japanese paper, and many more. Tea ceremony utensils are traditional crafts that also have high cultural value as well. The tradition of tea drinking is said to have already started in the Heian period (794-1185 AD) in Japan. During the Kamakura period (1185 – 1333 AD), monk Eisai brought tea ceremony to Japan. As one of the most expensive tea whisks used for tea ceremony, the traditional Takayama Tea Whisk is made in Takayama in Ikoma City, Nara. The History and Cultural Value of Takayama Tea Whisks The production of Takayama Tea Whisks started around the middle of the Muromachi period (1336 – 1573 AD). The tea whisk was requested by Juko Murata, who started the tradition of Wabicha (a style of tea ceremony). Takayama Tamibe-no Jounyudo Souzetsu, the lord of Takayama’s son, accepted the request and made a special tea whisk for Murata. The tea whisk was presented to Emperor Gotsuchimikado and cherished by him. After the Edo period, the art of making Takayama Tea whisks had been handed down from artisans to only one of their children as a secret technique. In recent years however, the craftmanship has been passed down to 16 apprentices. The craft has been passed on as a handicraft of artisans in Takayama, Nara as well. The Characteristics and Manufacturing Process of Takayama Tea Whisks Source :YouTube screenshot Takayama Tea Whisks are made with many types of bamboo such as Henon bamboo, black bamboo and soot bamboo which is smoked in a hearth for many years. The edge of a bamboo pole is cracked into pieces, shaved thin, curled and fixed, then wrapped together to form a bamboo whisk. The painstakingly crafted Takayama Tea Whisks are truly works of art. Take a look at 0:29 in the video as it introduces the manufacturing process of Takayama Tea Whisks in detail. Summary of Takayama Tea Whisks The tradition of Japanese tea ceremony is also very popular outside Japan as it shows the Japanese spirit of Wabisabi. You can see that each tool made in the workshop is also a very profound traditional craft. We hope after reading this article and watching the video that we've sparked your interest in Takayama Tea Whisks. The maker of the video, Japan Traditional Crafts Aoyama Square, sells a variety of products including Takayama Tea Whisks. If you want to experience traditional Japanese culture or tea ceremony culture, we highly recommend that you purchase a traditional Takayama Tea Whisk. 【Official Website】Japan Traditional Crafts Aoyama Square https://kougeihin.jp/en/

Video introduction of the craftsmanship of a female dyeing artist in Kyoto, Japan Source :YouTube screenshot ANA Global Channel aired the video "Artisan of traditional dyeing/Interview - IS JAPAN COOL? CRAFTSMANSHIP" (Artisan of traditional dyeing／Interview - IS JAPAN COOL? CRAFTSMANSHIP（染織家）) featuring female artisan Sarasa Yoshioka. Dyeing and weaving originated in China, India, Rome and Greece, and was introduced to Japan in the 3rd century AD. In the video (2:35), Yoshioka says that the technique is mentioned in the old text "Manyoshu" and the "Engishiki" (a Japanese book about laws and customs) which were both completed during the Heian period (794-1185). The Engishiki documented the ancient dyeing recipes. Having been designated as Intangible Cultural Property, dyeing and weaving technique and textiles such as Kimono and Obi are the important traditional crafts. In this video, female artisan Sarasa Yoshioka, talks about the history of dyeing, a traditional Japanese craft, and her passion for it. It also captures her superior artisanal skills. Magical Patterns Hand-Dyed by Artisans Source :YouTube screenshot There are two main types of dyeing and weaving: Sakizome- in which yarns are dyed first and then woven, and Atozome- in which the cloth is dyed after it is woven. The former is represented by these Kimono makers in the form of Yu-kitsumugi, Nishijin, and Nishikiori. Examples of the latter include Kyo-yu-zen and Kagayu-zen which are known for the splendid picturesque patterns. Sakizome requires a higher skill level than Atozome, and thus Sakizome textiles cost more. The Methods and Materials of Traditional Japanese Dyeing and Weaving Colors are most commonly extracted from plant sources such as roots, tree bark, and nuts. Yoshioka says the plants that are hard to grow are typically supplied by contracted experts (2:08). Indigo dye is one of the oldest and most common dyes to be used for textile dying. Since Indigo has antibacterial and insect repellent effects, it is thought that people wore indigo dyed clothing to keep insects and infections away. The Role of Dyers and Their Delicate Craftsmanship Source :YouTube screenshot The Heian period (794-1185) was the peak of the Japanese Imperial court and aristocratic culture. The garments wore by the upper classes were made by dyeing and weaving artisans. For this reason, dye artisans at that time held a high position in Japan's hierarchical society. The garments wore by the present day Emperor and Empress in the court functions are still made using this traditional technique. These formal court dresses, such as Sokutai and Junihitoe, can only be handmade since the delicate weaving cannot be done by machines. Automated weaving machines were imported