Sukiya Carpentry Traditional crafts are an inseparable part of Japanese culture. When talking about such traditional skills, the carpenter is an occupation that cannot be overlooked. Carpenter is a profession that is matching the word “tradition”. Carpentry is an occupation that is well suited to the word "tradition," and the many skills that are passed down from one craftsman to the next are truly a symbol of Japanese culture. Here we'll introduce the traditional techniques handed down in Japan, alongside the video "Traditional Japanese carpenter/Interview - IS JAPAN COOL? CRAFTSMANSHIP (Sukiya Carpentry)" (Traditional Japanese carpenter／Interview - IS JAPAN COOL CRAFTSMANSHIP（数寄屋大工）), produced by ANA Global Channel. In the video, a master carpenter talks about his thoughts on Sukiya carpentry, and you can see that this ancient occupation, handed down from generation to generation, is one that is filled with more craftsmanship and dedication than we can imagine. Traditional Techniques and Japanese Culture Through the Eyes of Master Sukiya Carpenters Source :YouTube screenshot Shiro Masuda, a Sukiya carpenter and narrator of this video, is one of the master carpenters who has inherited the traditional skills of Sukiya Carpentry, and he has mastered many techniques and skills through his many years of experience. In modern carpentry, there are many places where machines have been introduced, but almost all of the Sukiya carpentry introduced in the video is done by hand. The master carpenter also mentions how the Japanese culture of carpentry can be found in the work that is done from start to finish by hand. Japanese Culture That Has Been Handed Down for Generations Source :YouTube screenshot We can recognize that the work of carpenter, which has been established by traditions, is a world of experiences and skills that cannot be realized overnight. In this video, Mr. Masuda, a master Sukiya carpenter, talks about traditional carpentry, and how it is a world of experience and skills that cannot learned overnight. In the world of Sukiya carpentry, there are many apprentices who work hard to hone their own skills, going as far as to steal skills from craftsmen, and other master carpenters. He goes on to say that the tools which have been used in Sukiya carpentry throughout the years must not be disposed of, but handed over to the new generation of craftsmen, as they believe its good for them and cultivates growth (6:20). There is a lot of attention to detail in Japanese culture, and its traditional crafts are no exception. It's the little things that we don't normally notice that are filled with techniques that have been passed down from one generation to the next. In his video, Shiro Masuda, a master Sukiya carpenter, talks about his apprenticeship as a carpenter and the techniques he learned from his predecessors when he was a young apprentice. The video also shows the master carpenters at work in their studios, so you can watch them at work and enjoy the skill and precision of their craftsmanship as well. Summary of Sukiya Carpentry・Master Carpenter Shiro Masuda By watching the video of master Sukiya carpenter Shiro Masuda, you will learn more about Japanese culture and traditional techniques, as well as the profundity of traditional Japanese carpentry. We highly recommend that you watch the video interview with Mr. Masuda and then visit temples and shrines in Kyoto to learn more about Japanese culture and traditional techniques. By doing so, you'll be able to fully appreciate the beauty of Japanese culture and traditional carpentry. 【Official Website】IS JAPAN COOL? CRAFTSMANSHIP https://www.ana-cooljapan.com/contents/craftsmanship/

Introducing the Traditional Japanese Theater, "Noh" I reckon that many international tourists who visit Japan are interested in experiencing a traditional Japanese performing art. If you're one of those people, I recommend catching a Noh performance that integrates a number of performance elements handed down over the centuries. "ANA Global Channel" aired the promotional video "NOH- Yaemon Yamashita／Interview - IS JAPAN COOL? " (NOH - Yaemon Yamashina／Interview - IS JAPAN COOL? DOU（能 - 山階 彌右衛門), (English subbed) featuring Noh actor, Yaemon Yamashita. The video contains his interview where he talks about the history and charms of Noh as well as his actual performance of "Aoi no ue" from 9:29 which is even more eloquent than he describes. Noh: Origins Yamashita talks about the history of Noh from 0:34. The classical Japanese performance art, Noh was formalized into the present-day's form (known as Kanzeryu) during the Muromachi period (1336-1573) by Kan'ami and his son Zeami. Noh involves chants, drama, dance, basic movement patterns (known as Kata) or narration (known as Katari) and actors convey the emotions of characters using the entire ensemble. The audience is increasingly captivated by the effects. According to Yamashita, Noh can be compared to western theater, such as opera or musicals, that is loved around the world. Noh was designated as an Important Intangible Cultural Property in 1957, and as a UNESCO intangible Cultural Heritage in 2001. Noh is often confused with Kabuki outside of Japan. While Kabuki performances are attended by the general public, Noh is a refined performance art meant for the upper classes and was later made the official ceremonial art by the shogunate. Noh is a comprehensive art form that involves dance, music and drama, just like western theater, but what makes it unique is that it is based on a stylization of the external expressions. The Charms of Noh Photo：Noh Yamashita speaks about the Noh performance from 1:13. On a mysterious stage known as Noh Butai, a story unfolds through the performances of Shite (the leading character) and Waki (the supporting actor), where plots are usually drawn from legend, history, and literature. Shite is also a main organizer of the Noh performance, and furthermore, a prop maker. The instrumentalists (known as hayashi) play the four Japanese instruments used in Noh theatre: transverse flute, hip drum, the shoulder-drum, and the stick-drum. Kyogen is a comedy piece performed at intervals between the main Noh performance. Thus, a Noh program usually includes both Noh and Kyogen, and offers 2 types of entertainment. Shite wears a mask as seen in the video from 3:14. The masks tell the audience what kind of character he portrays, such as a divine, old man, old woman, villain, or demon. Although there are a few roles Shite plays without wearing a mask, such as Musashibo Benkei (a Japanese warrior monk from the 12th century), Yamashita says that an actor plays the part without any facial expression as to convey emotion through only movements and body language (3:42~). The masks cover an actor's facial expression, but this stimulates the imagination of the audience. Plot development and the accompanied music induces a variety of emotions and creates an illusion of reality. Another interesting aspect of Noh is that each viewer has their own understanding of the scenes being portrayed. From 5:13, Yamashita says that an essential part of Noh performances is to maintain a stable posture, known as "Kamae," while using the basic Hakobi step where the feet are slid across the floor one after another without lifting them. In Noh performance, the beauty must lie in the visible elements (movement, body language or posture) rather than on the inside of actors, and this external beauty is what brings out the internal beauty. - This is the Noh aesthetic handed down for generations. Noh Is Performed at Theaters Called "Nohgakudo" Noh is typically performed at theaters called "Nohgakudo." There are plenty of renowned Noh theaters including Kongo-Nohgakudo in Kyoto, National Nohgakudo and Hohsho Nohgakudo in Tokyo, and Nagoya Nohgakudo in Nagoya. The visit will afford you the opportunity to experience Noh performance. Source :YouTube screenshot Summary of Noh Theatre The video captures Yaemon Yamashita's performance of "Aoi no ue" from 9:29, after his interview. The video deepens our understanding and gives the performance depth. It's worth watching to get an idea about the history and aesthetics of Noh. It leads us into the profound beauty of the art form. If you want to experience a Noh performance, "Nohgaku Dairengin" is a great program to check out. It allows beginners to take a 4-month training of "Takasago" and perform it on stage. If you want to know more about Noh, check the lineup of items published from Nohgaku Shorin, a publishing house specialized in Noh. It also stocks the audiovisual materials such as CDs, DVDs and cassette tapes that non-Japanese speakers can enjoy, as well as a variety of Noh props and stationary goods.

