[Video1]Introduction of the Wakizashi from WakedoModel Number: W380610 Inscription: Mumei Yoshioka Ichimonji 0:59
[Image2]Introduction of the Wakizashi from WakedoModel Number: W380610 Inscription: Mumei Yoshioka Ichimonji
[Image3]Introduction of the Wakizashi from WakedoModel Number: W380610 Inscription: Mumei Yoshioka Ichimonji
[Image4]Introduction of the Wakizashi from WakedoModel Number: W380610 Inscription: Mumei Yoshioka Ichimonji

Introduction of the Wakizashi from Wakedo

Model Number: W380610

Inscription: Mumei Yoshioka Ichimonji
Sign: Mumei Yoshioka Ichimonji

Certification: Japan Sword Preservation Association, Important Sword
Certif: [N.B.T.H.K] Jyuyo Touken

Dimensions: Blade length 1 shaku 5 sun 8 bu (47.9 cm), Curvature 1.2 cm, 3 Mekugi holes, 2 filled, Width at the base 2.9 mm, Width at the tip 2.55 mm
Size: Blade length 47.9 cm, Curvature 1.2 cm, Mekugi 3 Hole

Country: Bizen Province
Country: Bizen

Period: Nanbokuchyo
Period: Nanbokuchyo

Shape: Shinogi-zukuri, Anmune, Wide body with a delicate tip. Shallow curvature

Forging: Well-textured itame, flowing grain, with a lively appearance.

Hamon: Choji midare, vibrant, with gunome, pointed edge, and small downward curves, with lively ashi and ha. The nioi-guchi is tight.

Boshi: Irregular, slightly returning in a yakitsume style.

Nakago: O-suriage, Kurijiri tip, with a file mark at an angle.

Shirasaya: Yes

Description
This wakizashi is attributed to the Yoshioka Ichimonji school from the Nanbokuchyo period. Its wide body and delicate tip construction are characteristic of this era. The lively hada with a flowing appearance and the choji midare with gunome and pointed edges showcase the features of this school. Both the ji and ha are in good condition and well-crafted.

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株式会社和敬堂
南北朝期の吉岡一文字派の作と鑑せられる脇差である。身幅広く、大切先の造り込みはこの時代の特徴であり、乱れ映りの立った肌目の地金は国を物語り、丁子に互の目、尖り刃など交え、やや小ずんだ刃が交じり、小足・葉が入るなど同派の特徴がよく出ている。地刃共に健全で出来が良い。
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May. 4, 2026
Introduction of a Wakizashi from Wakedo Inscription: Inoue Shinkai (Kikumon) Kanbun 13th year, August Sign: Inoue Shinkai (kikumon) Kanbun 13 nen 8 gatsuhi Certification: Special Preservation Sword by the Nihon Token Hozon Kyokai Certif [N.B.T.H.K] Tokubetsu Hozon Touken Dimensions: Length 1 shaku 5 sun 5 bu (47 cm), Curvature 1.2 cm, Mekugi hole 1, Width at the base 30.3 mm, Width at the tip 21.5 mm, Weight at the base 6.5 mm Size: Blade length 46 cm, Curvature 0.8 cm, Mekugi 1 Hole Country: Settsu Province Country: Settu Period: Mid Edo, Kanbun 13th year Period: Mid of Edo AD 1673 Shape: Shinogi-zukuri, an elevated ridge, with a slight curvature, showing a difference in width between the base and the tip. Forging: Well-packed itame-hada, slightly standing grain, with a thin layer of ji-nuri. Hamon: A wave-like straight edge with mixed gunome, featuring tobiyaki and a bright, deep nioi. Boshi: Beautifully rounded Carving: The front features a lotus pedestal and the back has a dokko sword Tsuba: Unpolished, with a raised point and a decorative file finish. Shirasaya: Yes Explanation During the Shin-to period, Inoue Shinkai was recognized as one of the top swordsmiths alongside Tsuda Echizen-no-kami Sukehira, receiving the highest accolades for new swords. The second generation Kunisada, Inoue Shinkai was the second son of the first Izumi no Kami Kunisada. Initially, he was named Izumi no Kami Kunisada like his father, and after being granted permission to use the kikumon by the court in the 4th year of Manji, he began to call himself Inoue Izumi no Kami Kunisada. Later, in the 12th year of Kanbun, he changed his name to Inoue Shinkai. Shinkai was a superior craftsman compared to his father, producing waves of nioi and displaying remarkable vitality and clarity, earning him a high reputation alongside other top swordsmiths of the new sword era, such as Tsuda Echizen-no-kami Sukehira and Nagasone Kotetsu, eventually being referred to as Osaka Masamune. This piece is a wakizashi inscribed by Shinkai in the 13th year of Kanbun, recognized as a top-quality work from the new sword era and celebrated as one of the best.