to Japan during the Meiji period (1868-1912) and silk textiles were designated as a main industry. Being inferior to the Great Powers in the heavy industries, Japan relied on the techniques of the dyeing and weaving artisans to acquire foreign currency, with the aim of becoming a member of the Great Powers. The Future of Dyeing and Weaving The dyeing and weaving industry, which is both time and labor intensive, has been on the decline for quite some time. Today, however, the increasing number of universities or fashion design schools integrate it in the school curriculum in order to prevent the traditional craft from dying out. The number of young people apprenticed to a dyeing and weaving artisan is also increasing little by little. Kimono, obi, tenugui and other textile products are popular as souvenirs of Japan's overseas markets, and the more opportunities there are for dyed fabric weavers to play an active role, the more likely they are to pass on this traditional Japanese craft to future generations. Traditional Dyeing and Weaving: An Academic Point of View Photo：Dyed goods You may imagine that dyeing and weaving is mainly based on tough outdoor work, but it is also an embodiment of highly developed chemistry. As seen in the video, the majority of plant dyes requires the use of mordant such as vinegar or natural alum to enhance and fix the color in the textile fibers. In other words, dyers obtain the brilliant colors through chemical reactions between the materials. Dye artisans imagine the final product before they even begin. "The color we want to achieve is decided from the beginning, and we use our experience and sense to adjust the color closer to the desired color" says Yoshioka (7:05). In order to achieve the client's desired color, the weavers use all of their wisdom as artisans. Yoshioka says that obtaining the color desired by clients is "a mission given to dye artisans" (7:47). It is not only fabrics, yarns of silk, linen and cotton she dyes, but also washi papers. Every year, she spends the winter months dyeing papers to dedicate to the Buddhist ceremony held at To-daiji Temple in Nara prefecture (5:58). Summary of Japanese Traditional Dyeing and Weaving The video features a dyeing and weaving artisan, Sarasa Yoshioka who works in the Kyoto-based atelier "Somenotsukasa Yoshioka." Sticking to the traditions, the atelier uses only plants dyes and the traditional dyeing method. Dyestuffs are soaked and simmered in the pure spring water of Fushimi (a district in Kyoto), pumped up from 100 meters underground. In this method, a variety of colors and shades can be obtained with the same dye, and the delicacy of dyed fabric is beautiful. In this article, we introduced the history of dyeing, its production methods, origins, and the raw materials used, alongside the interview with craftswoman, Sarasa Yoshioka. In the video, you can see and hear more of what she has to say and also take a look at her technique. Be sure to check it out! Traditional Japanese textiles are available online at retailers such as amazon or rakuten. Using the traditional crafts will lead you to appreciate the value of the traditional craft, as well as the skills of its artisans. 【Official Website】Somenotsukasa Yoshioka https://www.textiles-yoshioka.com/eng/

Kei Truck Gardens If you're looking to get a taste of Japanese culture or see some traditional Japanese crafts, then look no further than Kei Truck Gardens! This video will introduce you to the art of Japanese landscaping... in the back of a truck! The video is called "Kei Truck Gardens. Transform the bed of your truck!" (軽トラガーデン　軽トラックの荷台を庭に！). It was created by "yuji kuroda 96TV." It's an interesting video that introduces a unique take on gardening. Probably not very many people have heard of this before, so let's take a look at what it's like! In this article, we'll give you an overview of the Japanese kei truck garden. We will explain the outline of the kei truck garden as well as its appeal. What is a Kei Truck Garden? Source :YouTube screenshot The kei truck garden, a new type of Japanese landscaping, is a unique garden created in the bed of a kei truck. Kei truck gardens started about 10 years ago to increase the publicity of gardening. The unexpectedness of a garden located in a small space in the back of a truck attracted a lot attention, and the gardens received high praise from overseas as well. In addition, the kei truck garden is not only unexpected, but also allows you to move the garden from place to place as is. It also has the advantage of being able to be exhibited at events and contests/shows. These small works of art a definitely worth a watch. Be sure to check them out in the video! How to Make a Kei Truck Garden The charm of the kei truck garden is having the beauty of a Japanese garden condensed into a small space. The gardeners use sand, rocks, pines, and moss to create gardens in the limited space (2m×1.4m). Every detail of the garden is handcrafted by the gardener, and it's hard to believe you can fit it all in the back of a kei truck. The video shows the viewer a variety of beautiful works in different kei trucks. Source :YouTube screenshot You can also see a wide variety of gardens at the