Kabazaiku: Traditional Crafts Portraying the Charm of Japanese Culture This video, “手技TEWAZA「樺細工」KABA ZAIKU Woodwork”, was created by “伝統工芸青山スクエア” to introduce the woodworking craft "kabazaiku." Kabazaiku, also known as Sakura-gawa-zaiku (桜皮細工, Sakura-gawa-zaiku), refers to traditional crafts mainly created in Kakunodate, Akita Prefecture of the Tohoku area of Japan (東北地方・秋田県角館, Tohoku-chiho・Akita-ken Kakunodate). This area is also famous for its hot springs. Although the name “kabazaiku” is used (kaba meaning birch), in actuality, mountain cherry bark is used in the woodworking process. In Kakunodate, Akita, kabazaiku originates from the Edo period (1603 to 1868). Therefore, kabazaiku has over 200 years of history, with its drawing point being its high quality, ensuring that products are suitable for long-term use. There are many kabazaiku workshops in Kakunodate, where Japanese traditional culture can be experienced and exquisite products are brought to life. In this video, we'll introduce the the crafting process of kabazaiku in detail. Even an everyday product such as a tea caddy is crafted with great care by these expert craftsmen. Traditional Crafts: Kabazaiku Crafting Process Source :YouTube screenshot First, the cherry bark is scraped until smooth (0:15). After the surface has been scraped smooth, gluing with nikawa glue comes next (0:25). Next, a hot iron is used to heat up the glue and fasten the pieces together (1:27). After more polishing and perfecting it, the product is completed (3:00). This process is comprised of various techniques incorporating the skills of the craftsmen. The crafting techniques of kabazaiku are comprised of the mold (型もの, katamono), wood (木地もの, kijimono), and fold (たたみもの, tatamimono). The mold refers to the skill used for crafting cylindrical items such as tea caddies, and wood refers to the skill used for crafting items such as trays or boxes. Fold refers to the technique of manually pasting layers of wood together to craft an item. The craftsman interviewed in the video finds that “the greatest charm of kabazaiku lies in figuring out how each differing layer of cherry bark can be utilized to it's fullest potential." He hopes that people “will not be overly cautious with the kabazaiku products and will use them however they wish.” Purchasing High-Quality Kabazaiku Products Source :YouTube screenshot Kabazaiku are exquisite items crafted from Japan’s natural materials. Besides bigger items such as drawers and boxes, there are also tea caddies, trays, multi-tiered boxes, business card holders, tobacco cases, smartphone cases and wooden-clogs (下駄, geta). There are a multitude of products to choose from, so do choose something that suits your fancy. Kabazaiku products can be purchased at department stores in Tokyo such as the Mitsukoshi Department Store in Nihonbashi (日本橋三越, Nihonbashi mitsukoshi). These products are also available through internet retailers such as Rakuten or Amazon at good prices. At the Tomioka Store (冨岡商店, Tomioka shoten) in Akita Prefecture, there are a variety of kabazaiku products which are perfect as presents for loved ones or as souvenirs. We also highly recommend checking out the Kakunodate Birch Textile Museum (角館樺細工伝承館, Kakunodate kabazaiku denshokan) in Kakunodate. There, the origin and crafting process of kabazaiku is introduced in detail. There is even the opportunity to try kabazaiku yourself, to create your very own original kabazaiku product. Summary of Kabazaiku Kabazaiku products, which are created in traditional workshops using natural materials, can even be said to be works of art. These are highly-recommended items which can be used for years. You can see the beauty of these items from the video. Why not gain an understanding of the kabazaiku crafting process through the video, then consider purchasing some of these products? As kabazaiku products are made from natural materials, it is recommended that you take good care of these products through ways such as cleaning them regularly with a soft cloth. 【Official Website】Tomioka Shoten https://tomioka-shoten.co.jp/en/ 【Official Website】Japan Traditional Crafts Aoyama Square https://kougeihin.jp/en/

Kumamoto's "Utase Fishing" and "Utase Ships." Generations Old Traditions This video, titled "[Tomorrow's Heritage Kyushu] Kumamoto's Utase Ships" ([明日の遺産 九州] 熊本「うたせ船」), was uploaded by "N.a." It's an introductory video of "Utase Ships," the traditional fishing boats handed down in Ashikita (芦北町, Ashikita cho), Kumamoto, in Japan's Kyushu region. In addition to the Kumamoto Ashikita area, "Utase Ships" are used in traditional fishing practices in areas such as Hachirogata, Akita, located in Japan's Tohoku region. The Yatsushiro Sea (八代海, Yatsushiro kai) in Kumamoto is also known as the Shiranui Sea (不知火海, Shiranui kai), and is a famous place to enjoy delicious seafood thanks to its high-quality waters. In the Shiranui Sea, the traditional Japanese fishing method of using the power of the sea breeze to pull up seafood from the ocean floor is still practiced today. This video introduces Utase Ships and traditional fishing with beautiful images. Please enjoy the video showcasing ancient techniques in the modern era. Features of the Utase Ship Source :YouTube screenshot Kumamoto's specialty is a traditional fishing method in which bottom trawling nets are set up on an Utase sailboat and dragged along by the sea breeze. The ship goes to the fishing grounds by engine, but after the net is dropped, fishing is performed using only the power of nature. Sea hulls such as prawns, crabs, and giant clams can be harvested using this bottom trawling method. The good thing about this method is that it allows you to catch only the amount of fish you need, and it also allows you to clean the ocean by pulling up debris from the sea floor. Utase fishing is a traditional fishing method that the Japanese have been using since ancient times to live in harmony with nature. The fishing is introduced from 1:41 in the video. It is also explained in the video that "only the necessary blessings are separated from the sea." Take a Ride on a Beautiful Utase Ship Source :YouTube screenshot The appearance of the beautiful boats with white sails going through the scenic open sea is exciting and gorgeous at the same time. Kumamoto's Utase Ships are so beautiful that they're called the "white-dressed ladies of the sea" (白いドレスをまとった海の貴婦人). This is introduced at 1:27 in the video. The beautiful atmosphere in the video helps you understand why it's called this. Kumamoto’s specialty Utase Ship is operated as a sightseeing pleasure boat during the off-season of fishing. While sightseeing on the Utase Ships and Ashikita fishing boats, you can also try marlin fishing! Be sure to look at the beautiful colors of these fish and eat plenty of delicious seafood! If you want to experience the magnificent views of Kumamoto's gorgeous waters or try your hand at fishing, look into the Utase tours in Kumamoto. Summary of Kumamoto's Utase Ships The Utase Ships that sail the open seas of Kumamoto, remind us of the ancient Japanese fishing methods in harmony with nature. The area around Ashikita, where you can taste delicious seafood and other gourmet dishes, is a somewhat secret spot for traveling to Kyushu. The video also introduces the dazzling white sails of an Utase Ship as it moves forward with the wind. It is a Japanese tradition we recommend checking out. If you're interested in Kumamoto's Utase Ships presented this video, be sure to plan a sightseeing trip to Kumamoto!

