[Image1][Miyazaki Prefecture Gokasecho Traditional Performing Arts] Furutono Shrine KaguraDuring the Muromac
[Image2][Miyazaki Prefecture Gokasecho Traditional Performing Arts] Furutono Shrine KaguraDuring the Muromac
[Image3][Miyazaki Prefecture Gokasecho Traditional Performing Arts] Furutono Shrine KaguraDuring the Muromac

[Miyazaki Prefecture Gokasecho Traditional Performing Arts] Furutono Shrine Kagura

During the Muromachi period, local jinkagura and Iwato kagura were offered together here for rites, but through several revivals Ise kagura became blended in, producing a slower-tempo (roku-choshi) kagura that continues to the present day.

The origin of this kagura is the “Amano-Iwato Opening,” and it was performed to pray for a bountiful harvest and household safety. From Taisho 6 (1917) it also included prayers to calm fires; today it additionally includes traffic safety prayers, and a night kagura festival is held every January.

Furutono Shrine night kagura schedule…mid-January

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Jul. 4, 2024
Traditional Performing Art of Gokasecho, Miyazaki Prefecture: Ara-Odori (UNESCO Intangible Cultural Heritage) The Ara-Odori of Gokase is a style of elegant festival dance that was designated a National Important Intangible Folk Cultural Property on January 8, 1987 (prefectural designation: May 15, 1962). In February 2021, a group of 41 nationwide “furyu odori” (elegant festival dances), including Gokase’s Ara-Odori, was selected as a candidate for inscription on the UNESCO Intangible Cultural Heritage list. A nomination dossier was submitted to UNESCO in March of the same year, and the dances were officially inscribed on November 30, 2022. “Furyu odori” embodies the spirit of flamboyance and eye-catching elegance. Performers wear elaborate costumes and carry decorative props as they dance to songs and the sound of flutes, drums, and small gongs. Across Japan, 42 furyu odori entries (covering 25 prefectures and 43 municipalities) are designated National Important Intangible Folk Cultural Properties. In Miyazaki Prefecture, Gokase’s Ara-Odori is the only designated example. These dances carry prayers from local communities for protection from calamities, memorials for the dead, prosperous harvests, and rain. Villagers of all ages take part during festivals and annual events. Each locality’s history and natural environment are reflected in its performance, and the dances serve as a vital source of community energy. The Ara-Odori of Gokase is said to have begun in the Tensho era (1573–1592) when Sakamoto Iga no Kami Masayuki, lord of Sakamoto Castle (upstream of the Mikasho River), started the dance to raise his troops’ morale before going to war. Later, in the Keicho era (1596–1615), his grandson Sakamoto Yamashiro no Kami Nyudo Kyukaku established a ritual code for offering the dance to the guardian deity Futakami Daimyojin (now Mikasho Shrine). At that time, it is said that a successor from the temple called shinbochi oversaw funerary rites, and a monkey kept at the temple was also made to join the dance. One theory holds that the dance originated in Sakamoto, in Ōmi Province (modern Shiga Prefecture). However, the Nisshu Takachiho Kokon Jiran-ki (collected in Volume 4 of the Hyuga Local Historical Materials) records that descendants of Sasaki Rokkaku Takayori from Ōmi fled to Takachiho and served the Mitai clan; their descendants later took the names Saho, Sakamoto, and Masaki. The Sakamoto mentioned here is not the Sakamoto of Sakamoto Castle but the Sakamoto from Mukoyama to Kanegase, a separate lineage with its own origins distinct from the Minamoto, Oogami, or Fujiwara clans. Ara-Odori schedule: every year on the fourth Sunday of September