regularly scheduled kei truck garden contests. Find different features such as tasteful water dripping landscaping. The Instagram-worthy trucks lined up in a row with their beautiful gardens and flowers makes for an amazing sight. Where Can You Find the Unique Kei Truck Garden Contest? Source :YouTube screenshot The unique kei truck garden contest takes place in many places in Japan. In the past, contests have been held at the World Expo and in Osaka, Toyama, and Shiga. This contest started at the plants event in Toyama in 2011. The Kei Truck Garden Contest was first held in 2011 as part of a greening event in Toyama Prefecture, and has since been held at greening and skills events in various regions across the country, with 2018 and 2019 being held in Akita and Osaka, respectively. More information can be found on the website of the Japan Federation of Landscape Contractors, so if you're interested in the Kei Truck Garden Contest, be sure to check it out. Summary of the Kei Truck Garden We hope that this video has piqued your interest in Japanese gardening. It's quite a unique style of gardening, but it's very interesting what people come up with. The contest, in which gardeners compete for skills, has become a popular event and there was even a show made about it. Be sure to check out the event and find your favorite garden! 【Official Website】Japan Federation of Landscape Contractors https://www.jflc.or.jp/english.php

Promotional Video Introduction of Izumi Dragonfly Ball Craftsman in Izumi, Osaka This video, titled "#118 Izumi Tombodama Craftswoman – Matsuda Yuki - Door to Tomorrow by At Home" (#118 和泉蜻蛉玉職人 松田 有綺 | 明日への扉 by アットホーム) by "Door to Tomorrow by At Home," is from a television program broadcast on tv in July, 2019. This 20-minute long video was originally broadcast in four parts and we highly recommend watching it if you're interested in any of the following: ・Learning more about the restoration of the national treasures of Byodoin Temple in Kyoto. ・Gaining insight into how traditional Japanese glass beads ("Tombodama") are made. ・Learning more about the Izumi Tombodama craftsman who is working hard to preserve Japanese culture. Yuki Matsuda (松田有綺), the craftswoman featured in the video, continues to work hard acquire the skills necessary to pass on Japanese culture to future generations. You can see Yuki Matsuda from 1:31 in the video. In this article, we'll go over how Japan's Tombodama are made and how the Tombodama found in Kyoto's Byodoin Temple have been restored, alongside the video. Restoring the National Treasures of Kyoto's Byodoin Temple Source :YouTube screenshot The glass beads found in the base of the wooden Amitabha statue found in Byodoin Temple's Hoodo hall (鳳凰堂) were part of a decoration called a "Yoraku" (瓔珞) that used to hang in the area surrounding the Buddha statue. You can see the beautiful glass beads from 0:58 in the video. They are thought to have been made in the same workshop as the items stored in Shosoin (正倉院), athe treasure house of Todaiji Temple in Nara. The beads of the Yoraku decoration mentioned above were restored by Osaka craftswomen Yuriko Matsuda (松田有利子). You can take a look at the restored glass beads at 1:32 in the video. The glass stored in the Sangetsu Kobo Workshop (山月工房) were found to be similar in composition to the glass glass beads from Kyoto, which have been designated national treasures, and was therefore used in the restoration project. How are Izumi Tanbodama Glass Beads Made? Source :YouTube screenshot First, the glass is heated and stretched into long threads which are then broken into smaller pieces to create the glass used to decorate the beads. The glass bead making process is as follows: ・A metal rod coated with a stripping agent (剥離剤) is heated ・Several glass rods are then heated together ・The softened glass rods are then wrapped around the metal rod ・Small pieces of broken glass are then attached to create a particular design ・A tool is used to manipulate the shape of the glass and create a design on the outside of the bead ・The finished bead is cooled by covering it in ash You can watch the whole process from 6:52 in the video as Izumi Tanbodama craftswoman Yuki Matsuda demonstrates how the glass beads are made from start to finish. Izumi Tanbodama Items Available For Purchase Source :YouTube screenshot Jewelry such as necklaces and bracelets as well as traditional Japanese clothing items and accessories like Obidome (帯留め, obi sash clips), Kanzashi (簪) and Netsuke straps (根付ストラップ) are just some of the glass bead items available for purchase. There are also items made from glass similar to that of the glass beads found in Byodoin Temple in Kyoto, with prices varying depending on the method used to make the beads. For example, an incense holder made from glass similar to that of the National Treasures in Kyoto costs around 5000 yen. Summary of Izumi Tanbodama Glass Beads Photo：Byodoin Temple's Phoenix Hall, Kyoto From 16:12 in the video, you can watch the craftswomen as they visit Byodoin Temple in Kyoto to take a look at the National Treasures they themselves restored. Yuki Matsuda speaks of how she hopes to use her craft to create not only beautiful objects, but memories to go with those objects. If you are interested in Japanese culture or wish to know more about how Izumi Tombodama are made, we highly recommend you watch the video!