Kanazawa Odori, traditional performing arts of Kaga Hyakumangoku, Kanazawa, Ishikawa, Japan Video Introduction This video, titled "Geisha Performing Kanazawa Odori: Kaga Domain, Castle Town Kanazawa" (芸妓衆が舞う金沢おどり：加賀百万石の城下町 金沢 | nippon.com), was created by "nippon.com". Kanazawa was previously a castle town known as "Kagahyakumangoku" (加賀百万石), located in the Chubu region (中部地方) of Japan and ruled by the Maeda clan during the Edo Period. The area was very prosperous during this time and traditional arts, performing arts, and culture also flourished. Kanazawa Odori was one such performing art. In the video, you can watch the beautiful dance performance and learn more about the history of Geisha. Learn More About the Geisha Who Perform Kanazawa Odori! Photo：Kanazawa, Ishikawa Prefecture・Higashi Chaya District Kanazawa Odori is performed during a festival in September each year by the Geisha who work on Kazuemachi Tea House Street in Kanazawa City. The festival is usually held in Ishikawa Ongakudo (石川音楽堂) and lasts a total of 4 days. The three chaya districts (teahouse districts) of Kanazawa date back to the Bunsei Era (文政) of the Edo Period. The expansion and development of art and culture was highly supported throughout the Kaga Domain (加賀藩) and Noh theater became very popular at this time. The words "Sora kara utai ga futtekuru" (空から謡が降ってくる, Songs Will Rain From the Sky) which can be seen in the video from 0:44, refer to the singing that could be heard all over the town of Kanazawa during a period in which Noh theater was extremely popular. The Geisha continued to perfect the art of hospitality and entertainment over the years eventually becoming an integral part of the culture of Kanazawa City. The three remaining chaya districts of Kanazawa City are an important piece of Japanese history and are a good demonstration of the atmosphere and lifestyle of the Kanazawa Geisha of the time. The three chaya districts of Kanazawa City are called the Higashi Chaya District (東茶屋街), Nishi Chaya District (西茶屋街) and Kazuemachi Chaya District (主計茶屋街). Seijirou Shimada (島田清次郎), the author of the Taisho period (大正時代) (1912AD-1926AD) bestselling novel "Chijo" (地上), was said to have lived here when he was a young boy. The Higashi Chaya District and Kazuemachi Chaya District were added to the list of "Preservation Districts for Groups of Traditional Buildings" (重要伝統的建築物群保存地区) in 2001 and 2008, respectively. Kanazawa Geisha have also had a great impact in areas of writing and architecture in Japan. If you'd like to try an ozashiki experience (Geisha dinner experience), you have to make sure you follow proper etiquette. For the Kanazawa Geisha, these experiences are a serious part of their training. There are set times when alcohol and food may be enjoyed and also times where one must refrain from eating or drinking to fully enjoy the performance. The Three Highlights of Kanazawa Odori! The Grand Finale "Kanazawa Fuuga," Ozashiki, and Tea Ceremony! Source :YouTube screenshot Teahouses have a tradition of generally turning away first-time customers, therefore it may be difficult to try Ozashiki as a tourist. However, you can purchase a ticket called "Kaga no Utage" (加賀の宴) which allows you to experience the Geisha dining experience easily. You can also take part in a tea ceremony during the Kanazawa Odori festival. Taking part in these experiences will help you learn more about the life of Geisha. The real pleasure in Kanazawa Odori is that there are a variety of programs to enjoy. These include "Icchoichibu" (一調一舞) which is a dance performed to a small hand drum, "Subayashi" (素囃子) which is a song and dance performed to shamisen and taiko drums, and "Ozashikidaiko" which is performed using drums called "Shimedaiko," "Odaiko" and more. From 2:31 in the video, you can take a look at "Kanazawa Fuuga," which is performed by a group of Geisha in unison. It's a must see for those interested in Kanazawa Odori! The lyrics were written by Naoki Prize (直木賞) winner Tomomi Muramatsu (村松ともみ), the music was written by Hisamatsu Yamato (大和久松), the head of the Yamatogaku School (大和楽), and Ukon Nishikawa (西川右近), the head of the Nishikawa Nihonbuyo School, (日本舞踊西川) was in charge of choreography. Summary of Kanazawa Odori Source :YouTube screenshot Kanazawa Odori is highly praised and admired not only in Japan but also overseas. Enjoy watching the Geisha demonstrate the spirit of Japanese "omotenashi" through their elegant dance and other performances in the video!

