[Image1]This is an introduction to Kozuka from Wakeido.Item Number: H381125 Title: Carp Design Kozuka Signat
[Image2]This is an introduction to Kozuka from Wakeido.Item Number: H381125 Title: Carp Design Kozuka Signat
[Image3]This is an introduction to Kozuka from Wakeido.Item Number: H381125 Title: Carp Design Kozuka Signat
[Image4]This is an introduction to Kozuka from Wakeido.Item Number: H381125 Title: Carp Design Kozuka Signat
[Image5]This is an introduction to Kozuka from Wakeido.Item Number: H381125 Title: Carp Design Kozuka Signat

This is an introduction to Kozuka from Wakeido.

Item Number: H381125

Title: Carp Design Kozuka

Signature: Natsuo (Kaou)

Certification: N.B.T.H.K. Special Preservation Sword Fittings

Dimensions: Length 97mm, Width 14.8mm

Period: Late Edo to Meiji Period

School: Natsuo

Description: Kano Natsuo is a well-known master representing the late Edo and Meiji periods. He was born in 1828 in the Atago district of Kyoto and became the adopted son of the sword merchant Kano Jisuke in 1833, changing his name to Jisaburo. Skilled with his hands, he learned engraving from Okumura Shōhachi and later improved his skills under Ikeda Takatoshi. He opened his business in Kyoto in 1846, taking the name Juro, and learned kanji from Tanimori Tanematsu and painting from Nakajima Raishō. He changed his name to Natsuo during the Kaei era. In 1854, he moved to Edo and worked at the Osaka Mint, producing new currency dies. In 1869, he returned to Tokyo and became a court employee. In 1890, he became a professor at the Tokyo School of Fine Arts and was appointed as an imperial artist.

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株式会社和敬堂
加納夏雄は言わずと知れた幕末明治を代表する名工である。  文政十一年(1828)に京都愛宕群馬場御通りで生まれ、天保四年(1833)に刀剣商加納治助の養子となり治三郎と改める。手先が器用で奥村庄八に彫金を習い、その後池田孝寿に入門して彫金の腕を高める。弘化三年に京都で開業し寿朗と名乗り、谷森種松に漢字を中島来章に絵画を学ぶ。嘉永年間に夏雄と改名した。安政元年(1854)に江戸に出て明治二年(1869)に大阪造幣局に出仕し新貨幣の原盤製作を行い、同四年、東京に戻り宮内小雇員となる。明治二十三年(1890)に東京美術学校教授となり、帝室技芸員となる。
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Introduction of the sword from Wakedō Product number: K381120 Sign: Mumei Awataguti Certif: [N.B.T.H.K] Jyuyo Touken Scabbard inscription: Written by Mr. Homma Tōzan Size: Blade length 69.5 cm, Curvature 1.4 cm, Mekugi 2 Hole Country: Yamashiro Province Period: Early Kamakura Shape: Shinogi-zukuri, anvil ridge, slender, with width at the base and tip, a bit sturdy, with waist curvature, and a small tip Forging: Itame-hada with some mokume, showing a flowing texture in places, with a slightly thick ji-nuri and ji-utsuri Hamon: Fine straight blade style, small ko-mizukuri, mixed with small irregularities, with ashi and ha, a slightly deep nioi, small tempering, and generally fine hotsure, showing a mix of uchikake and chigai-ba style, with kin-tsuke and suna-nagashi, bright nioi Tip: The omote is straight, the ura has a slight curve, and both return to a small rounded tip. Carving: A groove is carved on the omote Center: Made of shin-bu, shallow kurijiri, with a downward file pattern White scabbard: Yes, written by Mr. Kunzan Honma Explanation In Yamashiro Province, the existence of old Kyoto swords from the late Heian period to the early Kamakura period, such as the Sanjō and Gojō schools, is known, but afterward, from the early to mid-Kamakura period, the Awataguchi school rose to prominence. During the mid-Kamakura to the Nanboku-chō period, the Rai school flourished. The Awataguchi school is famously represented by the six brothers Kuniyuki, Kuniyasu, Kuniyoshi, Arikuni, Kunitsuna, and Kunisada, who were known for their exceptional skills. They continued to produce renowned craftsmen such as Norikuni, Kuniyoshi, Kunimitsu, and Yoshimitsu, and their style has long been praised as "with a blue iron color and white blade." This sword is slender with waist curvature, presenting an ancient form with a small tip. The forging shows an itame-hada with mixed mokume, a slightly thick ji-nuri, with ji-utsuri vividly standing out, and the hamon features a straight blade style mixed with small ko-mizukuri and small irregularities, showing the characteristics of the Awataguchi school. The well-tempered, high-quality steel, combined with the brightness of the ji, results in a graceful appearance, and the groove carved into the waist shows an antique quality. Furthermore, the original state of this sword from its time is very rare, with the tempering still remaining, making it highly valuable and a sight to behold.