石川県加賀市の伝統工芸・山中漆器とは 「伝統工芸　青山スクエア」が制作する、「手技TEWAZA【山中漆器】Japan Yamanaka Lacquerware」は、職人が日本の伝統文化である石川県加賀市の伝統工芸品・山中漆器を作っている姿を見ることができる動画です。 動画では山中漆器が来上がっていく工程を見ることができ、その中で職人が心を込めて作っている様子が伝わってきます。 石川県加賀市の山中漆器は美術品のような美しい作品で、日本文化に興味がある人はもちろんのこと、美術品・芸術品に興味がある人も必見の動画です。 また、石川県加賀市の風光明媚な自然も動画で紹介されています。 こちらの記事では、日本の伝統工芸・伝統文化である山中漆器の歴史や作り方などを動画に沿って紹介していきます。 日本の伝統工芸「山中漆器」の起源や歴史 石川県加賀市の山中漆器の起源は16世紀頃。 山中温泉に移住してきた漆器職人集団が行った「ろくろ挽き」が始まりです。 それから、江戸時代の中期頃になると山中温泉に来た旅行客へのお土産に漆器が求められるようになります。 汁椀やお盆などが特に人気で、温泉とともに漆器も発展。 19世紀になると塗りの技術や蒔絵の技術が流入（蒔絵とは漆器に金粉や銀粉を塗り、模様を作ること）し、現在の山中高蒔絵の基礎ができました。 日本伝統の山中漆器は外国人にも人気です。 美しく使いやすい食器やアクセサリーなど、外国人が日本に旅行した際のお土産として購入する人も多いようです。 日本の伝統文化「山中漆器」の作り方 日本の伝統工芸である山中漆器は、大きく分けて4つの工程によって出来上がります。 「木地挽き」→「木地固め」→「拭き漆」→「蒔絵」という流れです。 木地挽きは天然木を寸法し、目的の形に成形する作業です。 木材を乾燥させ膨張や収縮がしないようにするなど、大事な工程も含まれています。 動画では1:00から紹介されています。 木地固めは木地の木目の中まで漆を染み込ませて、木地の狂いを防止するのが主な作業です。 木地全体がなめらかになるように研ぐ重要な作業もあります。 拭き漆の作業は、まず生漆を希釈しないで刷毛塗りします。 次に拭き取り紙で余分の漆を取り乾かし、この工程を4～5回繰り返します。 動画では2:34から紹介されています。 最後に蒔絵で模様を書き完成です！ ぜひ映像ともに職人の匠の技・凄技・神業が体感してみてください。 日本の伝統文化「山中漆器」の購入できる場所は？ 日本を代表する伝統工芸・伝統文化である山中漆器の商品はギフトやプレゼントにも人気。 お弁当箱や重箱、茶筒、お椀など実用的かつ美しい食器がたくさんあります。 インターネットが発達した時代なので通販でも購入できますが、どうせなら実物を見て購入したいですよね。 中でも山中うるし座（山中漆器伝統産業会館）は、山中漆器の伝統工芸品やアクセサリー、茶道具なども販売されており、おすすめのお店です。 美しい日本の伝統工芸品を自分の目で見て、お気に入りを探しましょう！ 日本の伝統文化「山中漆器」の記事のまとめ 日本の伝統工芸・伝統文化である山中漆器の特徴は、手作りで得られる美しさ。 職人たちの一生懸命な作業から生み出される美しさは心をうつことでしょう。 動画では、日本の伝統文化である山中漆器を作る職人の技を3分ほどの長さで見ることができます。 山中漆器が気になった方はぜひご覧ください！

The Traditional Japanese Art "Tokiwa Kongatazome" This video "Miyagi Prefecture, Tokiwa Kongatazome" ( 宮城県 常盤紺型染（ときわこんがたぞめ)), was created by "Tohoku STANDARD." The woman featured in the video is Kuniko Sasaki, a craftswoman who works at the Natoriya Dyeing Factory, a dye shop in Sendai City, Miyagi Prefecture in Japan's Tohoku region. The video is an interview where she speaks about how she encountered the traditional art and craft Tokiwa Kongatazome (常盤紺型染), as well as its origin and traditions. The Traditional Japanese Art and Craft "Tokiwa Kongatazome" Source :YouTube screenshot Tokiwa Kongatazome is a technique of stencil dyeing born in the late Edo period (1750 ～1850), and developed in Sendai City, Miyagi Prefecture. At that time, Tohoku did not have Kasuri-weaving (a textile technique in which patterns were woven using thread dyed in different colors), so people came up with the idea of creating a paper stencil based on the design patterns of Kasuri instead. It came to be called Tokiwa Kongatazome. The technique of Tokiwa Kongatazome was passed on from the dye shop "Mogamiya" (最上屋) in Akita prefecture to dye shops in Sendai city. People loved its warm fuzzy feeling and gorgeous patterns, and it made great strides from the Meiji era (1868～1912) to the early Showa era (1930~). One of its features is that it can be mass produced, unlike textiles. Tokiwa Kongatazome originated in Yokota city in Akita prefecture (Tohoku region) but developed in Sendai city in Miyagi prefecture. Source :YouTube screenshot The products dyed with the Tokiwa Kongatazome technique are called "Sendai Yukata" and are loved all over Japan. It initially only used deep blue colors for dyeing so it was named "Tokiwa 'Kon' gata" (Kon 紺, meaning "navy blue" in Japanese), but now it uses multiple colors so people sometimes call it somply "Tokiwagata" (without the kanji for navy blue). After World War II, Japanese fashion changed from Wafuku (Japanese-style) to Yofuku (Western-style), causing the Tokiwa Kongatazome technique to lose popularity. However, the dye shop "Natoriya Dyeing Factory" (名取屋染工場) uses Tokiwa Kongatazome in products like "Tenugui" (Hand towels), "Noren" (traditional Japanese fabric dividers hung on/between walls), flags, curtains, banners, "Hanten" (short, Japanese-style winter coats), and other small items. How It's Made: Tokiwa Kongatazome Stencil Dyeing Source :YouTube screenshot As it shows in the video around 0:41, first you put a Tokiwa Kongatazome stencil on a white fabric and apply starch. The starched area is going to be left white after the fabric is dyed, forming a pattern on the cloth. An example of this stencil dyeing is shown in the video around 1:49. A technique called "Itoire" (Inserting threads into a paper-stencil) is used to create a paper-stencil. This technique allows for the design of more intricate patterns. As you can tell by watching the video, everything is handcrafted by professionals. Summary of Tokiwa Kongatazome Source :YouTube screenshot Kuniko Sasaki of the "Natoriya Dyeing Factory" says in the interview that she started Tokiwa Kongatazome because she found stencils that were more than 100 years old when she was cleaning out her warehouse roughly 20 years ago, and she thought it would be a shame to lose the traditional craft. Feeling this, she decided she wanted to pass on the spirit of the craftsmen before her. Tokiwa Kongatazome products are also available online. The popular hand towels are available for purchase for around 1,000 yen (~$10 USD). Tokiwa Kongatazome is also popular among younger people and foreigners. Enjoy watching the video and get to know Tokiwa Kongatazome!