Video introduction of "Shintomi-za Children's Kabuki" in Chuo-ku, Tokyo This video, titled "[Yoshitsune Senbon Zakura｜Yoshinoyama] Shintomi-za Children's Kabuki｜Annual Dedication Performance｜Heisei 30" (「義経千本桜　吉野山」　平成３０年 新富座こども歌舞伎 例大祭奉納公演), was produced by "machihito." Shintomi-za Children's Kabuki was established in 2007 (the 19th year of the Heisei period) to provide children in the community of Chuo Ward (中央区, Chuo-Ku), Tokyo, with an opportunity to experience the performing arts of their hometowns. Every year during the Setsubun Festival in February and the Annual Festival in May, the children dedicate popular performances, such as "Shiranami Gonin Otoko" (Benten Kozō) at the Kagura hall of Teppozu Inari Shrine. The video shows a 30-minute performance of the Shintomi-za Children's Kabuki's annual dedication performance. It's well worth the watch, so be sure to check it out. The History of Shintomi-za Children's Kabuki Source :YouTube screenshot Shintomi-za Children's Kabuki was originally founded in 1875 as a stock company theater renamed from Morita-za. In 1872, it moved to Shintomi (新富町) and was officially renamed to Shintomi-za. In April 2007, local children gathered to form Shintomi-za Children's Kabuki, and on February 3, 2008, they presented "Sanninkichi Satomoeno Shiranami." The Child Actors of Shintomi-za Children's Kabuki Source :YouTube screenshot The child actors who participate in Shintomi-za Children's Kabuki are chosen from children who attend Taimei Elementary School and other schools in the Ginza (銀座) area. The children rehearse music and performances in preparation for the big event. On the day of the show, they wear traditional costumes and makeup to perform on stage. It's very difficult for children to study the old Japanese language and express the uniqueness of Kabuki with their movements. However, the video shows the children performing a highly advanced performance with a great deal of skill. The performance is filmed in full and starts from 1:13 in the video, so enjoy the show! The Story of Yoshitsune Senbon Zakura Photo：Ningyo-Joruri Yoshitsune Senbon Zakura (Yoshitsune and the Thousand Cherry Trees) is a Ningyo-Joruri (traditional Japanese puppet theatre) and Kabuki performance. The story depicts the tragedy of the Heike warlords who survived after the Genpei War (a battle between the Taira and Minamoto clans) and those who were involved. The fourth chapter depicts the journey of Shizuka Gozen and Tadanobu Sato on their way to Yoshino. This performance is rather long, but has a fascinating story that draws in the crowd. "Yoshitsune Senbon Zakura" has been made into Japanese film and stage play, and has been performed by famous Kabuki actors such as Danjuro Ichikawa. Summary of the Shintomi-za Children's Kabuki Source :YouTube screenshot In addition to Shintomi-za Children's Kabuki, Shintomi-za also hosts events such as Terakoya. If you want to experience traditional Japanese art and culture, be sure to check out information regarding Shintomi-za Children's Kabuki and consider buying tickets to the next performance!

Learn About Noh Theatre With the Kanze School of Noh! This video, titled "Manners and Etiquette Handed Down Through Generations of the Kanze School of Noh｜nippon.com" was created by "nippon.com." Noh is a traditional performing art of Japan. It has a long history in Japan, much like Kabuki, tea ceremony, and Buyo. There are many schools of Noh, including the Kanze school of Noh featured in the video. Style and performance can vary greatly depending on the school that an actor belongs to. In this video, we'll introduce the Kanze school of Noh. If you're interested in traditional Japanese performing arts, we highly recommend checking out this article and video! The Ever Popular World of Noh Theatre Photo：Noh stage In this video, the 26th head of the Kanze School of Noh, Kiyokazu Kanze (観世清和), talks about Noh and the importance of passing on the art to next generation. At 2:38 in the video we see Saburouta Kanze (観世三郎太) performing as a heron, one of the highlights of the video! From 1:00 in the video, Kiyokazu Kanze talks about teaching his son Saburouta. Then, at 2:20, he goes on to say that "to learn Noh, it is not enough to simply imitate a performance, one must make the performance their own and elevate it to another level." From 3:53, he explains how constantly improving one's performance until their full potential is reached is the most important aspect of Noh. You can hear Kiyokazu Kanze talk about his feelings towards his son throughout the entirety of this 5 minute long video. A Closer Look at the Traditional Performing Art, Noh Photo：Noh "Nougaku" (能楽) is the general name given to the performing arts Noh and Kyogen (狂言). It is one of Japan's oldest traditional performing arts and is registered as an Intangible Cultural Asset. There are six important features of any Noh play: ・Shosa (所作): Performance ・Utai (謡): Chanting ・Hayashi (囃子): Musical accompaniment ・Men (面): Masks ・Shozoku (装束): Costumes ・Kodogu (小道具): Props Movements in Noh involve standing up straight with ones chin tucked in in a posture called "Kamae" (カマエ). Walking without lifting one's heels off the ground, called "Hakobi" (ハコビ), is another characteristic feature of Noh plays. Back when Noh was first being performed by Kan'ami (観阿弥) and Zeami (世阿弥) in the Muromachi period (1336 AD - 1573 AD), "Kamae" had yet to even be established. "Utai" refers to the lines or speech in a Noh play performed by the lead role called the "Shitekata" (シテ方). This is important in correctly portraying the feelings of the characters in the play. "Hayashi" refers to the musical accompaniment, which usually include a flute, small and large hand drums, and taiko drums (太鼓). In some cases, the taiko drum may not be used. The music is often played at a low volume as not to interfere with the performance. "Men" refers to the masks worn during a Noh play. There may be times when masks are not worn as well. "Shozoku" is the term used for Noh costumes. White is often worn by nobles, whereas young women are often dressed in red. Many props are used on stage during Noh performances. In contrast to the larger props which must be prepared well in advance of the performance, many small, simple props are often repurposed for each performance. More About the Kanze School of Noh Source :YouTube screenshot The Kanze school is but one of many different schools of Noh Theatre. Its name originates from the Yuzaki guild (結崎座) of Yamato Sarugaku (大和猿楽). "Kanze" was the childhood nickname of Kan'ami, the founder of Noh. The Sarugaku performances of Kan'ami Kiyotsugu were what led to the creation of the Kanze School. The Kanze School of Noh's traditions and performances continue even today. Summary of Japan's Noh Theatre Performers of the Kanze school of Noh are continually working hard to perfect their performances in the hope that the traditional art continues for generations to come. If you're interested in watching a Kanze school performance, we highly recommend watching the video to get a taste of Noh theatre! There more you learn about the family trees and schools of Noh, the more interesting it becomes! 【Official Website】Kanze School of Noh https://kanze.net/en/publics/index/

