[Image1]Introduction of Menuki from WakedoItem Number: M380905 Title: Botan zu Menuki Signature: Mumei, Mito
[Image2]Introduction of Menuki from WakedoItem Number: M380905 Title: Botan zu Menuki Signature: Mumei, Mito
[Image3]Introduction of Menuki from WakedoItem Number: M380905 Title: Botan zu Menuki Signature: Mumei, Mito
[Image4]Introduction of Menuki from WakedoItem Number: M380905 Title: Botan zu Menuki Signature: Mumei, Mito

Introduction of Menuki from Wakedo

Item Number: M380905

Title: Botan zu Menuki

Signature: Mumei, Mito

Certification: [N.B.T.H.K.] Hozon Tousougu

Dimensions: Left: Height 25.2mm, Width 22.5mm
Right: Height 25.2mm, Width 22.5mm

Weight: 22g (combined)

Period: Late Edo

School: Mito

Description
Mito is one of the Tokugawa Gosanke and a castle town. Here, a group known as Mito metalworkers flourished, forming the Mito carving style and producing many famous artisans such as Yuan Fu, Ichiryu Tomoyoshi, Mikawa Yoshihisa, Hiroyoshi Uchikoshi, and Hagiya Katsuhira. This piece is a menuki of peony made of pure gold, characterized by its large, three-dimensional form and excellent craftsmanship.

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Sep. 4, 2026
Introduction of Kozuka from Wakeido Item Number K380910 Title Hai ryu zu Kozuka Signature Mumei Eijyo Certification [N.B.T.H.K.] Jyuyo Tousougu (Attached) Enkyo 2nd year, two gold coins, five ryo, Mitsutaka Origami Size Length 97mm Width 14mm Period Momoyama School Goto 6th Explanation Eijyo, the sixth generation of the Goto family, was the legitimate son of the fifth generation, Tokunori, born in the fifth year of Tensho. His childhood name was Kameichi, his common name was Genshirō, and his given name was Masahiro. At the age of eighteen, in the third year of Bunroku, he succeeded the family head and changed his name to Shirōbei Masamitsu, becoming the sixth generation of the family. He served Toyotomi Hideyoshi alongside his father and ancestors from a young age, but became a ronin after the fall of the Toyotomi clan. In the second year of Genwa, recommended by his uncle Naganori, he began serving the Tokugawa family, appointed by Shogun Hidetada to roles involving weights, large coins, and carving, and was granted 250 koku of his former territory in Yamashiro Province and a stipend for twenty retainers in Edo, but died of illness at the young age of forty-one in the following third year of Genwa. Eijyo's style is said to resemble that of Norimasa, often being somewhat larger, but the craftsmanship is generally more delicate than that of Norimasa. This piece features a flowing dragon in gold patterns over a background of goldfish. The dragon is elegant and dignified, reflecting the characteristics of the Goto family during the Momoyama period, particularly associated with Eijyo, and the attached confirmation from the thirteenth generation Mitsutaka is acknowledged. Overall, it is a splendid piece that showcases the unique charm of Eijyo.