Traditional Japanese Craft - Miyagi Kokeshi Dolls This video, titled "Tewaza 'Traditional Miyagi Kokeshi Dolls'/ Japan Traditional Crafts Aoyama Square" (手技TEWAZA「宮城伝統こけし」miyagi traditional wooden doll／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square) was uploaded by "Japan Traditional Crafts Aoyama Square." This video introduces the production process of Kokeshi dolls, a traditional craft of Miyagi Prefecture in Japan's Tohoku region. There are 11 types of traditional Japanese Kokeshi, and the one shown in the video is called "Naruko Kokeshi." As you can see in the video, an expert craftsmen works in his studio carefully crafting Kokeshi dolls by hand. Surprisingly, Miyagi's traditional Kokeshi Dolls are made by a single craftsman at his Kokeshi studio, and he does every process by himself, from making the wooden base to painting. There is no hesitation in the craftsman's skills and it gives off a relaxing aura. These days, Kokeshi dolls have become a popular souvenir for tourists visiting Japan, so be sure to check them out in this video. The History and Culture of Kokeshi Dolls Source :YouTube screenshot The name "Naruko Kokeshi" comes from the cute Japanese onomatopoeic sound it makes when you turn its head. In the past, every family had at least one Kokeshi doll, but let's take a quick look at the history and culture of Miyagi's Kokeshi dolls. Kokeshi dolls are ancient, dating back approximately 1,300 years ago, during the reign of Emperor Shotoku, when they were used to hold Dharani sutras for buddhists. Since there were one million of these sutras, the Kokeshi Dolls were called Hyakumanto Darani (One Million Pagodas and Dharani Prayers). Later, during the reign of Emperor Seiwa, the first prince, Prince Koretaka Shinnou learned how to use a potter’s wheel in Omi, and taught it to woodworkers. It is said that the crafts made by the woodworkers which spread from Japan's Kanto region to the Tohoku region were the origin of today's traditional Kokeshi dolls. Although it has a strong image as a toy for girls to play with, it is a traditional culture that has developed along with the history of Japan. Kokeshi Dolls - A Traditional Craft that Symbolizes Miyagi's Folk Art Culture Source :YouTube screenshot It's said that this culture was created to provide souvenirs for people visiting the region for hot-spring therapy or vacation, as the Tohoku region is known for its poor winter industries due to deep snow and difficulty growing crops. Kokeshi Dolls took their present form 283 years ago, during the Edo period (1603 to 1868 A.D.). There are eleven types of Kokeshi in Japan, and the five types of Kokeshi, shown below, are widely produced in Miyagi. Miyagi's traditional Kokeshi dolls are a traditional craft that has supported the development of Miyagi. Kokeshi Dolls - Five Types of Miyagi Prefecture's Traditional Craft Source :YouTube screenshot Below are five types of Kokeshi dolls: -Naruko Kokeshi -Sakunami Kokeshi -Togatsuta Kokeshi -Yajiro Kokeshi -Hijiori Kokeshi The characteristic of the Naruko Kokeshi dolls introduced in the video is that they "give the image of old-fashioned Japanese beauty." One Miyagi's famous hot spring resorts is called Naruko, and surprisingly, it'is said that the name originates from Naruko Kokeshi dolls. This shows how important a traditional craft Kokeshi dolls were for the Tohoku and its harsh climate. Traditional Kokeshi Dolls - How the Traditional Craft of Miyagi Is Made Source :YouTube screenshot Each of these processes can be seen in the video. 1. Dry the wood (peel off the bark of the wood and let it dry naturally for six months to a year) (video: 0:18～) 2. Cutting the wood to size (video: 0:27～) 3. Remove any remaining bark (Video: 0:35～) 4. Rough carving, head carving, body carving and lathe carving (Video: 0:51～) 5. Polish using sandpaper, horsetail (Video: 1:16～) 6. Kubi Ire - Neck insertion (Video: 2:06～) 7. Byousai - Painting and drawing the face and body (Video: 2:28～) 8. Finish by applying wax Summary of Miyagi's Traditional Kokeshi Dolls Source :YouTube screenshot Experience the romance of Japanese history through the traditional Kokeshi dolls of Miyagi, which are deeply rooted in the culture and history of Japan. You'll be fascinated by the beauty and charm of these traditional Japanese toys.

