The Setouchi Triennale had already ended in early November, but my first visit to the western islands of Awashima, Ibukijima, and Hondo Island still felt refreshingly new.

Of the three islands, Ibukijima left the deepest impression on me.

Ibukijima is best known for the tiny dried fish that form the soul of Sanuki udon broth. However, more moving than any local specialty are the artworks displayed in the island’s unique Idebeya (communal birthing house) ruins—most notably Tree of Ibuki.

The Idebeya once served a function somewhat like Taiwan’s postpartum care centers. It is said that when a woman went into labor and the men of the household were out fishing, no one could stay home to care for her. So the community set up a space where expectant mothers could gather safely and focus on welcoming new life.

The theme of Tree of Ibuki symbolizes a mother’s womb and a rebirth, a shedding of the old self. The idea is profound, and standing inside the installation, looking out through kaleidoscopic mirrors, the layered views are intoxicating, as if you have entered another soft, tranquil world.