[Image1]Introduction of Kozuka from WakeidoTitle: Plum Tree and Small Bird Design Kozuka Signature: Okina To
[Image2]Introduction of Kozuka from WakeidoTitle: Plum Tree and Small Bird Design Kozuka Signature: Okina To
[Image3]Introduction of Kozuka from WakeidoTitle: Plum Tree and Small Bird Design Kozuka Signature: Okina To
[Image4]Introduction of Kozuka from WakeidoTitle: Plum Tree and Small Bird Design Kozuka Signature: Okina To
[Image5]Introduction of Kozuka from WakeidoTitle: Plum Tree and Small Bird Design Kozuka Signature: Okina To

Introduction of Kozuka from Wakeido

Title: Plum Tree and Small Bird Design Kozuka

Signature: Okina Toshiyoshi sei

Certification: N.B.T.H.K. Hozon Tousougu

Size: Length 97.5mm Width 14.5mm

Period: Last of Edo

School: Tōryūsai school

Description
The Tōryūsai school traces its origins to Tanaka Kiyotoshi. Kiyotoshi was born in Aizu in the first year of the Bunka era and is said to have trained under the Aizu Masamune school in his youth. He honed his skills under the guidance of Kōno Shunmei Hōgen during his visit to the Tōhoku region, completing a clever style known as the Tōryūsai school. Many skilled disciples followed, including Toshiyoshi, who trained numerous students.
Toshiyoshi was Kiyotoshi's foremost disciple and a refined successor of the Tōryūsai school. With high-level techniques, he popularized the Tōryūsai style during the late Edo period.
This piece features a small bird and plum blossoms in a four-part design, with the trunk and branches of the plum tree having thick areas in high relief while becoming flat towards the end to create a sense of three-dimensionality. It embodies the essence of Tōryūsai and is quite charming.

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株式会社和敬堂
東龍斉派は田中清寿を祖とし、清寿は文化元年に会津で生まれ、青年時代は会津正阿弥の一門で修業していたといわれている。春明法眼が東北に訪れたのを期に彼に師事し腕を磨き、東龍斉派という気の利いた作風を完成させた。弟子にも有工が多く、寿良をはじめたくさんの弟子を養成した。  寿良は清寿の筆頭弟子で、洗練された東龍斎派の継承者ある。技術たかく、東龍斎派を幕末に流行させた。