日本の伝統工芸「蒔絵」紹介動画について こちらの動画は「bunkachannel」が公開した「蒔絵―中野孝一のわざ―」です。 日本の伝統工芸で気になるものはあるでしょうか？ 皆さんが思っている以上に伝統的な文化が日本各地に根付いており、今も尚語り継がれています。 今回は蒔絵について紹介している動画をご覧ください。 日本文化が好き、蒔絵に興味がある方は一度チェックしていただきたいです。 蒔絵とは？ 蒔絵は漆器に文様や絵、文字を描いたら金や銀などの粉を蒔いて固めたものです。 蒔絵と一口に言ってもいくつもの技法が存在しており、日本の文化や蒔絵についてより知りたい方は押さえておきたいところ。 蒔絵の種類として ・研出蒔絵 ・平蒔絵 ・高蒔絵 ・卵殻蒔絵 ・肉合蒔絵 ・スクリーン蒔絵 の6種類が存在します。 また蒔絵は重要無形文化財のひとつに指定されており、日本の伝統工芸や文化を勉強する上で一度は触れてみると良いかもしれません。 蒔絵を体験する 蒔絵を体験させてくれるスポットは日本全国にあります。 (1) 京漆器蒔絵体験工房 蒔絵平野 京漆器蒔絵体験工房 蒔絵平野は京都府にある工房です。 蒔絵体験や教室、陶磁器や漆器の修理依頼を行っています。 蒔絵体験では自分で描き上げたオリジナルの漆器を作ることができます。 大体2～3時間の作業で特に定休日は設けられていません。 (2) 加賀 伝統工芸村 ゆのくにの森 加賀 伝統工芸村 ゆのくにの森は石川県小松市にある観光地。 蒔絵をはじめ、輪島塗や友禅、九谷焼など日本の伝統工芸や文化を楽しめます。 蒔絵紹介まとめ 蒔絵はアクセサリーやボールペンなどさまざまなものに使われている日本の伝統工芸のひとつで今も尚語り継がれている文化。 商品によって使われている蒔絵の技法が違うだけでなく、模様も変わってくるのでいくつかの商品と見比べてみるのも楽しみ方のひとつです。

Shutdown of the Supercomputer "K" This video titled "The Curtain Has Come Down on the Supercomputer 'K' and Fugaku Will Serve as Its Successor,（スパコン「京」幕下ろす 後継・富岳、運用へ）, released by "KyodoNews," is a video on the shutdown ceremony of supercomputer "K"- the former fastest computer in the world. The supercomputer “K” was used in various fields after achieving first for two consecutive years in the category of fastest calculation speed of a supercomputer, in 2011 during the test run. In the video of K's shutdown ceremony "Fugaku”, the successor to “K” , is also reported. You can find out how powerful the Japanese computer is. The video features the supercomputer "K" and its successor. What Is "K"? Source :YouTube screenshot The supercomputer "K" was jointly developed by the Riken Center for Computational Science and Fujitsu. NEC and Hitachi were also involved in its development at the beginning, but withdrew. This supercomputer, completed in 2012, contributed to the development of various fields including life science, healthcare, disaster defense, and space technology. It was also referred to as a "Next Generation Supercomputer," "General Purpose Hyper Speed Calculator" or "Kyosoku." This supercomputer achieved the fastest calculation speed in the world at the beginning of it development and has been used for about 7 years. According to the latest world ranking, it has currently dropped all the way to 20th . It was finally decided to put an end to the 7 year history and to make room for its successor "Fugaku," the next generation, most advanced supercomputer. In the video you can see that about 860 units of the supercomputer “K “ were shut down in turn during this ceremony. Hiroshi Matsumoto, President of the Riken Center talked about the expectations for the next generation supercomputer in this video (1:11). It is expected that Fugaku's calculation speed is more than 100 times faster than "K," and it will be used as AI (Artificial Intelligence). K's Specs Photo：CPU Next, we will show you what kind of specs "K" has. First, its high-end CPU capable of performing highly advanced arithmetic processing was developed by Fujitsu. 88,128 pieces are connected in parallel to calculate 10 petabytes worth of information per second. There is some concern about error because of the scale that the supercomputer has. However, they built a unique system that could avoid errors and continue high-speed arithmetic processing. Also, high-performance memory is used. This supercomputer consumes powers equivalent to the amount used by about 30 thousand households. Therefore it costs about 1.2 million yen to operate the whole system of "K" per hour, Running the supercomputer "K" full for a day costs about 28 million yen (~$260,000 USD), so the electricity bill can get a little high. “Fugaku," the Next Generation Supercomputer Source :YouTube screenshot “Fugaku," successor to "K," had a development costs of about 112 billion yen (~$1.38b USD). The development of Fugaku started in 2014, and it is scheduled to used starting in 2021. Its calculation speed is more than 100 times faster than that of "K." It is aiming to achieve the worlds top level utility. 