Traditional Japanese Technology - About the Karakuri Puppet intro video The video “Karakuri puppet – 4K Ultra HD,” created by TokyoStreetView – Japan The Beautiful, introduces two traditional Japanese wind-up puppets: "Yumihiki Doji" (弓曳童子), the puppet of a boy drawing a bow, and "Mojigaki Ningyo" (文字書き人形), the calligraphy puppet. In this three-minute video, you can see how these famous puppets work, so we highly recommend watching the video if you're interested in the following two questions: ・How do traditional Japanese Karakuri puppets move? ・What is the history and culture of traditional Japanese Karakuri puppets? This article focuses on the traditional Japanese technology “Karakuri” puppets, which is said to be the origin of robot creation. To begin with, please take a look at the video to see delicate and intricate movements of the puppets. About the Puppets "Yumihiki Doji" and "Mojigaki Ningyo" Source of Photo :YouTube screenshot The two puppets "Yumihiki Doji" and "Mojigaki Ningyo" are representative examples of Japanese wind-up puppets, as well as the famous puppet “Ocha Hakobi Ningyo (お茶運び人形),” the teacup carrying puppet. The first puppet "Yumihiki Doji," which you can see at 0:05 of this video, grabs four arrows firmly and shoots them at its target. The puppet aims at the target carefully, sometimes raising its face and even changing its own facial expressions. From 1:52 you can see another mechanized puppet “Mojigaki Ningyo,” holding ink brushes in its mouth and hand and writing letters on paper in the other hand. You'll be amazed when it starts writing two different letters at the same time! About Karakuri Puppets- Traditional Japanese Technology Photo：A Karakuri Puppet on a Parade Float Karakuri wind-up puppets have a long history; dating all the way back to the Heian period(794-1185). Back then, hand-puppeteered Karakuri puppets were mostly used for entertainment during rituals or at theaters. It is said that this kind of wind-up puppet was developed further in the Edo period(1603-1868). Wind-up puppets were a kind of pop culture back then; they were used as toys to play in tatami rooms or placed on festival floats. Today you can see these puppets at traditional Japanese puppet shows such as Ningyo Joruri (人形浄瑠璃), Takayama Festival (高山祭り, Takayama Matsuri) in Gifu prefecture, Karakuri Ningyoshibai Hall in Gunma prefecture, Takeda Marionette Theater (竹田人形座, Takeda Ningyo-Za) in Nagano prefecture, and many more. There is a book called "Karakuri Zui" (機匠図彙), showing structures and mechanical drawings of Karakuri wind-up puppets. It includes how to make nine different kinds of puppets. The best puppet creators in the Edo period are said to be Oumi Takeda and the “Karakuri Master”(からくり儀右衛門, Karakuri Giemon) Hisashige Tanaka. Currently Tanaka's works are preserved at the National Museum of Nature and Science in Tokyo. Today Mr. Tamaya Shobei IX, the professional Karakuri puppet craftsman, restores, repairs, produces and sells puppets. Karakuri wind-up puppets are powered by wood, springs, and threads, and therefore don’t require electricity. The technology of traditional Karakuri puppets is highly valued, as it is said to have had a profound impact on western technology Overview of Karakuri Puppets Source of Photo :YouTube screenshot In the video "Karakuri puppet – 4K Ultra HD," you see the two automatic wind-up puppets: "Yumibiki Doji" and "Mojigaki Ningyo." The movements of both puppetss is quite interesting; It's as if the puppets are changing their own facial expressions. Also, don’t overlook the tiny puppet below Yumibiki Doji turning a lever! In addition to the two puppets in this video, there are various other kinds of Karakuri wind-up puppets: magician puppets, spirit buying puppets, airplane operating puppets, and more. If you are interested in traditional Japanese technology, please look into some of these other puppets as well!

日本の伝統文化、京都で目にする舞妓とは？ こちらの動画は「明日への扉 by アットホーム」が公開した「#002 舞妓 美恵雛（みえひな） |　明日への扉 by アットホーム」です。 今回は日本の古都京都で芸妓になることを夢見る一人の舞妓に密着した動画を紹介。 こちら記事では、動画に沿って、舞妓という職業、下積み生活や仕事内容・伝統文化に生きる舞妓さんを紹介します。 京都のお座敷文化・伝統文化を守る舞妓の日常 舞妓とは、芸妓になるために必要な芸能を仕込む見習い・下積み期間のことです。 しかし、下積みだからと言って簡単なものではなく、芸妓と同じように座敷に出てお客様の楽しいひと時を共にしたり、三味線や芝居・舞踊を舞うことが必要になってきます。 舞妓の日中は芸の稽古・から始まりました。礼儀作法やしつけ・しきたりから始まり、衣装・着物の着付け・化粧・髪型・履物など些細な面まで教え込まれます。 また、三味線や踊りは一つ一つの些細な動きまで学ばなくてはいけません。 以前は舞妓になるために10歳くらいから花街で修行に入るため生活していましたが、今では中学校を卒業してから舞妓になる修行をする人が一般的です。 舞妓の日常は午前中は稽古。 午後からはお座敷の準備で白塗りをして舞妓へと。 日々、芸の道へ進み伝統文化を守る世界の厳しさを知れるのではないでしょうか。 日本の伝統文化を継承する京都　祇園の魅力とは 京都には宮川町歌舞練場で毎年行われる京おどりがあります。 この京おどりは若柳流の舞であり、京都の中でも伝統文化を伝えるに相応しい、選ばれた舞妓・芸妓で構成されています。 今回、美恵雛が選ばれ、立派に舞ったのです。 舞妓の美恵雛が伝統文化と向き合い一人前として芸妓になる時 舞妓が芸妓になる襟替えの時は生涯の中で一番の儀式です。 今まで幾度となく舞妓の厳しさを感じ京都の祇園から去ろうとも思った美恵雛。 芸妓になるまでに数多くの涙をしたこともあったでしょう。 世界を魅了する伝統文化舞妓紹介のまとめ 今回は日本の伝統文化を守るひとりの舞妓に密着した動画紹介しました。 昔までは一見様お断りのお店も多かったですが、最近では宴席やお茶席を体験や楽しめる料金プランも登場しています。 祇園東や先斗町・宮川町のお茶屋さんでお座敷遊びを楽しめるでしょう。 皆さんもこの記事で舞妓について興味が持たれましたら京都祇園に足を運んでみてはいかがですか。

This video, titled "Hashinosuke Nakamura and His Son Kunio Perform Renjishi for the First Time, at a Fashion Show for the Italian Brand FAY!" (中村橋之助＆国生親子、ファッションショーで初連獅子　イタリアブランド『FAY（フェイ）』日本上陸記念ファッションショー), was released by "oricon". In the video, kabuki actors Hashinosuke Nakamura and Kunio Nakamura perform a parent and child rendition of Renjishi at the Italian brand FAY's fashion show in 2015. Renjishi is one of the most popular kabuki performances, popular for its flashy costumes and breathtaking choreography. It is also a great opportunity for parents and children to work together, and this year's performance was the first Renjishi performance of Renjishi by Hahsinosuke and his son Kunio. The director and designer of FAY also wore a hakama to celebrate the pair's dance.

This , released by "Cinema Today" (シネマトゥデイ), is titled "Introducing "Cinema Kabuki｜Super Kabuki II: One Piece" Special Video" (『シネマ歌舞伎　スーパー歌舞伎II ワンピース』魅力を紹介！特別映像). The video ranks the appeal of Cinema Kabuki Super Kabuki II One Piece, which was performed in November 2015. Super Kabuki II: One Piece is a collaboration between Kabuki and the manga 'ONE PIECE' which has a lot of fans both in Japan and abroad. The play will be screened in movie theaters as "Cinema Kabuki" and this special video has been released. Although the film is Kabuki, the dialogue is in modern Japanese, making it easy to understand. The actors playing the characters are not only kabuki actors, but also include Seiji Fukushi and Tadanobu Asano. Check out the video to see the awesome performance!

