[Video1]Introduction of the sword from WakedōProduct number: K381120 Sign: Mumei Awataguti Certif: [N.B.T.H. 0:59
[Image2]Introduction of the sword from WakedōProduct number: K381120 Sign: Mumei Awataguti Certif: [N.B.T.H.
[Image3]Introduction of the sword from WakedōProduct number: K381120 Sign: Mumei Awataguti Certif: [N.B.T.H.
[Image4]Introduction of the sword from WakedōProduct number: K381120 Sign: Mumei Awataguti Certif: [N.B.T.H.

Introduction of the sword from Wakedō

Product number: K381120

Sign: Mumei Awataguti

Certif: [N.B.T.H.K] Jyuyo Touken

Scabbard inscription: Written by Mr. Homma Tōzan

Size: Blade length 69.5 cm, Curvature 1.4 cm, Mekugi 2 Hole

Country: Yamashiro Province

Period: Early Kamakura

Shape: Shinogi-zukuri, anvil ridge, slender, with width at the base and tip, a bit sturdy, with waist curvature, and a small tip

Forging: Itame-hada with some mokume, showing a flowing texture in places, with a slightly thick ji-nuri and ji-utsuri

Hamon: Fine straight blade style, small ko-mizukuri, mixed with small irregularities, with ashi and ha, a slightly deep nioi, small tempering, and generally fine hotsure, showing a mix of uchikake and chigai-ba style, with kin-tsuke and suna-nagashi, bright nioi

Tip: The omote is straight, the ura has a slight curve, and both return to a small rounded tip.

Carving: A groove is carved on the omote

Center: Made of shin-bu, shallow kurijiri, with a downward file pattern

White scabbard: Yes, written by Mr. Kunzan Honma

Explanation
In Yamashiro Province, the existence of old Kyoto swords from the late Heian period to the early Kamakura period, such as the Sanjō and Gojō schools, is known, but afterward, from the early to mid-Kamakura period, the Awataguchi school rose to prominence. During the mid-Kamakura to the Nanboku-chō period, the Rai school flourished. The Awataguchi school is famously represented by the six brothers Kuniyuki, Kuniyasu, Kuniyoshi, Arikuni, Kunitsuna, and Kunisada, who were known for their exceptional skills. They continued to produce renowned craftsmen such as Norikuni, Kuniyoshi, Kunimitsu, and Yoshimitsu, and their style has long been praised as "with a blue iron color and white blade."
This sword is slender with waist curvature, presenting an ancient form with a small tip. The forging shows an itame-hada with mixed mokume, a slightly thick ji-nuri, with ji-utsuri vividly standing out, and the hamon features a straight blade style mixed with small ko-mizukuri and small irregularities, showing the characteristics of the Awataguchi school. The well-tempered, high-quality steel, combined with the brightness of the ji, results in a graceful appearance, and the groove carved into the waist shows an antique quality. Furthermore, the original state of this sword from its time is very rare, with the tempering still remaining, making it highly valuable and a sight to behold.

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山城国では、平安時代末期及至鎌倉時代初期に三条・五条派等の古京物の存在が知らてているが、その後、鎌倉時代初期から中期にかけて粟田口派が台頭して栄え、鎌倉時代中期より南北朝期にかけては来派が栄えている。粟田口派は、鎌倉時代初期の国友を長兄とする久国・国安・国清・有国・国綱の六兄弟が世に名高く、何れも秀抜な技術を示し、その後も則国・国吉・国光・吉光など名工を輩出し、古来より『鉄色青く刃白し』と評されるなど同派の作風は上作物として長く賞賛されている。  この太刀は、細身で腰反りがついて先が伏さりごころとなり、切先を小さく結ぶなど古様な姿形を呈している。鍛えは板目肌に杢が交じり、地沸が微塵に厚くつき、地景が入り、沸映りが鮮やかに立ち、刃文は、直刃調に小互の目・小乱れを交えて小沸がつき、所々打ちのけや喰違刃をみせる作風を示しており、粟田口派の特徴がよく表れている。よく練れた精良な地鉄に地刃の明るさも相俟って優美な出来であり、腰に掘られた樋も古色がある。またこの時代の生まれたままの生ぶ姿というのがとても貴重で、焼き出しも残っており、資料的価値も高く、見ごたえのある一口といえる  
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Oct. 28, 2026
Introduction of Tsuba from Wakeido Item Number: E381101 Title: Enso Shidare Sakura Zu Tsuba Signature: Mumei Hikozo Certification: [N.B.T.H.K.] Jyuyo Tousougu Size: Length 80mm Width 77mm Thickness 5mm Period: Last of Muromachi to First of Edo School: Higo Hirata Description During the Sengoku period in Higo Province, Hosokawa Sansai, the lord of the Hosokawa clan, was a cultured individual who excelled in arts such as tea and poetry, having a deep connection with Sen no Rikyū. Under his guidance, the Higo style and Higo tsuba emerged, shining brightly in the world of sword fittings and captivating many enthusiasts. Among Higo, the four families of Hirata, Lin, Nishigaki, and Shimizu formed four branches, all serving the lord and prospering until the end of the Edo period. The Hirata family of Higo is of the Shōami lineage, with the first Hikozo serving Hosokawa Sansai in Kyoto. Following the relocation of the family, he moved to Kumamoto, where he passed away in the twelfth year of Kaei. From his disciples, Shimizu Jingo and Nishigaki Kanshirō emerged, forming the four major schools of Higo metalwork along with Lin Matachi of the Owari lineage. Technically, they inherited much of the Shōami tradition, utilizing materials such as iron, but often favoring colored metals like Yamadō, brass, and copper, adding elegant decorative features such as inlay work and Amida rasps. This piece features a harmonious blend of rich iron and gold inlay depicting weeping cherry blossoms. Overall, it exudes a high level of elegance, combining an ancient charm with practicality, making it a prime example of Hikozo craftsmanship.