150 thousand units of CPU are connected to improve its computing power. According to the world supercomputer ranking as of November, 2019, "Summit" developed by the Oak Ridge National Laboratory is top the list, followed by "Sierra" developed by the Lawrence Livermore National Laboratory and "Sunway TaihuLight" (神威・太湖之光). Summary of the Supercomputer "K" The video, titled "The Curtain Has Come Down on the Supercomputer 'K' and Fugaku Will Serve as Its Successor," released by "KyodoNews" is a video on the shutdown ceremony of supercomputer 'K' that was used for 7 years. These computer technologies that have been developing day to day may change our futures. 【Official Website】K Computer | Riken Center for Computational Science (R-CCS) https://www.r-ccs.riken.jp/en/k-computer/about/ 【Official Website】The supercomputer "FUGAKU"｜Riken Center for Computational Science (R-CCS) https://www.r-ccs.riken.jp/en/postk/project

平安京より伝わる京石工芸品紹介動画について こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「京石工芸品」Kyoto stonework／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 平安京の時代より京石工の職人に受け継がれてきた、匠の技が作り出す石造文化の手技の数々、石灯籠造りの技法をご覧ください。 友禅染や清水焼だけじゃない、京都の京石工芸品とは 京都市の伝統工芸品と言うと、友禅染や京人形・清水焼が有名ですが、実は石仏・石塔・石灯籠などの石造美術品もその一つに数えられます。 これらの作品は、日本文化・伝統文化を後世に伝えていく、大切な芸術品です。 京石工芸品は、京都市や宇治市周辺で生産される、日本伝統の石造美術品ですが、比叡山や北白川で採取される良質な花崗岩を原材料としています。 京石工芸品の起源は平安京 京石工芸品の起源を辿ると、平城京から平安京への遷都の時、内裏の造営に優れた手技を持った職人が多数集められ、それが今に伝わる京石工芸品の伝統文化に繋がっているのです。 平安京の遺構からは、細工が施された花崗岩も見つかっています。 茶道文化が貢献した石工技術の向上 一つの産業を形成して来た石造文化ですが、茶道文化の興隆は、京石工技術の発達に大きな影響をもたらしました。 茶人たちは京石工芸品の中に、わび・さび・静寂の境地を求めたのです。 石灯籠や石塔・石仏などの作り方を探求しながら、京石工の職人たちは優れた手技を磨いて行きました。 種類も豊富な京石工芸品 各寺院が競うように作った日本庭園は、京石工芸品の文化や匠の技を披露する格好の舞台となりました。 現在の御所の中に設けられた京都迎賓館の日本庭園にも、石塔や石灯籠などの石造美術品が随所に配置されています。 日本に伝来した仏教も、静謐・永遠などのイメージを持つ石造美術品を珍重し、石仏・石塔・石燈籠・つくばいなど種類も多様な京石工芸品の作品が、京都市内各所の有名寺院の日本庭園に置かれています。 京石工芸品紹介まとめ 動画では、実際の石灯籠造りの製造工程が紹介されています。 京石工職人が語る、伝統工芸の歴史・匠の技をお楽しみください。

Japan’s Cutting-Edge AI Technologies Contribute to an Aging Society This video is titled "A New Aging Society Led by Japanese Technology" (日本のテクノロジーが導く新しい高齢化社会). It introduces Japan's response to an aging society using cutting-edge technology. It was released by the“Foreign Ministry / MOFA”. Currently, Japan is said to be one of the most aging societies in the world. However, an aging society is not an issue unique to Japan, but a problem growing worldwide. Living a long, healthy life and increasing opportunities to participate in society is a very important theme when faced with an aging society. In this article, we'll introduce some cutting-edge technologies in Japan that the public and private sectors are developing together. NEC the WISE: An AI Technology Adapting to an Aging Society Source :YouTube screenshot The AI technology shown in the video at 0:32 is called “NEC the WISE.” In the video, NEC Director Fellow Katsumi Emura says “the problem is not the aging society itself, but how to adapt to an aging society, so that people can live long, healthy, fulfilling lives.” In light of the global trend toward an aging society, NEC is focused on developing and providing solutions that can be used to predict and prevent various diseases. That's what the AI technology, “NEC the WISE,” is all about. If we can prevent people from getting sick as they get older, it means that people will still be able to participate in society in good health as they age. In today's society where we are told that we have 100 years to live, "retirement in our 60s" is too early. If it becomes the norm for people to remain healthy and active past 60, we will no longer be able to call it an "aging society." HAL Lumbar Support: An AI Technology That Addresses the Declining Birthrate and Aging Population Source :YouTube screenshot With Japan's declining birthrate and aging population, the age of caregivers, whose job it is to care for the sick and elderly, is increasing every year. The "HAL Lumber Support" project, which can be seen at 1:02 in the video, is a project to introduce nursing care robots to reduce the physical burden on