This video is titled "1000 Year Old Japanese Bonsai Tree Adventure ★ ONLY in JAPAN." It was released by "WAO RYU!ONLY in JAPAN." The video introduces the Omiya Bonsai Art Museum in Saitama City, Saitama Prefecture. The Omiya Bonsai Art Museum has more than 1000 bonsai trees on display. At 2:00 in the video, you can see an interview with a staff member of the museum as well. Be sure to check out the beautiful bonsai featured in the video!

A Koto Performance Beneath the Cherry Blossoms This video, titled "Sakura – 25 strings koto (さくら(Sakura)　25絃箏 (25 strings koto))," contains footage of a koto performance under the cherry blossom. It was created by "Kasumi Watanabe." The video features 17 and 25 string koto musician Kasumi Watanabe (渡邉香澄). The koto is a traditional Japanese musical instrument with a soft, beautiful tone that is very relaxing to listen to. You can take a look at Kasumi Watanabe's performance from 0:09 in the video. The Koto - A Traditional Japanese Instrument Photo：A koto The koto was introduced to Japan from China over 1,300 years ago during the Nara period (794 AD-1185 AD). It quickly became popular among the wealthy. During the Edo period (1603 AD-1868 AD) the musician Yatsuhashi Kengyo (八橋検校) created the foundation of koto music that continues to be used to this day. A tool called a "Ji" (柱) is used to tune the koto. There are two main styles of koto, referred to as "Ikuta-ryu" (生田流) and "Yamada-ryu." Differences between the styles include the shape of the instrument, the picks used, and playing method among others. Listen To the Beautiful Melody of "Sakura"! Photo：Playing the koto The well-known song "Sakura" featured in the video, is performed by Koto musician Kasumi Watanabe. In Japan, when the cherry trees blossom in spring, people travel all over the country to enjoy cherry blossom viewing. Traditional koto and gagaku (雅楽) performances can be heard at famous cherry blossom viewing spots around the country. It's a great way to celebrate the coming of spring! Learn to Play Traditional Japanese Musical Instruments! Photo：A woman playing a koto There are many schools around Japan where you can learn to play traditional Japanese musical instruments. The koto, in particular, is popular for its beautiful and elegant image. The special kind of sheet music used takes a little getting used to, but once you start playing you're guaranteed to fall in love with it. You can also learn other traditional Japanese musical instruments, such as the Shamisen (三味線), or take part in a traditional Japanese music performance experience. If you're interested in learning more about traditional Japanese performing arts, we highly recommend joining one of these classes! Summary of the Koto - A Traditional Japanese Instrument Source :YouTube screenshot The koto is a traditional musical instrument that has been played in Japan for hundreds of years. In the video, you can listen to the song "Sakura" played by a professional musician. The peaceful melody is sure to leave you feeling at peace. We highly recommend trying out one of Japan's traditional musical instrument experiences on your next sightseeing trip to Japan. You can pick out your favorite instrument and enjoy playing the music of your choice!

What is Kamimo Meijiza, a playhouse in Nakatsugawa City, Gifu Prefecture? This video, produced by "N.a.," is titled "[Beautiful Japan] GIFU The Meijiza Playhouse,Tono." It introduces the Kashimo Meijiza, a performing arts theater in Gifu Prefecture. Gifu Prefecture's Kashimo Meijiza is a historical theater built in 1894. In the old days, Kabuki was performed by local amateur actors, and many theaters were built where these performances took root. This video shows actual Kabuki performances at Kashimo Meijiza. Relax and enjoy the traditional Japanese performing arts! Kabuki - A Traditional Japanese Performing Art Source :YouTube screenshot Kabuki is an ancient form of taishu engeki (大衆演劇). The word "kabuki" (歌舞伎) comes from the word "傾く" (Kabuku), which long ago meant "to perform kabuki." Kabuki began as a dance performance started by Izumo no Okuni in Kyoto, and gradually spread throughout the country. Today, the traditional performing art Kabuki is designated as an Important Intangible Cultural Property of Japan. At one point, people were so absorbed in the plays that the Shogunate issued a ban on them. Other traditional performing arts of Japanese origin include Kyogen and Noh theatre. Kashimo Meijiza, shown in the video, works with the Toza Theater in Shirakawa, Gifu Prefecture, and holds a variety of events to give visitors a casual introduction to the traditional arts, such as exhibitions of amateur kabuki equipment. Famous Kabuki Actors Performing at Kashimo Meijiza! Source :YouTube screenshot Opened in 1894, Kashimo Meijiza was a popular event venue for a variety of performances, including traditional kabuki theater, plays, and dances. Since the mid 1990's, it has hosted performances by famous actors such as Nakamura Kanzaburo and Nakamura Shichinosuke. In the video, you can see how the venue is set up to welcome the audience at 1:06, performers putting on their makeup and wigs before going on stage at 1:22, and an actual performance at 1:45. Summary of Kashimo Meijiza, a Traditional Performing Arts Theater Source :YouTube screenshot You can watch kabuki performances on TV, but watching a kabuki performance from a seat in a kabuki theater is a special experience. If you'd like to see a kabuki performance in person, check out the performance information for Gifu's Kashimo Meijiza and plan a sightseeing trip in the area when one is taking place! The unadulterated spirit that can be found in traditional kabuki and kabuki theaters is truly something to behold. If you'd like to see a kabuki performance in person, check out the performance information for Gifu's Kashimo Meijiza and go sightseeing in the area! ◆Kashimo Meijiza｜General Information◆ 【Address】4793-2 Kashimo, Nakatsugawa, Gifu 508-0421 【Access】50 minutes by car from the Nakatsugawa Interchange on the Chuo Expressway, or from JR Nakatsugawa Station, take the Kita-Ena Kotsu Bus and get off at Manga (万賀). 【Parking】Available 【Official Website】Kashimo Meijiza http://meijiza.jp/english.html 【Tripadvisor】Kashimo Meijiza https://www.tripadvisor.com/Attraction_Review-g1015944-d12194397-Reviews-Kashimo_Meijiza_Theater-Nakatsugawa_Gifu_Prefecture_Tokai_Chubu.html