caregivers in the nursing care industry. The video introduces AI technology that places an assistive robot suit on a caregiver's waist and receives biopotential signals emitted by the brain and transmits them to the power-assist suit to reduce the strain on the back and lower body. This is an AI technology that can be applied patient side as well. In addition, because HAL is an artificial intelligence (AI) equipped support robot, repeated use of the robot helps it learn how neurotransmission works and can assist in walking more efficiently. It's not just a robot that moves according to commands, it's an autonomous machine that learns on its own, meaning that the cyborg robots you see in science fiction movies are already a reality. These mechanized technologies are collectively referred to as Hybrid Assistive Limb” (HAL). Summary of Japan's Cutting-Edge AI Technology and Measures for an Aging Society As seen at the end of the video from 1:30, Japan’s cutting-edge technology “HAL” is already being applied to medical technology in Malaysia. It is believed that increased social participation opportunities for the elderly with the help of autonomous robots will increase the well-being of society. It'll be interesting to see what Japan, the superpower of robots, has to offer in the future. 【Official Website】Cutting-Edge AI Technologies – NEC the WISE - : Solution/ Service | NEC https://www.nec.com/

「三条仏壇」紹介動画について こちらの動画は「匠の手｜新潟県伝統的工芸品16品目」が公開した「【三条仏壇】匠の手【五十嵐 考宏】」です。 およそ1分半の動画で、手打ち金具師の手により三条仏壇の飾り金具が作られる様子が映し出されています。 三条仏壇とはどのような仏壇なのでしょうか？ 日本文化として世界に誇る、匠の手から生み出される伝統工芸「三条仏壇」についてご覧ください。 「仏都三条」新潟県三条地域の歴史 新潟県のほぼ中央に位置する三条地方。 ここは「仏都三条」と呼ばれるほど仏教文化が栄えた土地です。 その起源は、江戸時代中期には北陸随一とまで言われるほどの堂宇伽藍をもつ東別院が立てられたことに由来します。 大規模な寺院建立に際して、京都から仏師や宮大工、木工職人などさまざまな職人が招かれ、三条の職人も事業に参加しました。 こうして三条の地に浄土真宗が広まり、仏壇や仏具の生産が盛んに。 信濃川の水運にも恵まれ、原料輸送にも事欠かなかったことも大きな要因です。 地の利と、歴史、そして匠の技に裏打ちされ、正統的な宮殿造りと格調高い本漆塗りの金箔押し、そして飾り金具などの細工に定評があることから、三条仏壇は経済産業大臣より伝統的工芸品に指定されました。 三条仏壇の特徴 三条仏壇の作り方は複雑で、その特徴は以下の4点に集約されます。 ・木地は釘を一切使わないほぞ組による組み立て式で作られていること ・「枡組」や「肘木組」を使った本格的な宮殿造り ・数十種類のタガネを使い、飾り金具師の手打ち技法によって加工された手打ち金具 ・塗立（ぬりたて）、梨子地塗（なしじぬり）、木目出し塗といった塗装技術 動画では、飾り金具師の手仕事の工程が0:09よりご覧になれます。 金物町としての伝統工芸都市・新潟県三条市 新潟県の三条地域は、江戸時代から金属加工に特化した金物町としても有名で、その技術が仏壇にも余すところなく伝えられています。 芸術品、美術品の域にまで達した三条仏壇を生産する新潟県三条市は、ドラマ「下町ロケット」の舞台としても有名です。 金属加工産業が江戸時代から発達し、金物職人の技術は世界が認めるほど。 三条仏壇と同じく伝統工芸として、一枚の銅板だけを材料にして茶器や急須を作り出す燕槌起銅器があります。 新潟県三条市は江戸時代以来の伝統文化を今も受け継ぐ街なのですね。 伝統工芸を後世に引き継ぐための後進育成や文化継承にも力を入れており、日常的に金物文化の体験教室が開かれています。 三条仏壇紹介まとめ 新潟県三条市では街をあげてこの技術をもとにさまざまな商品を開発しています。 とくに調理器具やカトラリー、銀食器は有名で、三条の職人の技法を集めたおすすめの作品や伝統工芸品がたくさんあります。 自宅用に、また友人・知人へのプレゼントにもうってつけ。 お土産として手頃な値段の商品もあるので、新潟県三条市を訪れた際は、仏教文化が盛んな土地柄であることや、金物町としての伝統工芸品があることを思い出し、ぜひお土産屋さんを覗いてみてくださいね。

製造は手作業で。広島県熊野町で作られる熊野筆 こちらの動画は「伝統工芸 青山スクエア」が公開した「手技TEWAZA「熊野筆」Japan Kumano Writing Brush／伝統工芸 青山スクエア Japan traditional crafts Aoyama Square」です。 書道や化粧筆など、日本の文化と切っても切り離せない筆。 熊野筆と聞いて美容に関心のある人はピンと来たかもしれませんね。 整った毛先が洗顔中の顔の毛穴の汚れをとり、きめこまやかな肌にしてくれると口コミが広がったのを覚えている人もいるのではないでしょうか。 また、チークブラシをセットにした商品「筆の心」も人気がありおすすめです。 広島県熊野町で作られる熊野筆の歴史 熊野筆は広島県安芸郡熊野町で生産される伝統工芸品です。 その昔、江戸時代に広島藩の産業奨励により筆作りを各地で学んだ若者たちがいました。 村に戻り、彼らが村民に筆の作り方を伝えたのが熊野筆の始まりです。 現在、町ではおよそ2,500名の方が手作業で熊野筆の生産に携わり、20名の伝統工芸士がいます。 熊野筆の歴史は挑戦の連続だったといっても過言ではありません。 戦後、日本各地の筆の生産地が筆作りをやめていくなか、熊野町は筆作りの技術を応用して、画筆や面相筆など、書筆以外の筆作りに取り組みました。 昭和30年代には、化粧品メーカーが化粧道具としての筆に着目し、熊野筆に白羽の矢があたります。 熊野筆で作られたファンデーションブラシはその品質の高さから国内外で評判に。 その成果や取り組みが認められ、昭和50年（1975年）には国の伝統的工芸品に指定されるにいたりました。 熊野筆の文化が受け継がれる企業 筆作りの文化が育まれた熊野町には、伝統工芸品として熊野筆を代表する企業「白鳳堂」があります。 白鳳堂は本社を熊野町に置いていますが、世界中からの観光客が訪れる京都にも店舗を構え、筆の文化を国内外に発信しています。 白鳳堂で取り扱っている化粧筆はギフトラッピングや名入れも可能で、プレゼントにもおすすめ。 そしてもうひとつ有名な筆工房に「竹宝堂」があります。 ファンデーションブラシをはじめとする化粧筆を専門に扱い、世界でもトップの化粧筆メーカーとして高い評価を得ている企業です。 熊野筆職人後継者問題への挑戦 熊野町で生産される熊野筆は、全国で生産される筆の8割を占めています。 しかし、ほかの伝統工芸と同じように、後継者への文化継承問題は熊野筆も例外ではありません。 筆作りの担い手を確保することが課題となっています。 というのも、交通網の発達から町の外へ働きに出る若者が増えたことや、筆作りには長く根気のいる手作業をするため、若者がやりたがらなくなったため。 このため、町や協同組合が熊野筆のPRや産業振興に尽力。 手作りの筆の良さに理解を示す人が着実に増えつつあります。 熊野筆紹介まとめ 動画では熊野筆がどのように作られるか紹介されています。 その職人技をとくとご覧ください。 伝統工芸である熊野筆を通して、日本の文化に思いを馳せてみるのもいいのではないでしょうか。