ギネス世界記録に挑戦！刀でイグサを切りまくる動画紹介 こちらの動画は「ギネス世界記録 公式チャンネル」が公開した「尋常じゃない動き！武道家の達人が、刀でイグサを切りまくる【ギネス世界記録】」です。 日本伝統の文化は今も尚さまざまな形で根付いています。 武道家としての道を究めた人の持つ技術は神業と呼ばれることもあります。 今回は日本刀でイグサをひたすら斬る動画を紹介します。 ギネス世界記録に挑戦！刀でイグサを切りまくる動画とは 動画で紹介されている日本を代表する居合術家の町井勲(マチイイサオ)が日本刀を用いてひたすら猛スピードでイグサを斬る動画です。 実際の居合術の様子だけでなく、町井勲のインタビューとギネス世界記録を樹立した瞬間が収められています。 世界記録を保持している武道家はどれほどすごいのか知りたい方にうってつけの動画です。 町井勲が達成したギネス世界記録は日本刀を用いた1分間速斬りの最多数。動画内の記録は87太刀です。 町井勲とはどのような人物なのか 町井勲は修心流居合術兵法創始者。 平成のサムライと呼ばれ、6つのギネス世界記録を達成したことでも有名です。 2005年に居合術道場「修心館」を開設しています。 また『最強のすすめ ～日本刀が教えてくれた日本人の生き方～』という著書をはじめ、修心流居合術兵法の初歩に関するDVDを発売するなど日本伝統の居合術を広めるために精力的に活動していることでも有名。 町井勲が樹立したその他の世界記録 町井勲は1分間速斬りの最多数の他に樹立したギネス世界記録は ・据斬 ・3分間速斬り ・最速テニスボール居合斬り ・6ミリBB弾居合斬り ・千本斬り の5つになります。 日本刀1本で世界記録をいくつも達成する神業は想像以上の努力と才能が必要です。 ギネス世界記録に挑戦！刀でイグサを切りまくる動画紹介まとめ 日本伝統の文化の1つである侍や居合術。 今回紹介した動画は世界記録を達成した日本の武道家の凄技が収められています。 この記事を通して日本伝統の文化や歴史などを学びたい、触れてみたいと感じていただけたら幸いです。

This video, titled "[Promoting Cross-Cultural Exchange Through Flowers] Flower Arrangement Artist・Shogo Kariyazaki｜nippon.com" (「花を通じて異文化交流を深めたい」 華道家・假屋崎省吾 | nippon.com), was released by "nippon.com." In this video, you can see flower arrangement artist Shogo Kariyazaki's solo exhibition. The solo exhibition is held every year, and Kariyazaki says that it's his life's work. You can check out his artistic and powerful works in this video!

Kamikiri: The Art and its Origins This video is titled "Kamikiri (Yose)" (紙切り（寄席）), and it was created by “bunkachannel”. Rakugo is a traditional Japanese culture. Yose refers to the theater where rakugo takes place. But did you know that besides rakugo, there’s another performance called “kamikiri,” introduced in this video, that is conducted in a yose? “Kamikiri” is an impromptu performance where the performer cuts out paper according to the theme provided by the audience. Its roots are in the Edo period (1603-1868), where it was performed as entertainment for banquets, and it was established as a performing art in the Meiji period (1868-1912). It truly is a piece of art, made with just a single pair of scissors. It is a traditional performing art that is popular among foreigners as well. Watch a 3-minute video of this historic Japanese traditional performing art that is not only beautiful but also funny. Masters of Kamikiri: Shoraku Hayashiya and Niraku Hayashiya Source :YouTube screenshot The two performers in this video are Shoraku Hayashiya and Niraku Hayashiya, both famous for their skills in kamikiri. Shoraku is a kamikiri master, and he performs on television programs as well as at theaters in Asakusa (浅草, Asakusa) and Ueno (上野, Ueno). He performs not just in yose, but in theaters in and out of Japan. At 1:09 in the video, you can see a kamikiri of a man and women sharing an umbrella, a type of kamikiri Shoraku is particularly skilled at. Be sure to check it out! His apprentice, Mr. Niraku, has also inherited his master’s skills and traditions, and has gained popularity through his storytelling-based kamikiri. There’s no need for complicated language when it comes to kamikiri. It’s a performance that can be enjoyed by anyone who understands shapes, so beginners who have trouble understanding the more complicated rakugo, or non-Japanese people can also enjoy kamikiri! Kamikiri: It’s Harder Than It Looks! Source :YouTube screenshot One of the main characteristics of paper cutting is that there are no mistakes. The rakugo performer sits on the “koza” (the stage of the yose) and collects requests from the audience. You only have one shot—no drafts or second chances! At 1:32 in the video, he receives a request for a “Wind Chime Shop” from an audience member. He cuts the paper in an instant, following the beat of the hayashi music. Just cutting it while sitting stiffly isn't interesting. Therefore, the performer uses small talk and story telling to captivate the audience. The resulting forms are scenes from traditional Japanese kabuki plays, animals, anime characters and more. Each kamikiri is also crafted differently. The finished art is passed out as a souvenir, as you can see in 2:25, so try to reserve a first-row seat if you’re watching in a yose! In order to perform kamikiri, you must have the skill of a craftsman: the skill to cut the paper while imagining various finished versions of the art in your mind. Summary of Kamikiri　 Photo：Kamikiri The only tools you need to perform the traditional Japanese performing art “kamikiri” are one pair of scissors and one piece of paper. Because it is so easy to begin, there are lessons that teach how to do kamikiri, changing rakugo and kamikiri into something that is more familiar to us. However, the two members of the Hayashi family have a unique sense of humor that is not easy to imitate. Experience the awesome performances of these professionals in this video.

Yonezawa Uesugi Festival" in Yonezawa City, Yamagata Prefecture, Video Introduction The video we'll be introducing this time is "Demonstration of Real Matchlock Guns" (本物の火縄銃の発砲実演), which as it's title suggests, demonstrates the firing of matchlock guns. The matchlock is one of the firearms that was introduced to Japan during the age of civil wars (c. 1467 to 1615). The matchlock is a smoothbore muzzleloader. The ignition method is classified as a matchlock type due to firing mechanism. When fired, the fuse comes into contact with a black powder propellant, thus igniting it and causing the gun to fire. The history of guns in Japan begins with the matchlock gun invented in Europe in 1543 that first landed in Tanegashima of Kyushu's Kagoshima Prefecture. Because of this it was referred to as a Tanegashima Gun or just "Tanegashima." According to the "Teppoki" an Edo Period (1603 to 1868 AD) account of the history of guns in Japan, Sengoku military commander Tokitaka Tanegashima adopted matchlock guns immediately after seeing a demonstration of their power, and soon after, matchlock guns spread throughout the rest of Japan. After its introduction, the design was improved upon, becoming a flash type matchlock using a spring as a trigger to improve accuracy. The History and Characteristics of the Matchlock Photo：A matchlock ashigaru squad The firearm before the matchlock was a touch-hole typethat was manually ignited by touching a flame to the ignition port, but a serpentine lock type that was operated with an S-shaped metal fitting was devised. In addition to that, a stock was added, and a matchlock gun was completed. The match lock system that was invented after that improved upon its range and power, and transformed it into a flint lock system that ignites by striking a flint rock. Comparing a museum matchlock with modern rifles, one of the things that stands out the most is the shape around the grip, which is very different. Therefore, it is said that the firing method was to shoot with the elbow stretched out instead of firing with the butt of the gun in one's shoulder. Oda Nobunaga, who held influence over the entire country during the Azuchi-Momoyama era, used the matchlock on the battlefield, and defeated the Takeda army at the famous battle of battle of Nagashino. The firing speed, which is a weak point of the matchlock gun, was made practical by forming teams of firing squads which led to Nobunaga's victory. During the Edo period, the shogunate restricted the possession of matchlock guns. Technology was stagnant due the national isolation policy that had been implemented by Japan's government, and new guns weren't introduced until the end of the Edo period at which point matchlock guns had become obsolete. Types of Matchlocks Photo：A matchlock In Japan, matchlock guns are categorized according to the weight of the ball they use, the place of production, and the school. Depending on the weight of the bullet, a matchlock is placed in either the small cylinder, medium cylinder, large cylinder, or large gun category. The production areas include Kunitomo Tsutsu, Sakai Tsutsu, Hino Tsutsu, Tosa Tsutsu, Satsuma Tsutsu, and more. Replicas made by safe gun makers are used in marksman competitions. Even in many Western countries, Japanese-style matchlock guns are used in quite a few tournaments. They are also sold to individuals, but they usually do not disclose prices and require you to contact them regarding any inquiries. In addition, even if you do not compete in competitions, you will need to register possession of one because it is subject to the regulations regarding possession of guns and swords. A Firing Demonstration at the Yonezawa Uesugi Festival Source :YouTube screenshot The Yonezawa Uesugi Festival held in Yamagata Prefecture in Japan's Tohoku region is one of the events where a matchlock demonstration is performed. The Yonezawa Uesugi Festival is a historic festival that has been held since 1965, and it is an annual festival held at the Uesugi Shrine, which enshrines the Uesugi family's ancestor, Uesugi Kenshin, as well as at Matsugasaki Shrine that enshrines Uesugi Yozan, Uesugi Kagekatsu, and Naoe Kanetsugu. On the final day of this event, you will be able to see a matchlock gun demonstration performed by 700 performers wearing armor, divided into the Uesugi and Takeda armies, and imitating the battle of Kawanakajima. A standing performer fires from 0:43 in the video, followed by crouching performers from 0:48, and finally from 0:56 we see a performer firing from the prone position. Summary of the Yonezawa Uesugi Festival Source :YouTube screenshot In this article we introduced the history and evolution of the matchlock gun. Did you like it? In the video, you can see a rare demonstration of the powerful matchlocks, so if you still haven't checked it out yet, we recommend giving it a watch! If you're interested in this kind of Japanese history, consider a trip to see the Yonezawa Uesugi Festival!

This video, released by "Entre Theatre Video Channel" (エントレ 演劇動画チャンネル), is titled "Minosuke's Naruto & Hayato's Sasuke! The New Kabuki Play "Naruto" Live at Shinbashi Enbujo!" (巳之助のナルト＆隼人のサスケ！新作歌舞伎「NARUTO -ナルト-」が新橋演舞場で開幕！). In the video, you can watch a public stage rehearsal for the 2018 kabuki "Naruto" and an interview with the cast. Naruto is a popular action manga that was serialized in Weekly Shonen Jump. This time, the world of "NARUTO" is expressed in kabuki, and a new kind of kabuki is performed with elements of modern drama and action. The entire show will run for four hours (including intermissions), making it a dense work of art. In this interview with Minosuke Bando and Hayato Nakamura, they discuss the subtle differences between kabuki and action, as well as highlights and their enthusiasm for the work.

This video, titled "Shoko Kanazawa, a genius calligrapher with Down's Syndrome - Inori no Zouko - nippon.com" (ダウン症の天才書家・金澤翔子 ー 祈りの造形 | nippon.com), was produced by "nippon.com." In this video, you can see a calligraphy exhibition by Shoko Kanazawa, a calligrapher with Down syndrome, at the Ueno Royal Museum in September 2017. Shoko Kanazawa began her calligraphy career at the age of five with her mother, a calligrapher, as her teacher. At the age of 20, she made her debut as a calligrapher, and is now considered a genius calligrapher! Check out the video to see the many wonderful works and thoughts of her mother.

This video is titled "#106 Gardener - Creating the garden of tea ceremony "Roji" - Kyosuke Ogawa - Door to Tomorrow by At Home." It was released by "Door to Tomorrow by At Home" (明日への扉 by アットホーム). In this video, you can see Kyoto gardener Kyosuke Ogawa working on the "roji," the garden to the tea ceremony room. Mr. Ogawa is the fifth-generation gardener at Uekuma, a long-established tea garden company in Kyoto. He mainly works on the tea gardens of the Urasenke. Check out the video to see how he creates beautiful roji through trial and error.

This video, titled "How to make Kimono - Digest Ver.," was released by Japanese Kimono Online Shop KYOTO. In this video, the process of making a kimono, starting from the hand-drawn sketches, is shown. The skilled artisans hand-draw the designs, which is a sight to behold in itself. The embroidery is also done by hand, resulting in beautiful kimono. Check out the finished kimono in the video!

This video, tilted "Exhibition - Kimono: Kyoto to Catwalk / Curator Tour (1 of 5)," was published by the Victoria and Albert Museum. In the video, you can see the kimono exhibition at the Victoria and Albert Museum in London in June 2020. It showcases the traditional and creative appeal of the Japanese kimono along with exhibitions. Check out the various kimono on display in the Western-style exhibition hall shown in the video.

This video, titled "Sennichi Kaihogyo" (千日回峰行), was released by "oNaraPark." This Video Is a Documentary Featuring Endo Hoshino, a Monk Who Has Been Training in the Mudoji Valley on the Southern Outskirts of Mt. Hiei for 12 Years. It is said that the monks who practice Kaihogyo wear white linen garments called 'Jōe,' which are said to act as burial clothing should they fail the pilgrimage. In the video, you can also see the practice of the 30-kilometer round trip around the foot of the mountain which lasts 100 days. The scene where Endo Hoshino, who has reached the 300th day of his journey, takes off his sandals as if to console himself on his seemingly endless journey while making a visit to the temple, is quite moving.